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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Alex M
Non classifié
154
Piano & claviers
Piano Facile
62
Piano seul
44
Instruments en Do
16
Piano, Voix et Guitare
12
1 Piano, 4 mains
11
Piano, Voix
8
Accordéon
1
Orgue
1
+ 3 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
69
Paroles et Accords
4
2 Guitares (duo)
4
Guitare notes et tablatures
3
Guitare
2
Basse electrique
1
Basse électrique (partie séparée)
1
Ukulele
1
Partitions De Groupes
1
+ 4 instrumentations
Retracter
Voix
Chorale 3 parties
160
Chorale SATB
34
Chorale TTBB
22
Chorale SSAA
6
Chorale 2 parties
3
Pack Instrumental pour Chorale
1
+ 1 instrumentations
Retracter
Vents
2 Flûte à bec (duo)
23
Ensemble de saxophones
16
Quintette de Saxophone: 5 saxophones
13
Saxophone (partie séparée)
13
2 Saxophones (duo)
11
Clarinette
10
Flûte traversière et Piano
10
Saxophone Alto
9
Saxophone Tenor
9
Flûte traversière
8
Saxophone Soprano et Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Hautbois, Piano (duo)
6
Ensemble de Clarinettes
6
Saxophone Tenor et Piano
6
Saxophone Alto et Piano
6
Clarinette et Piano
6
Flûte, Clarinette (duo)
5
Quatuor de Saxophones: 4 saxophones
5
Quatuor de Flûtes à bec
5
Clarinette (partie séparée)
5
Flûte à bec Alto
4
Hautbois (partie séparée)
4
Cor anglais, Piano
4
2 Hautbois (duo)
4
Flûte à bec Soprano
4
2 Flûtes traversières (duo)
4
Flûte à bec Tenor
4
2 Clarinettes (duo)
4
Ensemble de Flûtes
4
Ensemble De Flûte à bec
3
Saxophone Baryton, Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois
3
Quatuor de Flûtes : 4 flûtes
3
3 Flûtes à bec (trio)
3
Flute (partie séparée)
2
3 Clarinettes (trio)
2
Quintette de Flûte : 5 flûtes
2
Saxophone Soprano
2
Clarinette Basse, Piano
2
3 Saxophones (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violon, Piano
1
Cor Anglais
1
Flûte traversière, Orgue (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte et Trio à cordes
1
2 Flûtes traversières, Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone et Guitare
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trompette
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette (partie séparée)
8
Trombone
7
Trompette, Piano
6
Cor
6
Tuba
6
Trombone (partie séparée)
6
Trompette, Cor (duo)
5
Trompette, Trombone (duo)
5
Tuba et Piano
5
Cor (partie séparée)
4
2 Trombones (duo)
4
2 Trompettes (duo)
4
Ensemble de Trombones
4
Cor et Piano
4
Cor anglais, Piano
4
2 Cors (duo)
4
Trombone et Piano
4
Euphonium, Piano (duo)
4
2 Tubas (duo)
2
Quatuor de Cuivres
2
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
1
Cor Anglais
1
Euphonium
1
Ensemble de Trompettes
1
Tuba (partie séparée)
1
+ 25 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon
11
Violon et Piano
11
Violoncelle
8
Alto, Piano
7
Alto seul
6
Contre Basse
6
2 Violons (duo)
6
Violon, Violoncelle (duo)
6
Violoncelle, Piano
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Alto (duo)
5
2 Altos (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Harpe
4
2 Contrebasses (duo)
3
2 Violoncelles (duo)
3
Alto (partie séparée)
3
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
Ensemble de Violons
2
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Orgue
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
17
Orchestre
12
Orchestre à Cordes
11
Piano et Orchestre
9
Ensemble Jazz
8
Fanfare
8
Percussion (partie séparée)
4
Batterie (partie séparée)
2
Cloches
2
Ensemble de cuivres
2
Xylophone
1
Ensemble de Percussions
1
Timbales (partie séparée)
1
Orchestre de chambre
1
Batterie
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
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Vous avez sélectionné:
Alex M
Alto, Piano
Partitions à imprimer
7 partitions trouvées
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1
Seek Ye First
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Alto, Piano
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DÉBUTANT
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Karen Lafferty
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Alex E
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Seek Ye First
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Müller Publishing company
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1390122 Composed by Karen Lafferty. Arranged by Alex E. Chamber,Classical,Instructional,Religious,Sacred. Score and part...
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Piano,Viola - Level 1 - SKU: A0.1390122 Composed by Karen Lafferty. Arranged by Alex E. Chamber,Classical,Instructional,Religious,Sacred. Score and part. 4 pages. Müller Publishing company #973634. Published by Müller Publishing company (A0.1390122). Viola and Piano with Chords: Dive into the enchanting melody of Seek Ye First with our arrangement for viola by Alex. E. This simplified arrangement is perfect for beginner players, featuring an easy-to-follow piano accompaniment in C Major. Access the high-resolution digital sheet music and start playing today.
$4.99
Seek Ye First
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Alto, Piano
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DÉBUTANT
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Karen Lafferty
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Alex E
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Seek Ye First
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Müller Publishing company
#
SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1390124 Composed by Karen Lafferty. Arranged by Alex E. Chamber,Classical,Instructional,Religious,Sacred. Score and part...
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Piano,Viola - Level 1 - SKU: A0.1390124 Composed by Karen Lafferty. Arranged by Alex E. Chamber,Classical,Instructional,Religious,Sacred. Score and part. 4 pages. Müller Publishing company #973636. Published by Müller Publishing company (A0.1390124). Viola and Piano: Dive into the enchanting melody of Seek Ye First with our arrangement for viola by Alex. E. This simplified arrangement is perfect for beginner players, featuring an easy-to-follow piano accompaniment in C Major. Access the high-resolution digital sheet music and start playing today.
$4.99
Scriabin: Prelude, Op. 51, No. 2 for Viola & Harp
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Piano,Viola - Level 3 - SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984707. Published by jmsgu3 (A0.1401524). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1401537 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Piano,Viola - Level 3 - SKU: A0.1401537 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984720. Published by jmsgu3 (A0.1401537). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Handel: Largo from Xerxes for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score ...
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Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3491405. Published by jmsgu3 (A0.549373). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Scriabin: Prelude in G Minor for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude in G Minor f
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.550349 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Sacred,Standar...
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Piano,Viola - Level 3 - SKU: A0.550349 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Sacred,Standards. Score and part. 8 pages. Jmsgu3 #4614163. Published by jmsgu3 (A0.550349). Prelude Op. 11 No. 22 Score: 6 pages. Duration ca. 1:15. Bring your best rubato for this short but sensitive prelude in G minor.
$15.95
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Piano,Viola - Level 3 - SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Alex M
