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Vous avez sélectionné:
Come Back...Be Here
Alto, Piano
Partitions à imprimer
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Gymnopedie No.1 - viola and piano with FREE BACKING TRACK
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.564163 Composed by Erik Satie. Arr…
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Piano,Viola - Level 3 - Digital Download SKU: A0.564163 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Contemporary,Romantic Period,Wedding. Score and part. 6 pages. Austin Ralphson #6270099. Published by Austin Ralphson (A0.564163). Originally published in 1888 as one of three short piano pieces, Satie's Gymnopédie No.1 has become a classic of the piano repertoire. It is presented here as an instrumental solo with piano accompaniment and is a firm favourite to play at any performance, from weddings to recitals to parties and beyond! This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/EZ7pdVq3-gc (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/sbS4c Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab): www.ralphsonstrings.com
$3.99
3.68 €
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Alto, Piano
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Erik Satie
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Austin Ralphson
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Gymnopedie No.1 - viola and piano with FREE BACKING TRACK
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Austin Ralphson
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SheetMusicPlus
Largo from 'Xerxes' (Handel) - viola and piano with FREE BACKING TRACK
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1169192 Composed by George Frideri…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1169192 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and part. 5 pages. Austin Ralphson #769541. Published by Austin Ralphson (A0.1169192). Handel wrote this aria as the opening to the 1738 opera 'Serse'. Initially, the opera was a commercial failure, before it was later rediscovered and going on to become one of Handel's best-loved works. It is presented here as an intermediate-level solo with piano.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/Mlvn0P1oD9M and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/7e06f
$3.99
3.68 €
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Alto, Piano
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George Frideric Handel
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Austin Ralphson
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Largo from 'Xerxes'
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Austin Ralphson
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.43 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
The Holly, The Ivy And The Three Ships
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.749838 Composed by Evelyn R. Larte…
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Piano,Viola - Level 4 - Digital Download SKU: A0.749838 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christmas,Concert,Jazz. Score and part. 8 pages. Evelyn R Larter #3859959. Published by Evelyn R Larter (A0.749838). This is a medley of two old English carols, The Holly and The Ivy and I Saw Three Ships Come Sailing In, in a jazz style arrangement. It was originally part of the two volume clarinet collection, Carols For The King From Around The World, also available at Sheet Music Press. For advanced intermediate performers, this is sheer fun from start to finish, and very suitable for Christmas concerts. The opening measures can be omitted, and the song commence where the piano enters. The piano left hand plays a walking bass throughout and can be performed with a double bass player, as in the recording provided - contact me for the extracted part, or if interested in a recorded piano accompaniment. See also versions for violin solo and flute solo. More information on my music may be found on my website, www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music. Feedback always welcome!
$6.99
6.46 €
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Alto, Piano
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Evelyn R
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Evelyn Larter Music
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The Holly, The Ivy And The Three Ships
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Evelyn R Larter
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SheetMusicPlus
The First Noel for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Ar…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387407. Published by jmsgu3 (A0.548507). The First Noel arranged for Viola & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Viola Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.04 €
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Alto, Piano
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Traditional
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James M
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The First Noel for Viola & Piano
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jmsgu3
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SheetMusicPlus
Amazing Grace in Blue for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.717249 Composed by Traditional. Ar…
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Piano,Viola - Level 2 - Digital Download SKU: A0.717249 Composed by Traditional. Arranged by Tim Curd. Blues,Gospel,Jazz,Sacred,Spiritual. Score and part. 5 pages. Tim Curd #6011023. Published by Tim Curd (A0.717249). Amazing Grace in Blue for Viola and Piano.Amazing Grace is one of the most popular songs of all time with a thoughtful melody and sentiment. This gospel version of the famous spiritual becomes more bluesy at it progresses. A backing track is available here:https://www.sheetmusicplus.com/title/amazing-grace-in-blue-for-viola-and-piano-backing-track-digital....This solo will be fun to play and will be suitable for school concerts and church etc.Solo and piano part included.
$4.99
4.61 €
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Alto, Piano
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Traditional
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Tim Curd
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Amazing Grace in Blue for Viola and Piano
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Tim Curd
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SheetMusicPlus
Mamma Mia
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1037868 By ABBA. By Benny Andersso…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1037868 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Tim Crooks. Film/TV,Pop. Score and part. 11 pages. STR:UK String Arrangements #642782. Published by STR:UK String Arrangements (A0.1037868). The iconic Mamma Mia by Abba, arranged for viola and piano by Tim Crooks. This arrangement is great for intermediate players (ABRSM Grade 4+), and is always good fun to play. The solo part uses 3rd position in places. There is a second, easier viola part (approx grade 1-2 level) that can be added. About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
$5.99
5.53 €
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Alto, Piano
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ABBA
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Tim Crooks
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Mamma Mia
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STR:UK String Arrangements
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SheetMusicPlus
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