Partitions Numériques de 2 Nocturnes pour Alto, Piano

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2 Nocturnes

Alto, Piano

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Kalliwoda - Six Nocturnes Op.186 for Viola and Piano - Scores and Part #Alto, Piano #INTERMÉDIAIRE #Classique #Santino Cara #Johann Wenzel Â Kalliwoda #Santino Cara #Kalliwoda - Six Nocturnes Op.1 #Santino Cara #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.1279053 By Santino Cara. By Johann Wenzel Kalliwoda. Arranged by Santino Cara. Romantic Period. Score and part. 66 pages...(+)

$22.40

Kalliwoda - Nocturne No.2 in C major Op.186 for Viola and Piano - Score and Part #Alto, Piano #INTERMÉDIAIRE #Classique #Santino Cara #Johann Wenzel Kalliwoda #Santino Cara #Kalliwoda - Nocturne No.2 in C #Santino Cara #SheetMusicPlus

Piano,Viola - Level 3 - SKU: A0.1278437 By Santino Cara. By Johann Wenzel Kalliwoda. Arranged by Santino Cara. Romantic Period. Score and part. 13 pages...(+)

$10.40

Rolla A - Variazioni Brillanti in F major Op.13 for Viola and Piano - Score and Part #Alto, Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Santino Cara #Allessandro Rolla and dedi #Santino Cara #Rolla A - Variazioni Brillanti #Santino Cara #SheetMusicPlus

Piano,Viola - Level 4 - SKU: A0.1295530 By Santino Cara. By Alessandro Rolla. Arranged by Santino Cara. Romantic Period. Score and part. 34 pages. Santi...(+)

Piano,Viola - Level 4 - SKU: A0.1295530 By Santino Cara. By Alessandro Rolla. Arranged by Santino Cara. Romantic Period. Score and part. 34 pages. Santino Cara #885823. Published by Santino Cara (A0.1295530). Complete score and part of Fantasie Brillanti Op.13 Composed by Allessandro Rolla and dedicated to Francesco Spinola. Transcribed in Rome in 2020 by Santino Cara from Viola and orchestra.Movements: 1. Introduzione (Adagio ma non troppo in A flat major) - 2. Tema (andantino quasi allegro in F major) - Variation 1. (Moderato) - Variation 2. (PiÃ¹ mosso) - Variaton 3. (Adagetto espressivo) - Variation 4. (Tempo primo with Coda)Contact with the transcriber: cara.santinocara.santino@gmail.comOther Works for Viola and Piano:Handel-Casadesus - Viola Concerto in B minor for Viola and PianoJCBach-Casadesus - Viola Concerto in C minor for Viola and PianoSchumann - MÃ¤rchenbilder Op.113 - Four Pieces for Viola and PianoCara S - Adagio in B minor for Viola and PianoKalliwoda â€“ Six Nocturnes Op.186 for Viola and Piano â€“ Scores and PartRolla A - Divertimento in F major BI 330 - for Viola and Piano - Score and PartTelemann - Viola Concerto in D major TWV 51D1 for Viola and PianoTelemann - Ouverture (Suite) in D major TWV 55-D6 for Viola and PianoTelemann - Viola Concerto in G major TWV 51-G9 for Viola and and PianoTelemann - Sonata in E minor TWV 41-e5 for Viola da Gamba and PianoVivaldi - Six Viola Concertos for Viola and Piano - Complete Scores and Part

$18.60

Rolla A - Divertimento in F major BI 330 - for Viola and Piano - Score and Part #Alto, Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Santino Cara #Santino Cara #Rolla A - Divertimento in F ma #Santino Cara #SheetMusicPlus

Piano,Viola - Level 4 - SKU: A0.1292852 By Santino Cara. By Alessandro Rolla. Arranged by Santino Cara. Romantic Period. Score and part. 26 pages. Santi...(+)

Piano,Viola - Level 4 - SKU: A0.1292852 By Santino Cara. By Alessandro Rolla. Arranged by Santino Cara. Romantic Period. Score and part. 26 pages. Santino Cara #883448. Published by Santino Cara (A0.1292852). Complete score and part of the Divertimento in F major BI330 for Viola and Piano. Composed in 1808 by Alessandro Rolla. Transcribed in Rome in 2020 by Santino Cara from Viola and Strings.2 Movements: 1. Andante sostenuto, 2. Allegro alla PolaccaOther works for Viola and Piano:Handel-Casadesus - Viola Concerto in B minor for Viola and PianoJCBach-Casadesus - Viola Concerto in C minor for Viola and PianoSchumann - MÃ¤rchenbilder Op.113 - Four Pieces for Viola and PianoCara S - Adagio in B minor for Viola and PianoKalliwoda â€“ Six Nocturnes Op.186 for Viola and Piano â€“ Scores and PartTelemann - Viola Concerto in D major TWV 51D1 for Viola and PianoTelemann - Ouverture (Suite) in D major TWV 55-D6 for Viola and PianoTelemann - Viola Concerto in G major TWV 51-G9 for Viola and and PianoTelemann - Sonata in E minor TWV 41-e5 for Viola da Gamba and PianoVivaldi - Six Viola Concertos for Viola and Piano - Complete Scores and PartTranscriber's email address:Â Â cara.santinocara.santino@gmail.com

$16.40

Fauré: Élégie Op. 24 for Viola & Piano #Alto, Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #James M #Fauré: Élé #jmsgu3 #SheetMusicPlus

Piano,Viola - Level 4 - SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standa...(+)

Piano,Viola - Level 4 - SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531351. Published by jmsgu3 (A0.549724). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs AprÃ¨s un rÃªve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faureâ€™s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except of course, in England. Legacy: Historians often describe FaurÃ©'s music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by the time of FaurÃ©'s death, jazz and atonal music, in particular, had come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faureâ€™s final works.

$32.95

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