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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ain Classical
Non classifié
271
Piano & claviers
Piano seul
236
1 Piano, 4 mains
50
2 Pianos, 4 mains
43
Piano, Voix
29
Orgue
8
Piano, Voix et Guitare
4
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
4
2 Pianos, 8 mains
3
1 Piano, 6 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
47
Guitare notes et tablatures
9
2 Guitares (duo)
3
4 Guitares (Quatuor)
3
Banjo
2
Ensemble de guitares
2
Ukulele
2
Mandoline, Piano (duo)
1
Basse electrique
1
Ligne De Mélodie, (Paroles) et Accords
1
Orchestre à Plectres
1
Paroles et Accords
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
32
Voix haute
10
Voix Soprano, Piano
6
Voix basse, Piano
6
Voix Baryton, Piano
4
Voix Tenor, Piano
2
Chorale TTBB
2
Chorale 2 parties
1
+ 3 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Quatuor de Saxophones: 4 saxophones
19
Clarinette
18
Flûte traversière et Piano
17
Hautbois (partie séparée)
16
2 Flûtes traversières (duo)
16
Quatuor de Clarinettes: 4 clarinettes
11
Flûte traversière
10
Clarinette et Piano
9
Saxophone Alto et Piano
7
Saxophone Soprano et Piano
6
Quatuor de Flûtes : 4 flûtes
5
Flute (partie séparée)
4
Saxophone Tenor et Piano
4
2 Clarinettes (duo)
4
Ensemble de Clarinettes
4
Hautbois, Piano (duo)
4
Flûte, Hautbois, Clarinette, Basson
3
2 Saxophones (duo)
3
3 Clarinettes (trio)
3
Flûte et Guitare
3
Saxophone Alto
3
Flûte, Violon
2
Saxophone Baryton, Piano
2
Quintette de Saxophone: 5 saxophones
2
Ensemble de saxophones
2
Saxophone
2
Ocarina
1
Cor anglais, Piano
1
Saxophone Soprano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Saxophone (duo)
1
Saxophone et Guitare
1
2 Hautbois (duo)
1
Hautbois
1
Saxophone et Orgue
1
Flûte et Trio à cordes
1
Flûte, Violon, Piano
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Ensemble de Flûtes
1
Clarinette, Basson (duo)
1
Clarinette Basse, Piano
1
Saxophone Baryton
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Saxophones (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
1
Saxophone (partie séparée)
1
Piccolo
1
+ 48 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
98
Trombone et Piano
16
Trompette
11
2 Cors (duo)
11
Cor
11
Trombone
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor et Piano
7
Tuba
7
Quatuor de cuivres: 4 trombones
7
Tuba et Piano
7
Euphonium
6
Euphonium, Piano (duo)
5
Trombone basse
4
Trompette, Piano
3
Trompette, violon (duo)
3
Ensemble de Trombones
3
2 Trombones (duo)
3
3 Trombones (trio)
2
Trombone basse et Piano
2
Trompette (partie séparée)
2
Trombone (partie séparée)
1
Cor anglais, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Euphoniums
1
Cor Anglais
1
2 Trompettes (duo)
1
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trompettes
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon et Piano
26
Violon
24
2 Violons (duo)
17
Violoncelle, Piano
16
Violon, Violoncelle (duo)
15
Alto, Piano
12
Violoncelle
11
Alto seul
7
2 Violoncelles (duo)
7
Violon, Alto (duo)
5
Contre Basse
5
Trio à Cordes: violon, alto, violoncelle
5
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
3
Harpe
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Piano Trio: Violon, Alto, Piano
1
Alto, Guitare (duo)
1
2 Altos (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
Alto et Harpe
1
4 Violoncelles
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre
94
Orchestre d'harmonie
38
Orchestre à Cordes
28
Orchestre de chambre
28
Ensemble de cuivres
10
Ensemble Jazz
3
Marimba
1
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
+ 4 instrumentations
Retracter
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ACCORDEON
ALTO
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BASSON
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CONTREBASSE
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CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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TROMPETTE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Ain Classical
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Alto, Piano
Partitions à imprimer
12 partitions trouvées
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1
Camille Saint-Saens: Introduction and Rondo Capriccioso instantly for viola & piano
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Alto, Piano
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AVANCÉ
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Classique
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Camille Saint-Saens
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Virtualsheetmusic
This is an exclusive transcription for viola & piano of HIGH skill level from the original composition by Camille Saint-Saens. This title is available as instant sheet music download. Contents: Rondeau capriceuse, rondo' capriccioso, op.28, op. 28, opus 28 / classical,french...
