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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That's Life
Non classifié
123
Piano & claviers
Piano seul
114
Piano, Voix et Guitare
20
Instruments en Do
20
Piano, Voix
18
2 Pianos, 4 mains
3
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Orgue
1
Piano Trio: piano, violon, violoncelle
1
Piano Facile
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Guitare
4
Basse electrique
1
Guitare notes et tablatures
1
Mandoline, Guitare (duo)
1
Ukulele
1
+ 1 instrumentations
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Voix
Chorale SATB
73
Chorale SSAA
10
Voix Soprano, Piano
7
Chorale 3 parties
6
Chorale TTBB
6
Voix Baryton, Piano
3
Voix duo, Piano
3
Voix moyenne, Piano
2
Chorale Unison
2
Voix Tenor
2
+ 5 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quintette de Saxophone: 5 saxophones
9
Saxophone Tenor et Piano
8
2 Saxophones (duo)
6
Clarinette et Piano
5
Flûte traversière et Piano
5
Hautbois, Piano (duo)
5
2 Clarinettes (duo)
4
Saxophone Alto et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Quintette de Clarinettes: 5 clarinettes
3
Saxophone, Clarinette (duo)
3
2 Flûtes traversières (duo)
3
Flûte à Bec
3
Ensemble de Clarinettes
3
Saxophone Alto
2
Clarinette, Trompette (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Hautbois (partie séparée)
2
Flûte traversière
2
Clarinette, Violon (duo)
2
Saxophone Soprano et Piano
2
Hautbois, Basson (duo)
2
Cor anglais, Piano
2
Ensemble de Flûtes
2
Saxophone Baryton, Piano
2
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Ensemble De Flûte à bec
1
Flûte, Alto (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Trompette (duo)
1
Clarinette Basse, Piano
1
Clarinette et Alto
1
2 Hautbois (duo)
1
Flûte à bec Alto, Piano
1
Quintette de Flûte : 5 flûtes
1
Clarinette
1
Hautbois, Flûte
1
Saxophone Tenor
1
Flûte, Clarinette (duo)
1
+ 37 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette
5
Quatuor de Cuivres
5
Trombone et Piano
4
Trompette, Trombone (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium, Piano (duo)
3
Trompette, Saxophone (duo)
2
Trombone
2
Ensemble de Cors
2
Trio de Cuivres
2
Cor anglais, Piano
2
Trompette, Piano
2
Ensemble de Trombones
1
Cor et Piano
1
Tuba
1
4 Tubas
1
2 Trompettes (duo)
1
Cor
1
Ensemble de Trompettes
1
2 Trombones (duo)
1
+ 17 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
36
2 Harpes (duo)
12
Violoncelle, Piano
10
Violon et Piano
10
Trio à Cordes: violon, alto, violoncelle
10
Alto, Piano
6
Violon
5
Harpe
4
Violon, Violoncelle (duo)
4
Harpe, Voix
4
Violoncelle
3
Violon, Alto (duo)
3
2 Violons (duo)
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Piano Trio: Violon, Alto, Piano
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble d'Altos
1
Ensemble de Violons
1
2 Altos (duo)
1
+ 18 instrumentations
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Orchestre & Percussions
Orchestre
29
Orchestre d'harmonie
29
Orchestre à Cordes
13
Orchestre de chambre
7
Ensemble Jazz
6
Jazz combo
5
Ensemble de cuivres
4
Marimba
3
Cloches
1
Fanfare
1
Batterie
1
Ensemble de Percussions
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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Vous avez sélectionné:
That's Life
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Alto, Piano
Partitions à imprimer
6 partitions trouvées
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Fauré: Élégie Op. 24 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standa...
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Piano,Viola - Level 4 - SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531351. Published by jmsgu3 (A0.549724). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Maple Leaf Rag, by Scott Joplin, for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.587790 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. Dav...
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Piano,Viola - Level 4 - SKU: A0.587790 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967677. Published by David McKeown (A0.587790). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Viola and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203?aff_id=673683
$4.60
Blue Bird (For Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Korean Traditional
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Han-Ki Kim
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Blue Bird
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.511793 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Sco...
