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AUTRES INST…
BALALAIKA
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CHANT - CHO…
CHARANGO
CITHARE
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COR ANGLAIS
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Note4Piano
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difficulté (tous)
débutant
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intermédiaire
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expert
avec audio
avec vidéo
avec play-along
Non classifié
647
PIANO & CLAVIERS
Piano seul
292
Piano, Voix et Guitare
64
Piano, Voix
40
Orgue
28
Instruments en Do
13
Accompagnement Piano
9
1 Piano, 4 mains
6
Piano Facile
5
Clavecin
3
Piano Trio: piano, violon, violoncelle
3
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
48
Guitare
32
Guitare notes et tablatures
13
Ukulele
8
Paroles et Accords
7
Piano, Guitare (duo)
7
Dulcimer
2
2 Guitares (duo)
2
Banjo
2
4 Guitares (Quatuor)
2
Basse electrique
2
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
78
Chorale 3 parties
29
Chorale SSAA
21
Chorale TTBB
20
Chorale 2 parties
9
Voix duo, Piano
6
Chorale
5
Voix Soprano, Piano
5
Voix seule
4
Chorale Unison
4
Voix haute
3
Chorale SSAATTBB
1
Voix duo
1
Voix Alto, Piano
1
Voix moyenne, Piano
1
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VENTS
2 Saxophones (duo)
52
Flûte traversière et Piano
50
Clarinette
30
2 Clarinettes (duo)
29
Saxophone Alto et Piano
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Clarinette et Piano
28
Saxophone, Clarinette (duo)
27
Quatuor de Saxophones: 4 saxophones
27
Hautbois, Piano (duo)
24
Quatuor de Clarinettes: 4 clarinettes
23
2 Flûtes traversières (duo)
21
Clarinette, Violon (duo)
18
Flûte traversière
18
Hautbois, Basson (duo)
16
Saxophone Soprano et Piano
15
Clarinette, Trompette (duo)
13
Saxophone Tenor et Piano
13
Hautbois (partie séparée)
12
Saxophone (partie séparée)
12
Flûte, Hautbois, Clarinette, Basson
12
Flûte, Saxophone (duo)
11
Hautbois, Flûte
11
Flûte, Clarinette (duo)
10
2 Hautbois (duo)
10
Flûte, Violon
10
Quatuor de Flûtes : 4 flûtes
9
Saxophone Alto
9
Saxophone Baryton, Piano
9
Flûte, Alto (duo)
8
Hautbois, Clarinette (duo)
8
Flûte, Trompette (duo)
8
Clarinette Basse, Piano
7
Clarinette et Alto
6
Ensemble de Flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
Cor anglais, Piano
6
Trio de Flûtes: 3 flûtes
5
Quintette de Saxophone: 5 saxophones
5
Saxophone Tenor
4
Cor Anglais
4
3 Clarinettes (trio)
4
Flûte à bec Soprano
4
Flûte et Guitare
3
Quatuor de Flûtes à bec
3
Ensemble de saxophones
3
Ensemble de Clarinettes
3
Clarinette, Trombone (duo)
2
Flûte, Clarinette et Basson
2
Piccolo, Piano
2
Instruments en Mib
2
Flûte traversière, Basse continue
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Basson et Piano
1
Flûte à bec Alto
1
2 Flûtes traversières, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette, Guitare (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trompette, Saxophone (duo)
21
Trompette, Piano
19
Trompette
17
Trombone
16
Trombone et Piano
15
Cor et Piano
14
Euphonium, Piano (duo)
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trompette, Trombone (duo)
11
2 Trombones (duo)
11
Cor
11
2 Trompettes (duo)
11
Trompette (partie séparée)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor anglais, Piano
6
Tuba et Piano
5
Cor Anglais
4
Trombone (partie séparée)
4
Quatuor de cuivres: 4 trombones
3
Tuba
3
Quatuor de Cuivres
3
Quatuor de cuivres: 4 cors
2
Instruments en Sib
2
4 Tubas
2
Ensemble de Cors
2
Bass Clef Instruments
2
Euphonium
2
2 Cors (duo)
2
2 Euphoniums et 2 Tubas
1
Trombone, Tuba (duo)
1
3 Trombones (trio)
1
Cor, Violoncelle (duo)
1
Trombone, Orgue
1
Ensemble de Trompettes
1
Trompette, Trombone, Piano
1
Quatuor de cuivres: 4 trompettes
1
3 Cors (trio)
1
3 Tubas (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
75
Violon et Piano
40
Violoncelle, Piano
35
Alto, Piano
26
Violon, Violoncelle (duo)
22
2 Violons (duo)
16
