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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sam M
Non classifié
634
Piano & claviers
Piano seul
340
Piano Facile
150
Piano, Voix
133
Piano, Voix et Guitare
95
Orgue
26
Instruments en Do
21
1 Piano, 4 mains
12
Piano grosses notes
10
Accordéon
5
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
581
Guitare notes et tablatures
36
Guitare
23
Paroles et Accords
15
Ukulele
15
Basse electrique
5
Mandoline
5
2 Guitares (duo)
4
Piano, Guitare (duo)
4
Banjo
2
Guitare (partie séparée)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
110
Pack Instrumental pour Chorale
37
Chorale 3 parties
27
Chorale TTBB
25
Chorale SSAA
13
Chorale 2 parties
11
Voix seule
7
Chorale Unison
7
Voix haute
7
Voix Soprano, Piano
3
Chorale
3
Chorale SSAATTBB
3
Voix moyenne, Piano
3
Voix duo, Piano
2
Voix duo
2
Voix Moyenne
1
Voix Soprano
1
Voix basse
1
Soli, choeur mixte et accompagnement
1
Voix basse, Piano
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière
36
Clarinette
34
Saxophone Alto
30
Flûte traversière et Piano
29
Saxophone Tenor
27
2 Saxophones (duo)
26
2 Flûtes traversières (duo)
25
Saxophone
24
Clarinette et Piano
22
Saxophone (partie séparée)
19
Hautbois, Piano (duo)
16
Quatuor de Saxophones: 4 saxophones
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Saxophone Alto et Piano
14
Quintette de Saxophone: 5 saxophones
13
Flûte à bec Soprano
11
2 Clarinettes (duo)
11
Hautbois (partie séparée)
11
Ensemble de saxophones
10
Saxophone Tenor et Piano
9
Flûte, Hautbois, Clarinette, Basson
9
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone, Clarinette (duo)
6
Saxophone Soprano et Piano
6
Flûte et Guitare
6
2 Hautbois (duo)
6
Clarinette, Violon (duo)
6
Ensemble de Clarinettes
6
Clarinette (partie séparée)
5
Ensemble de Flûtes
5
Flute (partie séparée)
5
Quatuor de Flûtes : 4 flûtes
5
Ocarina
5
Saxophone Baryton, Piano
5
Flûte, Violon
4
Clarinette, Trompette (duo)
4
Flûte, Clarinette (duo)
4
Clarinette, Guitare (duo)
4
Clarinette Basse, Piano
4
Flûte à Bec
3
Flûte, Alto (duo)
3
Hautbois, Basson (duo)
3
Clarinette et Alto
3
Trio de Flûtes: 3 flûtes
3
Harmonica
2
3 Saxophones (trio)
2
Instruments en Mib
2
Hautbois, Flûte
2
Cor anglais, Piano
2
Hautbois, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Flûte, Saxophone (duo)
2
3 Clarinettes (trio)
2
Flûte à bec Alto
2
Clarinette, Violoncelle (duo)
2
Hautbois, Violoncelle
2
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois, Basson
1
Clarinette Basse
1
Saxophone Soprano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle, Guitare
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Harpe
1
Cornemuse
1
Flûte, Violoncelle
1
Flûte, Violon et Violoncelle
1
Hautbois et alto (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Clarinette et Basson
1
Quintette de Flûte : 5 flûtes
1
+ 68 instrumentations
Retracter
Cuivres
Trompette
36
Trombone
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Trompette, Piano
16
Cor
14
Cor et Piano
14
Trompette, Trombone (duo)
10
Trompette (partie séparée)
9
2 Trombones (duo)
7
Trombone et Piano
6
Euphonium, Piano (duo)
6
Trompette, Saxophone (duo)
4
2 Cors (duo)
4
Tuba
4
Trio de Cuivres
4
Trombone (partie séparée)
4
2 Trompettes (duo)
4
Ensemble de Trombones
4
Ensemble de Trompettes
3
Quatuor de Cuivres
3
Tuba et Piano
3
2 Tubas (duo)
3
Bass Clef Instruments
3
Euphonium
2
Cor anglais, Piano
2
2 Euphoniums (duo)
2
Tuba et Orgue
2
Ensemble de Cors
2
4 Tubas
1
Euphonium, Tuba (duo)
1
Instruments en Sib
1
Quatuor de cuivres: 4 cors
1
2 Cors Anglais Et Pianoforte
1
Trombone, Tuba (duo)
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
232
Violon, Violoncelle (duo)
160
Violon
148
Trio à Cordes: violon, alto, violoncelle
131
2 Violoncelles (duo)
38
Violoncelle