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Piano,Viola - Level 4 - SKU: A0.511793 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and part. 12 pages. Han-Ki Kim #6245735. Published by Han-Ki Kim (A0.511793). Folk songs can be said to be music that contains the life and soul of our ancestors, and these days, when the desire to find our own is strong, the folk song “Blue Bird†has a very important meaning in that it is unique to Korea. Along with Arirang, the representative folk song of Korea, “Bird, Bird, Blue Bird†is also unique to us, and it is music that contains the life and soul of our ancestors, and it is a precious legacy that should be passed down to future generations.The vague themes are gradually heightened and repeated. Then, the theme is played alternately with the compositional change of the descending perfect 5th sphere for each part. Then, a short connector appears following the harmonics, which gives off an oriental taste. The bass and treble sections play the theme and melody alternately, and in the finale, a majestic harmony and tense notes show a musical uplift, ending with a witty and decisive note processing.1. It’s very suitable for Concert and for Educational material.2. Shown Bowing sign and Fingering will be very helpful to player.3. Attached Music file is recorded with Violin and Piano, just for a reference.
$5.50
Arirang (For Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Korean Traditional
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.511794 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Sco...
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Piano,Viola - Level 4 - SKU: A0.511794 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and part. 13 pages. Han-Ki Kim #6245737. Published by Han-Ki Kim (A0.511794). Folksong can be said to be music that contains the life and soul of the country and ancestors, and “Arirang†has a very important meaning in that it is a folk song representing Korea.Following the fast introduction of 4 bars in 3/4 time, it is connected in the form of 5 variations in 6/8 time. The main melody of “Arirang†is exchanged with each other as if having a conversation with violin and Piano, And followed by a cadenza that boasts the splendid skills of the solo Violin, and after the wide and solemn finale, the same 3/4 time as the beginning. It ends with a short four-bar coda. Han-Ki Kim’s works give the value of artistic literature to children's songs and folk songs, which are familiar to everyone, so that the audience feels Musical sympathy, and because he is a performer, his works are characterized by a good harmony between theory and practice. This Music is dedicated to Professor Kim Nam-yoon, who left great achievements in the field of violin education in Korea. 1. This piece is composed based on Korean traditional Bird, Bird, Blue Bird.2. It’s very suitable for Concert and for Educational material.3. Shown Bowing sign and Fingering will be very helpful to player.4. Composer is, also as a Violinist, very experienced(with I Musici), and his works are loved world widely.5. Attached Music file is recorded with Violin and Piano, just for a reference.
$4.50
Grieg: Peer Gynt Suite Complete for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.551513 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Stand...
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Piano,Viola - Level 4 - SKU: A0.551513 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306365. Published by jmsgu3 (A0.551513). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Jesus, Lover of My Soul for Violin or Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Joseph P
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Hyrum Kohler
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Jesus, Lover of My Soul for Vi
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Hyrum Kohler
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1228636 Composed by Joseph P. Holbrook. Arranged by Hyrum Kohler. Christian,Easter,Praise & Worship,Religious,Sacred. Sc...
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Piano,Viola - Level 4 - SKU: A0.1228636 Composed by Joseph P. Holbrook. Arranged by Hyrum Kohler. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 8 pages. Hyrum Kohler #824692. Published by Hyrum Kohler (A0.1228636). I wanted to play a hymn in church without simply playing the same thing three times in a row. And, without words, I wanted to express the tension and pain that occasionally and inevitably accompanies trying one's best to live a good life. This arrangement is simultaneously fresh, familiar, and reasonably challenging for the performer. This is my go-to for playing in a church setting, but it can also fit right in to a pedagogical or classical recital scenario. The traditional tune wears different clothes throughout the piece, having variance in time signature, key signature, and mode (dipping into minor). This is a simplification and compression of my original arrangment for string quartet. I originally intended this to be for viola, but it just so happened to fit in the violin's range; I left the part in treble clef to accommodate both options. The piano part is somewhat easier to play than the violin/viola part (evidenced by how I can kind of play it), but it still serves a collaborative or duet role, sharing and passing the melody betwen parts.
$4.99
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