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Theme and Variation for Solo Cello
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Vous avez sélectionné:
Theme and Variation for Solo Cello
Violoncelle, Piano
Partitions à imprimer
7 partitions trouvées
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Variations on Eliahu, a Passover Theme (for solo cello and orchestra)
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gary Friedman
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Variations on Eliahu, a Passov
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Gary Friedman
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SheetMusicPlus
Large Ensemble Cello,Tuba - Level 4 - SKU: A0.889878 Composed by Gary Friedman. Contemporary,Jewish,Romantic Period. Score and parts. 66 pages. Gary Fri...
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Large Ensemble Cello,Tuba - Level 4 - SKU: A0.889878 Composed by Gary Friedman. Contemporary,Jewish,Romantic Period. Score and parts. 66 pages. Gary Friedman #11999. Published by Gary Friedman (A0.889878). The original version for cello and piano was my first formal composition when I started composing in 1998. When my brother, Ralph, heard it, he cried and said that he wished that my parents could have heard it, too. The form and harmonies of this piece are mostly traditional, but there are a few surprises. There is a cantorial cello cadenza. A trumpet and tuba are added to the usual chamber orchestra with piano, just to play an Oh My Darling Clementine counter-melody in one variation but flute and bassoon have cues and can do this nicely. The recording of the beautifully expressive performance by Ken Hoppe and the College of Marin Symphony conducted by Tara Flandreau (who edited the string parts) is of such poor sound quality that I have uploaded the computer playback as the sound clip, which is of course quite mechanical sounding. However, if you would like to hear the live performance the YouTube link is ?v=6RHrLVqTyZg The cello and piano duet version is included in this package but is also sold separately for $5.00. Duration: 8 minutes Year: 1998.
$40.00
Song of the Sea for Cello solo with piano accompaniment
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Violoncelle, Piano
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INTERMÉDIAIRE
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Janice e Malan
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Janice e Malan
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Song of the Sea for Cello solo
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Janice Malan
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1362632 By Janice e Malan. By Janice e Malan. Arranged by Janice e Malan. Contest,Festival,Folk. Score and part. 5 pages...
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Cello,Piano - Level 3 - SKU: A0.1362632 By Janice e Malan. By Janice e Malan. Arranged by Janice e Malan. Contest,Festival,Folk. Score and part. 5 pages. Janice Malan #947059. Published by Janice Malan (A0.1362632). This original Sea Song introduces the intermediate string students to the Theme and Variation form. Piano accompaniment is included. This is a great piece for concert, contest, or recital. Enjoy!
$5.00
I Love You Truly-cello/piano
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Violoncelle, Piano
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FACILE
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Phil Beaman
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I Love You Truly-cello/piano
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Phil Beaman
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.844623 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413031....
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Cello,Piano - Level 2 - SKU: A0.844623 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413031. Published by Phil Beaman (A0.844623). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Rhapsody on a Theme of Paganni Eighteenth Variation - Cello and Piano
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Violoncelle, Piano
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AVANCÉ
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Contemporain
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Goutier Capucon
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Marcus Martin
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Rhapsody on a Theme of Paganni
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Cornelius Edition
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1194112 By Goutier Capucon. By RACHMANINOV. Arranged by Marcus Martin. 20th Century,Classical. Score and part. 5 pages. ...
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Cello,Piano - Level 5 - SKU: A0.1194112 By Goutier Capucon. By RACHMANINOV. Arranged by Marcus Martin. 20th Century,Classical. Score and part. 5 pages. Cornelius Edition (uk) #793547. Published by Cornelius Edition (uk) (A0.1194112). Composed in 1934,  This slow 18th variation from the set of 24 is by far the best known, and it is often included on classical music compilations without the rest of the work. The original key of Db is retained with a solo cello line and piano accompaniment. It featured extensively in the 1953 MGM film  The story of 3 Loves. Ideal for short recitial items or as an encore.
$6.99
Ten Green Bottles and Variations for Cello and Piano
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Violoncelle, Piano
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DÉBUTANT
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Traditional
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Tim Curd
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Ten Green Bottles and Variatio
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Tim Curd
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.717141 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Score and part. 4 pages. Tim Curd #5806717. Publish...
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Cello,Piano - Level 1 - SKU: A0.717141 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Score and part. 4 pages. Tim Curd #5806717. Published by Tim Curd (A0.717141). Ten Green Bottles and Variations for Cello and Piano.This popular children's song has been arranged with its theme followed by a simply decorated variation.Piano and solo part included.A piano accompaniment/backing track is available here:https://www.sheetmusicplus.com/title/ten-green-bottles-and-variation-for-cello-and-piano-piano-accom...
$3.99
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Theme and Variation for Solo Cello
