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Vous avez sélectionné:
Strange Man
Violoncelle, Piano
Partitions à imprimer
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Strange
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1160512 By Celeste. By Celeste Epi…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1160512 By Celeste. By Celeste Epiphany Waite, Eric Leva, Jamie Hartman, and Stephen Wrabel. Arranged by André Alberto Santos. 20th Century,Film/TV,Multicultural,Pop,Wedding,World. Score and part. 2 pages. Soul - Musical Creations #760801. Published by Soul - Musical Creations (A0.1160512). For Violoncello with chords for piano, guitar or accordion. This arrangement of Strange (Celeste) from the Netflix series Bridgerton is a great addition to your students' recital repertoire. It is a pop/rock ballad that features a combination of simple melodies and lyrical harmonies. He brings a dark side to light with the use of dramatic chords and melodies that leave you wondering where the piece could go next. Get ready for some challenging passages that can be easily simplified for easier performance.
$4.99
4.56 €
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Violoncelle, Piano
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Celeste
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André Alberto Santos
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Strange
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Soul - Musical Creations
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SheetMusicPlus
Strangers In The Night
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.942776 By Frank Sinatra. By Bert K…
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Cello,Piano - Level 1 - Digital Download SKU: A0.942776 By Frank Sinatra. By Bert Kaempfert. Arranged by Cumant Micheline. Jazz. Score and part. 4 pages. Micheline Cumant #4608649. Published by Micheline Cumant (A0.942776). A well-known song by Frank Sinatra, transcribed for cello and piano, easy to play (1st position for the cellist). .
$4.99
4.56 €
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Violoncelle, Piano
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Frank Sinatra
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Cumant Micheline
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Strangers In The Night
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Micheline Cumant
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SheetMusicPlus
I'm A Poor Wafarin' Stranger Practice Tracks for Cello Duet
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1320907 By Practicing with the Pro…
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Cello,Piano - Level 1 - Digital Download SKU: A0.1320907 By Practicing with the Pros. By Traditional. Arranged by Stefanie Fife. Classical,Folk,Instructional,Spiritual,Traditional. Accompaniment. Duration 294. Stefanie Fife #909346. Published by Stefanie Fife (A0.1320907). I'm A Poor Wafarin' Stranger Practice Tracks:Cello Duet; Cello Part 2; Cello with Piano; Piano AccompanimentCompanion Sheet Music is ArrangeMe ID 909345 This MP3 recording, meant to be used in conjunction with the “Practicing with the Pros†American folk music sheet music series, (found on this website) is a powerful resource for developing sense of sound, intonation and rhythm.The student can play along with both parts of the duet or practice to the second cello part as recorded by studio cellist, Stefanie Fife. Her numerous credits include “Star Wars: Rogue One†and “Spiderman: No Way Home.†The young cellist can also have the fun of playing with the piano accompaniment version, as recorded by pianist Alan Steinberger. He can be heard on “Toy Story 4,†“Wish,†and countless other films.Arrangements by Stefanie Fife. Performed by Stefanie Fife and Alan SteinbergerProduced by Lemon Jam Inc. Published by Fife and Drum Publishing; ©2023; All rights reserved. Â
$1.99
1.82 €
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Violoncelle, Piano
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Practicing with the Pros
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Stefanie Fife
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Cello Part 2
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I'm A Poor Wafarin' Stranger Practice Tracks for Cello Duet
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Stefanie Fife
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scria…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
24.65 €
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Violoncelle, Piano
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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jmsgu3
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SheetMusicPlus
Amputate
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1027910 Composed by Neb I. A. Cont…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1027910 Composed by Neb I. A. Contemporary. Score and part. 7 pages. Neb Ironhands Amstradankis #3073591. Published by Neb Ironhands Amstradankis (A0.1027910). A challenging piece that incorporates both Piano and Cello. It is meant to sound aggressive and strange, being in the key of F minor, with many chromatic accidentals. One of my older pieces, it has had quite a few revisions over the years. Originally this was a trombone duet but I decided that the music would be interesting on piano. Practice makes perfect! To play this, first figure out what fingering works for you and is the least uncomfortable. Then practice the particularly difficult sections, especially where the hands play in non-unison and competing rhythms. Not all of this song is difficult to play. Cello is optional but it is used for timbre.Social Media: https://www.facebook.com/nebironhands.amstadankis
$3.25
2.97 €
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Violoncelle, Piano
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Neb I
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Amputate
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Neb Ironhands Amstradankis
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.49 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
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