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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Composer's Prelude
Non classifié
197
Piano & claviers
Piano seul
190
Accompagnement Piano
49
Orgue
36
Piano Facile
8
Piano, Voix
5
Orgue, Trompette (duo)
4
Piano Trio: piano, violon, violoncelle
3
Piano, Voix et Guitare
2
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
5
Ukulele
3
Guitare
3
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Voix
Voix Tenor, Piano
17
Voix Soprano, Piano
7
Chorale 3 parties
6
Voix Alto, Piano
5
Chorale SATB
5
Voix Tenor
4
Voix Soprano
1
Voix seule
1
+ 3 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Quatuor de Saxophones: 4 saxophones
28
Flûte traversière et Piano
22
Saxophone Alto et Piano
19
Clarinette et Piano
18
Quintette de Clarinettes: 5 clarinettes
17
Quintette de Flûte : 5 flûtes
17
Hautbois, Piano (duo)
13
Quatuor de Clarinettes: 4 clarinettes
13
Quatuor de Flûtes : 4 flûtes
9
Saxophone Soprano et Piano
8
Hautbois (partie séparée)
8
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Tenor et Piano
6
Quintette de Saxophone: 5 saxophones
6
Clarinette
6
Saxophone Baryton, Piano
5
Flute (partie séparée)
5
Clarinette Basse, Piano
4
Cor anglais, Piano
4
Flûte traversière
3
Flûte à bec Soprano
3
2 Flûtes traversières (duo)
3
Ensemble de Flûtes
2
Flûte et Guitare
1
Clarinette (partie séparée)
1
Piccolo
1
Ensemble de Clarinettes
1
Clarinette, Harpe (duo)
1
Ensemble de saxophones
1
Hautbois, Harpe
1
Flûte, Violoncelle, Guitare
1
Ensemble De Flûte à bec
1
Cor Anglais
1
Piccolo, Piano
1
Cor anglais et Harpe (duo)
1
3 Saxophones (trio)
1
+ 32 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Ensemble de Trombones
16
Cor et Piano
12
Trombone et Piano
9
Euphonium, Piano (duo)
8
Trompette, Piano
7
Ensemble de Trompettes
6
Cor
6
Quatuor de cuivres: 4 trombones
6
Trompette (partie séparée)
6
Trompette
5
Cor anglais, Piano
4
Tuba
3
Tuba et Piano
3
Trombone
2
Trombone (partie séparée)
2
Euphonium, Tuba (duo)
1
Cor et Orgue
1
2 Trompettes (duo)
1
Cor Anglais
1
Cor (partie séparée)
1
Cor anglais et Harpe (duo)
1
Tuba et Orgue
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violon et Piano
22
Violoncelle, Piano
12
Alto, Piano
12
Violon
10
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle
6
Harpe
6
Alto seul
4
Alto (partie séparée)
4
Harpe, Flûte (duo)
4
Violon (partie séparée)
3
Harpe, Violon (duo)
3
Alto et Harpe
2
Harpe, Violoncelle (duo)
2
Contre Basse
2
Contrebasse (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Guitare (duo)
1
4 Violoncelles
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
27
Ensemble de cuivres
13
Orchestre
9
Orchestre à Cordes
7
Cloches
3
Ensemble de Percussions
2
Orchestre de chambre
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
Librairie Musicale
Matériel de musique
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Partitions Gratuites
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12
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
débutant
facile
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expert
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avec vidéo
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Vous avez sélectionné:
Composer's Prelude
Alto, Piano
Partitions à imprimer
12 partitions trouvées
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Scriabin: Prelude, Op. 51, No. 2 for Viola & Harp
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Piano,Viola - Level 3 - SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984707. Published by jmsgu3 (A0.1401524). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1401537 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Piano,Viola - Level 3 - SKU: A0.1401537 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984720. Published by jmsgu3 (A0.1401537). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Prelude from "Suite Bergamasque" for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Diego Marani
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Prelude from "Suite Berga
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Diego Marani
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1096218 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Stand...
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Piano,Viola - Level 3 - SKU: A0.1096218 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #700183. Published by Diego Marani (A0.1096218). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for viola with piano of the 1st movement, Prelude, is in the key of F major and marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.
