I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically
bringing my Debussy works to public attention in their solo piano formats, both through his recent
recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are
true piano pieces (like Toomai des �l�phants), in others they are piano reductions of orchestral scores
(like F�tes galantes), while in others they are piano solos in their own right that also exist in orchestral
versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world
premi�re recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording):

[After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap-
pears once again where the clock should be ? briefly

Here we offer a beautiful arrangement for easy piano transposed to G Major from the original key in G flat major by Richard Straus. You and your audience will love playing this piece.



Leopold Kupelweiser was the son of Johann Baptist Georg Kilian Kupelwieser (1760?1813), co-owner of a factory that produced tableware. His talents were recognized at an early age by the sculptor Franz Anton von Zauner and by the time he was twelve, he was already attending the Academy of Fine Arts, Vienna.

His brother was the theatrical director Joseph Kupelwieser, who wrote the libretto for Schubert's opera Fierrabras. With his brother, Joseph, he was a member of the "Schubertianern" (friends of Franz Schubert), a group that often got together for summers at the Schloss Atzenbrugg, west of Vienna. In 1826, Leopold married Maria Johanna Evangelista Augustina Stephania Theodora Lutz, an occasion which was marked by Schubert's composition, the "Kupelwieser Waltz" (never written down, but passed along by the family and later transcribed by Richard Strauss).

"Christmas Time is Here" is the opening song from A Charlie Brown Christmas, written by Lee Mendelson and composer Vince Guaraldi. Sung by the choir of St. Paul's Episcopal Church, it is heard as Charlie Brown and Linus join the rest of the Peanuts gang in ice-skating at the frozen pond. Two versions of the song appear on the special's soundtrack album - the vocal version as heard in the special, and a six-minute instrumental version which appears as background music during the special. The instrumental version was later used, re-arranged by David Benoit, in It's Christmastime Again, Charlie Brown and I Want a Dog for Christmas, Charlie Brown.
In Charlie Brown's Christmas Tales, Snoopy switches to playing this song on the accordion, with Woodstock whistling in unison, after Lucy points out (while walking by with Linus) that his first choice, "Oh! Susanna", does not sound like something to play at Christmastime. In The Peanuts Movie, the children are briefly heard caroling this song when Snoopy, fantasizing that he is the World War I Flying Ace, sneaks in amongst the group. In It's Your 50th Christmas, Charlie Brown, Sarah McLachlan performs the song, accompanied by the All-American Boys Chorus.

With this sheet music, you can play the sea shanty "Wellerman" on piano!

It's an accurate, playable piano arrangement of the traditional folk song.
This sheet music also includes the full lyrics (6 verses).

"Wellerman" is a sea shanty from New Zealand which dates back to the early 19th century.

Back then, the term "Wellerman" was used for employees of the Weller Brothers? shipping company in Sydney, which supplied whaling stations around New Zealand with essential provisions (including sugar, tea, and rum, as mentioned in the song).

In 2021, the song became an internet meme - TikTok users collaborated with the app's duet function to record virtual group performances of the song, which soon starting to go viral.

"Wellerman" also makes for a fantastic piano cover!

Here are the full lyrics to the traditional sea shanty "Wellerman":

There once was a ship that put to sea,
And the name of that ship was the Billy o' Tea
The winds blew hard, her bow dipped down,
Blow, me bully boys, blow!

Chorus:
Soon may the Wellerman come
to bring us sugar and tea and rum.
One day, when the tonguing' is done,
We'll take our leave and go.

She had not been two weeks from shore
When down on her a right whale bore.
The captain called all hands and swore
He'd take that whale in tow.

Soon may the Wellerman come...

Before the boat had hit the water
The whale's tail came up and caught her.
All hands to the side, harpooned and fought her,
When she dived down below.

Soon may the Wellerman come...

No line was cut, no whale was freed,
An' the captain's mind was not on greed!
But he belonged to the Whaleman's creed
She took that ship in tow

Soon may the Wellerman come...

For forty days or even more,
the line went slack then tight once more,
All boats were lost, there were only four
and still that whale did go.

Soon may the Wellerman come...

As far as I've heard, the fight's still on,
The line's not cut, and the whale's not gone!
The Wellerman makes his regular call
to encourage the captain, crew and all!

Soon may the Wellerman come...

