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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Cor et Piano
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Trompette, Trombone (duo)
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2 Trombones (duo)
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Ensemble de Trompettes
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2 Cors (duo)
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Quatuor de cuivres: 4 cors
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2 Tubas (duo)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Violon
24
Violon et Piano
21
Quatuor à cordes: 2 violons, alto, violoncelle
17
Trio à Cordes: violon, alto, violoncelle
14
Violoncelle
12
Violoncelle, Piano
11
Alto seul
10
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6
2 Violons (duo)
4
Harpe
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Violon, Alto (duo)
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Piano Trio: Violon, Alto, Piano
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Autoharp
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2 Altos (duo)
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1
Alto, Guitare (duo)
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Harpe, Flûte (duo)
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Trio à Cordes: 2 violons, violoncelle
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Trio à Cordes: 3 violoncelles
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Harpe, Violon (duo)
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2 Violons, Piano
1
2 Violoncelles (duo)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
94
Fanfare
51
Orchestre
15
Orchestre à Cordes
12
Ensemble de cuivres
11
Jazz combo
7
Ensemble Jazz
5
Cloches
5
Ensemble de Percussions
4
Batterie
4
Ensemble d'École
2
Marimba
2
2 Marimbas
1
Percussion
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Piano et Orchestre
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Quintette de Cuivres: autres combinaisons
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These Are The Times
Violoncelle, Piano
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Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Go…
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Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.07 €
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Violoncelle, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastia…
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Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.77 €
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Violoncelle, Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scria…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
24.6 €
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Violoncelle, Piano
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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jmsgu3
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SheetMusicPlus
The Wedding Album, for Solo Cello and Piano
Violoncelle, Piano
Composed by Various. Arranged by David McKeown. Baroque, Concert, Romantic Period, S…
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Composed by Various. Arranged by David McKeown. Baroque, Concert, Romantic Period, Standards, Wedding. Score and part. 24 pages. David McKeown #4594709. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Cello with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as "Here Comes the Bride". Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the"trumpet stop". Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Cello with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as "Here Comes the Bride". Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the"trumpet stop". Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.
$9.99
9.12 €
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Violoncelle, Piano
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Various
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The Wedding Album, for Solo Cello and Piano
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David McKeown
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SheetMusicPlus
Capriccio for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 5 - Digital Download SKU: A0.1266447 Composed by David Garner. …
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Cello,Piano - Level 5 - Digital Download SKU: A0.1266447 Composed by David Garner. 21st Century,Chamber,Classical,Contemporary. Score and part. 33 pages. David Garner Music #859184. Published by David Garner Music (A0.1266447). This is a virtuosic work for solo cello and piano. It is 8 minutes long. It uses Garner's innovative Tonal Serialism technique. An annotated score and matrix are included in the PDF. This work was commissioned by Ensemble for These TImes and premiered in 2014 by cellist Adaiha MacAdam-Somer and pianist Dale Tsang.
$60.00
54.76 €
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Violoncelle, Piano
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David Garner
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Capriccio for Cello and Piano
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David Garner Music
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SheetMusicPlus
Für Fagott, Violoncell und Pianoforte
Violoncelle, Piano
Bassoon, cello and piano - difficult - Digital Download SKU: S9.Q6353 Composed by B…
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Bassoon, cello and piano - difficult - Digital Download SKU: S9.Q6353 Composed by Benjamin Schweitzer. This edition: performance score. Downloadable, performance score. Duration 13 minutes. Schott Music - Digital #Q6353. Published by Schott Music - Digital (S9.Q6353). Nausea (lat., seasickness, disgust) – Nenia (greek/lat., folksong, elegy, magical song): Two similar sounding terms, which offer, based on their ambiguity, lots of space to musical connotations. These subtitles of the two movements refer to a background idea of the piece – to bring musical gestures of anger on the one, mourning and desperation on the other hand together as close as possible. In both cases there are drudgingly dragged blocks of sound, circulating crumbles of motives, melodic fragments sometimes even reduced to single notes…. Nevertheless, in the end we can still hear an expanded relict of a drifty chant. Benjamin Schweitzer.