36
Violon et Piano
26
Alto, Piano
24
Alto seul
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
Violoncelle, Piano
17
Violon, Alto (duo)
17
Harpe
16
Trio à Cordes: 2 violons, violoncelle
14
2 Violons (duo)
10
2 Altos (duo)
8
Contrebasse, Piano (duo)
8
Alto (partie séparée)
7
Violon (partie séparée)
5
Trio à Cordes: 3 violoncelles
2
Ensemble de Violons
2
4 Violoncelles
2
2 Violons, Piano
2
Violoncelle, Contrebasse (duo)
2
Violoncelle (partie séparée)
2
Ensemble d'Altos
2
Contre Basse
2
Harpe, Violon (duo)
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Violon, Basson (duo)
1
2 Harpes (duo)
1
Violoncelle , Guitare (duo)
1
Alto et Harpe
1
Alto, Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contrebasse (partie séparée)
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, alto
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
126
Orchestre d'harmonie
41
Orchestre
34
Cloches
28
Ensemble Jazz
19
Orchestre de chambre
13
Jazz combo
13
Batterie
9
Ensemble de cuivres
9
Fanfare
6
Ensemble de Percussions
4
Marimba
2
Batterie (partie séparée)
2
Vibraphone
1
+ 9 instrumentations
Retracter
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BASSON
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COR ANGLAIS
CORNEMUSE
CORNET
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DULCIMER
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FLUTE A BEC
FLUTE A DIX…
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HAUTBOIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Sam M
Violoncelle, Piano
Partitions à imprimer
17 partitions trouvées
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1
I'm Late
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Violoncelle, Piano
#
DÉBUTANT
#
Bob Hilliard and Sammy Fain
#
Karen Gueiros
#
I'm Late
#
Editora Gueiros
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - SKU: A0.1204433 Composed by Bob Hilliard and Sammy Fain. Arranged by Karen Gueiros. Br...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - SKU: A0.1204433 Composed by Bob Hilliard and Sammy Fain. Arranged by Karen Gueiros. Broadway,Children,Film/TV,Musical/Show. Score and parts. 7 pages. Editora Gueiros #802898. Published by Editora Gueiros (A0.1204433). This is an arrangement for Cello Duo and Piano of I'm Late from Alice in Wonderland.
$4.99
I'm Late
#
Violoncelle, Piano
#
DÉBUTANT
#
Bob Hilliard and Sammy Fain
#
Karen Gueiros
#
I'm Late
#
Editora Gueiros
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - SKU: A0.1204434 Composed by Bob Hilliard and Sammy Fain. Arranged by Karen Gueiros. Br...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - SKU: A0.1204434 Composed by Bob Hilliard and Sammy Fain. Arranged by Karen Gueiros. Broadway,Children,Film/TV,Musical/Show. Score and parts. 7 pages. Editora Gueiros #802899. Published by Editora Gueiros (A0.1204434). This is an arrangement for Cello Duo and Piano of I'm Late from Alice in Wonderland.
$4.99
Mussorgsky: Pictures at an Exhibition for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.549929 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standard...
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Cello,Piano - Level 4 - SKU: A0.549929 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303415. Published by jmsgu3 (A0.549929). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
Serenade for cello and piano
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Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
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Daniel C
#
Serenade for cello and piano
#
Daniel C. M.
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.810054 Composed by Franz Schubert. Arranged by Daniel C.M. Concert,Romantic Period,Standards. Score and part. 4 pages. D...
