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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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188
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Piano seul
543
Orgue
65
Piano Facile
51
Piano, Voix
6
2 Pianos, 4 mains
5
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3
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
1
Instruments en Do
1
Clavier
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Orgue, Piano (duo)
1
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GUITARES
Guitare
37
Guitare notes et tablatures
25
2 Guitares (duo)
12
Banjo
5
Ukulele
4
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
Basse electrique
1
Guitare (partie séparée)
1
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VOIX
Chorale SATB
4
Voix seule
1
VENTS
Flûte traversière et Piano
20
Quatuor de Saxophones: 4 saxophones
16
Quintette de Saxophone: 5 saxophones
15
Quatuor de Clarinettes: 4 clarinettes
15
Clarinette et Piano
13
Hautbois, Piano (duo)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
2 Flûtes traversières (duo)
10
Clarinette
10
Saxophone Alto et Piano
10
Saxophone Tenor et Piano
9
Saxophone (partie séparée)
9
2 Saxophones (duo)
9
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Soprano et Piano
8
Quintette de Flûte : 5 flûtes
7
Quintette de Clarinettes: 5 clarinettes
7
2 Clarinettes (duo)
6
Clarinette (partie séparée)
5
3 Clarinettes (trio)
5
Cor anglais, Piano
4
Flûte et Guitare
4
Quatuor de Flûtes : 4 flûtes
3
Flûte, Violoncelle
3
Saxophone Baryton, Piano
3
Hautbois (partie séparée)
3
2 Hautbois (duo)
3
2 Flûtes traversières, Piano
3
Clarinette Basse, Piano
3
Hautbois, Basson (duo)
3
Clarinette, Violoncelle (duo)
2
Piccolo, Piano
2
2 Saxophones, Piano
2
Flûte, Clarinette (duo)
2
Hautbois, Clarinette (duo)
2
Clarinette, Basson (duo)
2
Flûte, trombone et piano
2
Hautbois, Violoncelle
2
Clarinette, Violon (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Trio de Flûtes: 3 flûtes
2
3 Saxophones (trio)
2
Hautbois et alto (duo)
1
2 Flûte à bec (duo)
1
Flûte, Clarinette et Basson
1
Clarinette Basse
1
Flûte, Trombone (duo)
1
Ensemble de saxophones
1
Flûte traversière
1
2 Clarinettes, Basson
1
Flute (partie séparée)
1
Saxophone Alto
1
Clarinette et Alto
1
Ensemble de Clarinettes
1
Flûte, Tuba (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
2 Cors (duo)
16
Trompette, Piano
14
Euphonium, Piano (duo)
10
Trombone (partie séparée)
8
Trombone et Piano
7
2 Euphoniums et 2 Tubas
7
Cor et Piano
6
Trompette
5
Trompette (partie séparée)
4
Cor anglais, Piano
4
2 Trompettes (duo)
4
2 Trombones (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trombone
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Trombones
3
Cor
2
2 Euphoniums (duo)
2
Cor (partie séparée)
2
Trompette, Tuba (duo)
1
Trio de Cuivres
1
Euphonium, Tuba (duo)
1
Trombone, Violon (duo)
1
Trompette, Trombone (duo)
1
Tuba
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
4 Tubas
1
2 Tubas (duo)
1
Tuba et Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
118
Violon et Piano
24
Violoncelle, Piano
16
Violoncelle
12
2 Violoncelles (duo)
12
Harpe
11
Alto, Piano
10
Violoncelle (partie séparée)
7
Violon
7
Trio à Cordes: violon, alto, violoncelle
7
2 Violons (duo)
7
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Alto seul
5
Violon, Alto (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon (partie séparée)
3
2 Altos (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Violoncelles
2
Contre Basse
2
Contrebasse (partie séparée)
2
4 Contrebasses
2
Violon, Basson (duo)
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
1
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
2 Violoncelles, Piano
1
2 Violons, Piano
1
Alto (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
43
Orchestre
12
Cloches
6
Orchestre à Cordes
5
Ensemble de cuivres
3
Ensemble de Percussions
3
Quatuor à Vent : 4 instruments à vents
2
Batterie (partie séparée)
1
Marimba
1
Orchestre de chambre
1
Quintette à Vent
1
Timbales (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Prelude no.2
Violoncelle, Piano
Partitions à imprimer
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1
Scriabin: Prelude, Op. 51, No. 2 for Cello & Harp
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1401530 Composed by Alexander Scri…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1401530 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984713. Published by jmsgu3 (A0.1401530). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
30.14 €
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Violoncelle, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No. 2 for Cello & Harp
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude, Op. 51, No. 2, for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1401541 Composed by Alexander Scri…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1401541 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984725. Published by jmsgu3 (A0.1401541). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
30.14 €
#
Violoncelle, Piano
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Alexander Scriabin
#
James M
#
Scriabin: Prelude, Op. 51, No. 2, for Cello & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scria…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
24.65 €
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Violoncelle, Piano
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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jmsgu3
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SheetMusicPlus