$33.99
31.02 €
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Violoncelle, Piano
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Benjamin Schweitzer
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Für Fagott, Violoncell und Pianoforte
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Schott Music - Digital
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SheetMusicPlus
Rêverie A minor
Violoncelle, Piano
Cello and piano - intermediate - Digital Download SKU: S9.Q11672 Composed by George…
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Cello and piano - intermediate - Digital Download SKU: S9.Q11672 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 54/3. Schott Music - Digital #Q11672. Published by Schott Music - Digital (S9.Q11672). Key: A minor.Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.Stilistisch ganz dem romantischen Geist ihrer Zeit verhaftet, handelt es sich um relativ kurze Stücke. Nicht zuletzt aufgrund ihrer melodischen und harmonischen Eingängigkeit erfreuen sie sich nachhaltiger Beliebtheit sowohl im Unterricht wie im häuslichen Konzert.
$10.99
10.03 €
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Violoncelle, Piano
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George Goltermann
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Rêverie A minor
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Schott Music - Digital
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SheetMusicPlus
Sonata
Violoncelle, Piano
Cello and piano - difficult - Digital Download SKU: S9.Q6912 Sequentia Serpentig…
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Cello and piano - difficult - Digital Download SKU: S9.Q6912 Sequentia Serpentigena. Composed by Sir Peter Maxwell Davies. This edition: Sheet music. Downloadable. Op. 285. Duration 17 minutes. Schott Music - Digital #Q6912. Published by Schott Music - Digital (S9.Q6912). The Sonata, in six movements, is the direct outcome of Peter Maxwell Davies’ encounter with the ‘pievi’ – early medieval rural churches – of Tuscany. He writes: ‘In particular, it was inspired by the elusive and enigmatic nature of the imagery of their stone carvings. I have concentrated on just one image, that of the snake, which in Jewish and Christian tradition is a symbol of temptation and betrayal, and of sinfulness in general. However, in the pievi, older significances, which can be traced back to Estruscan times, can be discerned, and these meanings, quite contrary to the usual readings, are now beginning to be fathomed, helping us to understand for instance why the piece of San Vito in Corsignano has no stone carving apart from decorative elements, and that of small, extended snakes.’ (Peter Maxwell Davies)Inspiriert durch Sir Peter Maxwell Davies' Begegnung mit den pievi, frühmittelalterlichen ländlichen Kirchen in der Toskana, und insbesondere mit ihren schwer fassbaren, rätselhaften Steinreliefs, entstand die Cellosonate um die selbe Zeit wie seine jüngste Violinsonate, auch ein italienisch inspiriertes Werk, das eine Reise durch Rom darstellt.
$33.99
31.02 €
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Violoncelle, Piano
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Sir Peter Maxwell Davies
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Sonata
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Schott Music - Digital
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SheetMusicPlus
Nocturne A minor
Violoncelle, Piano
Cello and piano - intermediate - Digital Download SKU: S9.Q11673 Composed by George…
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Cello and piano - intermediate - Digital Download SKU: S9.Q11673 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 115/3. Schott Music - Digital #Q11673. Published by Schott Music - Digital (S9.Q11673). Key: A minor.Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.
$10.99
10.03 €
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Violoncelle, Piano
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George Goltermann
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Nocturne A minor
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Schott Music - Digital
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SheetMusicPlus
Nocturne G major
Violoncelle, Piano
Cello and piano - intermediate - Digital Download SKU: S9.Q11674 Composed by George…
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Cello and piano - intermediate - Digital Download SKU: S9.Q11674 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 125/1. Schott Music - Digital #Q11674. Published by Schott Music - Digital (S9.Q11674). Key: G major.Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.
$10.99
10.03 €
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Violoncelle, Piano
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George Goltermann
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Nocturne G major
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Schott Music - Digital
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SheetMusicPlus
Silent Durations IXa (a Zen experience)
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.799525 Composed by Drake Mabry Pro…
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Cello,Piano - Level 3 - Digital Download SKU: A0.799525 Composed by Drake Mabry Productions. Contemporary. Score and part. 9 pages. Drake Mabry #3676117. Published by Drake Mabry (A0.799525). Silent Durations IXa (a Zen experience) is for cello and piano. In three movements, the dialogue between the two instruments illustrates both their differences and their similarities, at times even sounding like one instrument. These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric. The duration is 15'16.
$5.99
5.47 €
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Violoncelle, Piano
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Drake Mabry Productions
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Silent Durations IXa
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Drake Mabry
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SheetMusicPlus
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