Harpe
16
Violon
16
2 Altos (duo)
12
Violon, Alto (duo)
12
Violoncelle (partie séparée)
12
2 Violoncelles (duo)
10
Trio à Cordes: violon, alto, violoncelle
10
Alto seul
9
Contrebasse, Piano (duo)
7
Contre Basse
6
Violoncelle
5
Flûte, Contrebasse (duo)
4
Alto (partie séparée)
3
4 Violoncelles
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Orgue
3
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orgue
1
Harpe, Violon, Violoncelle
1
2 Harpes (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
40
Orchestre d'harmonie
31
Ensemble Jazz
29
Orchestre à Cordes
23
Cloches
17
Ensemble de cuivres
13
Fanfare
5
Jazz combo
5
Ensemble de Percussions
2
Orchestre de chambre
2
Marimba
2
Batterie (partie séparée)
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Chara
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Alto, Piano
Partitions à imprimer
26 partitions trouvées
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Charade
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1364464 By Henry Mancini. By Henry…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1364464 By Henry Mancini. By Henry Mancini and Johnny Mercer. Arranged by Debra E. Stempien, Gregory H. Turner. Film/TV,Jazz,Standards. Score and part. 6 pages. Standard Time #948756. Published by Standard Time (A0.1364464). This haunting theme song from the 1963 film, Charade, starring Cary Grant and Audrey Hepburn, is arranged as a jazz waltz for viola solo with piano accompaniment.
$7.99
7.31 €
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Alto, Piano
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Henry Mancini
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Debra E
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Charade
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Standard Time
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SheetMusicPlus
Nocturne Op. 9, No. 1 for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1280592 Composed by Frederic Chopi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1280592 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #872004. Published by Diego Marani (A0.1280592). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for viola with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.
$8.99
8.23 €
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Alto, Piano
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Frederic Chopin
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Diego Marani
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Nocturne Op. 9, No. 1 for Viola and Piano
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Diego Marani
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SheetMusicPlus
Korean Simple Suite No.2 (For Viola and Piano)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.511727 Composed by Han-Ki Kim. 20t…
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Piano,Viola - Level 3 - Digital Download SKU: A0.511727 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. Score and part. 33 pages. Han-Ki Kim #5207895. Published by Han-Ki Kim (A0.511727). This Korean Simple Suite No.2 is consist of 5 movements. 1. Prologue-–Ungki Dungki. 2. Sound of Piri. 3. Cheerful Semachi. 4. Meditation. 5. Finale-Perpetuum-Mobile.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo. Attached music file is only 1st movement just for a reference.
$15.99
14.63 €
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Alto, Piano
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Raindrops Keep Fallin' On My Head
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.641364 By B.J. Thomas. By Burt Bac…
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Piano,Viola - Level 3 - Digital Download SKU: A0.641364 By B.J. Thomas. By Burt Bacharach. Arranged by Kaiserin Rebecca. Oldies. Score and part. 4 pages. Kaiserin Rebecca #5294137. Published by Kaiserin Rebecca (A0.641364). For viola solo and piano accompaniment with chords.
