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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Alexander S
Non classifié
290
Piano & claviers
Piano seul
307
Piano, Voix
73
Piano Facile
48
Piano, Voix et Guitare
37
Orgue
8
Instruments en Do
8
1 Piano, 4 mains
5
Accordéon
3
Piano (partie séparée)
2
Accompagnement Piano
1
Orgue, Piano (duo)
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
17
Guitare
16
Guitare notes et tablatures
14
Ukulele
6
Guitare (partie séparée)
3
Banjo
2
Basse électrique (partie séparée)
2
Ensemble de Ukulélés
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
126
Chorale 3 parties
80
Chorale 2 parties
37
Chorale TTBB
31
Chorale SSAA
19
Chorale Unison
6
Chorale
3
Voix Mezzo-Soprano, Piano
3
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Chorale SSAATTBB
1
Voix Soprano, Piano
1
Voix duo
1
Voix basse, Piano
1
+ 9 instrumentations
Retracter
Vents
Saxophone (partie séparée)
112
Clarinette (partie séparée)
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Hautbois (partie séparée)
25
Flûte traversière
19
Flute (partie séparée)
18
2 Saxophones (duo)
17
Ensemble de saxophones
15
Quatuor de Saxophones: 4 saxophones
15
Saxophone Alto
14
Flûte, Hautbois, Clarinette, Basson
13
Clarinette
12
Quintette de Saxophone: 5 saxophones
12
Ensemble de Clarinettes
9
Quatuor de Clarinettes: 4 clarinettes
9
Flûte traversière et Piano
8
Saxophone Tenor
8
Clarinette et Piano
7
3 Saxophones (trio)
7
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
6
Hautbois, Piano (duo)
5
Trio de Flûtes: 3 flûtes
5
Saxophone Soprano et Piano
5
2 Flûtes traversières (duo)
4
2 Clarinettes (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Ensemble de Flûtes
3
3 Clarinettes (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Piano
2
Flûte irlandaise
2
Flûte à bec Soprano
2
Flûte, Clarinette (duo)
2
Saxophone Baryton, Piano
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette et Basson
2
Clarinette Basse, Piano
2
Clarinette, Violoncelle (duo)
1
Cornemuse
1
Saxophone et Guitare
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violon
1
2 Clarinettes, Piano
1
Harmonica
1
Hautbois, Harpe
1
Clarinette, Violon (duo)
1
Hautbois
1
Flûte à bec Alto
1
Saxophone et Harpe
1
Hautbois, Flûte
1
Flûte, Violon, Piano
1
Piccolo
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 50 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
240
Trompette (partie séparée)
34
Trombone (partie séparée)
33
Cor (partie séparée)
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Tuba (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette
9
Trombone et Piano
8
Euphonium, Piano (duo)
7
Trompette, Piano
6
Trombone
5
Tuba et Piano
4
Ensemble de Trombones
4
Cor et Piano
4
Cor
3
Tuba
3
Euphonium
3
2 Trompettes (duo)
3
Cor anglais, Piano
2
Ensemble de Trompettes
2
Trompette, Trombone (duo)
2
Ensemble de Cors
2
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Saxophone (duo)
1
Cor et Harpe
1
Trompette, Harpe
1
2 Trombones (duo)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
52
Violon (partie séparée)
31
Alto (partie séparée)
28
Violon et Piano
27
Violon
18
Violoncelle (partie séparée)
14
Violoncelle, Piano
13
Contrebasse (partie séparée)
11
Violoncelle
11
Alto, Piano
8
Trio à Cordes: violon, alto, violoncelle
7
Alto seul
6
Harpe
4
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
2
2 Altos (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Violon, Alto (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
2 Harpes (duo)
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Contre Basse
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
86
Orchestre à Cordes
36
Orchestre
29
Ensemble de cuivres
28
Percussion (partie séparée)
14
Fanfare
9
Ensemble Jazz
9
Orchestre de chambre
6
Batterie
5
Jazz combo
5
Timbales (partie séparée)
5
Batterie (partie séparée)
3
Ensemble de Percussions
3
Cloches
3
Piano et Orchestre
1
Vibraphone (partie séparée)
1
Orchestre, Violon
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
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avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Alexander S
Alto, Piano
Partitions à imprimer
8 partitions trouvées
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1
Alexander's Ragtime Band
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Alto, Piano
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FACILE
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Contemporain
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Irving Berlin
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Tim Curd
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Alexander's Ragtime Band
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Tim Curd
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.717248 Composed by Irving Berlin. Arranged by Tim Curd. Contemporary. Score and part. 5 pages. Tim Curd #6011017. Publis...
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Piano,Viola - Level 2 - SKU: A0.717248 Composed by Irving Berlin. Arranged by Tim Curd. Contemporary. Score and part. 5 pages. Tim Curd #6011017. Published by Tim Curd (A0.717248). Alexander's Ragtime Band by Irving Berlin.
$4.99
Scriabin's Etude Op. 2 Nr 1 for viola
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Alexander Scriabin
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Haydn Reeder
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Scriabin's Etude Op. 2 Nr 1 fo
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Haydn Reeder
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.953817 Composed by Alexander Scriabin. Arranged by Haydn Reeder. Romantic Period,Standards. Score and part. 2 pages. Hay...
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Piano,Viola - Level 4 - SKU: A0.953817 Composed by Alexander Scriabin. Arranged by Haydn Reeder. Romantic Period,Standards. Score and part. 2 pages. Haydn Reeder #2878001. Published by Haydn Reeder (A0.953817). This arrangement of Scriabin's piano solo is of about advanced intermediate difficulty. The soloist will comfortably play from the score. The piece would be highly suitable grouped with other nineteenth century works or as a memorable encore.
