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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
After All This
Non classifié
1 285
Piano & claviers
Piano seul
639
Piano, Voix
231
Piano Facile
120
Piano, Voix et Guitare
111
Orgue
66
Instruments en Do
48
Accompagnement Piano
23
1 Piano, 4 mains
16
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
9
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano grosses notes
3
Piano (partie séparée)
3
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Clavier
1
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 16 instrumentations
Retracter
Guitares
Guitare
63
Guitare notes et tablatures
45
Ligne De Mélodie, (Paroles) et Accords
10
Ukulele
6
Basse electrique
6
Mandoline
5
Guitare (partie séparée)
4
2 Guitares (duo)
4
2 Mandolines (duo)
2
Dulcimer
2
Piano, Guitare (duo)
1
2 Ukuleles
1
Banjo
1
Guitare, Orchestre
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
293
Chorale 3 parties
81
Chorale TTBB
49
Chorale SSAA
33
Chorale Unison
28
Chorale 2 parties
25
Voix Soprano, Piano
12
Voix Alto, Piano
8
Voix duo
8
Voix haute
5
Voix seule
4
Voix Tenor, Piano
4
Chorale SSAATTBB
3
Voix Soprano
3
Voix duo, Piano
3
Soli, choeur mixte et accompagnement
2
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix moyenne, Piano
1
Chorale SSATB
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Chorale SSAB a cappella
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
141
Flûte traversière et Piano
89
Quatuor de Saxophones: 4 saxophones
82
Quintette de Saxophone: 5 saxophones
79
2 Saxophones (duo)
78
Clarinette et Piano
73
Hautbois, Piano (duo)
63
Saxophone Alto et Piano
61
Quatuor de Clarinettes: 4 clarinettes
51
2 Clarinettes (duo)
47
Flûte, Hautbois, Clarinette, Basson
46
Saxophone Soprano et Piano
43
Clarinette
40
Quatuor de Flûtes : 4 flûtes
36
2 Flûtes traversières (duo)
35
Flûte traversière
31
Saxophone, Clarinette (duo)
31
Saxophone Tenor et Piano
28
Flûte, Clarinette (duo)
22
Saxophone Baryton, Piano
21
Clarinette, Violon (duo)
20
Ensemble de Flûtes
20
Saxophone (partie séparée)
19
2 Hautbois (duo)
19
Ensemble de saxophones
18
3 Saxophones (trio)
17
Cor anglais, Piano
17
Hautbois
16
Ensemble de Clarinettes
16
Clarinette, Trompette (duo)
13
Clarinette Basse, Piano
13
Quintette de Clarinettes: 5 clarinettes
12
Hautbois, Clarinette (duo)
12
3 Clarinettes (trio)
11
Saxophone Alto
11
Flûte, Saxophone (duo)
11
Quintette de Flûte : 5 flûtes
11
Flûte, Violon
11
Hautbois, Basson (duo)
10
Harmonica
10
Hautbois, Flûte
10
2 Flûte à bec (duo)
10
Clarinette et Alto
9
Flûte, Trompette (duo)
8
Flûte, Alto (duo)
7
Trio de Flûtes: 3 flûtes
7
Clarinette, Guitare (duo)
7
Hautbois (partie séparée)
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Alto et Piano
5
Flûte et Guitare
5
Quatuor de Flûtes à bec
5
Flute (partie séparée)
4
Ocarina
4
Saxophone Tenor
4
Flûte à Bec
4
Flûte, Clarinette et Basson
3
Flûte à bec Alto
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano
3
Clarinette (partie séparée)
2
Saxophone Soprano
2
Saxophone et Guitare
2
5 Flûtes à bec
2
Cor anglais, Guitare (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Violon et Violoncelle
2
Saxophone Baryton
2
Flûte, Violoncelle
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Violon, Piano
2
Flûte à bec Soprano, Piano
2
Ensemble De Flûte à bec
1
Hautbois, Harpe
1
Piccolo, Piano
1
Flûte traversière, Basse continue
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
Saxophone
1
Clarinette, Violoncelle (duo)
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Basson et Piano
1
Clarinette, Harpe (duo)
1
2 Saxophones, Piano
1
+ 83 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
157
Quatuor de Cuivres : 2 trompettes, trombone, tuba
77
Trompette
49
Cor et Piano
47
Trombone et Piano
47
Trompette, Piano
45
Ensemble de Trompettes
39
Tuba et Piano
29
Cor
27
Quatuor de Cuivres
26
Euphonium, Piano (duo)
22
Trombone
20
Trompette, Saxophone (duo)
20
2 Trombones (duo)
19
Tuba
18
2 Trompettes (duo)
18
Trompette (partie séparée)
18
Cor anglais, Piano
17
Ensemble de Trombones
15
Trombone (partie séparée)
14
Trompette, Trombone (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor (partie séparée)
