English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
8
Librairie
Musicale
0
Matériel
de Musique
10
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
302
PIANO & CLAVIERS
Piano seul
120
Piano, Voix
15
Piano Facile
14
Piano, Voix et Guitare
12
1 Piano, 4 mains
5
Instruments en Do
5
Orgue
4
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
16
Guitare
11
Ligne De Mélodie, (Paroles) et Accords
2
Paroles et Accords
1
Mandoline
1
VOIX
Chorale SATB
37
Voix Alto, Piano
9
Chorale 3 parties
8
Chorale 2 parties
4
Chorale SSAA
3
Chorale TTBB
3
Voix haute
2
Voix seule
1
Voix Tenor
1
Chorale Unison
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
Quintette de Saxophone: 5 saxophones
60
Quatuor de Saxophones: 4 saxophones
46
2 Saxophones (duo)
19
Flûte, Hautbois, Clarinette, Basson
17
Ensemble de saxophones
16
Flûte traversière et Piano
14
3 Saxophones (trio)
13
Clarinette et Piano
12
Hautbois, Piano (duo)
12
2 Flûte à bec (duo)
10
Saxophone Alto et Piano
10
2 Clarinettes (duo)
9
Ensemble de Clarinettes
9
Quintette de Flûte : 5 flûtes
8
Saxophone Tenor et Piano
8
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Soprano et Piano
7
2 Flûtes traversières (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Baryton, Piano
5
Flûte, Clarinette (duo)
5
Cor anglais, Piano
5
Saxophone, Clarinette (duo)
4
Quatuor de Flûtes à bec
4
Clarinette
4
Flûte à Bec
3
Clarinette, Basson (duo)
3
3 Clarinettes (trio)
3
Clarinette, Violon (duo)
3
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Saxophone (duo)
2
2 Hautbois (duo)
2
5 Flûtes à bec
2
Flûte, Violon
2
Flûte, Alto (duo)
2
Clarinette, Guitare (duo)
2
Clarinette, Trompette (duo)
2
Cor anglais, Guitare (duo)
2
Clarinette et Alto
2
Ensemble de Flûtes
2
Flûte et Guitare
2
Trio de Flûtes: 3 flûtes
2
Clarinette Basse
1
Ensemble de Hautbois
1
Saxophone Tenor
1
Hautbois, Flûte
1
Saxophone et Guitare
1
Flûte traversière
1
Flûte à bec Soprano
1
Flûte irlandaise
1
Hautbois, Clarinette (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Trompette (duo)
1
2 Clarinettes, Basson
1
Flûte, Violoncelle
1
Hautbois, Basson (duo)
1
Flûte à bec Alto
1
Saxophone Alto
1
Clarinette Basse, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Ensemble de Trompettes
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Cor et Piano
9
Trombone et Piano
8
Ensemble de Trombones
7
Trompette, Piano
6
Tuba et Piano
5
Cor anglais, Piano
5
Trombone
4
Quatuor de cuivres: 4 trompettes
4
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette
3
Trompette, Trombone (duo)
2
Quatuor de Cuivres
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
2
Cor
2
4 Tubas
2
Trompette, Saxophone (duo)
2
Ensemble de Cors
2
Cor anglais, Guitare (duo)
2
2 Cors (duo)
1
2 Trombones (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
23
Quatuor à cordes: 2 violons, alto, violoncelle
23
Alto, Piano
9
Violoncelle, Piano
8
Violon, Violoncelle (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Ensemble d'Altos
5
2 Violons (duo)
5
2 Violoncelles (duo)
5
Ensemble de Violons
5
Violon, Alto (duo)
4
2 Altos (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Violon
3
4 Violoncelles
3
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
Contrebasse, Piano (duo)
2
Violon, Guitare (duo)
2
Harpe
2
Alto seul
2
Quatuor à cordes : 4 altos
2
Alto, Violoncelle (duo)
2
Violoncelle
2
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
Trio à Cordes: 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
36
Orchestre
26
Orchestre à Cordes
13
Ensemble de cuivres
9
Ensemble Jazz
8
Orchestre de chambre
6
Ensemble de Percussions
2
