Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
But One
Sheetmusicplus
Non classifié
5 458
Piano & claviers
Piano seul
1 926
Piano, Voix
678
Piano Facile
451
Piano, Voix et Guitare
275
Orgue
220
Piano grosses notes
164
Instruments en Do
138
Accompagnement Piano
97
1 Piano, 4 mains
80
Accordéon
52
Piano (partie séparée)
36
Piano Trio: piano, violon, violoncelle
30
2 Pianos, 4 mains
26
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Orgue, Piano (duo)
6
Clavecin
4
Orgue, Trompette (duo)
3
2 Pianos, 8 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
2
1 Piano, 6 mains
2
Ensemble d'Accordéons
1
Orgue et Orchestre
1
+ 19 instrumentations
Retracter
Guitares
Guitare
207
Guitare notes et tablatures
143
Guitare (partie séparée)
78
Ukulele
59
Ligne De Mélodie, (Paroles) et Accords
47
2 Guitares (duo)
35
Basse electrique
34
Dulcimer
17
4 Guitares (Quatuor)
12
Paroles et Accords
10
Mandoline, Piano (duo)
10
Ukulele Baryton
7
Mandoline
7
3 Guitares (trio)
6
Piano, Guitare (duo)
6
Ensemble de guitares
5
Banjo
5
Mandoline, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
3
2 Mandolines (duo)
2
Ensemble de Ukulélés
1
Orchestre à Plectres
1
Basse électrique (partie séparée)
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 009
Chorale 3 parties
332
Chorale 2 parties
202
Chorale TTBB
194
Chorale SSAA
128
Voix Baryton, Piano
78
Chorale Unison
70
Voix duo, Piano
50
Voix duo
49
Pack Instrumental pour Chorale
38
Voix Soprano, Piano
33
Voix haute
27
Voix moyenne, Piano
17
Voix Alto, Piano
13
Voix Tenor, Piano
12
Voix seule
12
Voix basse, Piano
11
Chorale
6
Chorale SSATTB
5
Voix Soprano
3
Chorale SSAATTBB
3
Voix Tenor
3
Voix basse
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano, Orchestre
1
Voix Baryton
1
Chorale SSATB
1
+ 22 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
806
2 Saxophones (duo)
740
Saxophone (partie séparée)
466
Saxophone Alto et Piano
361
3 Saxophones (trio)
321
Quintette de Saxophone: 5 saxophones
292
Saxophone Tenor et Piano
276
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
274
Saxophone Soprano et Piano
219
Flûte traversière et Piano
213
Saxophone Alto
181
Flûte, Hautbois, Clarinette, Basson
169
2 Clarinettes (duo)
167
Clarinette et Piano
166
Ensemble de saxophones
154
2 Flûtes traversières (duo)
143
Hautbois, Piano (duo)
137
Saxophone Tenor
136
Saxophone, Clarinette (duo)
135
Quatuor de Clarinettes: 4 clarinettes
127
Saxophone Baryton, Piano
122
Clarinette
108
Clarinette, Violon (duo)
98
Flûte traversière
80
Ensemble de Clarinettes
77
Clarinette, Trompette (duo)
75
Flûte, Clarinette (duo)
70
Quatuor de Flûtes : 4 flûtes
69
Ensemble de Flûtes
64
2 Hautbois (duo)
58
Hautbois, Basson (duo)
54
Flûte, Saxophone (duo)
50
Flûte, Violon
48
Hautbois, Clarinette (duo)
44
Clarinette et Alto
44
Hautbois (partie séparée)
43
3 Clarinettes (trio)
42
Hautbois, Flûte
42
Flûte, Trompette (duo)
39
Flûte et Guitare
37
Flûte, Alto (duo)
36
Cor anglais, Piano
34
Quintette de Clarinettes: 5 clarinettes
30
2 Flûte à bec (duo)
28
Flute (partie séparée)
28
Quintette de Flûte : 5 flûtes
25
Trio de Flûtes: 3 flûtes
25
Saxophone Soprano
23
Saxophone Baryton
20
Clarinette (partie séparée)
20
Clarinette Basse, Piano
19
Saxophone et Orgue
14
Quatuor de Flûtes à bec
14
Clarinette, Guitare (duo)
12
Hautbois
12
Flûte à bec Soprano
11
4 Hautbois
11
Flûte, Hautbois, Clarinette (trio)
11
Ensemble De Flûte à bec