8
Tuba (partie séparée)
6
Quatuor de cuivres: 4 trombones
6
2 Cors (duo)
5
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
3
Quatuor de cuivres: 4 cors
3
4 Tubas
3
Cor anglais, Guitare (duo)
2
Ensemble de Cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trombones (trio)
2
2 Tubas (duo)
1
Cor, Violoncelle (duo)
1
Trombone basse
1
2 Euphoniums et 2 Tubas
1
Euphonium, Tuba (duo)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
122
Alto, Piano
83
Violoncelle, Piano
67
Harpe
51
Violoncelle
44
Violon
43
Violon, Violoncelle (duo)
33
2 Violons (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Alto seul
28
2 Violoncelles (duo)
27
Contrebasse, Piano (duo)
25
Violon, Alto (duo)
23
2 Altos (duo)
20
Trio à Cordes: violon, alto, violoncelle
19
Contre Basse
16
Trio à Cordes: 2 violons, violoncelle
16
Violon (partie séparée)
8
Contrebasse (partie séparée)
7
Ensemble d'Altos
5
Ensemble de Violons
5
4 Violoncelles
4
Violon, Guitare (duo)
4
Alto (partie séparée)
4
Trio à cordes: 3 altos
3
Trio à cordes: 3 violins
3
Harpe, Voix
3
Trio à Cordes: 3 violoncelles
3
2 Contrebasses (duo)
2
Quatuor à cordes: 4 violons
2
Alto, Violoncelle (duo)
2
Harpe, Violon (duo)
2
Violon, Clarinette, Piano (trio)
2
Quatuor à cordes : 4 altos
2
2 Altos, Piano
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Basse continue
1
4 Contrebasses
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
584
Orchestre
125
Orchestre à Cordes
80
Ensemble Jazz
67
Ensemble de cuivres
60
Orchestre de chambre
38
Fanfare
34
Cloches
28
Batterie
13
Marimba
7
Ensemble de Percussions
6
Vibraphone
5
Jazz combo
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
3
Percussion (partie séparée)
3
2 Xylophones
2
Orchestre, Violon
2
Piano et Orchestre
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
After All This
Alto, Piano
Partitions à imprimer
83 partitions trouvées
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When the Roll is Called Up Yonder, Gospel Hymn for Viola and Piano
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Alto, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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James Milton Black
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David McKeown
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When the Roll is Called Up Yon
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David McKeown
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.593482 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Sc...
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Piano,Viola - Level 2 - SKU: A0.593482 Composed by James Milton Black. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421197. Published by David McKeown (A0.593482). When the Roll is Called Up Yonder is a beautiful gospel hymn arranged here for Solo Viola and Piano.When the Roll is Called Up Yonder was written in 1893 by James Milton Black. Black ran a Sunday School class and when a child was missing from one Sunday’s roll call, he called on the family to find the child was suffering from pneumonia. After calling and paying for a doctor, Black was inspired to write this hymn.
$2.49
Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
#
Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549570 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wo...
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Piano,Viola - Level 3 - SKU: A0.549570 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508663. Published by jmsgu3 (A0.549570). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Kamberata-Quartet after Beethoven's piano sonata op.2,No.2.
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Alto, Piano
#
AVANCÉ
#
Classique
#
Ludwig van Beethoven
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Michael Brailovsky
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Kamberata-Quartet after Beetho
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MIMOBR
#
SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Horn,Piano,Viola - Level 5 - SKU: A0.1027140 Composed by Ludwig van Beethoven. Arranged by Michael Brailovsky. Class...
