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2 Clarinettes (duo)
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53
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2 Flûtes traversières (duo)
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Flûte, Violon
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Clarinette et Alto
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Flûte, Alto (duo)
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Quintette de Clarinettes: 5 clarinettes
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Hautbois
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Flûte, Trompette (duo)
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13
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11
3 Clarinettes (trio)
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Ocarina
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Flûte à Bec
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5 Flûtes à bec
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Piccolo, Piano
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Ensemble de Hautbois
1
2 Cors Anglais Et Pianoforte
1
2 Clarinettes, Basson
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Flûte, Violon et Violoncelle
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1
Saxophone et Orgue
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
161
Trombone et Piano
87
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trompette
62
Trompette, Piano
59
Cor et Piano
58
Trombone
40
Trompette, Saxophone (duo)
39
Ensemble de Trompettes
39
Tuba et Piano
37
Euphonium, Piano (duo)
32
Trombone (partie séparée)
29
Cor
28
Trompette (partie séparée)
27
Cor anglais, Piano
25
Tuba
25
Quatuor de Cuivres
25
2 Trombones (duo)
25
2 Trompettes (duo)
23
Trompette, Trombone (duo)
21
Ensemble de Trombones
17
Quatuor de cuivres: 4 trombones
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor (partie séparée)
8
Tuba (partie séparée)
7
Quatuor de cuivres: 4 cors
6
2 Euphoniums et 2 Tubas
5
2 Cors (duo)
5
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
3
3 Trombones (trio)
3
4 Tubas
3
Ensemble de Cors
3
Cor anglais, Guitare (duo)
2
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Tuba et Orgue
2
Trio de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Tubas (trio)
1
2 Cors Anglais Et Pianoforte
1
3 Cors (trio)
1
Trombone basse
1
Trombone basse et Piano
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Ensemble de Tubas
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
154
Violoncelle, Piano
81
Alto, Piano
76
Violon
59
Violoncelle
59
Harpe
51
Violon, Violoncelle (duo)
37
2 Violoncelles (duo)
36
Contrebasse, Piano (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
2 Violons (duo)
32
Alto seul
31
Trio à Cordes: violon, alto, violoncelle
29
2 Altos (duo)
28
Contre Basse
26
Violon, Alto (duo)
26
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse (partie séparée)
8
Alto (partie séparée)
6
Ensemble d'Altos
5
Ensemble de Violons
5
4 Violoncelles
4
Trio à Cordes: 3 violoncelles
4
Harpe, Flûte (duo)
4
Violon, Guitare (duo)
4
Harpe, Quatuor à cordes
3
Quatuor à cordes: 4 violons
3
Harpe, Voix
3
Violon (partie séparée)
3
Trio à cordes: 3 violins
3
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
3
Quatuor à cordes : 4 altos
3
2 Harpes (duo)
2
2 Contrebasses (duo)
2
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
2 Violons, Piano
1
Violoncelle, Contrebasse (duo)
1
2 Altos, Piano
1
Violon, Orgue
1
3 Harpes
1
4 Contrebasses
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Violon, Clarinette, Piano (trio)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
427
Orchestre
128
Ensemble Jazz
104
Orchestre à Cordes
77
Ensemble de cuivres
50
Orchestre de chambre
45
Fanfare
37
Jazz combo
23
Cloches
22
Ensemble de Percussions
12
Batterie (partie séparée)
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
4
Marimba
3
Vibraphone
2
Orchestre, Violon
2
Percussion
2
Percussion (partie séparée)
2
Xylophone, Piano
1
Piano et Orchestre
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Mussorgsky: Pictures at an Exhibition for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.549929 Composed by Modest MUSSORGS…
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Cello,Piano - Level 4 - Digital Download SKU: A0.549929 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303415. Published by jmsgu3 (A0.549929). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
30.07 €
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Violoncelle, Piano
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exhibition for Cello & Piano
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jmsgu3
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SheetMusicPlus
Humoresque No. 7 for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.528550 Composed by Antonin Dvorak.…
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Cello,Piano - Level 3 - Digital Download SKU: A0.528550 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6200327. Published by Diego Marani (A0.528550). Humoresques, Op. 101 (B. 187), is a piano cycle by the Czech composer AntonÃn Dvořák, written during the summer of 1894. One writer says the seventh Humoresque is probably the most famous small piano work ever written after Beethoven's Für Elise.This arrangement for Cello with Piano Accompaniment reflects faithfully the original for piano solo.
