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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
There Was Only
Non classifié
419
Piano & claviers
Piano seul
123
Piano, Voix
64
Piano, Voix et Guitare
31
Instruments en Do
7
Piano Facile
7
Orgue
7
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 4 mains
1
Accordéon
1
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
11
2 Guitares (duo)
6
Basse electrique
3
Dulcimer
1
Ukulele
1
Mandoline, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline
1
Paroles et Accords
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
78
Chorale 3 parties
29
Chorale 2 parties
14
Chorale TTBB
10
Chorale SSAA
10
Voix seule
4
Voix duo, Piano
3
Voix Soprano, Piano
2
Chorale SSATTB
1
Voix Tenor
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
Chorale Unison
1
Chorale
1
Voix duo
1
Voix basse, Piano
1
Voix moyenne, Piano
1
Voix Tenor, Piano
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
40
Ensemble de saxophones
37
Flûte traversière et Piano
32
Quintette de Saxophone: 5 saxophones
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Saxophone Alto et Piano
23
Clarinette et Piano
21
Saxophone Tenor et Piano
19
Saxophone Soprano et Piano
18
Hautbois, Piano (duo)
18
Ensemble de Clarinettes
17
Saxophone, Clarinette (duo)
16
2 Clarinettes (duo)
15
2 Flûtes traversières (duo)
13
Quatuor de Saxophones: 4 saxophones
13
Cor anglais, Piano
12
Saxophone Baryton, Piano
12
Ensemble de Flûtes
12
3 Saxophones (trio)
10
Clarinette, Violon (duo)
10
Clarinette, Trompette (duo)
9
Flûte traversière
9
Clarinette Basse, Piano
9
Flûte, Clarinette (duo)
9
Clarinette
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte, Hautbois, Clarinette, Basson
8
Flûte, Saxophone (duo)
7
Flûte, Violon
7
Quintette de Flûte : 5 flûtes
7
3 Clarinettes (trio)
6
2 Flûte à bec (duo)
6
Saxophone Alto
6
Flûte, Alto (duo)
5
Clarinette et Alto
5
Hautbois, Basson (duo)
4
Hautbois, Clarinette (duo)
4
Flûte, Trompette (duo)
4
Flûte à bec Soprano
4
Saxophone Tenor
4
2 Hautbois (duo)
4
Hautbois, Flûte
4
Flute, harpe et violon
3
Quintette de Clarinettes: 5 clarinettes
3
Quatuor de Flûtes à bec
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette (trio)
3
Ensemble De Flûte à bec
3
Saxophone Soprano
2
Flûte à bec Tenor
2
Flûte et Guitare
2
Clarinette, Basson (duo)
2
3 Flûtes à bec (trio)
2
Flûte irlandaise
1
Flûte à Bec
1
Piccolo, Piano
1
Trio de Flûtes: 3 flûtes
1
Ensemble de Hautbois
1
Saxophone et Orgue
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto, Piano
1
Saxophone et Guitare
1
Flûte à bec Soprano, Piano
1
Saxophone (partie séparée)
1
Flûte, Violoncelle
1
5 Flûtes à bec
1
Saxophone
1
+ 62 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trombone et Piano
15
Trompette, Piano
13
Trompette
12
Ensemble de Trombones
12
Cor anglais, Piano
12
Euphonium, Piano (duo)
11
Quatuor de Cuivres
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trompettes
9
Trompette, Saxophone (duo)
9
Cor et Piano
9
Trompette, Trombone (duo)
8
2 Trombones (duo)
7
2 Trompettes (duo)
6
Ensemble de Cors
6
Trombone
4
2 Cors (duo)
3
Tuba et Piano
3
Tuba
3
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
2
4 Tubas
2
Quatuor de cuivres: 4 trompettes
2
3 Cors (trio)
1
3 Tubas (trio)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Trompette, Cor (duo)
1
2 Cors, Piano
1
Trombone, Cor (duo)
1
Tuba et Orgue
1
+ 29 instrumentations
Retracter
Cordes
Violon et Piano
34
Quatuor à cordes: 2 violons, alto, violoncelle
31
Alto, Piano
25
Violoncelle, Piano
19
Trio à Cordes: violon, alto, violoncelle
18
Harpe
13
Violon, Violoncelle (duo)
12
Violoncelle
11
2 Violons (duo)
11
Violon, Alto (duo)
11
2 Altos (duo)
7
2 Violoncelles (duo)
7
Violon
7
2 Harpes (duo)
6
Ensemble de Violons
5
Ensemble d'Altos
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 2 violons, violoncelle
3
2 Violons, Piano
3
Trio à cordes: 3 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Violoncelle, Basse continue
1
Quatuor à cordes : 4 altos
1
Violoncelle , Guitare (duo)
1
Violoncelle, Orchestre
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
77
Orchestre
42
Orchestre de chambre