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Small Ensemble Cello,Clarinet,Flute,Horn,Piano,Viola - Level 5 - SKU: A0.1027140 Composed by Ludwig van Beethoven. Arranged by Michael Brailovsky. Classical,Instructional,Standards. Score and parts. 148 pages. MIMOBR #1998103. Published by MIMOBR (A0.1027140). This Quartet arrangement of Beethoven's Second piano sonata constitute a marvelous guide to deeper artistic understanding of this brilliant composition. Equally,it provides excellent material for engaging ensemble playing at home, in a class workshop, and on the concert stage. Gennady Belov, composer, Professor of the St.Petersburg State Conservatory of Music. '2016 Chamber Music Contest Entry.
$39.00
Bach: Wachet auf for Viola & Piano
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Alto, Piano
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FACILE
#
Classique
#
Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Viola &am
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
#
SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Schubert: Ave Maria for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Viola
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548704 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pa...
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Piano,Viola - Level 1 - SKU: A0.548704 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411159. Published by jmsgu3 (A0.548704). A Viola Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Viola part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
The First Noel for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Noël
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Traditional
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James M
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The First Noel for Viola &
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu...
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Piano,Viola - Level 1 - SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387407. Published by jmsgu3 (A0.548507). The First Noel arranged for Viola & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Viola Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Bach: Bist du bei mir BWV 508 for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
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Piano,Viola - Level 2 - SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
The Sleeping Beauty Waltz by Tchaikovsky, for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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The Sleeping Beauty Waltz by T
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David McKeown
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.587751 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Period,Standar...
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Piano,Viola - Level 4 - SKU: A0.587751 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Period,Standards. Score and part. 14 pages. David McKeown #4839891. Published by David McKeown (A0.587751). Sleeping Beauty, is the second ballet of three composed by Pyotr Tchaikovsky. Here, the famous Waltz is arranged for Solo Viola and Piano, directly from the orchestral score. The first performance of the ballet was in St Petersburg in 1890. Like his other ballets, Sleeping Beauty was slow to gain popularity with the public and international recognition only came after Tchaikovsky’s death. Included in the single download are nine pages of piano score and an attached four-page part for the solo instrument. Musicians at an upper intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts with a high tempo throughout. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around five minutes. The linked youtube performance is the clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Abraham's Walk
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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David E
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Abraham's Walk
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David E Boelzner
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1013046 Composed by David E. Boelzner. Christian,Contemporary,Jewish,Sacred. Score and part. 9 pages. David E Boelzner #...
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Piano,Viola - Level 4 - SKU: A0.1013046 Composed by David E. Boelzner. Christian,Contemporary,Jewish,Sacred. Score and part. 9 pages. David E Boelzner #5898963. Published by David E Boelzner (A0.1013046). Abraham’s Walk is a reflection, for viola and piano, of the dramatic biblical story of God calling on Abraham to demonstrate his faith by sacrificing his son, Isaac. The beginning sets a peaceful mood with a quiet modal tune, first in piano and then viola, but somber chords intervene. Then God calls to Abraham three times, each time louder, the last time thunderously. After a pause, the viola captures Abraham’s stunned and then agitated response, as he processes what he’s being asked to do. Tragically resolved, he begins the trudging walk to his son’s doom, which builds to a climax in both instruments, culminating in God’s calling again to Abraham, this time to stay his knife hand.
$9.99
Grieg: Peer Gynt Suite Complete for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.551513 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Stand...
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Piano,Viola - Level 4 - SKU: A0.551513 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306365. Published by jmsgu3 (A0.551513). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
How Deep The Father's Love For Us
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Alto, Piano
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INTERMÉDIAIRE
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Contemporain
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Phillips, Craig & Dean
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Joshua Allen
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How Deep The Father's Love For
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Joshua Allen Music
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.941058 By Phillips, Craig & Dean. By Stuart Townend. Arranged by Joshua Allen. Contemporary. Score and part. 7 pages. Jo...
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Piano,Viola - Level 3 - SKU: A0.941058 By Phillips, Craig & Dean. By Stuart Townend. Arranged by Joshua Allen. Contemporary. Score and part. 7 pages. Joshua Allen Music #6056807. Published by Joshua Allen Music (A0.941058). The beautiful melody of this hymn is brought to life by the warm tone of the viola in the low register. All three verses of the hymn are presented, first by the viola, then by the piano left hand, and finally, after a key change from F to G, the viola resumes the melody for a powerful and poignant finish. This arrangement is approximately three minutes in length and is suitable for intermediate level violists.