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Cello,Piano - Level 3 - SKU: A0.810054 Composed by Franz Schubert. Arranged by Daniel C.M. Concert,Romantic Period,Standards. Score and part. 4 pages. Daniel C. M. #4717135. Published by Daniel C. M. (A0.810054). This arrangement is almost the same as the original work for voice and piano. It has new changes in dynamics for the cello part to get a more expressive interpretation. The PDF contains both piano score and the cello part. Perfect for intermediate to advanced students. .
$2.99
Ave Maria by Gounod (cello and piano)
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Violoncelle, Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach, Charles
#
Daniel C
#
Ave Maria by Gounod
#
Daniel C. M.
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.810228 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Stand...
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Cello,Piano - Level 2 - SKU: A0.810228 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #5800801. Published by Daniel C. M. (A0.810228). This beautiful work of art is now arranged for cello and piano. The melody and the accompaniment are basically the same as the original for violin and piano by Gounod. The pdf file includes the piano score and the cello part separately.
$3.49
Ave Verum Corpus for cello and piano (easy)
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Violoncelle, Piano
#
FACILE
#
Classique
#
Wolfgang Amadeus Mozart
#
Daniel C
#
Ave Verum Corpus for cello and
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Daniel C. M.
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1046135 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and part. 3 pages....
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Cello,Piano - Level 2 - SKU: A0.1046135 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and part. 3 pages. Daniel C. M. #650638. Published by Daniel C. M. (A0.1046135). This is a very easy arrangement for cello and piano. The main voice of the sopranos has been left for the cello to play. The choir and orchestra have been arranged for the piano in an easy way, but keeping the harmony the same as the original.
$4.00
Laudate Dominum for cello and piano
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Violoncelle, Piano
#
FACILE
#
Classique
#
Wolfgang Amadeus Mozart
#
Daniel C
#
Laudate Dominum for cello and
#
Daniel C. M.
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1046728 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and part. 4 pages....
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Cello,Piano - Level 2 - SKU: A0.1046728 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and part. 4 pages. Daniel C. M. #651237. Published by Daniel C. M. (A0.1046728). This is a simplified version for cello and piano. Many secondary voices have been removed and the main voice is played by the cello. The structure has been shortened. There is another version of this same arrangement written an octave lower for the cello part, you can find it as Laudate Dominum for cello (low register).
$4.00
Laudate Dominum for cello (low register)
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Violoncelle, Piano
#
FACILE
#
Classique
#
Wolfgang Amadeus Mozart
#
Daniel C
#
Laudate Dominum for cello
#
Daniel C. M.
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1047027 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and part. 4 pages....
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Cello,Piano - Level 2 - SKU: A0.1047027 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and part. 4 pages. Daniel C. M. #651537. Published by Daniel C. M. (A0.1047027). This is a simplified version for cello and piano. Many secondary voices have been removed and the main voice is played by the cello. The structure has been shortened. There is another version of this same arrangement written an octave higher for the cello part, you can find it as Laudate Dominum for cello and piano.
$4.00
Wedding March by Wagner for cello (easy)
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Violoncelle, Piano
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FACILE
#
Classique
#
Richard Wagner
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Daniel C
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Wedding March by Wagner for ce
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Daniel C. M.
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1047272 Composed by Richard Wagner. Arranged by Daniel C. M. Classical,Romantic Period,Wedding. Score and part. 3 pages....
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Cello,Piano - Level 2 - SKU: A0.1047272 Composed by Richard Wagner. Arranged by Daniel C. M. Classical,Romantic Period,Wedding. Score and part. 3 pages. Daniel C. M. #651820. Published by Daniel C. M. (A0.1047272). This is an easy arrangement for cello and piano. Many secondary voices have been removed and only the main voice has been left for the cello to play, but keeping the harmony the same as the original for the piano accompaniment.
$4.00
Amazing Grace for cello and piano (easy)
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Violoncelle, Piano
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DÉBUTANT
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Anonymous, John Newton, and Wi
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Daniel C
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Amazing Grace for cello and pi
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Daniel C. M.
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.810226 Composed by Anonymous, John Newton, and William Walker. Arranged by Daniel C. M. Christian,Concert,Standards. Sco...
