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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Folk advanced
Sheetmusicplus
Non classifié
501
Piano & claviers
Piano seul
393
Piano Facile
152
Piano, Voix
20
Orgue
18
Piano, Voix et Guitare
14
1 Piano, 4 mains
11
2 Pianos, 4 mains
8
Accompagnement Piano
6
Accordéon
5
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
2
2 Accordéons
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
157
Guitare
142
Ukulele
86
Dulcimer
14
2 Guitares (duo)
13
Banjo
7
Mandoline
4
Ensemble de guitares
3
Ukulele Baryton
2
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Basse electrique
1
+ 7 instrumentations
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Voix
Chorale SATB
37
Chorale 3 parties
18
Chorale TTBB
9
Chorale 2 parties
8
Chorale SSAA
8
Chorale
4
Chorale Unison
2
Voix seule
1
Voix Alto, Piano
1
Chorale SSAATTBB
1
Voix duo
1
+ 6 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
43
Quatuor de Clarinettes: 4 clarinettes
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
2 Saxophones (duo)
21
Flûte traversière et Piano
19
Clarinette
18
2 Flûtes traversières (duo)
17
Flûte traversière
16
Clarinette et Piano
15
Flûte, Hautbois, Clarinette, Basson
15
Quatuor de Flûtes : 4 flûtes
14
Quintette de Saxophone: 5 saxophones
12
2 Clarinettes (duo)
11
Ensemble de Flûtes
9
Ensemble de Clarinettes
9
Flûte, Clarinette (duo)
7
Ensemble de saxophones
7
Saxophone Alto et Piano
7
Saxophone, Clarinette (duo)
7
Clarinette, Violon (duo)
7
Saxophone Tenor et Piano
6
Hautbois, Piano (duo)
6
Flûte, Violon
5
2 Hautbois (duo)
4
Saxophone Soprano et Piano
4
Flûte, Saxophone (duo)
4
Flûte et Guitare
4
Trio de Flûtes: 3 flûtes
4
Clarinette et Alto
3
Clarinette, Trompette (duo)
3
Flûte, Alto (duo)
3
Hautbois, Basson (duo)
3
Saxophone et Orgue
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Clarinette (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Trompette (duo)
2
Saxophone
2
Hautbois (partie séparée)
2
Saxophone Alto
2
Cor anglais, Piano
2
Saxophone (partie séparée)
2
Clarinette Basse, Piano
2
Flûte à bec Alto, Piano
2
Hautbois, Flûte
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Guitare (duo)
1
Ocarina
1
3 Saxophones (trio)
1
Hautbois
1
Clarinette, Basson (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone Baryton, Piano
1
3 Flûtes à bec (trio)
1
Flûte, Alto et Violoncelle
1
Ensemble à vent
1
Hautbois, Guitare (duo)
1
3 Clarinettes (trio)
1
Flûte irlandaise
1
2 Flûte à bec (duo)
1
Piccolo
1
Flûte à bec Soprano
1
Flûte à Bec
1
Saxophone Tenor
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Harpe et Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 63 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Cor et Piano
21
Trompette
20
Trombone et Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Quatuor de Cuivres
14
Euphonium, Piano (duo)
11
Trombone
11
Tuba et Piano
10
Quatuor de cuivres: 4 trombones
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trompette, Piano
7
Trompette, Saxophone (duo)
6
2 Trombones (duo)
6
Ensemble de Trombones
6
2 Trompettes (duo)
4
Trompette, Trombone (duo)
3
Trompette, violon (duo)
3
Ensemble de Trompettes
3
Cor
2
Cor anglais, Piano
2
3 Trompettes (trio)
1
Trombone basse et Piano
1
Cor et Orgue
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
2 Cors (duo)
1
4 Tubas
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
116
Harpe
92
Violon et Piano
38
Violon
33
Violoncelle, Piano
32
2 Violons (duo)
28
Violon, Violoncelle (duo)
24
Violon, Alto (duo)
14
Violoncelle
12
Alto seul
8
4 Violoncelles
7
Trio à Cordes: violon, alto, violoncelle
7
Alto, Piano
6
Trio à Cordes: 3 violoncelles
6
2 Violoncelles (duo)
5
Trio à cordes: 3 violins
5
Violon, Guitare (duo)
4
2 Altos (duo)
3
2 Harpes (duo)
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
3 Harpes
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
5 Harpes
2
Contrebasse, Piano (duo)
2
Violon (partie séparée)
2
Trio à cordes
1
Violon, Orgue
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 altos
1
Autoharp
1
4 Harpes
1
Contre Basse
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
44
Orchestre d'harmonie
36
Ensemble de cuivres
27
Orchestre
25
Ensemble de Percussions
17
Ensemble Jazz
5
Fanfare
5
Orchestre de chambre
4
Marimba
3
Quatuor à Vent : 4 instruments à vents
2
Jazz combo
2
Cloches
2
Percussion
1
Batterie
1
+ 9 instrumentations
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CLAIRON
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COR ANGLAIS
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DULCIMER
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Folk advanced
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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1
Maple Leaf Rag, by Scott Joplin, for Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.587790 Composed by Scott Joplin. A…