$5.00
Handel: Largo from Xerxes for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score ...
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Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3491405. Published by jmsgu3 (A0.549373). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Espresso
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Alto, Piano
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DÉBUTANT
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Sabrina Carpenter
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Jhonatan Lucio Viana
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Espresso
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JLVPartitura
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1453457 By Sabrina Carpenter. By Amy Allen, Julian Bunetta, Sabrina Carpenter, and Stephenie Jones. Arranged by Jhonatan...
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Piano,Viola - Level 1 - SKU: A0.1453457 By Sabrina Carpenter. By Amy Allen, Julian Bunetta, Sabrina Carpenter, and Stephenie Jones. Arranged by Jhonatan Lucio Viana. 21st Century,Contemporary,Film/TV,Pop,Singer/Songwriter. Score and part. 6 pages. JLVPartitura #1032686. Published by JLVPartitura (A0.1453457). Espresso by Sabrina Carpenter for Viola + Piano:This arrangement provides a captivating interpretation of Sabrina Carpenter's Espresso.Key Features:- Melodies and harmonies that capture the essence of the work;- Suitable for Easy Beginner or Easy Intermediate levels;- Professionally arranged sheet music in PDF format;- Genre: Pop;I am pleased to offer this arrangement to enrich your musical journey. After purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$5.99
Espresso
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Alto, Piano
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DÉBUTANT
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Sabrina Carpenter
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Jhonatan Lucio Viana
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Espresso
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JLVPartitura
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1453458 By Sabrina Carpenter. By Amy Allen, Julian Bunetta, Sabrina Carpenter, and Stephenie Jones. Arranged by Jhonatan...
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Piano,Viola - Level 1 - SKU: A0.1453458 By Sabrina Carpenter. By Amy Allen, Julian Bunetta, Sabrina Carpenter, and Stephenie Jones. Arranged by Jhonatan Lucio Viana. 21st Century,Contemporary,Film/TV,Pop,Singer/Songwriter. Score and part. 6 pages. JLVPartitura #1032687. Published by JLVPartitura (A0.1453458). Espresso by Sabrina Carpenter for Viola + Piano + Chords:This arrangement provides a captivating interpretation of Sabrina Carpenter's Espresso.Key Features:- Melodies and harmonies that capture the essence of the work;- Suitable for Easy Beginner or Easy Intermediate levels;- Professionally arranged sheet music in PDF format;- Genre: Pop;I am pleased to offer this arrangement to enrich your musical journey. After purchasing your sheet music, visit my extensive collection available on the website under the name: Jhonatan Lucio Viana. Explore various arrangements for different instruments and voices, all designed to inspire and challenge musicians of all levels.
$5.99
Tango Pour Claude for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Tango
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Richard Galliano
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Tango Pour Claude for Viola an
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Diego Marani
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SheetMusicPlus
Piano Accompaniment, Viola - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pag...
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Piano Accompaniment, Viola - Intermediate - Digital Download By Richard Galliano. Arranged by Diego Marani. Individual Part, Score, Solo Part. 12 pages. Published by Diego Marani
Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French ?New Musette?, as he himself had previously invented the Argentinean ?New Tango?.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for Viola with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital.
$12.99
It's Been A Long, Long Time
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Alto, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.592556 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366371....
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Piano,Viola - Level 3 - SKU: A0.592556 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366371. Published by David McKeown (A0.592556). It’s Been a Long Long Time is arranged as a solo for one Viola with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Hallelujah
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Alto, Piano
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FACILE
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Leonard Cohen
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Walt Oliver
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Hallelujah
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Walt Oliver
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1461098 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter....
