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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
After Cello
Non classifié
353
Piano & claviers
Piano Trio: piano, violon, violoncelle
28
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano seul
9
Piano, Voix et Guitare
8
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano, Voix
3
Accompagnement Piano
2
Instruments en Do
2
Piano Facile
2
Orgue
2
1 Piano, 4 mains
2
1 Piano, 6 mains
1
+ 8 instrumentations
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Guitares
Guitare
9
2 Guitares (duo)
2
Guitare, Orchestre
1
Guitare, Violon, Violoncelle (trio)
1
Guitare notes et tablatures
1
Piano, Guitare (duo)
1
Mandoline
1
+ 2 instrumentations
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Voix
Chorale SATB
37
Pack Instrumental pour Chorale
4
Voix Alto, Piano
1
Chorale TTBB
1
Chorale Unison
1
Chorale 3 parties
1
Voix duo
1
+ 2 instrumentations
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Vents
Ensemble de Flûtes
9
Flûte traversière et Piano
8
2 Flûte à bec (duo)
6
Hautbois, Piano (duo)
6
Saxophone Soprano et Piano
4
Flûte, Violoncelle
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Alto et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette et Piano
3
Flûte, Violon et Violoncelle
2
Saxophone Tenor et Piano
2
Saxophone Alto
2
2 Clarinettes (duo)
2
Clarinette, Guitare (duo)
2
Flûte et Guitare
1
Flute, alto, violoncelle et guitare
1
Ensemble de saxophones
1
Flûte et Trio à cordes
1
2 Flûtes traversières (duo)
1
2 Saxophones, Piano
1
Ensemble de Clarinettes
1
2 Clarinettes, Basson
1
Flute, harpe et violon
1
Clarinette Basse
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette
1
3 Clarinettes (trio)
1
Flûte à bec Alto
1
Clarinette, Violoncelle (duo)
1
Hautbois (partie séparée)
1
+ 27 instrumentations
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Cuivres
Cor et Piano
4
Trombone et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone
2
Bass Clef Instruments
1
Trompette, Piano
1
Trompette
1
Cor
1
Trompette, Violoncelle et Piano
1
Euphonium, Piano (duo)
1
Cor, Violoncelle (duo)
1
+ 7 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
416
Violoncelle, Piano
150
Violoncelle
115
Violon, Violoncelle (duo)
57
Trio à Cordes: violon, alto, violoncelle
54
2 Violoncelles (duo)
50
Quintette à cordes: 2 violons, alto, violoncelle, basse
39
Trio à Cordes: 2 violons, violoncelle
27
Violon et Piano
11
Violon
8
Violoncelle , Guitare (duo)
6
Violon, Basse continue
5
4 Violoncelles
5
Alto, Piano
5
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
4
Violon, Alto (duo)
3
Alto, Guitare (duo)
2
Contrebasse, Piano (duo)
2
Violoncelle, Orchestre
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe
1
2 Altos (duo)
1
Violon (partie séparée)
1
Violoncelle (partie séparée)
1
Violoncelle, Orgue
1
Alto (partie séparée)
1
Trio à cordes
1
2 Violons (duo)
1
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
+ 26 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
41
Orchestre
24
Orchestre de chambre
14
Orchestre d'harmonie
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Piano et Orchestre
1
Ensemble de cuivres
1
Cloches
1
Orchestre, Violon
1
+ 4 instrumentations
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BASSE
BASSON
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CLAIRON
CLARINETTE
CLAVECIN
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
After Cello
Alto, Piano
Partitions à imprimer
5 partitions trouvées
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Adagio BWV 974 from Concerto in D Minor after Marcello for viola and piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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BACH–MARCELLO
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Klas Krantz
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Adagio BWV 974 from Concerto i
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Amadeus Music
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.532623 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV,Wedding. Score and...
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Piano,Viola - Level 4 - SKU: A0.532623 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV,Wedding. Score and part. 6 pages. Amadeus Music #6629299. Published by Amadeus Music (A0.532623). Unornamented easy viola part included.Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey.