$6.99
6.38 €
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Violoncelle, Piano
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Antonin Dvorak
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Diego Marani
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Humoresque No. 7 for Cello and Piano
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Diego Marani
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SheetMusicPlus
I Write The Songs
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549329 By Barry Manilow. By Bruce …
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Cello,Piano - Level 3 - Digital Download SKU: A0.549329 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 5 pages. Jmsgu3 #3486231. Published by jmsgu3 (A0.549329). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.46 €
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Violoncelle, Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Saint-Saëns: The Swan for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.07 €
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Violoncelle, Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Cello & Piano
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jmsgu3
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SheetMusicPlus
Romancendres
Violoncelle, Piano
Cello and piano - difficult - Digital Download SKU: S9.Q16462 Composed by Heinz Hol…
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Cello and piano - difficult - Digital Download SKU: S9.Q16462 Composed by Heinz Holliger. This edition: Sheet music. Cello Library. Downloadable. Duration 22 minutes. Schott Music - Digital #Q16462. Published by Schott Music - Digital (S9.Q16462). In 1853 Robert Schumann composed five piano-accompanied cello romances. The works were never published though as Clara Schumann destroyed the unpublished manuscript in 1893, 40 years after they were written. In his six duo pieces for violoncello and piano, Heinz Holliger refers to these compositions which turned to ash: the title is a combination of the French words ‘romances’ and ‘cendres’. Many allusions are hidden in the music itself. In the opening procession part, for example, one can hear Clara Schumann’s initials C and eS [E flat], a letter of Brahms to Clara is recited by the piano, and the last figure of the final part is formed from the tones of his place of death, EnDEniCH. But both amateur and experienced listeners will at once be gripped by Holliger’s music. This work is affecting – not only by its complex conception but mainly by its intense sonority.
$35.99
32.85 €
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Violoncelle, Piano
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Heinz Holliger
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Romancendres
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Schott Music - Digital
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SheetMusicPlus
Shotgun
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.791262 By George Ezra. By Fred Gib…
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Cello,Piano - Level 3 - Digital Download SKU: A0.791262 By George Ezra. By Fred Gibson, George Barnet, George Barnett, and Joel Laslett Pott. Arranged by Kevin P Holdgate. Folk. Score and part. 12 pages. Kevin P Holdgate #5795191. Published by Kevin P Holdgate (A0.791262). KPHMS 'Solo' CollectionThis is a simple arrangement of a very popular song released in the summer of 2019.The solo is approximately Grade 2/3 ABRSM/Trinity and is a great diversion away from the syllabus.George Ezra is an English singer, songwriter, and guitarist. After releasing two EPs, Did You Hear the Rain? in November 2013 and Cassy O' in March 2014, Ezra rose to prominence with the release of his hit single, Budapest, which reached number one in several countries. His debut studio album, Wanted on Voyage, was released in June 2014, reaching number one in the UK and the top ten in seven other countries. It was also the third best-selling album of 2014 in the UK.His second studio album, Staying at Tamara's, was released in March 2018 and reached number one in the UK and the top ten in eight other countries. The second single from the album, Paradise, reached number two in the UK, while the next single, Shotgun, reached number one, becoming Ezra's first chart-topping single in the UK, Ireland, and Australia. In February 2019, he won the Brit Award for British Male Solo Artist.