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Cello,Piano - Level 1 - SKU: A0.810226 Composed by Anonymous, John Newton, and William Walker. Arranged by Daniel C. M. Christian,Concert,Standards. Score and part. 3 pages. Daniel C. M. #5800781. Published by Daniel C. M. (A0.810226). This arrangement is based on the original publication from William Walker's Southern Harmony where the music is basically a 3 voices choral and this arrangement is almost just a transcription to piano and cello . The melody has little changes as the way it is interpreted today but keeps almost the same harmony from the original. It is written in a straight easy way for players to enjoy. Although the title of the piece comes from the hymn written by John Newton this is only an instrumental arrangement.
$3.99
11 Children's Songs arr. for Piano Quintet: Part for cello
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Violoncelle, Piano
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FACILE
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Johansson, Malmsten, Meritahti
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Lauri Hamalainen
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11 Children's Songs arr. for P
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Suomi Music
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SheetMusicPlus
Small Ensemble,Strings Cello,Piano - Level 2 - SKU: A0.885855 Composed by Johansson, Malmsten, Meritahti, and Traditional. Arranged by Lauri Hamalainen....
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Small Ensemble,Strings Cello,Piano - Level 2 - SKU: A0.885855 Composed by Johansson, Malmsten, Meritahti, and Traditional. Arranged by Lauri Hamalainen. Children,Concert,Instructional,Standards. Score and parts. 26 pages. Suomi Music #4809947. Published by Suomi Music (A0.885855). 11 CHILDREN’S SONGS ARRANGED FOR PIANO QUINTET ARRANGED BY LAURI HÄMÄLÄINEN © VIOLIN FRIENDS 2019 The purpose of the Violin Friends music books is to inspire students and their friends to practice and perform music together with happy, pedagogical and fun music. 11 Children’s Songs arr. for piano quintet gives students the chance to play rhythmical variations of well-known melodies. The parts for strings are written in the first position except for the Poor Little Teddy where the cello line introduces playing in positions. The music can be performed with a string orchestra and piano soloists or with a traditional piano quintet. The part for 3rd violin can be used if there are no violas available. THE SMALL TRAIN (Danish) POTPOURRI (American, French, German) OLD MCDONALD (American) IHAHAA (Finnish) FRÈRE JAQUES (French) SAMBA LELE (Brazilian) MARCH OF THE ELEPHANTS (Finnish) ITSY BITSY SPIDER (American) POOR LITTLE TEDDY (Finnish) PIPPI LONGSTOCKING (Swedish) RATI RITI RALLA (Finnish) The family of Violin Friends consist of Violin and Viola Friends I- II, Eight Trios for Violin, Viola and String Trio, 12 Variations on Twinkle, Twinkle, Little Star by Mozart arr. for piano quartet and 11 Children’s Songs arr. for piano quintet. For more info please visit www.violinfriends.com.
$7.00
"DREAM OF LOVE"
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Violoncelle, Piano
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AVANCÉ
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Classique
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Franz Liszt
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VICTORIA FOUST
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"DREAM OF LOVE"
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SalutConcert
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1013561 Composed by Franz Liszt. Arranged by VICTORIA FOUST. Romantic Period. Score and part. 16 pages. SalutConcert #62...