$6.99
6.4 €
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Alto, Piano
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B
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Kaiserin Rebecca
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Raindrops Keep Fallin' On My Head
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Kaiserin Rebecca
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SheetMusicPlus
I Say A Little Prayer
Alto, Piano
By Diana King. By Burt Bacharach. Arranged by Fishel Pustilnik. Soul. Score and part…
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By Diana King. By Burt Bacharach. Arranged by Fishel Pustilnik. Soul. Score and part. 7 pages. F & N Enterprise #6051469. Published by F & N Enterprise
$4.99
4.57 €
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Alto, Piano
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Diana King
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Fishel Pustilnik
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N Enterprise #6051469
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I Say A Little Prayer
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SheetMusicPlus
Scriabin: Prelude, Op. 51, No. 2 for Viola & Harp
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1401524 Composed by Alexander Scri…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984707. Published by jmsgu3 (A0.1401524). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
30.15 €
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Alto, Piano
#
Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No. 2 for Viola & Harp
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude, Op. 51, No. 2 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1401537 Composed by Alexander Scri…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1401537 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984720. Published by jmsgu3 (A0.1401537). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
30.15 €
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Alto, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No. 2 for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 6 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.550518 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.550518 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4719615. Published by jmsgu3 (A0.550518). Sonata da Chiesa No. 6 in Bb Major for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.15 €
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Alto, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 1 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.550394 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.550394 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628261. Published by jmsgu3 (A0.550394). Sonata da Chiesa in Bb for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.15 €
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Alto, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Figaro's Cavatina "Largo Al Factotum" for Viola and Piano
Alto, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU:…
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.528321 Composed by Gioachino Rossini. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 14 pages. Diego Marani #5748883. Published by Diego Marani (A0.528321). Largo al factotum (Make way for the factotum) is an aria from the opera The Barber of Seville by Gioachino Rossini, sung at the first entrance of the title character; the repeated Figaros before the final patter section are an icon in popular culture of operatic singing. This arrangement for Viola with Piano Accompaniment faithfully reproduces the original for baritone voice.
$9.99
9.14 €
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Alto, Piano
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Gioachino Rossini
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Diego Marani
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Figaro's Cavatina "Largo Al Factotum" for Viola and Piano
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Diego Marani
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SheetMusicPlus
Vivaldi: Sonata No. 2 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.550416 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.550416 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pages. Jmsgu3 #4632175. Published by jmsgu3 (A0.550416). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.Â
$32.95
30.15 €
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Alto, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 5 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.550493 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.550493 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4715609. Published by jmsgu3 (A0.550493). Sonata da Chiesa No. 5 in E Minor for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.15 €
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Alto, Piano
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Antonio Vivaldi
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James M
#
Vivaldi: Sonata No. 5 for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beet…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.83 €
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Alto, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Vivaldi: Sonata No. 4 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.550468 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.550468 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4640579. Published by jmsgu3 (A0.550468). Sonata da Chiesa No. 4 in Bb Major for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.15 €
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Alto, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seym…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.66 €
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Alto, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Viola & Piano
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jmsgu3
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SheetMusicPlus
We Don't Talk About Bruno
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.586459 By Carolina Gaitan, Mauro C…
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Piano,Viola - Level 3 - Digital Download SKU: A0.586459 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Martin Lass. Broadway,Hip-Hop,Latin,Musical/Show,Pop,R & B. Score and part. 9 pages. MA Lass & I Lass #195752. Published by MA Lass & I Lass (A0.586459). In this Level 2.5 (Intermediate) arrangement, Martin Lass has arranged the hit song, We Don't Talk About Bruno, for solo viola and piano accompaniment. Guitar chords and chord boxes are included. We Don't Talk About Bruno is a song from Disney's 2021 animated feature film, Encanto, with music and lyrics written by Lin-Manuel Miranda. It was released by Walt Disney Records as part of the film's soundtrack in November, 2021. It has achieved many accolades and charted No. 1 or Top Ten across the world, including No. 1 on US Billboard Hot 100. Wikipedia notes that, musically, We Don't Talk About Bruno eschews Disney's traditional formula of a sentimental ballad performed by a solo character, opting for a subdued, mid-tempo tune blending Latin music styles such as salsa and guajira with pop, hip hop, dance and Broadway elements, sung by an ensemble and climaxing in a polyphonic outro. This arrangement has been specifically tailored for intermediate-level cello while retaining all of the original elements of the song, as well as some original interpretative elements. The lead line combines some of the different voices in the original song. The key have been changed from the original C minor to the more viola-friendly D minor.