$5.95
Kamberata-Quartet after Beethoven's piano sonata op.2,No.2.
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Alto, Piano
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Michael Brailovsky
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Kamberata-Quartet after Beetho
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MIMOBR
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Horn,Piano,Viola - Level 5 - SKU: A0.1027140 Composed by Ludwig van Beethoven. Arranged by Michael Brailovsky. Class...
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Small Ensemble Cello,Clarinet,Flute,Horn,Piano,Viola - Level 5 - SKU: A0.1027140 Composed by Ludwig van Beethoven. Arranged by Michael Brailovsky. Classical,Instructional,Standards. Score and parts. 148 pages. MIMOBR #1998103. Published by MIMOBR (A0.1027140). This Quartet arrangement of Beethoven's Second piano sonata constitute a marvelous guide to deeper artistic understanding of this brilliant composition. Equally,it provides excellent material for engaging ensemble playing at home, in a class workshop, and on the concert stage. Gennady Belov, composer, Professor of the St.Petersburg State Conservatory of Music. '2016 Chamber Music Contest Entry.
$39.00
It Is Well (in the setting of Swan Lake)
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Alto, Piano
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INTERMÉDIAIRE
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Horatio Spafford, Philip Bliss
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Beka Wilson
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It Is Well
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Beka Wilson
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.786384 Composed by Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky. Arra...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.786384 Composed by Horatio Spafford, Philip Bliss, and Pyotr Tchaikovsky. Arranged by Beka Wilson. Christian,Contemporary,Gospel,Romantic Period,Sacred. Score and parts. 7 pages. Beka Wilson #4632405. Published by Beka Wilson (A0.786384). Horatio Spafford’s hymn, written after the death of his four daughters in a shipwreck, has brought comfort to many in their dark times. This arrangement (in the setting of Tchaikovsky’s Swan Lake) would be great for a calm instrumental special before the sermon, or a comforting song at a funeral.7 pages (includes piano score and parts), approximately 3:14 (suggested 100bpm), intermediate levelThis arrangement is for alto clef instruments, but the following instrumentation is also available on Sheet Music Plus:Flute/oboe/violin: S0.587367Trumpet/clarinet/tenor sax: S0.587389Alto Sax: S0. 587393Horn: S0. 587405Cello/bassoon/trombone: S0. 587409For custom instrumentation (for example, flute/cello or alto sax/clarinet), contact me at bekmars10@gmail.com, and I can get something posted here on Sheet Music Plus.
$9.99
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Autumnal Music
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Alto, Piano
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FACILE
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Barbara Heller
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Autumnal Music
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Schott Music - Digital
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SheetMusicPlus
Viola and piano - easy to intermediate - SKU: S9.Q21610 Duet for Viola and Piano. Composed by Barbara Heller. This edition: Sheet music. Viola Li...
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Viola and piano - easy to intermediate - SKU: S9.Q21610 Duet for Viola and Piano. Composed by Barbara Heller. This edition: Sheet music. Viola Library. Downloadable. Duration 5:30. Schott Music - Digital #Q21610. Published by Schott Music - Digital (S9.Q21610). Autumn Music for viola and piano is dedicated to the pianist Maria Grazyna Kulka. The string part of the original version for cello and piano (Schott CB 265) has been reworked for the Kulka Duo. Autumn Music is of intermediate difficulty and suitable for advanced young string players wishing to extend their contemporary repertoire, as well as for performance in youth music competitions. After the Bb in bar 88 the fermata may be followed by a viola solo cadenza improvised or composed by the performer and ad libitum a little piano solo cadenza too, both leading into bar 89. These cadenzas may well develop musical material from the preceding bars, drawing on motifs and techniques already used in the piece; beyond that, no limits should be set to the performer’s inventive inspiration. The rhythm, tempo and length of the cadenza may be improvised afresh each time it is played.
$11.99
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