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Cello,Piano - Level 5 - SKU: A0.1013561 Composed by Franz Liszt. Arranged by VICTORIA FOUST. Romantic Period. Score and part. 16 pages. SalutConcert #6272207. Published by SalutConcert (A0.1013561). DREAM OF LOVE -Duo for Cello & PianoA true work of art, fantastically beautiful and perfect,that reaches the maximum point of the sense of Love. Lord of the Violin -Mstro. Graf Mourja / RussiaThe work Dream of Love, originally written for Piano Solo and titled by the composer Liszt Liebestraum No.3, relives in the XXI century its intense romance in the version of a loving Duo, starring by Cello and Piano, created by Victoria Foust.It represents a dialogue that leads to discovering the meaning of Love in all its expressions.Preserving the passionate romantic atmosphere, this Duo version demands great technical and musical professional ease for both instruments, in order to achieve a complete and transcendent musical experience for both the soloists and their audience.The cello part has a mature technical exigency that requires a high-performance flight to reach the door of the spiritual, of the metaphysical, proposed in this arrangement for duo. - Mr. J. Hennessey Brown / Brown Music Agency / UKApart from offering a virtuous sample for each interpreter, it also provides a very effective tool to discover the world of chamber music and develop a greater sensitivity for each soloist and the duo itself.Approximately 5 minutes long, the composition, accompanied by an original poem, written by its author and translated into two languages ​​(Spanish and English), invites you to discover the dimensions of Love through a musical journey that leads to the union of all senses.Love…Are you a necessity or a luxury?A truth or an illusion?Love…Are you just a Dream? To complete the enjoyment of this beautiful musical gem, Victoria Foust has created the Videoclip Dream of Love - a love story, starring by music, Lipizzan imperial horses and the exuberant nature of southern Chile.A beauty from a fairy tale, turned into reality, that invites you to see it indefinitely. - Mstro. Peter Guth / Strauss Orchestra / Viennahttps://youtu.be/jLWxkmg_Ld0 To musically unite the Love Story part of the VideoClip with it Credits part, the creator has specially composed a new piece of music There was once - a fantasy about Liszt's melodies, which fuses classical piano with Latin-American rhythms and jazz touches, interacting with saxophone, cello and percussion.https://youtu.be/i-_gWb1u-zABoth works are also part of the CD Pulse of the Life with the compositions by Victoria Foust.https://www.victoriafoust.com/cd-pulso-de-la-vida/More details about the Project of the Videoclip Dream of Love can be found here:https://www.victoriafoust.com/sueno-de-amor/I very much wish that you can enjoy this musical arrangement and I will be very grateful if you could share with me your experiences related to this work.Music with Love,VictoRia · www.victoriafoust.com· https://www.youtube.com/channel/UC6sgzGtmZ0WluhJkz_pmrRQ· Facebook: https://www.facebook.com/victoria.foust.581· Instagram: https://www.instagram.com/pianistvictoriafoust· Linkedin: https://www.linkedin.com/in/victoria-foust-3a268859/· Wikipedia: https://es.m.wikipedia.org/wiki/Victoria_Foust It is published under Label SalutConcertwww.salutconcert.com
$18.00
Liszt: Liebestraum No. 3 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Franz Liszt
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James M
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Liszt: Liebestraum No. 3 for C
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.550051 Composed by Franz Liszt. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part....
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Cello,Piano - Level 3 - SKU: A0.550051 Composed by Franz Liszt. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 20 pages. Jmsgu3 #4592271. Published by jmsgu3 (A0.550051). Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day.Franz Liszt's Liebestraume is a set of three published in 1850. The word Liebestraume is German for Dreams of Love, each of the three pieces is based on a poem about love and death. The third piece, Liebestraum No. 3, is the most popular and is split into three sections, each divided by a fast cadenza requiring a high degree of technical ability. The melody throughout the piece is the same, but each time, it is varied, especially near the middle of the work, where the climax is reached. The article is meant to be played briskly, with emotion, and is inspired by or reminiscent of night. The poem that inspired Liebestraum No. 3 is about unconditional mature love, expressing the extent of the speaker's love through the sacrifice he's willing to endure. The piece is a crucial example of program music because it references poems about love and death.Franz Liszt's Liebestraume has influenced many composers, including:Richard Wagner: Liszt's compositions, including Liebestraume, influenced Wagner's music, particularly his operas.Hector Berlioz: Berlioz was a Liszt contemporary influenced by his music, including Liebestraume.Camille Saint-Saëns: Saint-Saëns was a French composer influenced by Liszt's music, including Liebestraume.Sergei Rachmaninoff: Rachmaninoff was a Russian composer influenced by Liszt's music, including Liebestraume.In summary, Liszt's Liebestraume has influenced music by being a perfect example of romantic and program music, inspiring emotion, and is considered one of the most beautiful and romantic pieces ever written.
$24.95
Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello &am
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Saint-Saëns: The Swan for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,...
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Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
Bohm: Calm as the Night for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Ce
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549397 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and p...
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Cello,Piano - Level 3 - SKU: A0.549397 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493229. Published by jmsgu3 (A0.549397). Duration: ca. 4:00, Score: 7 pages, solo part: 2 page, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
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