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Song For My Father
Non classifié
156
Piano & claviers
Piano seul
82
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52
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27
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25
Piano Facile
15
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15
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3
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1
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1
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1
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27
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6
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1
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1
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10
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7
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5
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3
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3
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2
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2
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1
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1
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6
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2 Violons, Piano
2
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2
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2
2 Harpes (duo)
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Trio à Cordes: 2 violons, alto
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Vous avez sélectionné:
Song For My Father
Violoncelle, Piano
Partitions à imprimer
4 partitions trouvées
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This Is My Father's World for Cello
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Traditional English Melody
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Lawrence H
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This Is My Father's World for
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Lawrence H Underwood
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.968439 Composed by Traditional English Melody. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worshi...
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Cello,Piano - Level 3 - SKU: A0.968439 Composed by Traditional English Melody. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Lawrence H Underwood #6566657. Published by Lawrence H Underwood (A0.968439). Arranged by veteran performer and music educator, Lawrence Underwood, as the eighth installment in his 2021 Hymn Song Collection series, this brand-new setting of the traditional English melody This Is My Father's World begins as a wistful ballad, moving into a lilting waltz feel, before its rousing march finale. Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite for listener and performer alike!
$5.99
Praise Him with Stringed Instruments (A Collection of 10 Hymns for Cello Solo with Piano Accompaniment)
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Various
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Praise Him with Stringed Instr
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Sharon Wilson
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SheetMusicPlus
Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Repertoire, Lent, Funeral. Score, Solo Part. 50 pages. Published by Sharon Wilson ...
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Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Repertoire, Lent, Funeral. Score, Solo Part. 50 pages. Published by Sharon Wilson
The title of this collection was inspired by the words found in Psalm 150 verse 4: ?Praise Him with stringed instruments?? (KJV)
This collection contains 10 favorite hymns arranged as easy instrumental duets (for CELLO solo with PIANO accompaniment). From flowing and peaceful to upbeat and festive, these arrangements are a welcome addition to the repertoire for beginning string students. These familiar hymn arrangements are equally enjoyed whether used for recitals, worship services, or to make practicing more interesting.
All notes for the CELLO in each song are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with both parts on each page (CELLO and PIANO) plus a separate 1-staff score for each CELLO.
Each song is also available separately with accompanying preview pages and audio samples.
Song titles included in this collection:
Blessed Quietness
Come, Thou Fount
Great Is Thy Faithfulness
Holy, Holy, Holy
It Is Well with My Soul
Nearer, My God, to Thee
Power in the Blood
Praise Ye the Father
To God Be the Glory
What a Friend We Have in Jesus
$15.00
Trois pièces : Andante, Sérénade et Chant Serbe
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage (édition)
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic P...
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Cello,Piano - Level 4 - SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069723. Published by Musik Fabrik Music Publishing (A0.1493033). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
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