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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Belong! Piano
Non classifié
71
Piano & claviers
Piano seul
264
Piano, Voix et Guitare
252
Piano, Voix
102
Piano Facile
92
Piano grosses notes
20
1 Piano, 4 mains
12
Instruments en Do
4
Piano (partie séparée)
4
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
Accompagnement Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
11
Guitare (partie séparée)
2
Guitare
1
Piano, Guitare (duo)
1
Guitare notes et tablatures
1
Voix
Chorale SATB
34
Chorale 3 parties
16
Chorale 2 parties
9
Chorale
4
Chorale TTBB
3
Voix Soprano, Piano
2
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1
Voix duo
1
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Flûte traversière et Piano
8
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6
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5
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4
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4
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2
2 Saxophones (duo)
2
2 Hautbois (duo)
1
2 Clarinettes (duo)
1
Saxophone Baryton, Piano
1
Clarinette Basse, Piano
1
Saxophone Soprano et Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette
1
+ 10 instrumentations
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Cuivres
Trompette, Piano
5
Trompette (partie séparée)
4
Cor et Piano
4
Trombone (partie séparée)
4
Trombone et Piano
3
Tuba et Piano
1
Trompette
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 3 instrumentations
Retracter
Cordes
Violon et Piano
18
Violon
12
Alto, Piano
11
Violoncelle, Piano
10
Violoncelle
9
Alto seul
9
Contrebasse, Piano (duo)
4
Quatuor à cordes: 2 violons, alto, violoncelle
2
Contrebasse (partie séparée)
1
2 Violons (duo)
1
2 Contrebasses (duo)
1
Violon, Basse continue
1
+ 7 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
16
Orchestre d'harmonie
1
Batterie (partie séparée)
1
Fanfare
1
Orchestre
1
Piano et Orchestre
1
Orchestre à Cordes
1
+ 2 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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Vous avez sélectionné:
Belong! Piano
Alto, Piano
Partitions à imprimer
11 partitions trouvées
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1
You Belong With Me
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Taylor Swift
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ANDRE LAITANO
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You Belong With Me
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 4 - SKU: A0.1163081 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by ANDRE LAITA...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 4 - SKU: A0.1163081 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by ANDRE LAITANO. Pop. Score and parts. 22 pages. ANDRÉ DOS SANTOS #763435. Published by ANDRÉ DOS SANTOS (A0.1163081). Taylor Swift - You Belong with me (Piano and Viola with chords).
$6.00
You Belong With Me
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Taylor Swift
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ANDRE LAITANO
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You Belong With Me
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 4 - SKU: A0.1163082 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by ANDRE LAITA...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 4 - SKU: A0.1163082 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by ANDRE LAITANO. Pop. Score and parts. 22 pages. ANDRÉ DOS SANTOS #763436. Published by ANDRÉ DOS SANTOS (A0.1163082). Taylor Swift - You Belong with me (Piano and Viola).
$6.00
You Belong With Me
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Alto, Piano
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Thiago Marconato
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You Belong With Me
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Thiago Marconato
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1208290 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Thiago Marconato. Pop. Score and part. 7 pages. Thiag...
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Piano,Viola - Level 3 - SKU: A0.1208290 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Thiago Marconato. Pop. Score and part. 7 pages. Thiago Marconato #806398. Published by Thiago Marconato (A0.1208290). Arrangement for viola and piano of Taylor Swift's You Belong With me in G major. The file contains full score and viola part.
$5.49
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
You Belong With Me
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Alto, Piano
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INTERMÉDIAIRE
#
Taylor Swift
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Wendy Hellmann
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You Belong With Me
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Gwendolyn Hellmann
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1469051 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Wendy Hellmann. Country,Pop,Rock,Singer/Songwriter. S...
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Piano,Viola - Level 3 - SKU: A0.1469051 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Wendy Hellmann. Country,Pop,Rock,Singer/Songwriter. Score and part. 18 pages. Gwendolyn Hellmann #1047071. Published by Gwendolyn Hellmann (A0.1469051). This heartland rock song by Taylor Swift is arranged for solo viola and piano. It has been transposed to the key of G Major for ease of playing and follows the original road map of Taylor's Version. The viola part can be played entirely in 1st position, and the piano part is a true accompaniment and does not double the melody throughout. Thoughtful bowings and dynamics have been included. This is an excellent addition to your popular repertoire and works perfectly for cocktail hour events! Â The PDF download contains both a full score and a set of individual parts - Viola and Piano.
$5.99
You Belong With Me
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Alto, Piano
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Caroline McCaskey
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You Belong With Me
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AltStrings
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.852275 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Caroline McCaskey. Pop. Score and part. 14 pages. AltS...
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Piano,Viola - Level 3 - SKU: A0.852275 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Caroline McCaskey. Pop. Score and part. 14 pages. AltStrings #3260235. Published by AltStrings (A0.852275). This accessible arrangement is great for intermediate players!