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Piccolo, Piano
9
3 Flûtes à bec (trio)
9
Clarinette, Basson (duo)
9
Saxophone et Guitare
8
Flûte à Bec
8
3 Hautbois
7
Flûte, Violon, Piano
7
2 Saxophones, Piano
6
Flûte, Hautbois (duo)
6
Flûte, Hautbois, Basson
6
Cor Anglais
6
5 Flûtes à bec
5
Cor anglais, Guitare (duo)
5
Flûte, Clarinette et Basson
5
Clarinette, Trombone (duo)
5
Hautbois, Guitare (duo)
5
Flûte à bec Alto
4
Flûte à bec Tenor
4
Saxophone
3
Flûte et Trio à cordes
3
Flûte irlandaise
3
Ocarina
2
Flûte, Clarinette, Violon (trio)
2
Saxophone et Harpe
2
Flûte à bec Alto, Piano
2
Clarinette, Harpe (duo)
2
Harmonica
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violoncelle
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette Basse
2
Clarinette, Violoncelle (duo)
2
Flûte de Pan
1
2 Clarinettes, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Harpe
1
Clarinette, Saxophone, Piano
1
Flûte traversière, Basse continue
1
Clarinette, Orgue
1
Hautbois, Violoncelle
1
Hautbois, Basson et Piano
1
Hautbois, violon (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Violon, Piano
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Hautbois
1
Flute, harpe et violon
1
Flûte, Basson et Piano
1
Flûte, Violon et Violoncelle
1
Piccolo
1
+ 110 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
664
Quatuor de Cuivres : 2 trompettes, trombone, tuba
508
Trombone (partie séparée)
370
Trombone et Piano
344
Quatuor de Cuivres: 2 trompettes, Cor, trombone
240
2 Trombones (duo)
193
Trompette (partie séparée)
146
Trompette, Trombone (duo)
141
Trombone
126
Trompette
107
Trompette, Piano
98
Trompette, Saxophone (duo)
93
Quatuor de cuivres: 4 trombones
85
Cor et Piano
81
Ensemble de Trompettes
78
Ensemble de Trombones
68
2 Trompettes (duo)
63
Quatuor de Cuivres
60
Euphonium, Piano (duo)
47
2 Cors (duo)
40
Tuba et Piano
38
Cor
36
Cor anglais, Piano
34
Tuba
31
Cor (partie séparée)
30
Tuba (partie séparée)
23
2 Tubas (duo)
23
Trio de Cuivres
17
Trompette, Cor (duo)
17
Quatuor de cuivres: 4 cors
17
3 Trombones (trio)
16
Ensemble de Cors
13
2 Euphoniums et 2 Tubas
11
Trombone, Tuba (duo)
11
4 Tubas
10
Quatuor de cuivres: 4 trompettes
10
Euphonium
9
Trombone, Cor (duo)
8
Trombone basse
8
Trombone, Orgue
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Cor Anglais
6
Cor anglais, Guitare (duo)
5
3 Trompettes (trio)
4
3 Tubas (trio)
4
Trombone basse et Piano
4
Tuba ou Euphonium ou Saxhorn
3
3 Cors (trio)
3
Instruments en Sib
2
Trompette, Tuba (duo)
2
Cor et Orgue
2
Cor, Violoncelle (duo)
2
Euphonium, Tuba (duo)
2
Cor et Basson (duo)
2
Tuba et Orgue
2
3 Euphoniums
2
Trompette, Trombone, Piano
2
Trombone et orchestre
2
Ensemble de Tubas
1
Trombone, Violon (duo)
1
Trompette, Violoncelle et Piano
1
Bass Clef Instruments
1
2 Cors Anglais Et Pianoforte
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Euphonium (duo)
1
2 Cors, Piano
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
666
Violon, Violoncelle (duo)
290
Violon
273
Violon et Piano
226
Trio à Cordes: violon, alto, violoncelle
212
Violoncelle, Piano
171
Violoncelle
142
Alto, Piano
141
Harpe
138
2 Violons (duo)
112
Violon, Alto (duo)
77
2 Violoncelles (duo)
77
Trio à Cordes: 2 violons, violoncelle
67
2 Altos (duo)
64
Contrebasse (partie séparée)
52
Quintette à cordes: 2 violons, alto, violoncelle, basse
48
Alto seul
39
Contre Basse
33
Contrebasse, Piano (duo)
28
Violon (partie séparée)
28
Alto (partie séparée)