26
Orchestre à Cordes
22
Ensemble de cuivres
14
Ensemble Jazz
13
Cloches
5
Ensemble de Percussions
4
Vibraphone
1
Piano et Orchestre
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
There Was Only
Violoncelle, Piano
Partitions à imprimer
19 partitions trouvées
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1
Furgary (Cello and Piano - First Theme Only Arrangement)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Geraldine Green
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Geraldine Green
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Furgary
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Geraldine
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1297036 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Class...
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Cello,Piano - Level 3 - SKU: A0.1297036 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and part. 12 pages. Geraldine (Denny) Green at Oakmountmusic #887158. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297036). ALL PURCHASES COME WITH SCORE AND PARTSDuration – Approx. 8/9 minutesAbout The PieceFurgary was written in October 2019 at the request of Flautist Gary Woolf for his junior music school orchestra, the Banda Di Musica, for whom I have written many pieces. It was originally scored for a trio of soloists (flute, cello and piano) and string orchestra, like a kind of concerto grosso. In this form there are two school orchestra arrangements;No. 1 – School Arrangement – Solo flute, cello and piano, Violins 1,2&3, cellos 1&2No. 2 – Standard Arrangement – Solo flute, cello and piano, Violins 1&2, violas, cellos and basses.There are also two further arrangements;No. 3 – Cello and piano – First theme onlyNo. 4 – Violin and Piano – First theme only.
$5.00
(there's No Place Like) Home For The Holidays
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Violoncelle, Piano
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FACILE
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Noël
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Perry Como
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Stephen DeCesare
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(there's No Place Like) Home F
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.630725 By Perry Como. By Robert Allen. Arranged by Stephen DeCesare. Christmas,Jazz. Score and part. 10 pages. Exultet M...
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Cello,Piano - Level 2 - SKU: A0.630725 By Perry Como. By Robert Allen. Arranged by Stephen DeCesare. Christmas,Jazz. Score and part. 10 pages. Exultet Music #6473185. Published by Exultet Music (A0.630725). The popular song, commonly associated with the Christmas and holiday season which was recorded by Perry Como, has been freshly arranged for a Cello solo with Piano accompaniment. Accessible for any school or concert program.
$4.99
Jesu, joy of man's desiring by Bach for Cello and Piano
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Violoncelle, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by
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Woods Only, Arrangements
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - SKU: A0.1121437 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christma...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - SKU: A0.1121437 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 6 pages. Woods Only, Arrangements #722614. Published by Woods Only, Arrangements (A0.1121437). This easy arrangement for cello and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
Elgar: Salut D'Amour (Liebesgruss) for Violoncello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Edward Elgar
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Flavio Regis Cunha
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Elgar: Salut D'Amour
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Flavio Regis Cunha
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1162315 By Edward Elgar. By Edward Elgar. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Instructional,Ro...
