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7137
PIANO & CLAVIERS
Piano seul
5857
Piano Facile
1208
Piano, Voix
891
Orgue
843
Piano, Voix et Guitare
346
1 Piano, 4 mains
169
Accompagnement Piano
135
Instruments en Do
128
Piano Trio: piano, violon, violoncelle
99
2 Pianos, 4 mains
74
Piano Quintette: piano, 2 violons, alto, violoncelle
30
Piano Quatuor: piano, violon, alto, violoncelle
29
Orgue, Piano (duo)
22
Accordéon
19
Orgue, Trompette (duo)
15
Clavecin
13
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
8
1 Piano, 6 mains
5
2 Pianos, 8 mains
3
2 Accordéons
2
Clavier
1
Ensemble de Pianos
1
Accordéon, Piano
1
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GUITARES
Guitare
499
Ukulele
285
Guitare notes et tablatures
274
Ligne De Mélodie, (Paroles) et Accords
154
Piano, Guitare (duo)
123
2 Guitares (duo)
103
Guitare (partie séparée)
24
4 Guitares (Quatuor)
22
Mandoline
19
Basse electrique
15
3 Guitares (trio)
10
Guitare, Violon, Violoncelle (trio)
9
Mandoline, Guitare (duo)
7
Ensemble de guitares
5
Dulcimer
4
Paroles et Accords
2
Ukulele Baryton
2
Basse électrique (partie séparée)
2
2 Ukuleles
1
2 Mandolines (duo)
1
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
Orchestre à Plectres
1
Banjo
1
Guitare, Quatuor à cordes
1
Luth
1
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VOIX
Chorale SATB
1985
Chorale 3 parties
477
Chorale 2 parties
207
Chorale Unison
195
Chorale TTBB
107
Voix Soprano, Piano
78
Chorale SSAA
77
Voix duo
62
Voix haute
58
Voix moyenne, Piano
36
Voix duo, Piano
36
Voix seule
31
Voix Tenor, Piano
23
Chorale SSAATTBB
23
Voix Alto, Piano
16
Voix Tenor
12
Voix basse, Piano
11
Voix basse
10
Voix Mezzo-Soprano, Piano
10
Chorale SSATTB
8
Voix Soprano
5
Chorale SSATB
3
Voix Baryton, Piano
3
Soli, choeur mixte et accompagnement
3
Chorale
2
Chorale SSAB, Piano
1
Chorale SAATB A Cappella
1
Voix Baryton
1
Chorale SSAATB
1
Voix, Guitare
1
Chorale SATBB
1
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VENTS
Flûte traversière et Piano
1064
Hautbois, Piano (duo)
620
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
585
Saxophone Alto et Piano
551
Clarinette et Piano
549
Quatuor de Saxophones: 4 saxophones
404
Clarinette
401
Quatuor de Clarinettes: 4 clarinettes
295
Saxophone Tenor et Piano
289
Flûte, Hautbois, Clarinette, Basson
257
2 Saxophones (duo)
251
2 Flûtes traversières (duo)
212
Flûte traversière
209
Quintette de Saxophone: 5 saxophones
194
Saxophone (partie séparée)
187
Saxophone Soprano et Piano
186
Quatuor de Flûtes : 4 flûtes
169
Ensemble de Clarinettes
164
2 Clarinettes (duo)
152
Saxophone Alto
131
Ensemble de Flûtes
129
Ensemble de saxophones
115
Cor anglais, Piano
98
Flûte et Guitare
93
3 Clarinettes (trio)
80
Hautbois (partie séparée)
77
Saxophone Baryton, Piano
77
3 Saxophones (trio)
74
Quintette de Clarinettes: 5 clarinettes
69
Clarinette, Guitare (duo)
65
Quintette de Flûte : 5 flûtes
65
Flûte, Clarinette (duo)
43
2 Hautbois (duo)
42
Clarinette Basse, Piano
39
Quatuor de Flûtes à bec
37
Trio de Flûtes: 3 flûtes
37
2 Flûte à bec (duo)
34
Flûte à bec Soprano
34
Ensemble De Flûte à bec
33
Saxophone, Clarinette (duo)
33
Hautbois, Basson (duo)
33
Flûte, Violon
26
Clarinette (partie séparée)
25
Clarinette, Basson (duo)
25
Clarinette, Violon (duo)
24
Flûte à bec Tenor
19
Flûte, Violoncelle
18
Flûte, Violoncelle, Piano (trio)
18
Hautbois, Flûte
17
Flûte à Bec
17
Clarinette, Trompette (duo)
17
Flute (partie séparée)
17
Clarinette, Violoncelle (duo)
15
Flûte à bec Alto
15
Hautbois, Clarinette (duo)
15
Clarinette et Alto
14
5 Flûtes à bec
13
Flûte, Alto (duo)
13
Flûte, Saxophone (duo)
13
Flûte, Clarinette, Piano (trio)
12
Cor Anglais
12
Hautbois
12
Saxophone Soprano
10
2 Clarinettes, Piano
10
Hautbois, Violoncelle
10
Flûte, Clarinette et Basson
10
Piccolo, Piano
10
Clarinette, Harpe (duo)
10
3 Flûtes à bec (trio)
10
Flûte, Hautbois, Clarinette (trio)
9
Flûte à bec, Guitare (duo)
9
Flûte, Trompette (duo)
9
2 Flûtes traversières, Piano