5 Romantic Songs for Cello and Piano - Book 2
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1273262 Composed by Claude Debussy…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1273262 Composed by Claude Debussy, Franz Schubert, Frederic Chopin, Georges Bizet, and Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Romantic Period,Wedding. Score and part. 56 pages. Sheet Music To Play Editions #865410. Published by Sheet Music To Play Editions (A0.1273262). The Romantic Era Song Album (Book 2). The Most Famous Romantic Songs. Arrangement for Violoncello and Piano. With Full Score and Individual Parts. Enjoy it!Song List:Schubert - Serenade D.957 Chopin - Prelude No.4, Op.28Bizet - HabaneraPuccini - O Mio Babbino CaroDebussy - Clair de LuneFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
9.14 €
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Violoncelle, Piano
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Claude Debussy, Franz Schubert, Frederic Chopin, Georges Bizet, and Giacomo Puccini
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César Madeira
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5 Romantic Songs for Cello and Piano - Book 2
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Sheet Music To Play Editions
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SheetMusicPlus
Chopin: Prelude Op. 28 No. 6 for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1399669 Composed by Frederic Chopi…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1399669 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 7 pages. Jmsgu3 #982944. Published by jmsgu3 (A0.1399669). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. Notably, this prelude was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.
$28.95
26.48 €
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Violoncelle, Piano
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Frederic Chopin
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James M
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Chopin: Prelude Op. 28 No. 6 for Cello & Piano
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jmsgu3
#
SheetMusicPlus
Chopin - Prelude Op.28, No. 6 in B Minor for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1406821 By Dariusz Skoraczewski an…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1406821 By Dariusz Skoraczewski and Michael Sheppard. By Frederic Chopin. Arranged by Dariusz Skoraczewski. 19th Century,Classical,Romantic Period. Score and part. 3 pages. Monument Music #989574. Published by Monument Music (A0.1406821). This is an arrangement for Cello and Piano of this beautiful Prelude Op. 28. No. 6 by F. Chopin.
$10.00
9.15 €
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Violoncelle, Piano
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Dariusz Skoraczewski and Michael Sheppard
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Dariusz Skoraczewski
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Chopin - Prelude Op.28, No. 6 in B Minor for Cello and Piano
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Monument Music
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SheetMusicPlus
Frédéric Chopin - Prelude in E minor Opus 28 No.4 (Violoncello Solo)
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.706046 Composed by Frederic Chopin…
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Cello,Piano - Level 2 - Digital Download SKU: A0.706046 Composed by Frederic Chopin. Arranged by André Laitano. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. ANDRÉ DOS SANTOS #5725799. Published by ANDRÉ DOS SANTOS (A0.706046). Frédéric Chopin - Prelude in E minor Opus 28 No.4 (Violoncello Solo)Content:Piano Score; Violoncello Solo Part; Piano PartContact me:andrelaitanods@gmail.com.
$3.00
2.74 €
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Violoncelle, Piano
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Frederic Chopin
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André Laitano
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Violoncello Solo Part
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Frédéric Chopin - Prelude in E minor Opus 28 No.4
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Prelude in E minor by Chopin - Cello and Piano (Full Score)
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1229779 Composed by Frederic Chopi…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1229779 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Children,Classical,Romantic Period,Wedding. Score and part. 2 pages. Sheet Music To Play Editions #825534. Published by Sheet Music To Play Editions (A0.1229779). Prelude Op.28 No.4 in E minor. Arrangement for Violoncello and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.56 €
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Violoncelle, Piano
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Frederic Chopin
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César Madeira
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Prelude in E minor by Chopin - Cello and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Prelude in B minor op.28 no.6
Violoncelle, Piano
Cello, Piano - Primer Level - Digital Download SKU: P5.CL-ROM-554 Composed by Fryde…
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Cello, Piano - Primer Level - Digital Download SKU: P5.CL-ROM-554 Composed by Fryderyk Franciszek Chopin. Romantic Period. Score. 2 pages. SheetmusicLAB #CL-ROM-554. Published by SheetmusicLAB (P5.CL-ROM-554). 8.3 x 11.7 inches.