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Cello,Piano - Level 4 - SKU: A0.1162315 By Edward Elgar. By Edward Elgar. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Instructional,Romantic Period,Wedding. Score and part. 9 pages. Flavio Regis Cunha #762675. Published by Flavio Regis Cunha (A0.1162315). Salut D'Amour (Liebesgruss) for Violoncello and Piano - as played by YO YO MA and Kathryn Stott.Edward Elgar’s Salut d’amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts, the work became an enormous success early on. There are numerous arrangements – but the only versions for which the autograph manuscripts survive are those for Violin and Piano, Piano solo and Violoncello and Piano. Up to now there has only been an arrangement of the cello part made by the original publisher, presumably with Elgar’s approval. This score was written based on the beautiful record 'Songs of the Arc of Life' by YO YO MA (cello) and Kathryn Stott (piano). Enjoy!Advanced Intermeiate level.Format: Concert, 9 x 12 inches.9 pages.
$7.99
Grieg: Peer Gynt Suite Complete for Cello & Piano
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Violoncelle, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Edvard Grieg
#
James Guthrie, ASCAP
#
Grieg: Peer Gynt Suite Complet
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.551511 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Stand...
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Cello,Piano - Level 4 - SKU: A0.551511 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 59 pages. Jmsgu3 #5306357. Published by jmsgu3 (A0.551511). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Anitra's Dance from Peer Gynt Suite for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549551 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wo...
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Cello,Piano - Level 3 - SKU: A0.549551 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507503. Published by jmsgu3 (A0.549551). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549572 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wo...
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Cello,Piano - Level 3 - SKU: A0.549572 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508693. Published by jmsgu3 (A0.549572). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549529 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standa...
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Cello,Piano - Level 3 - SKU: A0.549529 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505759. Published by jmsgu3 (A0.549529). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
For Elise (Beethoven) + FREE Mp3 Playback + PDF Solo and Piano Parts
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Violoncelle, Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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For Elise
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Fabio Eduardo
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1266130 By Fabio Eduardo de Oliveira. By L.V. Beethoven. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Centur...
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Cello,Piano - Level 1 - SKU: A0.1266130 By Fabio Eduardo de Oliveira. By L.V. Beethoven. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #858874. Published by Fabio Eduardo (A0.1266130). Free Download PlaybackBagatelle No. 25 for solo piano, commonly known as Für Elise, is one of Ludwig van Beethoven's most popular compositions. It was not published during his lifetime, only being discovered (by Ludwig Nohl) 40 years after his death, and may be termed either a Bagatelle or an Albumblatt. The identity of Elise is unknown; researchers have suggested Therese Malfatti, Elisabeth Röckel, or Elise Barensfeld.
$1.99
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,...
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Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
Trumpet Voluntary, (Prince of Denmark's March), for Solo Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.587599 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score an...
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Cello,Piano - Level 3 - SKU: A0.587599 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367468. Published by David McKeown (A0.587599). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Cello and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Sonate F-Dur (First edition of 1st version)
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Violoncelle, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Sonate F-Dur
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - advanced - SKU: S9.Q52946 For piano and violoncello. Composed by Richard Strauss. This edition: score and part. Complete editio...
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Cello and piano - advanced - SKU: S9.Q52946 For piano and violoncello. Composed by Richard Strauss. This edition: score and part. Complete edition - piano - score - violoncello. Downloadable, Score and part. Duration 26 minutes. Schott Music - Digital #Q52946. Published by Schott Music - Digital (S9.Q52946). Key: F major.The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss’s early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss’s Cello Sonata now makes it possible to follow Strauss’s compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors).
$34.99
The Skye Boat Song (cello and piano)
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Violoncelle, Piano
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FACILE
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional
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Colin Kirkpatrick
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The Skye Boat Song
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Colin Kirkpatrick Publications
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1364520 Composed by Traditional. Arranged by Colin Kirkpatrick. 19th Century,Celtic,Folk,Irish,Traditional. Score and pa...