$4.99
4.55 €
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Violoncelle, Piano
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George Ezra
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Kevin P Holdgate
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Shotgun
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Kevin P Holdgate
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SheetMusicPlus
Arioso from Cantata No. 156
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1434238 Composed by Johann Sebasti…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1434238 Composed by Johann Sebastian Bach. Arranged by Aaron Sinnett. Baroque,Chamber,Classical,Religious. Score and part. 9 pages. Aaron Sinnett #1013961. Published by Aaron Sinnett (A0.1434238). Arioso is a movement from J.S. Bach Cantata No. 156 Ich Steh mit einem Fuß im Grabe. Originally, Bach composed it in F major with the oboe being the solo instrument, accompanied by strings. In the early 20th century, it was arranged for cello and piano in G major. This is a beautiful arrangement but is much too difficult for many students who desire to play great music earlier in their journey of cello learning. There is a distinct lack of great music specifically arranged for cello students who are just getting their bearings in the lower positions (up to fourth). After playing this Arioso in C major, transposing directly from the printed G major cello arrangement, I made the decision right then and there to make my own arrangement for this wonderfully sublime piece of music. Transposing it down to C major takes away all the higher positions and reduces the number of accidentals that need to be attended to, thus giving the student a slight advantage in reading the music and eventually performing it, at a higher level of competence. I have opted, in this version, to leave in all of the ornamentation and intricate rhythms found in the orignal. This version has already been tested out on several of my own students who found it compelling and exciting to be able to participate in music making of the great music composed by the master of all Western Tonal music, Johann Sebestian Bach.
$6.99
6.38 €
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Violoncelle, Piano
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Johann Sebastian Bach
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Aaron Sinnett
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Arioso from Cantata No. 156
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Aaron Sinnett
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SheetMusicPlus
Traitor
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1320149 By Olivia Rodrigo. By Dani…
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Cello,Piano - Level 1 - Digital Download SKU: A0.1320149 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Josiel Oliveira. Multicultural,Pop,Singer/Songwriter,World. Score and part. 12 pages. M das Melodias #908680. Published by M das Melodias (A0.1320149). Sheet Music for Violoncello and Chords.Traitor is a song by American singer-songwriter Olivia Rodrigo, released on January 22, 2021 as the fourth single from her debut album, Sour. The song was written by Rodrigo and Dan Nigro and produced by Nigro.The song is a mid-tempo pop ballad about the feeling of betrayal after a breakup. The song's lyrics are directed at an ex-partner who started dating someone else shortly after the breakup. Rodrigo sings about how she felt betrayed and deceived, and how she can't understand how he could move on so quickly.Traitor was a commercial success, reaching number two on the US Billboard Hot 100. The song was also well received by critics, with many praising Rodrigo's voice and honest lyrics.The song has been performed by Rodrigo on several occasions, including on Saturday Night Live, the 2022 Grammy Awards and the Coachella Valley Music and Arts Festival.Here's a more detailed breakdown of the song:Lyrics: The lyrics of Traitor are quite direct and honest. Rodrigo sings about how she felt betrayed and deceived after her relationship ended. She wonders how her ex-partner could move on so quickly, and she feels as if he had been a traitor.Music: Traitor is a medium-tempo pop ballad. The song has a soft and melancholic melody, and Rodrigo's voice is full of emotion. The song also has a hint of electric guitar, which adds some intensity to the song.Production: The song was produced by Dan Nigro, who also produced Sour's other songs, including Drivers License and Good 4 U. Nigro is known for his work with a raw, emotional pop sound, and he captures that sound on Traitor.Traitor is a powerful and moving song about the feeling of betrayal. The song showcases Olivia Rodrigo's talent as a songwriter and singer, and is one of Sour's most memorable songs.