$7.99
7.31 €
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Alto, Piano
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Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy
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Martin Lass
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We Don't Talk About Bruno
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MA Lass & I Lass
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SheetMusicPlus
Slavonic Dance Op. 72 No. 2 for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1267647 Composed by Antonin Dvorak…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1267647 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #860189. Published by Diego Marani (A0.1267647). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for viola with piano accompaniment of the marvelous and nostalgic dance no. 2 is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
9.14 €
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Alto, Piano
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 72 No. 2 for Viola and Piano
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Diego Marani
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SheetMusicPlus
Hey Jude
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1277570 By The Beatles. By John Le…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1277570 By The Beatles. By John Lennon and Paul McCartney. Arranged by Milanov. Folk,Pop,Rock. Score and part. 3 pages. Milanov #869248. Published by Milanov (A0.1277570). Hey Jude by The Beatles for viola and piano accompaniment. Intermediate. Hey Jude by The Beatles is a timeless ballad characterized by its heartfelt lyrics and soothing melody. The song begins softly and builds in emotional intensity, offering words of comfort and encouragement to a friend named Jude who is going through a difficult time. Paul McCartney's soulful vocals and the gradual incorporation of harmonies and instrumentation create a sense of unity and shared support, culminating in a powerful and uplifting refrain that captures the essence of empathy and compassion. The song's universal message of solace and hope, coupled with its memorable sing-along quality, has made it a beloved classic in the realm of popular music.
$5.99
5.48 €
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Alto, Piano
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The Beatles
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Milanov
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Hey Jude
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Milanov
#
SheetMusicPlus
Hey Jude
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1277569 By The Beatles. By John Le…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1277569 By The Beatles. By John Lennon and Paul McCartney. Arranged by Milanov. Folk,Pop,Rock. Score and part. 3 pages. Milanov #869247. Published by Milanov (A0.1277569). Hey Jude by The Beatles for viola and piano accompaniment. Intermediate. Chords.Hey Jude by The Beatles is a timeless ballad characterized by its heartfelt lyrics and soothing melody. The song begins softly and builds in emotional intensity, offering words of comfort and encouragement to a friend named Jude who is going through a difficult time. Paul McCartney's soulful vocals and the gradual incorporation of harmonies and instrumentation create a sense of unity and shared support, culminating in a powerful and uplifting refrain that captures the essence of empathy and compassion. The song's universal message of solace and hope, coupled with its memorable sing-along quality, has made it a beloved classic in the realm of popular music.
$5.99
5.48 €
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Alto, Piano
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The Beatles
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Milanov
#
Hey Jude
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Milanov
#
SheetMusicPlus
Hey Jude
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1279597 By The Beatles. By John Le…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1279597 By The Beatles. By John Lennon and Paul McCartney. Arranged by Milanov. Folk,Pop,Rock. Score and part. 3 pages. Milanov #871064. Published by Milanov (A0.1279597). Hey Jude by The Beatles for viola and piano accompaniment. Intermediate. Chords.Hey Jude by The Beatles is a timeless ballad characterized by its heartfelt lyrics and soothing melody. The song begins softly and builds in emotional intensity, offering words of comfort and encouragement to a friend named Jude who is going through a difficult time. Paul McCartney's soulful vocals and the gradual incorporation of harmonies and instrumentation create a sense of unity and shared support, culminating in a powerful and uplifting refrain that captures the essence of empathy and compassion. The song's universal message of solace and hope, coupled with its memorable sing-along quality, has made it a beloved classic in the realm of popular music.
