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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Above All
Non classifié
1 095
Piano & claviers
Piano seul
277
Piano, Voix
184
Piano Facile
80
Piano, Voix et Guitare
54
Instruments en Do
47
Accompagnement Piano
47
Orgue
35
Piano (partie séparée)
26
Piano Trio: piano, violon, violoncelle
16
1 Piano, 4 mains
10
2 Pianos, 4 mains
8
Piano grosses notes
7
Piano Quatuor: piano, violon, alto, violoncelle
3
+ 8 instrumentations
Retracter
Guitares
Guitare (partie séparée)
53
Guitare notes et tablatures
28
Ukulele
27
Ligne De Mélodie, (Paroles) et Accords
26
Guitare
24
Dulcimer
10
Basse electrique
9
Paroles et Accords
4
4 Guitares (Quatuor)
3
3 Guitares (trio)
2
Ensemble de guitares
2
2 Ukuleles
1
Mandoline, Guitare (duo)
1
Mandoline
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
249
Chorale 3 parties
40
Chorale 2 parties
27
Chorale TTBB
17
Chorale Unison
17
Pack Instrumental pour Chorale
15
Chorale SSAA
10
Chorale
9
Voix duo, Piano
7
Voix Soprano, Piano
7
Voix haute
5
Voix duo
3
Voix Alto, Piano
2
Chorale SSATTB
1
Voix seule
1
Voix, Guitare
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
504
Saxophone, Clarinette (duo)
282
2 Clarinettes (duo)
207
Clarinette, Violon (duo)
181
2 Flûtes traversières (duo)
169
Saxophone (partie séparée)
147
Clarinette, Trompette (duo)
146
Flûte, Clarinette (duo)
104
2 Hautbois (duo)
96
Flûte, Saxophone (duo)
94
Hautbois, Clarinette (duo)
93
Clarinette et Alto
89
Flûte, Violon
89
Flûte traversière et Piano
88
Hautbois, Basson (duo)
87
Hautbois, Flûte
82
Flûte, Trompette (duo)
73
Clarinette et Piano
66
Flûte, Alto (duo)
66
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Hautbois, Piano (duo)
61
Clarinette
51
Saxophone Alto et Piano
50
Saxophone Tenor et Piano
45
2 Flûte à bec (duo)
44
Flûte traversière
41
Saxophone Soprano et Piano
37
Saxophone Alto
31
Flute (partie séparée)
29
Cor anglais, Piano
28
Quatuor de Saxophones: 4 saxophones
25
Quatuor de Clarinettes: 4 clarinettes
21
Clarinette Basse, Piano
20
Flûte, Hautbois, Clarinette (trio)
19
Saxophone Baryton, Piano
18
Hautbois (partie séparée)
18
Saxophone Tenor
17
Flûte, Hautbois, Clarinette, Basson
15
Flûte à bec Soprano
14
Clarinette (partie séparée)
13
Saxophone
12
Clarinette, Trombone (duo)
11
Ensemble de Clarinettes
11
3 Clarinettes (trio)
11
Ensemble de Flûtes
9
Cor Anglais
9
Quatuor de Flûtes : 4 flûtes
9
Quintette de Clarinettes: 5 clarinettes
7
Trio de Flûtes: 3 flûtes
7
Clarinette, Guitare (duo)
6
Clarinette, Violoncelle (duo)
6
Flûte et Guitare
5
Flûte à bec Soprano, Piano
5
Flûte, Violon et Violoncelle
4
Hautbois
4
Flûte, Hautbois (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Hautbois, Basson
3
Flûte à Bec
3
Quatuor de Flûtes à bec
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Quintette de Saxophone: 5 saxophones
2
Quintette de Flûte : 5 flûtes
2
Saxophone et Guitare
2
Flûte, Violon, Piano
2
Clarinette Basse
2
Cor anglais, Guitare (duo)
2
Flute, harpe et violon
2
Ensemble à vent
2
Clarinette, Basson (duo)
2
Flûte à bec Alto, Piano
2
Ensemble de saxophones
2
Flûte, Violoncelle
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, trombone et piano
1
Flûte, Trombone (duo)
1
Clarinette, Contrebasse (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Tenor
1
Clarinette, Tuba
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Harpe (duo)
1
2 Clarinettes, Basson
1
Hautbois, violon (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Basson et Piano
1
Flûte, Alto et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble De Flûte à bec
1
Piccolo, Piano
1
+ 87 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
196
Trombone (partie séparée)
138
Trompette (partie séparée)
103
2 Trombones (duo)
100
2 Trompettes (duo)
97
Trompette, Trombone (duo)
93
Trompette
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Trombone et Piano
37
Trompette, Piano
36
Euphonium, Piano (duo)
34
Trombone
34
Cor (partie séparée)
31
Cor anglais, Piano
28
Cor et Piano
27
Tuba (partie séparée)
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor
16
Tuba et Piano
11
2 Euphoniums (duo)
10
Cor Anglais
9
Quatuor de cuivres: 4 trombones
8
Euphonium
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de Cuivres
4
Tuba
3
3 Trompettes (trio)
3
Ensemble de Cors
2
Instruments en Sib
2
Cor anglais, Guitare (duo)
2
Quatuor de cuivres: 4 cors
2
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
4 Tubas
1
Trompette et Guitare
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse
1
Ensemble de Trombones
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 34 instrumentations
Retracter
Cordes
Harpe
108
Violon et Piano
103
Violon, Violoncelle (duo)
102
2 Altos (duo)
99
Violon, Alto (duo)
96
2 Violons (duo)
95
2 Violoncelles (duo)
89
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violoncelle, Piano
56
Alto, Piano
55
Violon
44
Violoncelle
44
Contrebasse (partie séparée)
32
Alto seul
20
Trio à Cordes: violon, alto, violoncelle
18
Violon (partie séparée)
8
Alto (partie séparée)
6
Violoncelle (partie séparée)
4
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Contre Basse
3
4 Violoncelles
3
Alto, Violoncelle (duo)
2
Contrebasse, Piano (duo)
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes: 4 violons