23
4 Violoncelles
21
Trio à cordes: 3 violins
20
2 Contrebasses (duo)
19
Ensemble de Violons
18
Trio à cordes: 3 altos
17
Trio à Cordes: 3 violoncelles
16
Ensemble d'Altos
16
Piano Trio: Violon, Alto, Piano
16
Alto, Violoncelle (duo)
15
Quatuor à cordes: 4 violons
9
Harpe et mandoline
9
Violoncelle (partie séparée)
7
Violon, Guitare (duo)
6
Quatuor à cordes : 4 altos
6
Violoncelle, Contrebasse (duo)
6
Harpe, Flûte (duo)
6
Harpe, Voix
5
Violoncelle , Guitare (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Harpes (duo)
4
Harpe, Violon (duo)
3
Harpe, Violon, Violoncelle
2
Harpe et Piano
2
Violoncelle, Orgue
2
Trio à Cordes: 2 violons, alto
2
Alto et Harpe
2
Alto et Basson
2
Ensemble de Violoncelles
2
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orchestre
1
4 Contrebasses
1
3 Harpes
1
Harpe (partie séparée)
1
Harpe, Trombone (duo)
1
Autoharp
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 535
Ensemble Jazz
428
Orchestre
390
Orchestre à Cordes
336
Ensemble de cuivres
298
Jazz combo
121
Orchestre de chambre
120
Cloches
68
Ensemble de Percussions
56
Fanfare
55
Batterie
45
Batterie (partie séparée)
44
Percussion (partie séparée)
15
Xylophone, Piano
10
Xylophone
8
Marimba
7
Ensemble d'École
7
Vibraphone
5
Quintette de Cuivres: autres combinaisons
4
Quintette à Vent
3
Piano et Orchestre
2
Xylophone (partie séparée)
1
3 Percussions
1
Marimba, Piano (duo)
1
3 Marimbas
1
Orchestre, Violon
1
+ 21 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
53
Partitions Numériques
141
Librairie Musicale
0
Matériel de Musique
41
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
But One
SheetMusicPlus
Partitions à imprimer
141 partitions trouvées
<
1
26
51
....
126
"None but the Lonely Heart" for Viola and Piano
#
Alto, Piano
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
#
Diego Marani
#
"None but the Lonely Hear
#
Diego Marani
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1229314 Composed by Peter Ilyich Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standard...
(+)
Piano,Viola - Level 3 - SKU: A0.1229314 Composed by Peter Ilyich Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. Diego Marani #825220. Published by Diego Marani (A0.1229314). Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy None but the Lonely Heart, a setting of Lev Mei's poem The Harpist's Song which in turn was a translation of Nur wer die Sehnsucht kennt from Goethe's Wilhelm Meister's Apprenticeship.This beautiful composition was recorded by Frank Sinatra, Placido Domingo, Itzhak Perlman and many others.This arrangement for viola with piano accompaniment is suitable for classroom , repertoire and recital.
$7.99
Un Bel Di Vedremo ('One Fine Day') - from Madama Butterfly
#
Alto, Piano
#
INTERMÉDIAIRE
#
Giacomo Puccini
#
SCMusic
#
Un Bel Di Vedremo
#
SCMusic
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1451817 Composed by Giacomo Puccini. Arranged by SCMusic. 19th Century,Chamber,Classical,Opera,Romantic Period. Score an...
(+)
Piano,Viola - Level 3 - SKU: A0.1451817 Composed by Giacomo Puccini. Arranged by SCMusic. 19th Century,Chamber,Classical,Opera,Romantic Period. Score and part. 7 pages. SCMusic #1031128. Published by SCMusic (A0.1451817). The romantic aria 'Un Bel Di Vedremo' (One Fine Day), by Puccini, from his beloved opera 'Madame Butterfly', arranged for viola and piano. Separate viola part included in print out.
