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54
Violon et Piano
38
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22
Harpe
20
Alto seul
19
Violon, Violoncelle (duo)
18
Alto, Piano
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Contre Basse
11
2 Harpes (duo)
10
Violoncelle
10
2 Violons (duo)
9
Harpe (partie séparée)
8
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
Violoncelle, Contrebasse (duo)
3
Violon, Guitare (duo)
3
4 Violoncelles
3
Harpe, Orchestre
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Violoncelle, Orgue
1
Harpe, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Alto, Orgue
1
Ensemble de Violoncelles
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Voix
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Harpe, Trombone (duo)
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Orchestre d'harmonie
219
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91
Percussion (partie séparée)
77
Orchestre
39
Ensemble Jazz
27
Ensemble de cuivres
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21
Orchestre de chambre
16
Fanfare
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Cloches
11
Timbales (partie séparée)
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Batterie
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Jazz combo
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Marimba
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Vous avez sélectionné:
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Violoncelle, Piano
Partitions à imprimer
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The God of Abraham Praise (arr. for cello and piano)
Violoncelle, Piano
Composed by Music: Traditional Hebrew synagogue doxology; Author: Thomas Olivers. Arranged…
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Composed by Music: Traditional Hebrew synagogue doxology; Author: Thomas Olivers. Arranged by David S. Abramsky. Christian, Jewish, Christmas, Funeral, Recital. Set of Parts. 4 pages. Published by David S. Abramsky (S0.160829). - Set of Parts - Christian,Jewish,Christmas,Funeral,Recital - David S. Abramsky
$3.99
3.66 €
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Violoncelle, Piano
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Music: Traditional Hebrew synagogue doxology; Author: Thomas Olivers
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David S
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Author: Thomas Olivers
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The God of Abraham Praise
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David S. Abramsky
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SheetMusicPlus
Sullivan: The Lost Chord for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seym…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.75 €
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Violoncelle, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Cello & Piano
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jmsgu3
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SheetMusicPlus
Ave Maria (Cello)
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.710569 Composed by Charles Gounod …
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Cello,Piano - Level 3 - Digital Download SKU: A0.710569 Composed by Charles Gounod and J. S. Bach. Arranged by Thomas Jancso. Baroque. Score and part. 9 pages. Thomas Jancso #4580873. Published by Thomas Jancso (A0.710569). Ave Maria for Cello and Piano.
$4.99
4.58 €
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Violoncelle, Piano
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Charles Gounod and J
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Thomas Jancso
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Ave Maria
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Thomas Jancso
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SheetMusicPlus
The Coolin
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.731879 Composed by Irish Tradition…
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Cello,Piano - Level 3 - Digital Download SKU: A0.731879 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and part. 4 pages. Thomas Quigley #3415929. Published by Thomas Quigley (A0.731879). One of Ireland's finest traditional airs is exquisitely arranged with some elaboration of the melody and a piano accompaniment which is very sympathetic to the Celtic style. It is an arrangement of a melody which is familiar to audiences and is suitable for performance by a student, amateur or professional.The writing gives the cello an opportunity to display a warm, expressive legato tone.
$3.99
3.66 €
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Violoncelle, Piano
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Irish Traditional
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Thomas Quigley
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The Coolin
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Thomas Quigley
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SheetMusicPlus
Star of the County Down
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.732278 Composed by Irish Tradition…
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Cello,Piano - Level 3 - Digital Download SKU: A0.732278 Composed by Irish Traditional / Lyrics: C. Mc Garvey. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and part. 10 pages. Thomas Quigley #6139987. Published by Thomas Quigley (A0.732278). A vibrant, energetic arrangement of a famour Irish air! Full of color and vitality with an imaginative piano accompaniment, this is a fine piece for a competent duo. Ideal for a concert of Irish music or a Saint Patrick's Day celebration. Great to perform and highly recommended!