2
Trio à cordes
2
Harpe, Voix
2
2 Harpes (duo)
1
2 Contrebasses (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Harpe (partie séparée)
1
Flûte, Contrebasse (duo)
1
Harpe et Piano
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
190
Ensemble Jazz
114
Orchestre
56
Ensemble de cuivres
35
Orchestre à Cordes
27
Batterie (partie séparée)
27
Cloches
20
Orchestre de chambre
10
Percussion (partie séparée)
9
Jazz combo
7
Ensemble de Percussions
5
Batterie
4
Timbales (partie séparée)
3
Xylophone, Piano
2
Piano et Orchestre
1
Xylophone
1
Quatuor à Vent : 4 instruments à vents
1
Percussion
1
Orchestre, Violon
1
Fanfare
1
Marimba
1
Timbales
1
+ 17 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Bach: Wachet auf for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23 €
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Alto, Piano
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Johann Sebastian Bach
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James M
#
 
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Bach: Wachet auf for Viola & Piano
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jmsgu3
#
SheetMusicPlus
The First Noel for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Ar…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387407. Published by jmsgu3 (A0.548507). The First Noel arranged for Viola & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Viola Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23 €
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Alto, Piano
#
Traditional
#
James M
#
The First Noel for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.38 €
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Alto, Piano
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Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508 for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Overture from Nutcracker Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549613 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549613 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3514625. Published by jmsgu3 (A0.549613). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.Â
$32.95
30.38 €
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Alto, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nutcracker Suite for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549814 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549814 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 47 pages. Jmsgu3 #3545591. Published by jmsgu3 (A0.549814). Duration: 6:12, Score: 29 pages, Solo part: 5 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.38 €
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Alto, Piano
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Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549792 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549792 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3538867. Published by jmsgu3 (A0.549792). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most memorable melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five indeed rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.38 €
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Alto, Piano
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Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Russian Dance from Nutcracker Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549699 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549699 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3529723. Published by jmsgu3 (A0.549699). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.38 €
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Alto, Piano
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Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Russian Dance from Nutcracker Suite for Viola & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Chinese Dance from Nutcracker Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549767 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549767 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3534709. Published by jmsgu3 (A0.549767). Duration: ca 1:00 Score: 5 pages, Solo part: 2 pages, piano part: 3 pages. Short but fascinating Chinese Dance from the Nutcracker Suite. Program this for a recital encore or Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.38 €
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Alto, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Chinese Dance from Nutcracker Suite for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Scene 10 from Swan Lake for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549592 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549592 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3512769. Published by jmsgu3 (A0.549592). Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Swan Lake Op. 20 Tchaikovsky composed Swan Lake in 1875-76. To begin with, most noteworthy the ballet failed to attract a positive reception. Over time, however, the ballet became probably one of the most popular of all of Tchaikovsky’s works. The ballet was certainly first performed by the Bolshoi Ballet in Moscow.