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Piano,Viola - Level 2 - SKU: A0.1461098 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. Score and part. 3 pages. Walt Oliver #1040008. Published by Walt Oliver (A0.1461098). Arrangement for Piano and Viola: Hallelujah by Leonard Cohen (Easy intermediate) - (With chord symbols)Experience the magic of Leonard Cohen's iconic Hallelujah in a sublime arrangement for piano and viola, perfect for easy intermediate musicians. This arrangement captures the emotional essence and beauty of this classic song, widely recognized and loved worldwide, especially after its memorable inclusion in the movie Shrek.Arrangement Features:- Difficulty Level: Easy Intermediate- Instruments: Piano and Viola- Musical Genre: Ballad/PopArrangement Details:This arrangement has been meticulously crafted to balance the rich sound of the piano with the smooth, expressive melody of the viola. It is an accessible piece that remains true to the original spirit of Leonard Cohen's composition. Every note is designed to provide a rewarding musical experience for both the pianist and the violist without overwhelming technical complexities.Benefits and Uses:- Versatility: Ideal for performances at recitals, weddings, commemorative events, and even as a study piece.- Expressiveness: The combination of piano and viola allows for a deeply emotional interpretation, making each performance unique and touching.- Rich Repertoire: Add a timeless masterpiece to your repertoire that resonates with audiences of all ages and musical tastes.Why Choose This Arrangement?- Accessibility: Perfect for musicians with a solid foundation who want to enhance their interpretative skills without facing overly complex arrangements.- Faithful to the Original: Maintains the melodic and harmonic integrity of the original song, ensuring an authentic and engaging performance.- Emotionally Impactful: The well-loved and recognized melody of Hallelujah never fails to enchant, whether in intimate performances or on large stages.Elevate your music with this irresistible arrangement of Hallelujah for piano and viola. Ideal for creating unforgettable moments and leaving a lasting impression on any audience. Purchase now and experience the perfect blend of simplicity and emotional depth that only this piece can offer.Take this opportunity to enrich your repertoire and move your audience with the unparalleled Hallelujah. Download today and transform your performances with this timeless masterpiece!
$4.99
Hallelujah
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Alto, Piano
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FACILE
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Leonard Cohen
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Walt Oliver
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Hallelujah
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Walt Oliver
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1461100 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter....
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Piano,Viola - Level 2 - SKU: A0.1461100 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. Score and part. 3 pages. Walt Oliver #1040010. Published by Walt Oliver (A0.1461100). Arrangement for Piano and Viola: Hallelujah by Leonard Cohen (Easy intermediate) - (With chord symbols)Experience the magic of Leonard Cohen's iconic Hallelujah in a sublime arrangement for piano and viola, perfect for easy intermediate musicians. This arrangement captures the emotional essence and beauty of this classic song, widely recognized and loved worldwide, especially after its memorable inclusion in the movie Shrek.Arrangement Features:- Difficulty Level: Easy Intermediate- Instruments: Piano and Viola- Musical Genre: Ballad/PopArrangement Details:This arrangement has been meticulously crafted to balance the rich sound of the piano with the smooth, expressive melody of the viola. It is an accessible piece that remains true to the original spirit of Leonard Cohen's composition. Every note is designed to provide a rewarding musical experience for both the pianist and the violist without overwhelming technical complexities.Benefits and Uses:- Versatility: Ideal for performances at recitals, weddings, commemorative events, and even as a study piece.- Expressiveness: The combination of piano and viola allows for a deeply emotional interpretation, making each performance unique and touching.- Rich Repertoire: Add a timeless masterpiece to your repertoire that resonates with audiences of all ages and musical tastes.Why Choose This Arrangement?- Accessibility: Perfect for musicians with a solid foundation who want to enhance their interpretative skills without facing overly complex arrangements.- Faithful to the Original: Maintains the melodic and harmonic integrity of the original song, ensuring an authentic and engaging performance.- Emotionally Impactful: The well-loved and recognized melody of Hallelujah never fails to enchant, whether in intimate performances or on large stages.Elevate your music with this irresistible arrangement of Hallelujah for piano and viola. Ideal for creating unforgettable moments and leaving a lasting impression on any audience. Purchase now and experience the perfect blend of simplicity and emotional depth that only this piece can offer.Take this opportunity to enrich your repertoire and move your audience with the unparalleled Hallelujah. Download today and transform your performances with this timeless masterpiece!
$4.99
Hallelujah
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Alto, Piano
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FACILE
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Leonard Cohen
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Walt Oliver
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Hallelujah
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Walt Oliver
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1461111 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter....