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Cello,Piano - Level 2 - SKU: A0.1364520 Composed by Traditional. Arranged by Colin Kirkpatrick. 19th Century,Celtic,Folk,Irish,Traditional. Score and part. 9 pages. Colin Kirkpatrick Publications #948812. Published by Colin Kirkpatrick Publications (A0.1364520). This is one of the most well-known of all British folksongs and refers to real historical events. It has been used in film and television programs and known to almost everyone in Britain. Skye (also known as “The Isle of Skyeâ€) is the largest island of the Inner Hebrides. With an area of about 640 square miles, the island is about sixty miles long and lies close to the Scottish mainland.   The boat in the song (“Speed bonny boatâ€) refers to a small sailing ship that in 1746 “carried the lad who was born to be king†to the Isle of Skye. The lad in question was Prince Charles Edward Stuart known affectionately as “Bonnie Prince Charlie.†The song also refers to the Battle of Culloden of April 1746, the last ever battle on British soil, fought between the British Army and the army of Bonnie Prince Charlie.   In June 1746 and disguised as a maid-servant, Charles was secretly transported from the Hebridean island of Benbecula to the more southerly Isle of Skye. This is the event to which the song refers.  The Skye Boat Song has its roots in a traditional Gaelic melody. In this arrangement for cello and piano much of the piece is playable in first position though in the second half there is a top G (but only once).
$3.95
Grass Roots for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Grass Roots for Cello and Pian
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Sy Brandon
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.755018 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 36 pages. Sy Brandon #3243597. Published by Sy...
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Cello,Piano - Level 4 - SKU: A0.755018 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 36 pages. Sy Brandon #3243597. Published by Sy Brandon (A0.755018). Grass Roots was composed during 2009-2010 for tuba and piano and adapted for cello and piano by the composer in 2016. The inspiration for this composition was Ken Burn’s series on America’s National Parks. The composer was not only inspired by the beauty and grandeur of the parks, but also by the vision of a few people that turned into the reality, therefore the title of this composition. The first movement is called A Voice in the Wilderness and represents the voice of John Muir, who recognized the beauty of Yosemite and made an effort to preserve it for future generations. The lyrical sections reflect the beauty of the area and the chromaticism reflects the uncertainty of his efforts. Conflicts is the title of the second movement as it represents the opposing forces in the debate to create a national park system. Lively rhythm and counterpoint are used throughout the movement to express the opposing points of view and the heated arguments. The last movement, Manifestations is the realization of the dream of a national park system. The movement is lyrical and flowing and is designed to be both serene and awe-inspiring.
$14.99
Maple Leaf Rag, by Scott Joplin, for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.587784 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Cello,Piano - Level 4 - SKU: A0.587784 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967661. Published by David McKeown (A0.587784). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Cello and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203Â
$4.60
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Cello and Piano
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Violoncelle, Piano
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FACILE
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.587915 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. ...
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Cello,Piano - Level 2 - SKU: A0.587915 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042591. Published by David McKeown (A0.587915). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Cello and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Wexford Carol - Cello solo
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional Irish Carol
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Brian Buda
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Wexford Carol - Cello solo
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budaful music
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.823192 Composed by Traditional Irish Carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part...
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Cello,Piano - Level 4 - SKU: A0.823192 Composed by Traditional Irish Carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 10 pages. Budaful music #6717013. Published by budaful music (A0.823192). The haunting, melodic beauty in this arrangement of Wexford Carol is full of lush harmonies and imitative countermelodies making it a great piece to perform in Christmas concerts and in church services. There are two performance options in this arrangement. One option is to, obviously, perform the piece as written all the way through. (approx. 3:50) The other (less recommended) option would be to omit one of the 3 verses which cuts over a minute of performance time. (approx. 2:40)Cello part is included at the end of the PDF.The words of the final verse is only part of what makes this carol so powerful:With thankful heart and joyful mind,The shepherds went the babe to find,And as God’s angel has foretold,They did our Savior Christ behold.Within a manger He was laid,And by His side the virgin maidAttending to the Lord of Life,Who came on earth to end all strife.
$4.99
The Easy Winners, for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Cello an
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1106228 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David M...
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Cello,Piano - Level 4 - SKU: A0.1106228 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709342. Published by David McKeown (A0.1106228). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Cello with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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