$4.99
4.55 €
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Violoncelle, Piano
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Olivia Rodrigo
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Josiel Oliveira
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Traitor
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M das Melodias
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SheetMusicPlus
Don't Stop Believin'
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1277326 By Journey. By Jonathan Ca…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1277326 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Alex Nunes Rodrigues. Film/TV,Pop,Rock. Score and part. 4 pages. Alex Rodrigues #869024. Published by Alex Rodrigues (A0.1277326). Don't Stop Believin' became one of Journey's biggest hits and one of the most popular songs in rock history. It has been used in various movies, TV shows, and commercials, and is often played in sports stadiums and arenas around the world. The song features a catchy chorus and a memorable melody. It is an inspiring and exciting song that still resonates with many listeners decades after its original release.
$4.99
4.55 €
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Violoncelle, Piano
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Journey
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Alex Nunes Rodrigues
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Don't Stop Believin'
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Alex Rodrigues
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SheetMusicPlus
Don't Stop Believin'
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1277327 By Journey. By Jonathan Ca…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1277327 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Alex Nunes Rodrigues. Film/TV,Pop,Rock. Score and part. 4 pages. Alex Rodrigues #869025. Published by Alex Rodrigues (A0.1277327). Don't Stop Believin' became one of Journey's biggest hits and one of the most popular songs in rock history. It has been used in various movies, TV shows, and commercials, and is often played in sports stadiums and arenas around the world. The song features a catchy chorus and a memorable melody. It is an inspiring and exciting song that still resonates with many listeners decades after its original release.
$4.99
4.55 €
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Violoncelle, Piano
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Journey
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Alex Nunes Rodrigues
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Don't Stop Believin'
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Alex Rodrigues
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SheetMusicPlus
Pax Aeternam for cello and piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. …
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Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,†one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.
$15.00
13.69 €
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Violoncelle, Piano
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Maria Thompson Corley
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Maria Thompson Corley
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Pax Aeternam for cello and piano
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Maria Thompson Corley
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SheetMusicPlus
Now And Then
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1320029 By The Beatles. By George …
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Cello,Piano - Level 2 - Digital Download SKU: A0.1320029 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Leo Silva. 20th Century,Pop,Rock. Score and part. 4 pages. MP Sheet Music #908584. Published by MP Sheet Music (A0.1320029). Now and Then (also called I Don't Want to Lose You or Miss You) is a song by British band The Beatles originally recorded as a solo piano/vocal demo by John Lennon in 1979. After After Lennon's death, it was considered as a potential third reunion single by his former band the Beatles for their 1995 autobiographical documentary project The Beatles Anthology, following Free as a Bird and Real Love, but was shelved until 2022. The song was released on November 2, 2023.
$4.99
4.55 €
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Violoncelle, Piano
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The Beatles
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Leo Silva
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Now And Then
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MP Sheet Music
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SheetMusicPlus
Symphony No. 7 by Beethoven for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1240302 Composed by Ludwig van Bee…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1240302 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835672. Published by Woods Only, Arrangements (A0.1240302). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
1.82 €
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Violoncelle, Piano
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven for Cello and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Waltz in A Minor (Chopin) - Cello and Piano - Chamber music
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.760530 Composed by Frederic Chopin…
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Cello,Piano - Level 3 - Digital Download SKU: A0.760530 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4616207. Published by Raymond Fenech (A0.760530). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
3.64 €
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Violoncelle, Piano
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
La Donna è Mobile - Rigoletto (Verdi) + FREE Playback + Pdf Solo and Piano Parts
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1266666 By Fabio Eduardo de Olivei…
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Cello,Piano - Level 1 - Digital Download SKU: A0.1266666 By Fabio Eduardo de Oliveira. By Giuseppe Verdi. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Opera,Wedding. Score and part. 4 pages. Fabio Eduardo #859344. Published by Fabio Eduardo (A0.1266666). FREE Download Backing TrackLa donna è mobile is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening. Before the opera's first public performance (in Venice), the aria was rehearsed under tight secrecy: a necessary precaution, as La donna è mobile proved to be incredibly catchy, and soon after the aria's first public performance it became popular to sing among Venetian gondoliers.