$4.99
4.58 €
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Violoncelle, Piano
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Irish Traditional / Lyrics: C
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Thomas Quigley
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Star of the County Down
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Thomas Quigley
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SheetMusicPlus
My Illness is the Medicine I Need
Violoncelle, Piano
Soprano, violin, cello and piano - difficult - Digital Download SKU: S9.Q45642 F…
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Soprano, violin, cello and piano - difficult - Digital Download SKU: S9.Q45642 For soprano and piano trio. Composed by Thomas Larcher. This edition: score and parts. Downloadable, Score and parts. Duration 15 minutes. Schott Music - Digital #Q45642. Published by Schott Music - Digital (S9.Q45642). English.In a magazine with reports on mental institutions, Thomas Larcher came across interviews with patients: 'These sentences are of a strong inner power, yet do not claim to convey an overall picture of these people. There rather appear snatches from their world like a stroboscope.' The soprano part in Larcher's composition attends to these texts in a very restraint, often introverted manner, but they continue to have an effect in the instrumental parts, like catalysts of seemingly disturbing processes. The world premiere with Juliane Banse, Christian Tetzlaff, Nikolaj Schneider and the composer on the piano took place at the renowned festival 'Spannungen' in the power station of Heimbach in 2002. Recently, a recording has been released by ECM New Series.Dans un reportage sur les établissements psychiatriques, Thomas Larcher a trouvé des interviews de patients : “Ces phrases sont d’une grande force en soi mais elles ne prétendent pas donner une image globale de ces personnes. Comme avec un stroboscope apparaissent plutôt des lambeaux de leur monde.â€.
$46.99
43.16 €
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Violoncelle, Piano
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Thomas Larcher
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My Illness is the Medicine I Need
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Schott Music - Digital
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SheetMusicPlus
For the Beauty of the Earth
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.732373 Composed by Music: C. Koche…
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Cello,Piano - Level 3 - Digital Download SKU: A0.732373 Composed by Music: C. Kocher / Words: F.S. Pierpoint. Arranged by Thomas Quigley. Christian,Concert,Sacred. Score and part. 5 pages. Thomas Quigley #6491393. Published by Thomas Quigley (A0.732373). This is a truly delightful arrangement. Ideal for a religious ceremony in providing a few moments of reflection and wonder, this exquisite piece is elegant and charming in its simplicity of style. Rich, tasteful piano harmonies enhance the beauty of the tune. Highly recommended!
$4.99
4.58 €
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Violoncelle, Piano
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Music: C
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Thomas Quigley
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For the Beauty of the Earth
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Thomas Quigley
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.51 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Go…
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Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.26 €
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Violoncelle, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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jmsgu3
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SheetMusicPlus
Long Long Ago Cello and Piano
Violoncelle, Piano
Composed by Thomas H. Bayly . Arranged by Wendy Shih. Romantic Period, Christmas, World, C…
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Composed by Thomas H. Bayly . Arranged by Wendy Shih. Romantic Period, Christmas, World, Children's Music, Children's Musicals. Individual Part, Score. 3 pages. Published by Lazy Sheet Music (S0.45089). - Individual Part,Score - Romantic Period,Christmas,World,Children's Music,Children's Musicals - Lazy Sheet Music
$5.00
4.59 €
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Violoncelle, Piano
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Thomas H
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Wendy Shih
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Long Long Ago Cello and Piano
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Lazy Sheet Music
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SheetMusicPlus
Seven
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1270894 By Jungkook Feat. Latto. B…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1270894 By Jungkook Feat. Latto. By Alyssa Stephens, Andrew Watt, Henry Russell Walter, Jon Bellion, and Theron Makiel Thomas. Arranged by Claudio Mascaro. Pop. Score and part. 14 pages. Claudio Mascaro #863277. Published by Claudio Mascaro (A0.1270894). Get ready to ignite the dance floor with the unstoppable energy of 'Seven' by Jungkook from BTS in this vibrant cello and piano arrangement! Set in the lively key of A minor, this intermediate-level sheet music brings the infectious dancing music to life, designed to captivate musicians seeking an exciting challenge.Exhilarating Rhythms: Feel the pulsating beats and grooves as the cello and piano come together in a dynamic interplay, staying true to the dance-worthy essence of Jungkook's iconic track.Intermediate Level: Suitable for advancing musicians, this arrangement offers the perfect opportunity to level up your skills and tackle the spirited melodies that make 'Seven' so captivating.Celebrate Jungkook and BTS: Pay homage to one of K-pop's brightest stars and their chart-topping hit. Let the music inspire you to bring your own flair to the performance, just like Jungkook's electrifying stage presence.Versatility for Performances and Videos: Whether you're looking to wow the audience at a recital or add an upbeat touch to your videos, this arrangement fits all occasions and brings excitement to your creative projects.Engage Your Audience: The joyous melodies and rhythmic beats will not only captivate your listeners but also have them grooving along with you, making it a memorable experience for all.Elevate your musical journey, get creative, and bring an exhilarating experience to your performances and videos with the electrifying 'Seven' by Jungkook!