Fanfare
2
Batterie
1
Jazz combo
1
Piano et Orchestre
1
Cloches
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Ten Years After
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
<
1
Saint-Saëns: The Swan for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.12 €
#
Violoncelle, Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Cello & Piano
#
jmsgu3
#
SheetMusicPlus
Romancendres
Violoncelle, Piano
Cello and piano - difficult - Digital Download SKU: S9.Q16462 Composed by Heinz Hol…
(+)
Cello and piano - difficult - Digital Download SKU: S9.Q16462 Composed by Heinz Holliger. This edition: Sheet music. Cello Library. Downloadable. Duration 22 minutes. Schott Music - Digital #Q16462. Published by Schott Music - Digital (S9.Q16462). In 1853 Robert Schumann composed five piano-accompanied cello romances. The works were never published though as Clara Schumann destroyed the unpublished manuscript in 1893, 40 years after they were written. In his six duo pieces for violoncello and piano, Heinz Holliger refers to these compositions which turned to ash: the title is a combination of the French words ‘romances’ and ‘cendres’. Many allusions are hidden in the music itself. In the opening procession part, for example, one can hear Clara Schumann’s initials C and eS [E flat], a letter of Brahms to Clara is recited by the piano, and the last figure of the final part is formed from the tones of his place of death, EnDEniCH. But both amateur and experienced listeners will at once be gripped by Holliger’s music. This work is affecting – not only by its complex conception but mainly by its intense sonority.
$35.99
32.9 €
#
Violoncelle, Piano
#
Heinz Holliger
#
Romancendres
#
Schott Music - Digital
#
SheetMusicPlus
Après un rêve" (Op. 7, No. 1) for cello and piano (as played by Yo Yo Ma and Kathryn Stott
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1197751 By Gabriel Fauré, Yo Yo…
(+)
Cello,Piano - Level 4 - Digital Download SKU: A0.1197751 By Gabriel Fauré, Yo Yo Ma and Kathryn Stott. By Gabriel Faure. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Film/TV,Instructional,Romantic Period. Score and part. 6 pages. Flavio Regis Cunha #796933. Published by Flavio Regis Cunha (A0.1197751). Après un rêve (Op. 7, No. 1) for cello and piano (as played by Yo Yo Ma and Kathryn StottTrois mélodies is a set of mélodies for solo voice and piano, by Gabriel Fauré. It consists of Après un rêve (Op. 7, No. 1), one of Faure's most popular vocal pieces, Hymne (Op. 7, No. 2), and Barcarolle (Op. 7, No. 3). The songs were written between 1870 and 1877, and published in 1878. They were not, however, originally conceived together as a set of three; the opus number 7 was imposed on them retrospectively in the 1890s, almost 20 years after their first publications.[citation needed]Après un rêveIn Après un rêve (After a dream), a dream of romantic flight with a lover, away from the earth and towards the light, is described. However, upon awakening, the dreamer longs to return to the mysterious night and the ecstatic falsehood of his dream. The text of the poem is an anonymous Italian poem freely adapted into French by Romain Bussine.Intermediate.Format: Concert, 9 x 12 inches.6 pages.
$7.99
7.3 €
#
Violoncelle, Piano
#
Gabriel Fauré, Yo Yo Ma and Kathryn Stott
#
Flavio Regis Cunha
#
Après un rêve"
#
Flavio Regis Cunha
#
SheetMusicPlus
Pax Aeternam for cello and piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. …
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,†one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.