$1.99
1.82 €
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Violoncelle, Piano
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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La Donna è Mobile - Rigoletto
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Fabio Eduardo
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SheetMusicPlus
La Donna è Mobile - Rigoletto (Verdi)
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1242218 By Fabio Eduardo de Olivei…
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Cello,Piano - Level 1 - Digital Download SKU: A0.1242218 By Fabio Eduardo de Oliveira. By Giuseppe Verdi. Arranged by Fabio Eduardo de Oliveira. 19th Century,Classical,Film/TV,Opera,Wedding. Score and part. 3 pages. Fabio Eduardo #837576. Published by Fabio Eduardo (A0.1242218). FREE DOWNLOAD PLAYBACKhttps://www.fabioeduardomusiconline.com/freedownloadLa donna è mobile is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening. Before the opera's first public performance (in Venice), the aria was rehearsed under tight secrecy:  a necessary precaution, as La donna è mobile proved to be incredibly catchy, and soon after the aria's first public performance it became popular to sing among Venetian gondoliers.
$1.99
1.82 €
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Violoncelle, Piano
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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La Donna è Mobile - Rigoletto
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Fabio Eduardo
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.48 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Trois pièces : Andante, Sérénade et Chant Serbe
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1493033 Composed by Clémence de G…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069723. Published by Musik Fabrik Music Publishing (A0.1493033). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
17.29 €
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Violoncelle, Piano
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Clémence de Grandval
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Paul Wehage (édition)
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Trois pièces : Andante, Sérénade et Chant Serbe
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Musik Fabrik Music Publishing
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SheetMusicPlus
Quando Me'n Vo for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1046448 By Keith Terrett. By Giaco…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1046448 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #650969. Published by Keith Terrett (A0.1046448). Arranged for Cello & Piano, Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater.
$4.99
4.55 €
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Violoncelle, Piano
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Keith Terrett
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Keith Terrett
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Quando Me'n Vo for Cello & Piano
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Keith Terrett
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SheetMusicPlus
Grande Sonata for Cello and Piano, Opus 147
Violoncelle, Piano
Cello and piano - Digital Download SKU: BQ.979-0-50179-109-5 Composed by Carl Gottl…
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Cello and piano - Digital Download SKU: BQ.979-0-50179-109-5 Composed by Carl Gottlieb Reissiger. Edited by Nicolas Di Paolo. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. Opus 147. 72 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-109-5). ISBN 9790501791095.Although Reissiger is best remembered as a composer of opera, he wrote over 200 works in the genres of sacred music, chamber music and music for the theatre. He was acclaimed during his lifetime, but his star waned after his death, eclipsed by more stellar musical personalities such as his great rival, Wagner. Reissiger's Grande Sonata is a mature work that recalls the Classical form at its most elegant and merits the attention of any cellist seeking a satisfying concert work.
$19.95
18.21 €
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Violoncelle, Piano
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Carl Gottlieb Reissiger
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Grande Sonata for Cello and Piano, Opus 147
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Bisel Classics - Digital
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SheetMusicPlus
You Are The Reason
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1238323 By Calum Scott. By Calum S…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1238323 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Milanov. Pop,Wedding. Score and part. 7 pages. Milanov #833789. Published by Milanov (A0.1238323). You are the reason by Calum Scott for Cello and Piano. Easy Intermediate. Chords. C Major. You Are the Reason by Calum Scott is a heartfelt and emotionally charged song that captures the essence of love and longing. With his soulful and captivating vocals, Scott expresses the profound impact one person can have on another's life, serving as a reminder that they are the reason for their happiness and the driving force behind their strength. The song beautifully articulates the vulnerability and devotion that comes with love, creating an intimate and powerful connection between the listener and the heartfelt lyrics that resonate long after the song ends.
$8.99
8.2 €
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Violoncelle, Piano
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Calum Scott
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Milanov
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You Are The Reason
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Milanov
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SheetMusicPlus
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