$4.99
BRANDENBURG CONCERTO #6 Reduction for one Viola accompanied by Keyboard
#
Alto, Piano
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Steve Newman
#
BRANDENBURG CONCERTO #6 Reduct
#
steve newman
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.916582 Composed by Johann Sebastian Bach. Arranged by Steve Newman. Baro...
(+)
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.916582 Composed by Johann Sebastian Bach. Arranged by Steve Newman. Baroque,Standards. Score and parts. 31 pages. Steve newman #3388849. Published by steve newman (A0.916582). Brandenburg 6 is a unique composition because of its original instrumentation (2 lead violas + string orchestra), and because of the nature of the first movement- that starts with a canon for the 2 violas playing the same line just one eighth note apart! Its fun to play, but hard to get the needed players to make it happen. So here is a reduction where the violist plays the first viola part, and a keyboard does the second viola part plus a reduced version of the backing strings. This piano reduction is meant to accompany a violist playing the original first viola part. If you want an excellent contemporary typesetting of the first viola part, you can get it at the Free Scores website- http://www.free-scores.com/download-sheet-music.php?pdf=43649 PLAY ALONG MP3’s There are mp3 files ‘in the cloud’ which you can download and use to practice with. They use the stereo capability to have the soloist on one channel, and the keyboard on the other. This way you can tune out your part if you want, or leave it in, at a volume of your choice. The tempo of the ‘playalong’ tracks can be adusted to your choice by using readily available playback software for instance, Roni music-https://www.ronimusic.com/, or even websites that do it for you online. Also, even very inexpensive mp3 players in the under $20 range nowadays provide playback with adjustable tempo. The mp3 files can be downloaded from-https://app.box.com/s/xpkqc7xpkhlixbf56tsahqu3tkt83gpo xml files are also available if you have a notation program and want to customize the score or the sound files. Steve Newman Nov 2017 newmans@cruzio.com
$4.00
Butterfly's Wings
#
Alto, Piano
#
INTERMÉDIAIRE
#
Michael G
#
Robert Newth
#
Butterfly's Wings
#
Robert Newth
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.845735 Composed by Michael G. Giacchino. Arranged by Robert Newth. Contemporary,Film/TV. Score and part. 6 pages. Robert...
(+)
Piano,Viola - Level 3 - SKU: A0.845735 Composed by Michael G. Giacchino. Arranged by Robert Newth. Contemporary,Film/TV. Score and part. 6 pages. Robert Newth #6169681. Published by Robert Newth (A0.845735). 'A Butterfly's Wings' is from the 2019 Academy Award-winning film Jojo Rabbit, which has a fantastic score by film composer Michael Giacchino. This short arrangement of around one and a half minutes would suit any violist of intermediate ability.The PDF download includes a score, viola part, and if it is desired, the piano part on its own.If you have enjoyed this arrangement, please consider leaving a review!
$4.99
But Thou Didst Not Leave His Soul In Hell (Viola solo and Piano)
#
Alto, Piano
#
FACILE
#
Stephen DeCesare
#
Stephen DeCesare
#
But Thou Didst Not Leave His S
#
Exultet Music
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.620552 By Stephen DeCesare. By George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Easter,...
(+)
Piano,Viola - Level 2 - SKU: A0.620552 By Stephen DeCesare. By George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Easter,Sacred. Score and part. 7 pages. Exultet Music #3396253. Published by Exultet Music (A0.620552). One of the signature songs in Georg Friedrich Händel's The Messiah has now been freshly arranged for a Viola solo with Piano accompaniment. An accompaniment track is also available.
$4.99
Shallow
#
Alto, Piano
#
INTERMÉDIAIRE
#
Pop musique
#
Lady Gaga
#
Catie Bellone
#
Shallow
#
Catie Bellone
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.935105 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, a...
(+)
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.935105 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Catie Bellone. Pop. Score and parts. 7 pages. Catie Bellone #4596497. Published by Catie Bellone (A0.935105). Trio of Shallow from Star Is Born.I saw plenty of piano/violin/cello trios, but none with viola, so I decided to make one! Enjoy :).
