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Converse, Charles
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Alto, Piano
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What a friend we have in Jesus (piano & viola)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.772501 Composed by Charles Crozat …
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Piano,Viola - Level 3 - Digital Download SKU: A0.772501 Composed by Charles Crozat Converse. Arranged by David Kocijan. Christian,Gospel,Sacred,Spiritual. Score and part. 4 pages. David Kocijan #5022195. Published by David Kocijan (A0.772501). Piano & viola transcription.Backup music available!
$9.99
9.03 €
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Alto, Piano
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Charles Crozat Converse
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David Kocijan
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viola transcription
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What a friend we have in Jesus
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David Kocijan
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SheetMusicPlus
What a friend we have in Jesus - TRIO (piano & 2 violas)
Alto, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU:…
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.1111364 By David Kocijan. By Charles C. Converse. Arranged by David Kocijan. Chamber,Christian,Praise & Worship,Religious,Sacred. 7 pages. David Kocijan #713651. Published by David Kocijan (A0.1111364). What a friend we have in Jesus arranged for two Violas with Piano accompaniment. Available for Violin, Viola, Flute, Clarinet, Soprano, Alto and Tenor Saxophone with Piano accompaniment. Backing track available! https://www.facebook.com/davidkocijan.
$15.00
13.56 €
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Alto, Piano
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David Kocijan
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David Kocijan
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What a friend we have in Jesus - TRIO
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David Kocijan
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
31.6 €
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Alto, Piano
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
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SheetMusicPlus
What A Friend We Have In Jesus
Alto, Piano
Composed by Converse, Charles. Arranged by Nick Lacanski. For Piano, Viola. Sacred, Christ…
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Composed by Converse, Charles. Arranged by Nick Lacanski. For Piano, Viola. Sacred, Christian. Intermediate. Set of Parts, Score. Published by theupperstaff.com
$3.99
3.61 €
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Alto, Piano
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Converse, Charles
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Nick Lacanski
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What A Friend We Have In Jesus
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theupperstaff.com
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SheetMusicPlus
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