$3.50
Handel: Largo from Xerxes for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score ...
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Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3491405. Published by jmsgu3 (A0.549373). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Polovtsian Dance No. 1 - Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Alexander Borodin
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Andrew Middleton
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Polovtsian Dance No. 1 - Viola
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Andrew Middleton
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.735867 Composed by Alexander Borodin. Arranged by Andrew Middleton. Romantic Period. Score and part. 8 pages. Andrew Mid...
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Piano,Viola - Level 3 - SKU: A0.735867 Composed by Alexander Borodin. Arranged by Andrew Middleton. Romantic Period. Score and part. 8 pages. Andrew Middleton #5773769. Published by Andrew Middleton (A0.735867). Alexander Borodin's, Polovtsian Dance Number Three, arranged for viola and piano - perfect for the intermediate player. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Scriabin: Prelude, Op. 51, No. 2 for Viola & Harp
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Alto, Piano
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INTERMÉDIAIRE
#
Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Piano,Viola - Level 3 - SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984707. Published by jmsgu3 (A0.1401524). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1401537 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Piano,Viola - Level 3 - SKU: A0.1401537 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984720. Published by jmsgu3 (A0.1401537). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Piano,Viola - Level 3 - SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
70 Easy Classical Pieces For Viola and Piano
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Alto, Piano
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DÉBUTANT
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Classique
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Various
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70 Easy Classical Pieces For V
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Eugene Egorov
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SheetMusicPlus
Piano Accompaniment, Viola - Easy/Beginner - Digital Download Composed by Various. Arranged by Eugene Egorov. Romantic Period, Classical Period, Baroque Pe...
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Piano Accompaniment, Viola - Easy/Beginner - Digital Download Composed by Various. Arranged by Eugene Egorov. Romantic Period, Classical Period, Baroque Period. 101 pages. Published by Eugene Egorov
1. Pomp and Circumstance Edward Elgar
2. Andante (Surprise Symphony) Franz Joseph Haydn
3. Arioso Daniel Gottlob Turk
4. Lullaby Johannes Brahms
5. Melody Robert Schumann
6. Sarabande George Frideric Handel
7. Silent Night Franz Xaver Gruber
8. A Little Piece Robert Schumann
9. Carnival Of Venice Julius Benedict
10. La Donna E Mobile Giuseppe Verdi
11. Largo (The New World) Antonin Dvorak
12. Old French Song Peter Ilyich Tchaikovsky
13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky
14. We Wish You A Merry Christmas EnglishFolk Song
15. Air Henry Purcell
16. Ode To Joy LudwigVan Beethoven
17. Italian Polka SergeiRachmaninoff
18. Minuet (In F Major) Wolfgang Amadeus Mozart
19. Solveig`s Song EdvardGrieg
20. Sonatina (In C Major) Muzio Clementi
21. Waltz DmitriKabalevsky
22. Alouette FrenchFolk Song
23. Gaudeamus Igitur Johannes Brahms
24. Green Sleeves English Folk Song
25. Hongroise Adolphe-Charles Adam
26. Minuet (In F Major) Franz Joseph Haydn
27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart
28. Soldier\'s March Robert Schumann
29. Arietta MuzioClementi
30. Emperor Waltz JohannStrauss Jr.
31. Grand March (Aida) Giuseppe Verdi
32. Happy Birthday To You Patty and Mildred J. Hill
33. Minuet (In D Minor) Johann Sebastian Bach
34. Santa Lucia Italian Folk Song
35. The Emperor\'s Hymn Franz Joseph Haydn
36. La Paloma Sebastian Yradier
37. Dance Of The Hours Amilcare Ponchielli
38. Fur Elise Ludwig Van Beethoven
39. Humoresque Antonin Dvorak
40. Minuet (In G Major) Johann Sebastian Bach
41. Toreador Song Georges Bizet
42. Turkish March Wolfgang Amadeus Mozart
43. Ave Maria FranzSchubert
44. Barcarolle Jacques Offenbach
45. In The Hall Of The Mountain King Edvard Grieg
46. Melody In FAnton Rubinstein
47. None But The Lonely Heart Peter Ilyich Tchaikovsky
48. Polovtsian Dance Alexander Borodin
49. Spanish Romance
50. Liebestraum (Dream Of Love) Franz Liszt
51. Arioso George Frideric Handel
52. O Mio Babbino Caro Giacomo Puccini
53. O Sole Mio Eduardo Di Capua
54. To A Wild Rose EdwardMacDowell
55. Sobre Las Olas (Over The Waves) JuventinoRosas
56. Waltz (Op. 39 No. 15) Johannes Brahms
57. Blue Danube Waltz Johann Strauss Jr.
58. Bridal Chorus (Wedding March) Richard Wagner
59. Gavotte Jean-Baptiste Lully
60. Die Forelle FranzSchubert
61. Pavane Gabriel Faure
62. The Skaters Waltz Emile Waldteufel
63. Wedding March FelixBartholdy Mendelssohn
64. Adagio (In G Minor) Tomaso Giovanni Albinoni
65. Can Can Jacques Offenbach
66. Habanera GeorgesBizet
67. Passacaglia Handel-Halvorsen
68. Radetzky March JohannStrauss Sr.
69. Serenade FranzSchubert
70. Theme From Symphony No.40 Wolfgang Amadeus Mozart
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