$12.99
None But The Lonely Heart, Peter Ilyich Tchaikovsky, For Viola & Piano
#
Alto, Piano
#
DÉBUTANT
#
Classique
#
Peter Ilyich Tchaikovsky
#
Eugene Egorov
#
None But The Lonely Heart, Pet
#
Eugene Egorov
#
SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.637737 Composed by Peter Ilyich Tchaikovsky. Arranged by Eugene Egorov. Classical. Score and part. 2 pages. Eugene Egoro...
(+)
Piano,Viola - Level 1 - SKU: A0.637737 Composed by Peter Ilyich Tchaikovsky. Arranged by Eugene Egorov. Classical. Score and part. 2 pages. Eugene Egorov #4844777. Published by Eugene Egorov (A0.637737).
$4.99
Away In A Manger: for Viola & Piano
#
Alto, Piano
#
DÉBUTANT
#
Noël
#
the 1880’s the cradle s
#
Mueller
#
James M
#
Piano
#
Away In A Manger: for Viola &a
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3...
(+)
Piano,Viola - Level 1 - SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386547. Published by jmsgu3 (A0.548482). Traditional Christmas song arranged for Viola & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent accompaniment uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Puccini Medley: Un Bel Di (One Fine Day) from Madame Butterfly and Musetta's Waltz from La Boheme (Viola and Piano)
#
Alto, Piano
#
INTERMÉDIAIRE
#
Classique
#
Giacomo Puccini
#
John A
#
Puccini Medley: Un Bel Di
#
SheetMusicPlus
Composed by Giacomo Puccini (1858-1924). Arranged by John A. Dempsey. Romantic Period, Classical Period, Opera, Wedding, Recital. Score, Set of Parts....
(+)
Composed by Giacomo Puccini (1858-1924). Arranged by John A. Dempsey. Romantic Period, Classical Period, Opera, Wedding, Recital. Score, Set of Parts. 13 pages. Published by John A. Dempsey
$7.99
Penitent Thief, The (for viola and piano)
#
Alto, Piano
#
AVANCÉ
#
David M
#
Penitent Thief, The
#
David Sterrett Music
#
SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #64...
(+)
Piano,Viola - Level 5 - SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
8 Swinging Xmas Carols for Viola & Piano
#
Alto, Piano
#
INTERMÉDIAIRE
#
Noël
#
Keith Terrett
#
Keith Terrett
#
Piano
#
8 Swinging Xmas Carols for Vio
#
Keith Terrett
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1315127 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Multicultural,Praise &...
(+)
Piano,Viola - Level 3 - SKU: A0.1315127 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Multicultural,Praise & Worship,World. Score and part. 30 pages. Keith Terrett #903870. Published by Keith Terrett (A0.1315127). Eight jazzy xmas carols arranged for Viola & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99
A Night In Tunisia
#
Alto, Piano
#
INTERMÉDIAIRE
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...
(+)
Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Applause
#
Alto, Piano
#
INTERMÉDIAIRE
#
Pop musique
#
Lady Gaga
#
James M
#
Applause
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.547661 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefani Germanotta, Ste...