$32.95
30.38 €
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Alto, Piano
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Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Scene 10 from Swan Lake for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beet…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
23 €
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Alto, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scria…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.39 €
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Alto, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Go…
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Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888187. Published by jmsgu3 (A0.550913). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.38 €
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Alto, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
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jmsgu3
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SheetMusicPlus
Sonata in a Simple Scale for Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Matter…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
7.38 €
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Alto, Piano
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Daniell Mattern
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Sonata in a Simple Scale for Viola and Piano
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Daniell Mattern
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.22 €
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Alto, Piano
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
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SheetMusicPlus
The Sleeping Beauty Waltz by Tchaikovsky, for Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.587751 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 4 - Digital Download SKU: A0.587751 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Period,Standards. Score and part. 14 pages. David McKeown #4839891. Published by David McKeown (A0.587751). Sleeping Beauty, is the second ballet of three composed by Pyotr Tchaikovsky. Here, the famous Waltz is arranged for Solo Viola and Piano, directly from the orchestral score. The first performance of the ballet was in St Petersburg in 1890. Like his other ballets, Sleeping Beauty was slow to gain popularity with the public and international recognition only came after Tchaikovsky’s death. Included in the single download are nine pages of piano score and an attached four-page part for the solo instrument. Musicians at an upper intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts with a high tempo throughout. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around five minutes. The linked youtube performance is the clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
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Alto, Piano
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Peter Ilyich Tchaikovsky
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David McKeown
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The Sleeping Beauty Waltz by Tchaikovsky, for Viola and Piano
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David McKeown
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SheetMusicPlus
10,000 Reasons (bless The Lord)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.773987 By Matt Redman. By Jonas My…
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Piano,Viola - Level 3 - Digital Download SKU: A0.773987 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Anthony Giamanco. Christian. Score and part. 15 pages. Whole Tone Press #6248345. Published by Whole Tone Press (A0.773987). 10,000 REASONS (Bless the Lord, O My Soul), written by Jonas Myrin and Matt Redman, has been recorded by many of today's top Christian artists, and continues to be one of the most popular Praise and Worship songs of the 21st century. This arrangement for viola and piano wonderfully showcases the tune, capturing its beautiful simplicity. Judicious use of pedal, attention to dynamic markings, and, above all, sensitive and expressive interpretation,, will result in a memorable experience for both players and listeners. Enjoy!Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$5.25
4.84 €
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Alto, Piano
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Matt Redman
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Anthony Giamanco
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10,000 Reasons
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Whole Tone Press
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SheetMusicPlus
It's Been A Long, Long Time
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.592556 Composed by Jule Styne. Arr…
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Piano,Viola - Level 3 - Digital Download SKU: A0.592556 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366371. Published by David McKeown (A0.592556). It’s Been a Long Long Time is arranged as a solo for one Viola with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.52 €
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Alto, Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
The Swan, (Le Cygne), by Saint-Saens, for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587371 Composed by Camille Saint-S…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587371 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. David McKeown #3221157. Published by David McKeown (A0.587371). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saëns’1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version for Viola with Piano accompaniment has been arranged in alto clef to best suit the key and pitch of the solo instrument. The pdf file contains both the piano accompaniment and the separate solo part.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the piano accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
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Alto, Piano
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Camille Saint-Saens
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David McKeown
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The Swan,
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David McKeown
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SheetMusicPlus