$4.99
4.58 €
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Violoncelle, Piano
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Jungkook Feat
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Claudio Mascaro
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Seven
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Claudio Mascaro
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SheetMusicPlus
As It Was
Violoncelle, Piano
By Harry Styles. By Thomas Hull, Tyler Johnson, and Harry Styles. Arranged by Thiago d…
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By Harry Styles. By Thomas Hull, Tyler Johnson, and Harry Styles. Arranged by Thiago de Sá Oliveira. Pop. Score and part. 15 pages. Thiago de Sá Oliveira #687113. Published by Thiago de Sá Oliveira
$5.00
4.59 €
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Violoncelle, Piano
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Harry Styles
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Oliveira
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As It Was
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Thiago de Sá Oliveira
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SheetMusicPlus
Bach: Wachet auf for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastia…
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Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.92 €
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Violoncelle, Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello & Piano
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jmsgu3
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SheetMusicPlus
Seven
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1270896 By Jungkook Feat. Latto. B…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1270896 By Jungkook Feat. Latto. By Alyssa Stephens, Andrew Watt, Henry Russell Walter, Jon Bellion, and Theron Makiel Thomas. Arranged by Claudio Mascaro. 21st Century,Chamber,Pop. Score and part. 14 pages. Claudio Mascaro #863279. Published by Claudio Mascaro (A0.1270896). Get ready to set the stage ablaze with the exhilarating rhythm of 'Seven' by Jungkook from BTS in this vibrant cello and piano arrangement! Crafted for intermediate-advanced musicians, this sheet music brings the infectious dancing music to life, staying true to the original key for an authentic experience.Electrifying Challenge: This arrangement caters to intermediate-advanced musicians seeking an electrifying challenge in G# minor. Embrace the pulsating beats and grooves as the cello and piano interweave in a dynamic and harmonious dance.Stay True to the Original: Play 'Seven' just the way it was meant to be heard. The arrangement preserves the lively spirit and captivating melodies in the original key, allowing you to immerse yourself fully in Jungkook's iconic masterpiece.Celebrate Jungkook and BTS: Pay homage to one of K-pop's brightest stars and their chart-topping hit. Channel your inner Jungkook and infuse the performance with the same energy and charisma that make his stage presence legendary.Versatility for Performances and Videos: Whether you're showcasing your talent at a recital or adding a show-stopping touch to your videos, this arrangement is perfect for all occasions and promises to captivate your audience.Elevate Your Musical Expression: Challenge your musical abilities and embrace the joyous melodies and rhythmic beats, creating an unforgettable experience that will leave your listeners in awe.Elevate your musical journey, embrace the challenge, and bring an exhilarating experience to your performances and videos with the electrifying 'Seven' by Jungkook!
$4.99
4.58 €
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Violoncelle, Piano
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Jungkook Feat
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Claudio Mascaro
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Seven
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Claudio Mascaro
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SheetMusicPlus
The Coming
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1431535 Composed by Peter Williams…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1431535 Composed by Peter Williams. 21st Century,Classical,New Age. Score and part. 9 pages. Petemuso #1012010. Published by Petemuso (A0.1431535). This is a piece for cello and piano accompaniment inspired by the poem 'The Coming' by Welsh poet R.S.Thomas. It explores the themes of desolation and suffering intrinsic to the poem by representing them as a musical yearning expressed by the cello, empathetically supported by the piano.