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This is an exclusive transcription for viola & piano of HIGH skill level from the original composition by Camille Saint-Saens. This title is available as instant sheet music download. Contents: Rondeau capriceuse, rondo' capriccioso, op.28, op. 28, opus 28 / classical,french
$6.99
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Clair De Lune (Debussy) - viola and piano with FREE BACKING TRACK
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Alto, Piano
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AVANCÉ
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Classique
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Claude Debussy
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Austin Ralphson
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Clair De Lune
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Austin Ralphson
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1173501 Composed by Claude Debussy. Arranged by Austin Ralphson. 20th Century,Classical,Romantic Period,Wedding. Score a...
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Piano,Viola - Level 5 - SKU: A0.1173501 Composed by Claude Debussy. Arranged by Austin Ralphson. 20th Century,Classical,Romantic Period,Wedding. Score and part. 12 pages. Austin Ralphson #773646. Published by Austin Ralphson (A0.1173501). Clair de lune means moonlight in French, and Debussy took this title from Verlaine's poem Clair de lune. The beautiful melody works very well for solo instrument with piano and requires good phrase control. The rhythms are particularly tricky in this piece, regularly moving from triplets to duplets and back again. Despite this, however, it should always flow smoothly and be played with feeling.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/0KUdyFCvcuY and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/7e06f
$3.99
Romance in F Major, Op.50 - Viola and Piano (Full Score and Parts)
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Alto, Piano
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AVANCÉ
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Classique
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Ludwig van Beethoven
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César Madeira
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Romance in F Major, Op.50 - Vi
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1360804 Composed by Ludwig van Beethoven. Arranged by César Madeira. 19th Century,Classical,Early Music,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.1360804 Composed by Ludwig van Beethoven. Arranged by César Madeira. 19th Century,Classical,Early Music,Romantic Period,Wedding. Score and part. 24 pages. Sheet Music To Play Editions #945301. Published by Sheet Music To Play Editions (A0.1360804). Romance No.2 in F Major, Op.50 by Beethoven. Arrangement for Viola and Piano. With Full Score and Individual Parts. Enjoy it!Ludwig van Beethoven (1770 - 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire. His works span the transition from the classical period to the romantic era in classical music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$12.99
Viola Music for Worship
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Alto, Piano
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AVANCÉ
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Peter Hilliard
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Peter Hilliard
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Viola Music for Worship
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Shaw Music
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1416835 Composed by Peter Hilliard. Arranged by Peter Hilliard. Christmas,Classical,Easter,Sacred. Score and part. 84 pa...
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Piano,Viola - Level 5 - SKU: A0.1416835 Composed by Peter Hilliard. Arranged by Peter Hilliard. Christmas,Classical,Easter,Sacred. Score and part. 84 pages. Shaw Music #998430. Published by Shaw Music (A0.1416835). Here are ten sacred pieces for viola and piano that may be performed in worship services and recitals throughout the year. In each expertly crafted arrangement, these beloved tunes are treated with reverence and invention, ranging from triumphant virtuosity to quiet contemplation. Titles include: All Hail the Power of Jesus' Name; And Can It Be That I Should Gain?; Be Thou My Vision; Hallelujah Chorus (from Messiah); My Shepherd Will Supply My Need/Savior, like a Shepherd Lead Us; Near the Cross; Nearer, My God, to Thee; Oh, How I Love Jesus; The Lord Bless You and Keep You; The Solid Rock.
$29.99
Viola Sonata No.1
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Alto, Piano
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AVANCÉ
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Han-Ki Kim
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Viola Sonata No.1
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. ...