(+)
Piano,Viola - Level 3 - SKU: A0.547661 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefani Germanotta, Steve Guess, and William Grigahcine. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 10 pages. Jmsgu3 #3031059. Published by jmsgu3 (A0.547661). Lady Gaga: Applause Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Duration: 3'26In the United States, Nielsen SoundScan predicted Applause to sell upwards of 400,000 units in their first week.[37][56] By the end of the week, Nielsen SoundScan and Billboard had lowered the estimated amount of Applause's first week sales from 400,000 to 200,000–225,000.[57][58] Applause did not enter the Billboard's Hot 100 in its first week.[56] It also ranked below the top 75 threshold of the US Radio Songs chart, with 16 million audience impressions across 210 stations, with the track officially impacting radio stations on August 19, 2013. Applause reached number one on the Dance/Electronic Songs chart,[56] and entered the US Pop Songs Chartat number 20; the highest debut on that chart, by a solo female artist in 2013. The following week, Applause debuted at number six on the Billboard Hot 100. Following its radio and retail release the track charted on Digital Songs at number three, Streaming Songs at number nine and Radio Songs at number forty.[59]On its second week on the Hot 100, the song climbed to number four while reaching number three on Streaming Songs (due the release of the music video), and number thirty-five on Radio Songs, and falling to number five on Digital Songs with sales of 163,000.[60] In its sixth week, the song sold 160,000 copies and reached sales of 1 million copies, becoming her eleventh song to do so.[61] In the same week, it rose to number nine on the Radio Songs chart, becoming her tenth single to reach the top-ten there.[62] It managed to stay in the top-ten of the Billboard Hot 100 for 14 consecutive weeks. As of April 2016, the song had sold 2,640,000 copies in the United States,[63] and has been certified triple platinum by the Recording Industry Association of America (RIAA).[64]According to the Official Charts Company, Applause sold over 10,000 copies within a few hours in the UK.[32] It debuted and peaked at number five on the UK Singles Chart, making it her highest charting single since Born This Way (2011). Applause sold 38,042 copies by the end of the first week, and dropped to number nine on its second week.[65] It was present for a total of 20 weeks within the top-100 of the chart.[66] The British Phonographic Industry (BPI) certified it Gold,[67] and it has sold slightly under 300,000 copies as of September 2016.[68] Applause was also certified Gold in other international markets including Italy, New Zealand, and Sweden.[69][70][71] Wikipedia
$29.95
O Come All Ye Faithful for Viola & Piano
#
Alto, Piano
#
DÉBUTANT
#
Noël
#
Wade
#
James M
#
O Come All Ye Faithful for Vio
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548519 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 6 pages. Jmsgu3 #3388141. Publi...
(+)
Piano,Viola - Level 1 - SKU: A0.548519 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 6 pages. Jmsgu3 #3388141. Published by jmsgu3 (A0.548519). O Come All Ye Faithful arranged with new harmony for the final verse. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the verses may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other verses are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Trumpet Tune and Air, by Purcell; for solo Viola and Piano
#
Alto, Piano
#
INTERMÉDIAIRE
#
Henry Purcell
#
David McKeown
#
Trumpet Tune and Air, by Purce
#
David McKeown
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.587656 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and ...
(+)
Piano,Viola - Level 3 - SKU: A0.587656 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728547. Published by David McKeown (A0.587656). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a solo for Viola and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Sullivan: The Lost Chord for Viola & Piano
#
Alto, Piano
#
INTERMÉDIAIRE
#
Sir Arthur Seymour Sullivan
#
James M
#
Sullivan: The Lost Chord for V
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
(+)
Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Sonata in a Simple Scale for Viola and Piano
#
Alto, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Daniell Mattern
#
Sonata in a Simple Scale for V
#
Daniell Mattern
#
SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
(+)
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Nuovo Cinema Paradiso
#
Alto, Piano
#
FACILE
#
Andrea Morricone and Ennio Mor
#
Harry Walker
#
Nuovo Cinema Paradiso
#
SCORE EDITIONS
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1466847 Composed by Andrea Morricone and Ennio Morricone. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Weddin...
(+)
Piano,Viola - Level 2 - SKU: A0.1466847 Composed by Andrea Morricone and Ennio Morricone. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Wedding. Score and part. 6 pages. SCORE EDITIONS #1045386. Published by SCORE EDITIONS (A0.1466847). Ennio Morricone is celebrated for his extensive work in film music, spanning over 500 scores. Nuovo Cinema Paradiso is one of his most beloved scores, composed for the 1988 Italian film directed by Giuseppe Tornatore. The film is a nostalgic and heartwarming tribute to the power of cinema and its impact on a small Sicilian village and its inhabitants. In this version, the composition was arranged for Viola and Piano by Harry Walker.
$5.99
California Dreamin'
#
Alto, Piano
#
DÉBUTANT
#
Rock
#
The Mamas And The Papas
#
Alex Nunes Rodrigues
#
California Dreamin'
#
Alex Rodrigues
#
SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1490114 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Alex Nunes Rodrigues. Rock. Scor...
