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Let It Snow! Let It Snow! Let It Snow!
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.850428 By Lady Antebellum. By Jule…
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Cello,Piano - Level 3 - Digital Download SKU: A0.850428 By Lady Antebellum. By Jule Styne. Arranged by Tim Crooks. Contemporary. Score and part. 12 pages. STR:UK String Arrangements #6626611. Published by STR:UK String Arrangements (A0.850428). Let It Snow! Let It Snow! Let It Snow!, as performed by Dean Martin, arranged by Tim Crooks for Cello & Piano with easy second part. A Christmas classic for your festive collection!FREE backing track - just click the YouTube link or visit the STR:UK Strings YouTube channel.Technical challenges include a mixture of straight and swung 8ths, and key change from D major into Eb, meaning the main part is best suited to ABRSM Grade 3-4 standard players and above. The arrangement can be mostly played in first position, but may be played 8ve in sections ad lib.The arrangement also includes an easy part suitable for grade 1-2 level, and a piano score.About the arrangerTim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia.STR:UK STRINGS - Education String Music, made in the UKWe'd love to hear your feedback: strukstrings@gmail.comSubscribe to our social media to get news of all new releases: Facebook / twitter @strukstringsSTR:UK Strings - Education String Music
$4.99
4.54 €
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Violoncelle, Piano
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Lady Antebellum
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Tim Crooks
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Piano with easy second part
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Let It Snow! Let It Snow! Let It Snow!
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STR:UK String Arrangements
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SheetMusicPlus
Pax Aeternam for cello and piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. …
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Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,†one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.
$15.00
13.64 €
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Violoncelle, Piano
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Maria Thompson Corley
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Maria Thompson Corley
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Pax Aeternam for cello and piano
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Maria Thompson Corley
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SheetMusicPlus
O Come All Ye Faithful for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged …
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Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.69 €
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Violoncelle, Piano
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Wade
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James M
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O Come All Ye Faithful for Cello & Piano
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jmsgu3
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SheetMusicPlus
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