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Vous avez sélectionné:
You Should Know
Violoncelle, Piano
Partitions à imprimer
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Your Mother Should Know
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1462661 By The Beatles. By John Le…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1462661 By The Beatles. By John Lennon and Paul McCartney. Arranged by BTmusic. 20th Century,Pop,Rock,Wedding. Score and part. 4 pages. BTmusic #1041421. Published by BTmusic (A0.1462661). This is a very nice arrangemente of Your Mother Should Know, by The Beatles, for Cello and Piano Accompaniment, followed by chord symbols. Enjoy it!
$5.99
5.49 €
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Violoncelle, Piano
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The Beatles
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BTmusic
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Your Mother Should Know
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BTmusic
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SheetMusicPlus
Your Mother Should Know
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1462669 By The Beatles. By John Le…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1462669 By The Beatles. By John Lennon and Paul McCartney. Arranged by BTmusic. 20th Century,Pop,Rock,Wedding. Score and part. 4 pages. BTmusic #1041429. Published by BTmusic (A0.1462669). This is a very nice arrangemente of Your Mother Should Know, by The Beatles, for Cello and Piano Accompaniment. Enjoy it!
$5.99
5.49 €
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Violoncelle, Piano
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The Beatles
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BTmusic
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Your Mother Should Know
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BTmusic
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SheetMusicPlus
I Should Have Known Better
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.635768 By The Beatles. By John Len…
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Cello,Piano - Level 4 - Digital Download SKU: A0.635768 By The Beatles. By John Lennon and Paul McCartney. Arranged by Fishel Pustilnik. Rock. Score and part. 7 pages. F & N Enterprise #5790457. Published by F & N Enterprise (A0.635768). An excellent arrangement of the famous Song I Should Have Known Better (from the Motion Picture A Hard Day's Night) for Cello and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/cF3goeODEzA The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.57 €
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Violoncelle, Piano
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The Beatles
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Fishel Pustilnik
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I Should Have Known Better
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F & N Enterprise
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.5 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Bohm: Calm as the Night for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549397 Composed by Carl Bohm. Arra…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549397 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493229. Published by jmsgu3 (A0.549397). Duration: ca. 4:00, Score: 7 pages, solo part: 2 page, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
24.69 €
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Violoncelle, Piano
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Carl Bohm
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James M
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Bohm: Calm as the Night for Cello & Piano
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jmsgu3
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SheetMusicPlus
Christmas Strings: Cello and Bass With Piano Accomp.
Violoncelle, Piano
By Donald Miller. For Cello. Christmas. 60 pages. Published by Mel Bay Publications - Digi…
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By Donald Miller. For Cello. Christmas. 60 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609746254. Christmas Strings are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment should not be used. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. Also available in the series are Christmas Strings: Violin 1 and 2 with Piano Accompaniment and Christmas Strings: Viola, Violin 3 and Ensemble Score.If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas.ISBN 9781609746254. Christmas Strings are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment should not be used. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. Also available in the series are Christmas Strings: Violin 1 and 2 with Piano Accompaniment and Christmas Strings: Viola, Violin 3 and Ensemble Score.If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas.
$17.99
16.48 €
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Violoncelle, Piano
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Donald Miller
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Christmas Strings: Cello and Bass With Piano Accomp.
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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