$1.99
1.82 €
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Violoncelle, Piano
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Fryderyk Franciszek Chopin
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Prelude in B minor op.28 no.6
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SheetmusicLAB
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SheetMusicPlus
Prelude
Violoncelle, Piano
Violoncello & Piano - Grade 4 - Digital Download SKU: R0.40001 Op. 28 No. 24…
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Violoncello & Piano - Grade 4 - Digital Download SKU: R0.40001 Op. 28 No. 24. Composed by Frederic Chopin. Arranged by Timofei Dokshitser. Violoncello & Piano. Score and parts. 7 pages. Duration 2'19. Editions Marc Reift - Digital #40001. Published by Editions Marc Reift - Digital (R0.40001).
$11.95
10.93 €
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Violoncelle, Piano
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Frederic Chopin
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Timofei Dokshitser
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Prelude
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Editions Marc Reift - Digital
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Go…
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Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.14 €
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Violoncelle, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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jmsgu3
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SheetMusicPlus
10 Romantic Songs for Violoncello and Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1275949 Composed by Various. Arran…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1275949 Composed by Various. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 99 pages. Sheet Music To Play Editions #867714. Published by Sheet Music To Play Editions (A0.1275949). The Romantic Era Song Album (Book 1&2). The Most Famous Romantic Songs. Arrangement for Violoncello and Piano. With Full Score and Individual Parts. Enjoy it!Song List:Beethoven - Moonlight Sonata Schubert - Serenade D.957 Chopin - Prelude No.4, Op.28Schumann - TräumereiSaint-Saens - Le CygneBizet - HabaneraMassenet - MeditationElgar - Pomp and CircumstancePuccini - O Mio Babbino CaroDebussy - Clair de LuneFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$12.99
11.88 €
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Violoncelle, Piano
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Various
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César Madeira
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10 Romantic Songs for Violoncello and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Like a River Glorious (Cello and Piano)
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.524089 Composed by James Mountain …
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Cello,Piano - Level 4 - Digital Download SKU: A0.524089 Composed by James Mountain and Claude Debussy. Arranged by John A. Dempsey. Christian,Contemporary,Praise & Worship,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #4745485. Published by John A. Dempsey (A0.524089). A hymn that celebrates God's perfect peace and love, Like a River Glorious is arranged here as a duet for cello and piano. Â The incidental music winding its way through the hymn is Claude Debussy's Arabesque, No. 2. Â Recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude or special music. Â 9 pages of music (that includes a separate two-page cello part). Â Key: D major.
$6.99
6.39 €
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Violoncelle, Piano
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James Mountain and Claude Debussy
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John A
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Like a River Glorious
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John A. Dempsey
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SheetMusicPlus
Bach: Wachet auf for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastia…
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Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.82 €
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Violoncelle, Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello & Piano
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jmsgu3
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SheetMusicPlus
Cello and Piano String Sampler
Violoncelle, Piano
Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Robin …
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Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Robin Kay Deverich. 255 pages. Published by Global Music School String Publications
This combined version of the of the PianoAccompaniment and Cello Online String Sampler Cello Sheet Music is a fun and easy way to activelylearn, study and play beautiful cello music from a wide variety of styles anderas. 54 pieces are featured, representing music history periods, cultures andstyles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20thCentury, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi,Ragtime and Blues. These arrangements have been simplified for advancedbeginners to intermediate players, and include a representative sampling ofmost major forms of string music such as concertos, symphonies, sonatas,quartets and trios. As an added bonus, sound files of each piece and a studyguide are currently available on the website CelloOnline.com* as a self-guidedclass specifically designed to accompany this music: https://www.celloonline.com/stringclass.html The studyguide explains the history and musical form of the selected pieces, andincludes cello technique tips for each piece of music. Let the music begin!<br> <br> *No guarantees are made that these sound files and websitewill be available indefinitely.<br> <br> Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Tyāgarāja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$5.99
5.48 €
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Violoncelle, Piano
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Robin Kay Deverich
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Cello and Piano String Sampler
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Global Music School String Publications
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SheetMusicPlus
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