$7.99
Pachelbel's Canon in D - Viola and Piano - Simple Version (Full Score)
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Alto, Piano
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FACILE
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Classique
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Johann Pachelbel
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César Madeira
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Pachelbel's Canon in D - Viola
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1222296 Composed by Johann Pachelbel. Arranged by César Madeira. Children,Contest,Early Music,Festival,Film/TV,Weddin...
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Piano,Viola - Level 2 - SKU: A0.1222296 Composed by Johann Pachelbel. Arranged by César Madeira. Children,Contest,Early Music,Festival,Film/TV,Wedding. Score and part. 3 pages. Sheet Music To Play Editions #818561. Published by Sheet Music To Play Editions (A0.1222296). Pachelbel's Canon in D. Arrangement for Viola and Piano in a simple version for beginners. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Johann Pachelbel (1653 – 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Pachelbel's Canon in D - Viola and Piano - Simple Version (Individual Parts)
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Alto, Piano
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FACILE
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Classique
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Johann Pachelbel
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César Madeira
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Pachelbel's Canon in D - Viola
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1222295 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Renaissance. Sc...
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Piano,Viola - Level 2 - SKU: A0.1222295 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Renaissance. Score and part. 4 pages. Sheet Music To Play Editions #818560. Published by Sheet Music To Play Editions (A0.1222295). Pachelbel's Canon in D. Arrangement for Viola and Piano in a simple version for beginners. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Johann Pachelbel (1653 – 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Pachelbel's Canon in D - Viola and Piano - Simple Version (Full Score and Parts)
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Alto, Piano
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DÉBUTANT
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Classique
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Johann Pachelbel
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César Madeira
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Pachelbel's Canon in D - Viola
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1178059 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Renaissance. Sc...
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Piano,Viola - Level 1 - SKU: A0.1178059 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Renaissance. Score and part. 6 pages. Sheet Music To Play Editions #778020. Published by Sheet Music To Play Editions (A0.1178059). Pachelbel's Canon in D. Arrangement for Viola and Piano in a simple version for beginners. With Full Score and Individual Parts. Enjoy it!Johann Pachelbel (1653 – 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
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Alto, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Piano,Viola - Level 2 - SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888187. Published by jmsgu3 (A0.550913). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
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Alto, Piano
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Brandon C Stanley
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Brandon C Stanley
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La Fille aux Cheveux de Lin
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Brandon C Stanley
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SheetMusicPlus
Piano,Viola - SKU: A0.1314728 By Brandon C Stanley. By C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. B...
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Piano,Viola - SKU: A0.1314728 By Brandon C Stanley. By C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #903507. Published by Brandon C Stanley (A0.1314728). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.This arrangement for solo viola (alto) and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Viola (English)Alto (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo viola (alto) alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
$4.99
Pachelbel: Canon for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Viola &am
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.548460 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score...
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Piano,Viola - Level 3 - SKU: A0.548460 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3385399. Published by jmsgu3 (A0.548460). The famous Pachelbel Canon arranged for viola & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
Bach: Wachet auf for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Viola &am
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
BACH: Sonata in C Major BWV 1033 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in C Major BWV 10
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.551568 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Sco...
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Piano,Viola - Level 4 - SKU: A0.551568 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317551. Published by jmsgu3 (A0.551568). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
Blessed Assurance--viola solo
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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Fanny Crosby, Phoebe Palmer Kn
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Beka Wilson
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Blessed Assurance--viola solo
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Beka Wilson
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.786583 Composed by Fanny Crosby, Phoebe Palmer Knapp. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score and part. ...
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Piano,Viola - Level 4 - SKU: A0.786583 Composed by Fanny Crosby, Phoebe Palmer Knapp. Arranged by Beka Wilson. Christian,Gospel,Sacred. Score and part. 5 pages. Beka Wilson #6260823. Published by Beka Wilson (A0.786583). One of Fanny Crosby’s most beloved hymns is Blessed Assurance, and this song was given life by composer Phoebe Palmer Knapp. This intermediate instrumental arrangement of Blessed Assurance is perfect as part of a prelude, a short offertory for a smaller church, or any other special music needs for a church service.This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, and cello, and as a duet for two harps, harp/flute, harp/violin, harp/viola, or harp/cello. A vocal version of this arrangement will be made available soon.Length: approximately 2:40 Key: Concert D (E for B flat instruments, B for E flat instruments, A for F instruments)5 pages (includes score and separate solo part)
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