(+)
Piano,Viola - Level 1 - SKU: A0.1490114 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Alex Nunes Rodrigues. Rock. Score and part. 5 pages. Alex Rodrigues #1066964. Published by Alex Rodrigues (A0.1490114). Released in 1965 by the American group The Mamas & the Papas, California Dreamin' quickly became a cornerstone of 60s folk rock. Emerging during a time of significant cultural and social change, the song conveys a deep sense of longing and the desire to escape, encapsulating the yearning for a warmer, more welcoming climate. The song not only became an anthem for those dreaming of sunny California but also secured its place in history as one of the greatest songs of all time, ranking #89 on Rolling Stone's list of the 500 Greatest Songs of All Time.This sheet music has been adapted to suit musicians at a beginner to intermediate level. The main melody remains faithful to the original composition but has been transposed to a more accessible and comfortable key for the chosen instrument.California Dreamin' is a song that captures the essence of the desire for change and refuge in a more welcoming environment. The lyrics, describing a cold winter day with brown leaves and a gray sky, contrast with the idealization of California as a sunlit paradise.
$5.99
California Dreamin'
#
Alto, Piano
#
DÉBUTANT
#
Rock
#
The Mamas And The Papas
#
Alex Nunes Rodrigues
#
California Dreamin'
#
Alex Rodrigues
#
SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1490117 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Alex Nunes Rodrigues. Rock. Scor...
(+)
Piano,Viola - Level 1 - SKU: A0.1490117 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Alex Nunes Rodrigues. Rock. Score and part. 5 pages. Alex Rodrigues #1066967. Published by Alex Rodrigues (A0.1490117). Released in 1965 by the American group The Mamas & the Papas, California Dreamin' quickly became a cornerstone of 60s folk rock. Emerging during a time of significant cultural and social change, the song conveys a deep sense of longing and the desire to escape, encapsulating the yearning for a warmer, more welcoming climate. The song not only became an anthem for those dreaming of sunny California but also secured its place in history as one of the greatest songs of all time, ranking #89 on Rolling Stone's list of the 500 Greatest Songs of All Time.This sheet music has been adapted to suit musicians at a beginner to intermediate level. The main melody remains faithful to the original composition but has been transposed to a more accessible and comfortable key for the chosen instrument.California Dreamin' is a song that captures the essence of the desire for change and refuge in a more welcoming environment. The lyrics, describing a cold winter day with brown leaves and a gray sky, contrast with the idealization of California as a sunlit paradise.
$5.99
Jingle Bells for Viola & Piano
#
Alto, Piano
#
FACILE
#
Noël
#
James Pierpont
#
James M
#
Jingle Bells for Viola & P
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408...
(+)
Piano,Viola - Level 2 - SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Saint-Saens: The Swan for Viola and Piano
#
Alto, Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saens: The Swan for Viol
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
(+)
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Moonlight Sonata by Beethoven for Viola and Piano
#
Alto, Piano
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Moonlight Sonata by Beethoven
#
Woods Only, Arrangements
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1240641 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period. Score and part. ...
(+)
Piano,Viola - Level 2 - SKU: A0.1240641 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #836027. Published by Woods Only, Arrangements (A0.1240641). This arrangement adapted for viola and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
O Holy Night for Viola & Piano
#
Alto, Piano
#
FACILE
#
Noël
#
Adam
#
James M
#
O Holy Night for Viola & P
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.548681 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #341...
(+)
Piano,Viola - Level 2 - SKU: A0.548681 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410447. Published by jmsgu3 (A0.548681). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
O Mio Babbino Caro by Puccini - Viola and Piano (Full Score and Parts)
#
Alto, Piano
#
INTERMÉDIAIRE
#
Giacomo Puccini
#
César Madeira
#
O Mio Babbino Caro by Puccini
#
Sheet Music To Play Editions
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1179799 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Opera,Romantic Period,Weddi...
(+)
Piano,Viola - Level 3 - SKU: A0.1179799 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Opera,Romantic Period,Wedding. Score and part. 7 pages. Sheet Music To Play Editions #779748. Published by Sheet Music To Play Editions (A0.1179799). O Mio Babbino Caro by Puccini. Arrangement for Viola and Piano. With Full Score and Individual Parts. Enjoy it!Giacomo Puccini (1858 - 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming to the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera he later developed his work in the realistic verismo style, of which he became one of the leading exponents. His most renowned works are La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all of which are among the most frequently performed and recorded of all operas.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
<
1
26
51
....
126
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
But One