The Elite Syncopations for Solo Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1090796 Composed by Scott Joplin. …
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Piano,Viola - Level 4 - Digital Download SKU: A0.1090796 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694926. Published by David McKeown (A0.1090796). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Viola with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.68 €
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Alto, Piano
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Scott Joplin
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David McKeown
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The Elite Syncopations for Solo Viola and Piano
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David McKeown
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SheetMusicPlus
Amazing Grace, Concert Solo for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Ar…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611387. Published by David McKeown (A0.587645). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Viola with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
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Alto, Piano
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John Newton
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David McKeown
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Amazing Grace, Concert Solo for Viola and Piano
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David McKeown
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SheetMusicPlus
Für Elise, for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587571 Composed by Ludwig van Beet…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587571 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361593. Published by David McKeown (A0.587571). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Viola with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
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Alto, Piano
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Viola and Piano
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David McKeown
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SheetMusicPlus
Largo from 'Xerxes' (Handel) - viola and piano with FREE BACKING TRACK
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1169192 Composed by George Frideri…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1169192 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and part. 5 pages. Austin Ralphson #769541. Published by Austin Ralphson (A0.1169192). Handel wrote this aria as the opening to the 1738 opera 'Serse'. Initially, the opera was a commercial failure, before it was later rediscovered and going on to become one of Handel's best-loved works. It is presented here as an intermediate-level solo with piano.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/Mlvn0P1oD9M and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/7e06f
$3.99
3.68 €
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Alto, Piano
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George Frideric Handel
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Austin Ralphson
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Largo from 'Xerxes'
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Austin Ralphson
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SheetMusicPlus
Handel: Largo (from Xerxes) for viola and piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.522292 Composed by G F Handel. Arr…
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Piano,Viola - Level 3 - Digital Download SKU: A0.522292 Composed by G F Handel. Arranged by Colin Kirkpatrick. Easter,Holiday,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #6637577. Published by Colin Kirkpatrick Publications (A0.522292). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in G major and the top note is the G above the alto clef (G5) and the piece generally requires the use of long and sustained bowing (indicted in the score), though the viola fingering has been omitted. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a viola recital.
$7.95
7.33 €
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Alto, Piano
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.587790 Composed by Scott Joplin. A…
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Piano,Viola - Level 4 - Digital Download SKU: A0.587790 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967677. Published by David McKeown (A0.587790). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Viola and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203?aff_id=673683
$4.60
4.24 €
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Alto, Piano
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Joplin, for Viola and Piano
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David McKeown
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SheetMusicPlus
The Entertainer by Scott Joplin, for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587397 Composed by Scott Joplin. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587397 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime,Standards. Score and part. 7 pages. David McKeown #3225121. Published by David McKeown (A0.587397). Probably the best known of Scott Joplin’s piano rags, The Entertainer was written in 1902. It was included on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and an orchestration featured on the soundtrack of the movie The Sting in 1973. This arrangement won an Oscar and reached No.3 on the US single charts. This version for Viola with Piano accompaniment has been arranged in alto clef to best suit the key and pitch of the solo instrument and includes all four sections of the original composition. The pdf file contains both the piano accompaniment and the separate solo part. The linked full-length youtube performance is the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around five minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
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Alto, Piano
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Scott Joplin
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David McKeown
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The Entertainer by Scott Joplin, for Viola and Piano
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David McKeown
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SheetMusicPlus
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