$4.99
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Peace Be Still
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Alto, Piano
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FACILE
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Contemporain
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The Belonging Co
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Sylvia Phillips
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Peace Be Still
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Sylvia Phillips
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.927072 By The Belonging Co. Feat. Lauren Daigle. By Andrew Holt, Hope Darst, Mia Fieldes, Mia Fields, and Michael W. Smi...
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Piano,Viola - Level 2 - SKU: A0.927072 By The Belonging Co. Feat. Lauren Daigle. By Andrew Holt, Hope Darst, Mia Fieldes, Mia Fields, and Michael W. Smith. Arranged by Sylvia Phillips. Contemporary. Score and part. 7 pages. Sylvia Phillips #5726151. Published by Sylvia Phillips (A0.927072). This is a simplified arrangement of Hope Darst's new song, Peace Be Still.
$4.99
Marie - La Cinquantaine in D Minor - Intermediate
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Alto, Piano
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INTERMÉDIAIRE
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Gabriel Prosper Marie
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Piacere Music Sheets
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Marie - La Cinquantaine in D M
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Piacere Music Sheets
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1149064 Composed by Gabriel Prosper Marie. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Stand...
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Piano,Viola - Level 3 - SKU: A0.1149064 Composed by Gabriel Prosper Marie. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. Score and part. 11 pages. Piacere Music Sheets #749188. Published by Piacere Music Sheets (A0.1149064). Opus/Catalog Number: IGM6 No.2 Key/Tone: D minor Movements/Sections: Andantino Year/Date of Composition: 1887 Difficulty: Grade 4/12 (Intermediate) Obs.: This charming piece belongs to the Romantic period. In order to better convey the olden style mentioned by Gabriel Marie in the subtitle of this piece, it's recommended playing the trills starting on the upper auxiliary note, as was customarily done during the Baroque period. It was originally composed for violoncello and piano in the key of A minor. This score is a transcription for viola and piano, set in the key of D minor. The viola is to be played in the first three positions. Included: Full score and separated parts for each instrument.
$7.95
Pomp and Circumstance
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Alto, Piano
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FACILE
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Classique
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Edward Elgar
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Wolfgang Birtel
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Pomp and Circumstance
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Schott Music - Digital
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SheetMusicPlus
Viola and piano - easy to intermediate - SKU: S9.Q12424 Military March No. 1. Composed by Edward Elgar. Arranged by Wolfgang Birtel. This edition...
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Viola and piano - easy to intermediate - SKU: S9.Q12424 Military March No. 1. Composed by Edward Elgar. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39/1. Schott Music - Digital #Q12424. Published by Schott Music - Digital (S9.Q12424). A 'Last Night of the Proms' without this march – unthinkable! 'Pomp and Circumstance Military March No. 1' with its middle section, the hymn-like 'Land of Hope and Glory' by Edward Elgar (1857–1934), belongs to the finale of the London music event like the Radetzky March usually played as last piece to the New Year's Concert of the Vienna Philharmonic Orchestra. The fame and popularity of the other four military marches composed by Elgar between 1901 and 1907 fade in comparison to this secret national anthem of Great Britain (although strongly rivalled by 'Rule, Britannia!'). It is, indeed, an equally rousing and catchy piece of music, and the catchy tune in the middle has just become a classical 'hit'. Thanks to the present edition, all those who do not have a large symphony orchestra at home can now play this rousing march by themselves.
$5.99
Vitali's Chaconne in C Minor, for Viola & Accompaniment
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tomaso Antonio Vitali, L&eac
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Austin Harning
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Vitali's Chaconne in C Minor,
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Austin Harning
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SheetMusicPlus
Composed by Tomaso Antonio Vitali, Leopold Charlier. Arranged by Austin Harning. Baroque, Concert, Instructional, Standards, World. Score and part. 21...
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Composed by Tomaso Antonio Vitali, Leopold Charlier. Arranged by Austin Harning. Baroque, Concert, Instructional, Standards, World. Score and part. 21 pages. Austin Harning #5307723. Published by Austin Harning
Tomaso Antonio Vitali (1663 - 1745) was an Italian composer and violinist during the Baroque Era who is generally known for his Chaconne in G Minor for violin and basso continuo.
Chaconnes are a type of musical composition that consists of variations on a repeating harmonic progression. Vitali's Chaconne in particular is interesting because of its unorthodox features. Although it opens with a step-wise bass line that introduces the primary harmonic progression, it features multiple modulations into the far-flung keys of Eb-minor and Bb-minor (Ab-minor and Eb-minor in my arrangement), among others. These modulations (or key-signature changes) and other romanticisms would not begenerally seen until the Romantic Era roughly a century later.This created musicological doubts as to whether the originalmanuscript belonged to Vitali, although there is some evidenceof its authenticity.
This arrangement is based on Léopold Charlier's (1867 - 1936) arrangement of the piece, though I took inspirations from other composers and wrote some original voices. Enjoy!
$7.99
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