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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Underworld
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102
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22
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14
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5
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3
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3
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3
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2
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2
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1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
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5
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3
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2
2 Flûtes traversières (duo)
2
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2
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2
Clarinette Basse, Piano
1
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1
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1
2 Saxophones (duo)
1
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1
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1
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1
Ensemble de saxophones
1
Ensemble de Clarinettes
1
Clarinette
1
Hautbois (partie séparée)
1
Flûte, Violon, Piano
1
Saxophone Baryton, Piano
1
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1
Clarinette et Piano
1
2 Clarinettes (duo)
1
Flute (partie séparée)
1
+ 23 instrumentations
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3
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3
Cor
2
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2
Cor (partie séparée)
2
Trompette, Piano
2
Ensemble de Tubas
1
Cor et Piano
1
2 Trompettes (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Tuba (partie séparée)
1
Trompette
1
2 Trombones (duo)
1
Trombone et Piano
1
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12
4 Violoncelles
5
Violoncelle, Piano
5
Violon et Piano
5
Violon
4
Violon (partie séparée)
3
Alto, Piano
3
Trio à Cordes: violon, alto, violoncelle
2
Alto, Violoncelle (duo)
1
2 Violons, Piano
1
2 Violoncelles (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
Alto seul
1
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
2 Altos, Piano
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 violins
1
Alto (partie séparée)
1
Violon, Violoncelle (duo)
1
2 Violoncelles, Piano
1
Violon, Alto (duo)
1
+ 20 instrumentations
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31
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11
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9
Ensemble de cuivres
3
Percussion (partie séparée)
2
Fanfare
1
Vibraphone (partie séparée)
1
Orchestre de chambre
1
Batterie
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Crtitères actifs :
Underworld
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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1
Can Can (from Orpheus in the Underworld)
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Violoncelle, Piano
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DÉBUTANT
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Classique
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Jacques Offenbach
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Can Can
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SheetmusicLAB
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SheetMusicPlus
Cello, Piano - Primer Level - SKU: P5.CL-ROM-18328 Composed by Jacques Offenbach. Romantic Period. Score and Parts. 11 pages. SheetmusicLAB #CL-ROM-1832...
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Cello, Piano - Primer Level - SKU: P5.CL-ROM-18328 Composed by Jacques Offenbach. Romantic Period. Score and Parts. 11 pages. SheetmusicLAB #CL-ROM-18328. Published by SheetmusicLAB (P5.CL-ROM-18328). 8.3 x 11.7 inches.
$1.99
Can Can (from Orpheus in the Underworld)
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Violoncelle, Piano
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DÉBUTANT
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Classique
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Jacques Offenbach
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Can Can
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SheetmusicLAB
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SheetMusicPlus
Cello, Piano - Elementary - SKU: P5.CL-ROM-18357 Easy version in G. Composed by Jacques Offenbach. Romantic Period. Score and Parts. 11 pages. Sh...
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Cello, Piano - Elementary - SKU: P5.CL-ROM-18357 Easy version in G. Composed by Jacques Offenbach. Romantic Period. Score and Parts. 11 pages. SheetmusicLAB #CL-ROM-18357. Published by SheetmusicLAB (P5.CL-ROM-18357). 8.3 x 11.7 inches.
$1.99
Mussorgsky: Pictures at an Exhibition for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.549929 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standard...
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Cello,Piano - Level 4 - SKU: A0.549929 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303415. Published by jmsgu3 (A0.549929). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
Can-Can - Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Jacques Offenbach
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Andrew Middleton
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Can-Can - Cello and Piano
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Andrew Middleton
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Piano,Trombone - Level 3 - SKU: A0.735733 Composed by Jacques Offenbach. Arranged by Andrew Middleton. Romantic Period. Sco...
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Small Ensemble Bassoon,Cello,Piano,Trombone - Level 3 - SKU: A0.735733 Composed by Jacques Offenbach. Arranged by Andrew Middleton. Romantic Period. Score and parts. 9 pages. Andrew Middleton #5376133. Published by Andrew Middleton (A0.735733). From Offenbach's opera Orpheus Enters the Underworld, Can-Can arranged for Cello and Piano. This arrangement would also be suitable for bassoon and trombone too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Fantaisie facile sur l’Opéra de Rossini “Le Barbier de Séville”
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jacques Offenbach
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he died in Paris on 5
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Fantaisie facile sur l’O
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q53291 Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and Rainer Mohrs. Thi...
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Cello and piano - intermediate to advanced - SKU: S9.Q53291 Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 71. 15 pages. Schott Music - Digital #Q53291. Published by Schott Music - Digital (S9.Q53291). English • German.Jacques Offenbach, son of a Jewish cantor, was born in Cologne on 20.6.1819; he died in Paris on 5.10.1880. In 1833 his father took his fourteen-year-old son to the Paris Conservatoire, where the director Luigi Cherubini was impressed by his cello playing and accepted him as a student, even though foreign candidates were not normally admitted there. Offenbach then changed his first name ‘Jacob’ to ‘Jacques’. From 1835 he worked as a cellist at the Paris Opéra comique, making ends meet by teaching and performing. From 1850 to 1855 he was Director of Music at the Théâtre Français. He then found his own theatre to rent in Paris and put on highly successful productions of his operetta Orpheus in the Underworld (1858) and other stage works. During his lifetime he had twenty cello compositions published by Schott, among them the tutorial method Cours Méthodique de Duos pour deux Violoncelles op. 49 and various operatic arrangements for cello and piano based on themes by Bellini, Donizetti, Mozart and others - including this Fantaisie facile sur l’Opéra de Rossini: Le Barbier de Seville op. 71 in 1856 (plate no. 11461).
$3.99
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