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Piano,Viola - Level 2 - SKU: A0.1461111 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. Score and part. 3 pages. Walt Oliver #1040023. Published by Walt Oliver (A0.1461111). Arrangement for Piano and Viola: Hallelujah by Leonard Cohen (Easy intermediate)Experience the magic of Leonard Cohen's iconic Hallelujah in a sublime arrangement for piano and viola, perfect for easy intermediate musicians. This arrangement captures the emotional essence and beauty of this classic song, widely recognized and loved worldwide, especially after its memorable inclusion in the movie Shrek.Arrangement Features:- Difficulty Level: Easy Intermediate- Instruments: Piano and Viola- Musical Genre: Ballad/PopArrangement Details:This arrangement has been meticulously crafted to balance the rich sound of the piano with the smooth, expressive melody of the viola. It is an accessible piece that remains true to the original spirit of Leonard Cohen's composition. Every note is designed to provide a rewarding musical experience for both the pianist and the violist without overwhelming technical complexities.Benefits and Uses:- Versatility: Ideal for performances at recitals, weddings, commemorative events, and even as a study piece.- Expressiveness: The combination of piano and viola allows for a deeply emotional interpretation, making each performance unique and touching.- Rich Repertoire: Add a timeless masterpiece to your repertoire that resonates with audiences of all ages and musical tastes.Why Choose This Arrangement?- Accessibility: Perfect for musicians with a solid foundation who want to enhance their interpretative skills without facing overly complex arrangements.- Faithful to the Original: Maintains the melodic and harmonic integrity of the original song, ensuring an authentic and engaging performance.- Emotionally Impactful: The well-loved and recognized melody of Hallelujah never fails to enchant, whether in intimate performances or on large stages.Elevate your music with this irresistible arrangement of Hallelujah for piano and viola. Ideal for creating unforgettable moments and leaving a lasting impression on any audience. Purchase now and experience the perfect blend of simplicity and emotional depth that only this piece can offer.Take this opportunity to enrich your repertoire and move your audience with the unparalleled Hallelujah. Download today and transform your performances with this timeless masterpiece!
$4.99
Hallelujah
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Alto, Piano
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FACILE
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Leonard Cohen
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Walt Oliver
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Hallelujah
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Walt Oliver
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1461107 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter....
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Piano,Viola - Level 2 - SKU: A0.1461107 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Christmas,Film/TV,Folk,Religious,Singer/Songwriter. Score and part. 3 pages. Walt Oliver #1040017. Published by Walt Oliver (A0.1461107). Arrangement for Piano and Viola: Hallelujah by Leonard Cohen (Easy intermediate)Experience the magic of Leonard Cohen's iconic Hallelujah in a sublime arrangement for piano and viola, perfect for easy intermediate musicians. This arrangement captures the emotional essence and beauty of this classic song, widely recognized and loved worldwide, especially after its memorable inclusion in the movie Shrek.Arrangement Features:- Difficulty Level: Easy Intermediate- Instruments: Piano and Viola- Musical Genre: Ballad/PopArrangement Details:This arrangement has been meticulously crafted to balance the rich sound of the piano with the smooth, expressive melody of the viola. It is an accessible piece that remains true to the original spirit of Leonard Cohen's composition. Every note is designed to provide a rewarding musical experience for both the pianist and the violist without overwhelming technical complexities.Benefits and Uses:- Versatility: Ideal for performances at recitals, weddings, commemorative events, and even as a study piece.- Expressiveness: The combination of piano and viola allows for a deeply emotional interpretation, making each performance unique and touching.- Rich Repertoire: Add a timeless masterpiece to your repertoire that resonates with audiences of all ages and musical tastes.Why Choose This Arrangement?- Accessibility: Perfect for musicians with a solid foundation who want to enhance their interpretative skills without facing overly complex arrangements.- Faithful to the Original: Maintains the melodic and harmonic integrity of the original song, ensuring an authentic and engaging performance.- Emotionally Impactful: The well-loved and recognized melody of Hallelujah never fails to enchant, whether in intimate performances or on large stages.Elevate your music with this irresistible arrangement of Hallelujah for piano and viola. Ideal for creating unforgettable moments and leaving a lasting impression on any audience. Purchase now and experience the perfect blend of simplicity and emotional depth that only this piece can offer.Take this opportunity to enrich your repertoire and move your audience with the unparalleled Hallelujah. Download today and transform your performances with this timeless masterpiece!
$4.99
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