$2.50
2.3 €
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Violoncelle, Piano
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Peter Williams
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The Coming
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Petemuso
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SheetMusicPlus
O The Deep, Deep Love Of Jesus (Cello solo and Piano)
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.628925 Composed by Thomas J. Willi…
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Cello,Piano - Level 2 - Digital Download SKU: A0.628925 Composed by Thomas J. Williams. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and part. 14 pages. Exultet Music #6245303. Published by Exultet Music (A0.628925). The well-known Christian hymn that compares Jesus' love to the ocean in scope, emphasizing the limitless, unchanging, and sacrificial nature of God's affections for those that are singing and all of humanity, has been freshly arranged for a Cello solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.58 €
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Violoncelle, Piano
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Thomas J
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Stephen DeCesare
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O The Deep, Deep Love Of Jesus
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Exultet Music
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SheetMusicPlus
How Far I'll Go
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.771317 By Takida. By Christian Bro…
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Cello,Piano - Level 3 - Digital Download SKU: A0.771317 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by Stuart McSweeney. Pop. Score and part. 10 pages. Stuart McSweeney #6494947. Published by Stuart McSweeney (A0.771317). Cello solo with Piano accompaniment of How Far I'll Go from Disney's Moana.More titles available on my page.
$4.99
4.58 €
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Violoncelle, Piano
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Takida
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Stuart McSweeney
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How Far I'll Go
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Stuart McSweeney
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SheetMusicPlus
Guitarre, Op. 45/2, for Violoncello and Piano
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1281611 By Moritz Moszkowski. By M…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1281611 By Moritz Moszkowski. By Moritz Moszkowski. Arranged by Martin Rummel. 19th Century,Classical,Romantic Period. Score and part. 9 pages. Paladino Editions #872954. Published by Paladino Editions (A0.1281611). Born in Breslau, Moritz Moszkowski studied in Dresden and Berlin. Today he is known as the teacher of Sir Thomas Beecham and also through the legendary performances of his Étincelles by Vladimir Horowitz. From 1897 until his death in 1925, he lived in Paris, having neither success nor money. His Guitarre is one of two piano pieces Opus 45 and has been subject to various arrangements for strings. Cellist Martin Rummel in his transcription adds some virtuoso touch to Moszkowski’s own version for cello and piano, as previously done by Gregor Piatigorsky.
$9.99
9.18 €
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Violoncelle, Piano
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Moritz Moszkowski
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Martin Rummel
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Guitarre, Op. 45/2, for Violoncello and Piano
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Paladino Editions
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SheetMusicPlus
The Lord is My Shepherd cello solo with piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1253162 Composed by Thomas Koshat.…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1253162 Composed by Thomas Koshat. Arranged by Cydney Olson Van Duker. Christian,Sacred. Score and part. 5 pages. Cydney Olson Van Duker #846916. Published by Cydney Olson Van Duker (A0.1253162). Who doesn't love this hymn? It's always been one of my favorites. So comforting! This cello solo is reverent and flowing without too much drama. ( I usually love a bit of drama.) Each verse is different from the others, but the song is overall peaceful and reverent. Hope you enjoy it.
$5.00
4.59 €
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Violoncelle, Piano
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Thomas Koshat
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Cydney Olson Van Duker
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The Lord is My Shepherd cello solo with piano
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Cydney Olson Van Duker
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SheetMusicPlus
A Little Bit Off
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1106722 By Five Finger Death Punch…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1106722 By Five Finger Death Punch. By Ivan Greening, Ivan Moody, Jason Hook, Kevin Churko, Thomas Jason Grinstead, and Zoltan Bathory. Arranged by Serena Redferne. Contemporary,Contest,Festival,Pop. Score and part. 16 pages. Serena Redferne #709659. Published by Serena Redferne (A0.1106722). Cello and piano version of Five Finger Death Punch's A Little Bit Off.
$4.99
4.58 €
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Violoncelle, Piano
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Five Finger Death Punch
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Serena Redferne
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A Little Bit Off
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Serena Redferne
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SheetMusicPlus
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