$15.00
13.71 €
#
Violoncelle, Piano
#
Maria Thompson Corley
#
Maria Thompson Corley
#
Pax Aeternam for cello and piano
#
Maria Thompson Corley
#
SheetMusicPlus
Symphony No. 7 by Beethoven for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1240302 Composed by Ludwig van Bee…
(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.1240302 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835672. Published by Woods Only, Arrangements (A0.1240302). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
1.82 €
#
Violoncelle, Piano
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven for Cello and Piano
#
Woods Only, Arrangements
#
SheetMusicPlus
It's Been A Long, Long Time
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.592557 Composed by Jule Styne. Arr…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.592557 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366373. Published by David McKeown (A0.592557). It’s Been a Long Long Time is arranged as a solo for one Cello with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
#
Violoncelle, Piano
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
César Franck: Sonata that sounds good on the Cello / Arrangement of the piano part by Yuki Hasegawa
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1033841 Composed by Cesar Auguste …
(+)
Cello,Piano - Level 4 - Digital Download SKU: A0.1033841 Composed by Cesar Auguste Franck. Arranged by Yuki Hasegawa. Concert,Romantic Period,Wedding. Score and part. 59 pages. Edition les bons concerts #6662399. Published by Edition les bons concerts (A0.1033841). Special piano part for cellist! Arrangement performed at the Cello recital by the 1st soloist of Paris Opéra, Aurélien Sabouret, acclaimed by the Japanese prestigious music magazine Ongaku-no-tomo has been published.Compatible with your own cello part! (Cello part of Yuki's revision is also attached*)- Cello can sing using up to pianissimo. Piano part avoided same range.- Reduced the scenes without soprano. New score realizes natural sound spread.- Avoided the dialogue cello-piano between the ranges too far awayAfter the concert, the arrangement was so natural that no one mentioned it!Also, kind material for pianist:- Piano score’s cello part is written only with G&F clef.- Rehearsal numbers and bar numbers are compatible with the 1st edition by Delsart, Bärenreiter edition and Henle edition.- Page layout is same as 1st edition to facilitate comparison.Arranger Yuki HASEGAWA, biography: Arranger, pianist, conductor and producer. She completed the department of piano at the Kunitachi College of Music, and the departments of chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crépy and other representative professors in France in terms of composition and arrangement. She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado. In recent years she has been the frequent guest conductor and commissioned arranger to the Japan Croatia Music Society, etc. As a chamber musician, she has worked on numerous experimental harmony works of the early 20th century, and made CD recordings including the Violin Sonata by Louis Vierne, César Franck's pupil. She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed by representative organisations in each country. Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan. (As of 20, December 2021) Latest information & inquiries: https://yukihasegawa.com *The cello part is the same as the one distributed free of charge on the official website http://yukihasegawa.com/01 .Piano part (score) has 37 pages. Preface and comments for the score are 2 pages (English / French).
$29.95
27.38 €
#
Violoncelle, Piano
#
Cesar Auguste Franck
#
Yuki Hasegawa
#
César Franck: Sonata that sounds good on the Cello / Arrangement of the piano part by Yuki Hasegawa
#
Edition les bons concerts
#
SheetMusicPlus
Christmas Adventures for Cello and Piano
Violoncelle, Piano
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Traditional.…
(+)
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Traditional. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, Christmas, Recital. Set of Parts. 21 pages. Published by Colin Kirkpatrick Publications
Christmas Adventures for Cello andPiano<br> <br> A New Look at Three Favorite Carols<br> <br> Arranged by Colin Kirkpatrick<br> <br> <br> <br> Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate cello player and a reasonably competentpianist, they are sure to brighten up your Christmas events whether at home, school,church or recital hall. They could be used during a Christmas service or asstand-alone pieces at an end-of-term presentation. The audio sample includes recordingsof all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the cellists tone quality. The Merry Gentleman go Latinis a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teachingservice.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.Christmas Adventures for Cello andPiano<br> <br> A New Look at Three Favorite Carols<br> <br> Arranged by Colin Kirkpatrick<br> <br> <br> <br> Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate cello player and a reasonably competentpianist, they are sure to brighten up your Christmas events whether at home, school,church or recital hall. They could be used during a Christmas service or asstand-alone pieces at an end-of-term presentation. The audio sample includes recordingsof all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the cellists tone quality. The Merry Gentleman go Latinis a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teachingservice.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.
$7.95
7.27 €
#
Violoncelle, Piano
#
Traditional
#
Colin Kirkpatrick
#
Worship, Christmas, Recital
#
Christmas Adventures for Cello and Piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
