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64
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112
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6
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5
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3
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2
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2
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1
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1
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1
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162
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90
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34
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1
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1
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1
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252
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18
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2
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2
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1
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1
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1
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1
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1
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65
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56
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55
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28
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26
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16
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14
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13
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11
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11
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8
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8
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5
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3
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2
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2
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1
Saxophone Tenor et Piano
1
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1
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1
2 Flûtes traversières, Piano
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1
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1
2 Saxophones (duo)
1
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75
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64
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23
Ensemble de Trombones
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Quatuor de Cuivres
15
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6
Trio de Cuivres
6
Trompette
3
Quatuor de cuivres: 4 trombones
3
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2
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2
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Trombone
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3 Trompettes (trio)
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Cor
1
Euphonium, Piano (duo)
1
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28
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14
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6
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4
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1
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1
Violoncelle , Guitare (duo)
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Harpe, Flûte (duo)
1
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43
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9
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7
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6
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1
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1
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Alto, Piano
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Thérèse Brenet: Ces Hautes Mélodies dans le Paradis que Nous avons perdus double concerto for viola,
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Therese Brenet
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Paul Wehage
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 4 - SKU: A0.533512 Composed by Therese Brenet. Arranged by Paul Wehage. Contemporary...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 4 - SKU: A0.533512 Composed by Therese Brenet. Arranged by Paul Wehage. Contemporary,Sacred,Standards. Score and parts. 40 pages. Musik Fabrik Music Publishing #3006613. Published by Musik Fabrik Music Publishing (A0.533512). Double Concerto for viola, violoncello and orchestrapiano reduction by Paul WehageI La première union avec DieuII Glissés de comètesIII Le Livre de l'ÉternitéDurée totale 13'40Orchestration 222bccl2/4331/timp/2perc/mba/cel/hp/stringsparts on rental from the publisher
$25.95
Trois pièces : Andante, Sérénade et Chant Serbe
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Scor...
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Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Fauré: Élégie Op. 24 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standa...
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Piano,Viola - Level 4 - SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531351. Published by jmsgu3 (A0.549724). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
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