$5.99
5.48 €
#
Alto, Piano
#
The Beatles
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Milanov
#
Hey Jude
#
Milanov
#
SheetMusicPlus
Hey Jude
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1279598 By The Beatles. By John Le…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1279598 By The Beatles. By John Lennon and Paul McCartney. Arranged by Milanov. Folk,Pop,Rock. Score and part. 3 pages. Milanov #871065. Published by Milanov (A0.1279598). Hey Jude by The Beatles for viola and piano accompaniment. Intermediate. Hey Jude by The Beatles is a timeless ballad characterized by its heartfelt lyrics and soothing melody. The song begins softly and builds in emotional intensity, offering words of comfort and encouragement to a friend named Jude who is going through a difficult time. Paul McCartney's soulful vocals and the gradual incorporation of harmonies and instrumentation create a sense of unity and shared support, culminating in a powerful and uplifting refrain that captures the essence of empathy and compassion. The song's universal message of solace and hope, coupled with its memorable sing-along quality, has made it a beloved classic in the realm of popular music.
$5.99
5.48 €
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Alto, Piano
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The Beatles
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Milanov
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Hey Jude
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Milanov
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SheetMusicPlus
Romance for Violoncello (Viola) and Piano
Alto, Piano
Small Ensemble Cello,Piano,Viola - Level 3 - Digital Download SKU: A0.853122 Compos…
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Small Ensemble Cello,Piano,Viola - Level 3 - Digital Download SKU: A0.853122 Composed by Hans-Andre Stamm. 20th Century. Score and parts. 10 pages. Hans-Andre Stamm #3484291. Published by Hans-Andre Stamm (A0.853122). The wide-stretched melody lines of this dreamy piece are linked by modal melody lines of the organ, reminding of Gregorian chant. They lend the piece a slightly archaic character. Duration ca. 2.35 min.Listen to the version with violin and organ on Youtube: www.youtube.com/watch?v=XjrR80-BfSA
$4.95
4.53 €
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Alto, Piano
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Hans-Andre Stamm
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Romance for Violoncello
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Hans-Andre Stamm
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SheetMusicPlus
Nimrod, from the Enigma Variations by Elgar, for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587743 Composed by Edward Elgar. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587743 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4833273. Published by David McKeown (A0.587743). Nimrod, is the ninth of the Enigma Variations composed by Edward Elgar in 1899. Here, the music is arranged for solo Viola and Piano, directly from the orchestral score. Elgar wrote fourteen variations on a theme, each one depicting close friends and family. Nimrod represents his publisher and friend Augustus Jaeger. The biblical character of Nimrod is described as a mighty hunter, and jaeger means hunter in German.The single pdf file contains both the piano score and a separate solo instrumental part.Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts require dramatic dynamic contrasts and lyrical legato playing. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Alto, Piano
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Edward Elgar
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David McKeown
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Nimrod, from the Enigma Variations by Elgar, for Viola and Piano
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David McKeown
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SheetMusicPlus
Slavonic Dance Op. 46 No. 2 for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1273155 Composed by Antonin Dvorak…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1273155 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Folk,Instructional,Romantic Period,Standards. Score and part. 11 pages. Diego Marani #865346. Published by Diego Marani (A0.1273155). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for viola with piano accompaniment of the marvelous dance no. 2 (Dumka) is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
9.14 €
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Alto, Piano
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 46 No. 2 for Viola and Piano
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Diego Marani
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SheetMusicPlus
Vivaldi: Sonata No. 3 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.550442 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.550442 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4634577. Published by jmsgu3 (A0.550442). Sonata da Chiesa No. 3 in A Minor for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.15 €
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Alto, Piano
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 3 for Viola & Piano
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jmsgu3
#
SheetMusicPlus
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