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--INSTRUMENTS--
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138
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47
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42
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28
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10
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8
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4
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4
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3
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2
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2
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1
+ 6 instrumentations
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5
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2
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142
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34
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17
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17
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8
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5
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1
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1
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1
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1
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1
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1
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8
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5
Trompette
2
Tuba
2
Cor et Piano
2
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1
Trombone et Piano
1
2 Trompettes (duo)
1
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Cordes
Violon et Piano
10
Violoncelle, Piano
7
Quatuor à cordes: 2 violons, alto, violoncelle
4
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3
Harpe
2
Violon
2
Violon, Violoncelle (duo)
2
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11
Orchestre
6
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6
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5
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1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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Violoncelle, Piano
Partitions à imprimer
7 partitions trouvées
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REDEEMED - CELLO SOLO with Piano Accompaniment
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Violoncelle, Piano
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AVANCÉ
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Musique Sacrée
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William J
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Glen Poehlmann
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Performance Time approx
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REDEEMED - CELLO SOLO with Pia
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arrangements by GPoehlmann
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.807018 Composed by William J. Kirkpatrick. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 13 pages. Arran...
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Cello,Piano - Level 5 - SKU: A0.807018 Composed by William J. Kirkpatrick. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 13 pages. Arrangements by GPoehlmann #6209765. Published by arrangements by GPoehlmann (A0.807018). REDEEMED - CELLO SOLO with Piano AccompanimentRedeemed, how I love to proclaim it! Hymn Tune: REDEEMED.99 measures. Performance Time approx. 3:30. Challenging (Grade 4+)Key: F - G. Meter: 6/8 - 5/8. Cello Range (C4=middle C): C2 - B4.
$4.95
Suite Revelation for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Robert M
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Suite Revelation for cello and
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Robert M. Greenberg
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SheetMusicPlus
Cello,Instrumental Solo,Piano - Level 4 - SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages...
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Cello,Instrumental Solo,Piano - Level 4 - SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.
$28.00
But Who May Abide The Day Of His Coming (for Cello Solo)
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Violoncelle, Piano
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FACILE
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Classique
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George Frideric Handel
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Stephen DeCesare
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But Who May Abide The Day Of H
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.619814 Composed by George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Christmas,Classical,Sacred. S...
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Cello,Piano - Level 2 - SKU: A0.619814 Composed by George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Christmas,Classical,Sacred. Score and part. 19 pages. Exultet Music #3043837. Published by Exultet Music (A0.619814). The Air that proclaims the human reaction to the words of God in the expectation of the Lord's appearance, has now been freshly arranged for Solo Cello and Piano. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Angels We Have Heard on High | Christmas song | cello | easy beginner | Chords
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Violoncelle, Piano
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DÉBUTANT
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Noël
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Tradicional French Carol
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Milanov
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Angels We Have Heard on High |
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Milanov
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1317051 Composed by Tradicional French Carol. Arranged by Milanov. Christmas,Holiday,Traditional. Score and part. 3 page...
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Cello,Piano - Level 1 - SKU: A0.1317051 Composed by Tradicional French Carol. Arranged by Milanov. Christmas,Holiday,Traditional. Score and part. 3 pages. Milanov #905728. Published by Milanov (A0.1317051). Angels We Have Heard on High for cello and piano accompaniment easy beginner with chords.Angels We Have Heard on High is a traditional Christmas carol that celebrates the birth of Jesus Christ. The song recounts the biblical story of the angels appearing to the shepherds, proclaiming the joyful news of the Savior's birth. The chorus features the Latin phrase Gloria in excelsis Deo, translating to Glory to God in the highest, adding a reverent and festive element to the song. The melody is uplifting, and the lyrics inspire a sense of wonder and worship, making it a beloved and timeless Christmas classic.
$2.99
Angels We Have Heard on High | Christmas song | cello | easy beginner
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Violoncelle, Piano
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DÉBUTANT
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Noël
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Tradicional French Carol
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Milanov
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Angels We Have Heard on High |
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Milanov
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1317052 Composed by Tradicional French Carol. Arranged by Milanov. Christmas,Holiday,Traditional. Score and part. 3 page...
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Cello,Piano - Level 1 - SKU: A0.1317052 Composed by Tradicional French Carol. Arranged by Milanov. Christmas,Holiday,Traditional. Score and part. 3 pages. Milanov #905729. Published by Milanov (A0.1317052). Angels We Have Heard on High for cello and piano accompaniment easy beginner.Angels We Have Heard on High is a traditional Christmas carol that celebrates the birth of Jesus Christ. The song recounts the biblical story of the angels appearing to the shepherds, proclaiming the joyful news of the Savior's birth. The chorus features the Latin phrase Gloria in excelsis Deo, translating to Glory to God in the highest, adding a reverent and festive element to the song. The melody is uplifting, and the lyrics inspire a sense of wonder and worship, making it a beloved and timeless Christmas classic.
$2.99
Angels We Have Heard on High | Christmas song | cello | easy beginner
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Violoncelle, Piano
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DÉBUTANT
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Noël
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Tradicional French Carol
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Milanov
#
Angels We Have Heard on High |
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Milanov
#
SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1317050 Composed by Tradicional French Carol. Arranged by Milanov. Christmas,Holiday,Traditional. Score and part. 3 page...
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Cello,Piano - Level 1 - SKU: A0.1317050 Composed by Tradicional French Carol. Arranged by Milanov. Christmas,Holiday,Traditional. Score and part. 3 pages. Milanov #905727. Published by Milanov (A0.1317050). Angels We Have Heard on High for cello and piano accompaniment easy beginner.Angels We Have Heard on High is a traditional Christmas carol that celebrates the birth of Jesus Christ. The song recounts the biblical story of the angels appearing to the shepherds, proclaiming the joyful news of the Savior's birth. The chorus features the Latin phrase Gloria in excelsis Deo, translating to Glory to God in the highest, adding a reverent and festive element to the song. The melody is uplifting, and the lyrics inspire a sense of wonder and worship, making it a beloved and timeless Christmas classic.
$2.99
Angels We Have Heard on High | Christmas song | cello | easy beginner | Chords
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Violoncelle, Piano
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DÉBUTANT
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Noël
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Tradicional French Carol
#
Milanov
#
Angels We Have Heard on High |
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Milanov
#
SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1317053 Composed by Tradicional French Carol. Arranged by Milanov. Christmas,Holiday,Traditional. Score and part. 3 page...
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Cello,Piano - Level 1 - SKU: A0.1317053 Composed by Tradicional French Carol. Arranged by Milanov. Christmas,Holiday,Traditional. Score and part. 3 pages. Milanov #905730. Published by Milanov (A0.1317053). Angels We Have Heard on High for cello and piano accompaniment easy beginner with chords.Angels We Have Heard on High is a traditional Christmas carol that celebrates the birth of Jesus Christ. The song recounts the biblical story of the angels appearing to the shepherds, proclaiming the joyful news of the Savior's birth. The chorus features the Latin phrase Gloria in excelsis Deo, translating to Glory to God in the highest, adding a reverent and festive element to the song. The melody is uplifting, and the lyrics inspire a sense of wonder and worship, making it a beloved and timeless Christmas classic.
$2.99
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