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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Camille Saint -Saens
Non classifié
62
Piano & claviers
Orgue
44
Piano seul
24
1 Piano, 4 mains
7
Piano Facile
5
Accompagnement Piano
4
Piano, Voix
1
Piano Trio: piano, violon, violoncelle
1
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
+ 5 instrumentations
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Guitares
Guitare notes et tablatures
3
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
1
Chorale SSAA
1
Chorale 2 parties
1
Vents
Clarinette et Piano
17
Clarinette (partie séparée)
13
Flûte traversière et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Alto et Piano
6
Saxophone (partie séparée)
5
Hautbois, Piano (duo)
5
Quatuor de Clarinettes: 4 clarinettes
4
Ensemble de Flûtes
4
Flute (partie séparée)
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Soprano et Piano
3
Ensemble de saxophones
3
Cor anglais, Piano
3
Quatuor de Saxophones: 4 saxophones
2
Saxophone Tenor et Piano
2
Flûte traversière
2
Hautbois (partie séparée)
2
Saxophone Baryton, Piano
1
Ensemble de Clarinettes
1
Hautbois
1
Flûte à Bec, Piano
1
Ensemble à vent
1
Quatuor de Flûtes à bec
1
+ 19 instrumentations
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Cuivres
Trombone (partie séparée)
6
Cor (partie séparée)
5
Cor et Piano
4
Tuba (partie séparée)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Cor anglais, Piano
3
Trompette (partie séparée)
3
3 Cors (trio)
2
Trombone et Piano
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trombones
1
Trompette
1
Trompette, Piano
1
Euphonium, Piano (duo)
1
+ 9 instrumentations
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Cordes
Violon (partie séparée)
19
Violoncelle, Piano
14
Violon et Piano
11
Violoncelle (partie séparée)
9
Alto seul
8
Quatuor à cordes: 2 violons, alto, violoncelle
7
Contrebasse (partie séparée)
6
Violon
5
Violon, Violoncelle (duo)
4
Violoncelle
4
Alto, Piano
4
Alto (partie séparée)
3
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, violoncelle
1
+ 14 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
55
Orchestre à Cordes
14
Ensemble de cuivres
4
Percussion (partie séparée)
3
Timbales (partie séparée)
3
Orchestre de chambre
2
Ensemble de Percussions
2
Orchestre
2
Percussion
1
Batterie (partie séparée)
1
Quintette à Vent
1
Xylophone
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
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MANDOLINE
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Vous avez sélectionné:
Camille Saint -Saens
Alto, Piano
Partitions à imprimer
4 partitions trouvées
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The Swan (Carnival of the Animals) - Charles-Camille Saint-Saëns for Viola and Piano
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Alto, Piano
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Classique
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Charles-Camille Saint-Saëns
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Len Rhodes
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The Swan
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Len Rhodes Music Inc
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SheetMusicPlus
Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Mother's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Par...
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Composed by Charles-Camille Saint-Saëns. Arranged by Len Rhodes. Romantic Period, Easter, Mother's Day, Wedding, Funeral. Score, Sheet Music Single, Solo Part. 5 pages. Published by Len Rhodes Music Inc (S0.212163). - Score,Sheet Music Single,Solo Part - Romantic Period,Easter,Mother's Day,Wedding,Funeral - Len Rhodes Music Inc
$5.99
Trois pièces : Andante, Sérénade et Chant Serbe
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Scor...
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Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Fauré: Élégie Op. 24 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standa...
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Piano,Viola - Level 4 - SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531351. Published by jmsgu3 (A0.549724). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Aria: 'Mon coeur s'ouvre à ta voix' from Samson et Dalila, Op. 47 in G Major (for Viola & Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Saint-Saëns, Camille
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Kamada, Mikio
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Aria: 'Mon coeur s'ouvre &agra
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ACORDO Sheet Music
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1216985 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. ...
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Piano,Viola - Level 3 - SKU: A0.1216985 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813513. Published by ACORDO Sheet Music (A0.1216985). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.
$7.20
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Camille Saint -Saens