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Piano,Viola - Level 4 - Digital Download SKU: A0.587790 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967677. Published by David McKeown (A0.587790). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Viola and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203?aff_id=673683
$4.60
4.24 €
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Alto, Piano
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Joplin, for Viola and Piano
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David McKeown
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SheetMusicPlus
Kingsfold (Solo Viola & Piano)
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.779898 Composed by Traditional. Ar…
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Piano,Viola - Level 2 - Digital Download SKU: A0.779898 Composed by Traditional. Arranged by Garrett Breeze. Folk,Sacred,Traditional. Score and part. 11 pages. Lagom Music #387374. Published by Lagom Music (A0.779898). Scored for solo instrument and piano, composer Garrett Breeze has created a simple and expressive new setting of the popular hymn tune “Kingsfold,†appropriate for beginners as well as advanced players.
$5.99
5.52 €
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Alto, Piano
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Traditional
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Garrett Breeze
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Kingsfold
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Lagom Music
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SheetMusicPlus
The Elite Syncopations for Solo Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1090796 Composed by Scott Joplin. …
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Piano,Viola - Level 4 - Digital Download SKU: A0.1090796 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694926. Published by David McKeown (A0.1090796). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Viola with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.68 €
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Alto, Piano
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Scott Joplin
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David McKeown
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The Elite Syncopations for Solo Viola and Piano
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David McKeown
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SheetMusicPlus
What Child Is This
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.749828 Composed by Evelyn R. Larte…
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Piano,Viola - Level 4 - Digital Download SKU: A0.749828 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and part. 8 pages. Evelyn R Larter #3603445. Published by Evelyn R Larter (A0.749828). Here is the beloved Christmas Carol in a concert arrangement for viola. Instrumental part is moderately advanced, piano accompaniment is also somewhat challenging. It is suitable for use as a church prelude or offertory, or in a Christmas concert. And since the melody, Greensleeves, is a traditional folk song, the arrangement could be programmed at any time of year using the original title! Also available for violin or flute and for cello. More information about my music may be found on my website, www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music.
$6.99
6.44 €
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Alto, Piano
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Evelyn R
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Evelyn Larter Music
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What Child Is This
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Evelyn R Larter
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SheetMusicPlus
"Hava Nagila"-Piano Background for Viola and Piano (Jazz/Pop Version)
Alto, Piano
Piano Duet, Piano Accompaniment, Viola - Advanced Intermediate - Digital Download Composed…
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Piano Duet, Piano Accompaniment, Viola - Advanced Intermediate - Digital Download Composed by Israeli Folk Song. Arranged by Fishel Pustilnik. Jazz, Movies, TV, Israeli, Pop. Lead Sheet, Score, Sheet Music Single. 8 pages. Published by F and N Enterprise
$1.99
1.83 €
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Alto, Piano
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Israeli Folk Song
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Fishel Pustilnik
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"Hava Nagila"-Piano Background for Viola and Piano
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F and N Enterprise
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
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