This arrangement is not in the original key to make it easier to play. A version in the original key is available here: S0.373007.



The Czech composer Anton�n Dvoand#345;�k became the director of theNational Conservatory of Music in New York City in 1892 (a post he helduntil 1895). Whilst in North America, he became fascinated by Native Americanmusic and the African-American spirituals that he heard. After a commission in1893 from the New York Philharmonic, he wrote the Symphony No. 9 in E minor,"From the New World", also known as the ?New World? Symphony ? not onlyhis most famous symphony but one of the most popular symphonies of all time.



The second movement (Largo) features the famous cor anglaissolo, arranged here for solo piano. It was famously used in a British advert for the bread-brandHovis and was adapted into the spiritual-like song ?Goin? Home? by one ofDvoand#345;�k's pupils in 1922.



Dvoand#345;�k explained the Native-American influences in the symphonyin an article published by the New York Herald: ?I have not actually used anyof the [Native American] melodies. I have simply written original themesembodying the peculiarities of the Indian music, and, using these themes assubjects, have developed them with all the resources of modern rhythms,counterpoint, and orchestral colour.?



A recording of the ?New World? Symphony was taken along on theApollo 11 mission by Neil Armstrong in 1969.

Here?s how to play the famous Christian hymn ?Amazing Grace? on piano!

This is an easy-to-play piano arrangement of ?Amazing Grace? in the key of G major.

You can use this sheet music to simply play the song on piano, accompany singers, or sing along yourself!

The lyrics of ?Amazing Grace? were written by English poet and clergyman John Newton (1725?1807), it was first published in 1779.

Containing a message of forgiveness, it is one of the most recognizable gospel songs in the English-speaking world.

Even US president Barack Obama once sang it in public during his eulogy for state Senator Clementa Pinckney (one of the victims of the Charleston church shooting 2015).

It?s centainly one of the greatest gospel songs to sing and play.


These sheets come with a seperate system for the singer, and the song?s full lyrics:


Amazing grace! How sweet the sound

That saved a wretch like me!

I once was lost, but now am found;

Was blind, but now I see.


?Twas grace that taught my heart to fear,

And grace my fears relieved;

How precious did that grace appear

The hour I first believed.


Through many dangers, toils, and snares,

I have already come;

?Tis grace hath brought me safe thus far,

And grace will lead me home.


The Lord has promised good to me,

His Word my hope secures;

He will my Shield and Portion be,

As long as life endures.


Yea, when this flesh and heart shall fail,

And mortal life shall cease,

I shall possess, within the veil,

A life of joy and peace.


When we?ve been there ten thousand years,

Bright shining as the sun,

We?ve no less days to sing God?s praise

Than when we?d first begun.

"Jazzy Hymn Arrangements Book Six" has 19 well-known Christian hymns and a bonus Sweet Hour of Prayer Medley that has been arranged with jazz chords and aimed at the intermediate player. The original melodies and rhythms have not been changed. A few important finger numbers have been added to make learning even quicker and easier. Plenty of room has been left for the more advanced pianist to improvise. When printing up your Book Six, be sure to print even page numbers on the left and odd on the right. Then you will have very few pages to turn. Contents include: Amazing Grace-Bluesy, Be Thou MyVision, Brethren, We Have Met To Worship, Christ the Lord Is RisenToday, Come, Thou Almighty King, Faith Is the Victory, GloriousThings of Thee Are Spoken, He Included Me, His Eye Is On theSparrow, It Is Well With My Soul, Joy Unspeakable, Love Divine, All Loves Excelling, O Lord My God! (O Store Gud)(How Great Thou Art), Redeemed(How I Love to Proclaim It), Rescue the Perishing, Sunshine In MySoul, Sweet Hour of Prayer Medley (Sweet Hour of Prayer, Tell It ToJesus, Have Thine own Way), There Is Power In the Blood, Turn YourEyes Upon Jesus, When I Survey the Wondrous Cross. I use these arrangements for preludes, offertories, postludes. They would be appropriate for piano lessons, recitals, funerals and school. If you like these arrangements, please visit https://www.sheetmusicplus.com/publishers/Phil-Hamm-sheet-music/3002027 where you will find a complete listing of all my arrangements and originals. Videos of these and other pieces can be seen on my FaceBook page at https://www.facebook.com/phil.hamm.3 Please message me at FB about any questions you might have concerning these or any of my other arrangements