This volume contains a wide selection of famous musical themes from Bach to Carl Orff. Some of them were originally written for the piano. most have had their scores carefully arranged to make them easy to play on the piano. Each piece is followed with a jazz interpretation, which can either be played alone or alongside the 'original' version. Perhaps this will show that the 'classics' are not all that far removed from jazz, and that music of earlier periods contains many of the essential characteristics of jazz. Doesn't Lully's 'Gavotte', for instance, contain one of the most famous jazz themes ever? The 'Blue Gavotte' may make this clearer. The theme from Mozart's Sonata in A major (K 331) doesn't require many rhythmic changes to give it a blues flavour ('Mozart Goes Blues'). The driving rhythm of the ostinato bass in Carl Orff's 'O Fortuna' would suit modern jazz-rock performers well, with a few small changes ('A Fortune for a Tune'). What do Bizet's 'Habanera', Brahms' 'Hungarian Dance No. 5' and Paganini's 'Caprice No. 24' have in common? Why have they been turned into salsa music ('Habanera con Cigarro', 'Hungarian Salsa No. 5', 'Capriccio Latino')? Much of this is up to the individual: if you want to discover similarities, they are easy to find.

ISBN 9781619117723.

Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, "filler" chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping); in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio.

"Jazzy Hymn Arrangements Book Six" has 19 well-known Christian hymns and a bonus Sweet Hour of Prayer Medley that has been arranged with jazz chords and aimed at the intermediate player. The original melodies and rhythms have not been changed. A few important finger numbers have been added to make learning even quicker and easier. Plenty of room has been left for the more advanced pianist to improvise. When printing up your Book Six, be sure to print even page numbers on the left and odd on the right. Then you will have very few pages to turn. Contents include: Amazing Grace-Bluesy, Be Thou MyVision, Brethren, We Have Met To Worship, Christ the Lord Is RisenToday, Come, Thou Almighty King, Faith Is the Victory, GloriousThings of Thee Are Spoken, He Included Me, His Eye Is On theSparrow, It Is Well With My Soul, Joy Unspeakable, Love Divine, All Loves Excelling, O Lord My God! (O Store Gud)(How Great Thou Art), Redeemed(How I Love to Proclaim It), Rescue the Perishing, Sunshine In MySoul, Sweet Hour of Prayer Medley (Sweet Hour of Prayer, Tell It ToJesus, Have Thine own Way), There Is Power In the Blood, Turn YourEyes Upon Jesus, When I Survey the Wondrous Cross. I use these arrangements for preludes, offertories, postludes. They would be appropriate for piano lessons, recitals, funerals and school. If you like these arrangements, please visit https://www.sheetmusicplus.com/publishers/Phil-Hamm-sheet-music/3002027 where you will find a complete listing of all my arrangements and originals. Videos of these and other pieces can be seen on my FaceBook page at https://www.facebook.com/phil.hamm.3 Please message me at FB about any questions you might have concerning these or any of my other arrangements

Five easy arrangements of well known American tunes from the 19th and early 20th centuries:
1. The Entertainer
2. The Liberty Bell
3. Aura Lea
4. Five Foot Two, Eyes of Blue (Has anybody seen my girl?)
These classic American tunes are great fun to play on the piano. They are perfect for intermediate level pianists who are looking for light and entertaining pieces to play at home or in a concert or party.

JAZZ TIME is a collection of 15 original Jazz piano pieces representing different styles and eras in Jazz history. The book consists of pieces for easy- intermediate to advanced level pianists. Friendly and charming musical language equally appeals to all age groups from children to adults. Each piece paints a colorful picture of some moment in time, sometimes in the past, other times in the future, and creates a wonderful Jazzy mood. The collection represents Ragtime, Blues, Big Band, Swing, Jazz Waltz, New Age, Funk, Bebop, Boogie Woogie and a Ballad. Titles include Sunny Day Rag, Bluer Than Blue, Doing The Town, Friday Jive, Melancholy Waltz, Water So Clear, Carnaval in Brasil, Necessary Jam, Autumn Dance, Broken Circles, Rocking on Through, Artistry In Rhythm, Flowing Dreams, Canada Rag and Moon Dance.

"Can't Wait for Out First Kiss" is an original written and performed in the style reminiscent of the 1940s Jazz Swing music made popular and famous by jazz musicians like Duke Ellington, Count Basie, and Benny Goodman. The music sample is a Jazz Trio performance.