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Piano,Viola - Level 5 - SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. Han-Ki Kim #129615. Published by Han-Ki Kim (A0.518943). Viola Sonata No.1 “KangKangSullae†For Viola and Piano Sonata No. 1 has the name “KangKangSullaeâ€, and the composer is like any other composer. “What does it mean to be Korean music?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the sonata as an element that forms the basic character of this movement. For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest. The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form. But, in this sonata, two contrasting themes, eastern and western, develop. The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, and expresses oriental excellence and emotion. The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time. The fourth movement quoted the theme of “KangKangSullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes solemnly, sometimes sobbing, calmly, etc.
$14.99
Sonate
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Alto, Piano
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AVANCÉ
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Eduard Puetz
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Sonate
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Schott Music - Digital
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SheetMusicPlus
Viola and piano - advanced - SKU: S9.Q17855 Composed by Eduard Puetz. This edition: Sheet music. Viola Library. Downloadable. Duration 11 minutes. Schot...
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Viola and piano - advanced - SKU: S9.Q17855 Composed by Eduard Puetz. This edition: Sheet music. Viola Library. Downloadable. Duration 11 minutes. Schott Music - Digital #Q17855. Published by Schott Music - Digital (S9.Q17855). The Sonata for Viola and Piano (1984) is not based – as is common in the 'classical' sonata form – on the dualism of two opposing themes. The dialectics are in the juxtaposition of two homogenous movements of contrasting character. The third movement brings, like a development, the analysis of motifs and structures of the first two movements. 'The Sonata ends with the chorale Aus tiefer Not schrei ich zu dir in whose adaptation inner conflict and contrast remain the formative means until the end.' (Pütz) A rewarding contemporary piece for competitions and concerts.
$18.99
Polonaise de Concert, Op. 14 transcribed for Viola and Piano
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Alto, Piano
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AVANCÉ
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Classique
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David Popper
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Dr
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Polonaise de Concert, Op. 14 t
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Gilbert Sak
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1217756 Composed by David Popper. Arranged by Dr. Gilbert Sak. 19th Century,Classical,Romantic Period. Score and part. 1...
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Piano,Viola - Level 5 - SKU: A0.1217756 Composed by David Popper. Arranged by Dr. Gilbert Sak. 19th Century,Classical,Romantic Period. Score and part. 16 pages. Gilbert Sak #814297. Published by Gilbert Sak (A0.1217756). David Popper (1843-1913) was a virtuoso cellist and he composed almost exclusively for the cello.  Polonaise de Concert, Op. 14 is one of his most popular and most played showpieces.  It’s a very effective piece which also works very well on the viola, with lots of energetic motives mixed with expressive melodic lines.  It also has ample opportunity to showcase the performer’s technical command, but nothing unsurmountable.  This transcription fully preserves the original flavour of the Polonaise but at the same time maintains the characteristic voice of the viola.  The viola part is fully annotated with bowings and fingerings which are practical and efficient, with consideration of keeping all the idiomatic features that are particular to the cello.
$11.99
Penitent Thief, The (for viola and piano)
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Alto, Piano
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AVANCÉ
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #64...
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Piano,Viola - Level 5 - SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
Liebestraum No.3 - Viola and Piano (Individual Parts)
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Alto, Piano
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AVANCÉ
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Franz Liszt
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César Madeira
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Liebestraum No.3 - Viola and P
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1495369 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Multicultural,Romantic Period,Weddin...
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Piano,Viola - Level 5 - SKU: A0.1495369 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Multicultural,Romantic Period,Wedding,World. Score and part. 10 pages. Sheet Music To Play Editions #1071882. Published by Sheet Music To Play Editions (A0.1495369). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Viola and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only. Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
Por Una Cabeza - Viola and Piano - Advanced (Individual Parts)
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Alto, Piano
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AVANCÉ
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Carlos Gardel
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César Madeira
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Por Una Cabeza - Viola and Pia
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1265612 Composed by Carlos Gardel. Arranged by César Madeira. 19th Century,20th Century,Classical,Film/TV,Romantic Pe...
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Piano,Viola - Level 5 - SKU: A0.1265612 Composed by Carlos Gardel. Arranged by César Madeira. 19th Century,20th Century,Classical,Film/TV,Romantic Period. Score and part. 5 pages. Sheet Music To Play Editions #858384. Published by Sheet Music To Play Editions (A0.1265612). Por Una Cabeza by Carlos Gardel. Arrangement for Viola and Piano - Advanced Version. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
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