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Saxophone Tenor
8
Harmonica
8
Flûte à bec Soprano, Piano
8
Clarinette, Violoncelle, Piano (trio)
7
Saxophone et Guitare
7
Flûte à bec Alto, Piano
7
Saxophone et Harpe
6
Saxophone Baryton
6
Piccolo
6
2 Clarinettes, Basson
6
Flûte, Hautbois (duo)
6
Flûte à Bec, Piano
5
Cor anglais, Guitare (duo)
5
2 Saxophones, Piano
5
Flûte, Violon, Violoncelle et Piano
5
Flûte, Hautbois, Basson
4
Flûte, Violoncelle, Guitare
4
Flûte, Violon, Piano
4
Flûte, Violon et Violoncelle
4
2 Cors Anglais Et Pianoforte
4
Flûte, Basson et Piano
3
Saxophone
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Cor anglais et Harpe (duo)
3
Hautbois, Harpe
3
Saxophone et Orgue
3
Hautbois, Guitare (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Hautbois, Piano (trio)
2
3 Hautbois
2
4 Hautbois
2
Flûte traversière, Orgue (duo)
2
Flûte, Trombone (duo)
2
Saxophone et Piano
2
2 Hautbois, Piano
2
Flûte à bec Alto, Basse continue
2
Flûte à bec, Harpe
2
Flûte, alto et harpe
2
Flûte, Clarinette, Violon (trio)
2
Clarinette, Orgue
1
Clarinette, Orchestre
1
Clarinette, Alto et Piano (trio)
1
Flute, harpe et violon
1
Flûte, Harpe et Violoncelle
1
Flûte et Trio à cordes
1
Hautbois, Clarinette et Piano (Trio)
1
2 Flûtes, Basse continue
1
Clarinette, Basson, Piano (trio)
1
Cornemuse
1
Hautbois, Violoncelle et Piano
1
Ensemble de Hautbois
1
Hautbois, Violon, Piano
1
2 Flûtes traversières, Harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte irlandaise
1
Flûte et Quatuor à Cordes
1
Clarinette Basse
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
732
Trombone et Piano
404
Quatuor de Cuivres : 2 trompettes, trombone, tuba
332
Trompette, Piano
314
Trompette
293
Cor et Piano
228
Trombone
124
Tuba et Piano
115
Quatuor de Cuivres: 2 trompettes, Cor, trombone
114
Euphonium, Piano (duo)
106
Cor anglais, Piano
98
Ensemble de Trombones
85
Trombone (partie séparée)
80
Quatuor de Cuivres
80
Trompette (partie séparée)
77
Quatuor de cuivres: 4 trombones
67
2 Cors (duo)
61
Cor
57
2 Trompettes (duo)
56
Ensemble de Trompettes
56
2 Trombones (duo)
49
Tuba
40
Cor (partie séparée)
35
Quatuor de cuivres: 4 cors
33
Trompette, Trombone (duo)
31
Trompette, Saxophone (duo)
23
Quatuor de cuivres: 4 trompettes
20
Tuba (partie séparée)
18
Ensemble de Cors
14
Cor Anglais
12
4 Tubas
10
2 Tubas (duo)
9
2 Euphoniums et 2 Tubas
9
3 Tubas (trio)
8
Trio de Cuivres
8
Trombone basse
7
Trompette, Cor (duo)
7
3 Trombones (trio)
7
Trombone basse et Piano
7
Euphonium
7
Cor et Harpe
6
2 Euphoniums (duo)
6
Euphonium, Tuba (duo)
6
Cor anglais, Guitare (duo)
5
Trombone, Cor (duo)
5
Cor, Violoncelle (duo)
4
2 Cors Anglais Et Pianoforte
4
Trompette, Basson (duo)
3
Tuba et Orgue
3
Trompette, violon (duo)
3
3 Trompettes (trio)
3
Cor anglais et Harpe (duo)
3
Trompette, Harpe
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Trombone, Tuba (duo)
3
3 Cors (trio)
3
Trombone et orchestre
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Trompette, Violoncelle (duo)
2
3 Euphoniums
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Trompette et Guitare
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Cor, Tuba (duo)
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Trombone, Orgue
2
Quatuor de cuivres: 2 trompettes, 2 trombones
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2 Trompettes, Clavier (piano ou orgue)
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Ensemble de Tubas
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Cor et Orgue
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1
Cornet et orchestre
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Cor et Basson (duo)
1
Trompette, Violoncelle et Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1385
Violon et Piano
1245
Violoncelle, Piano
658
Alto, Piano
626
Violon
289
Violoncelle (partie séparée)
158
Harpe
144
Trio à Cordes: violon, alto, violoncelle
141
2 Violons (duo)
135
Violon, Violoncelle (duo)
122
Violon, Guitare (duo)
107
Alto seul
97
2 Violoncelles (duo)
90
2 Altos (duo)
81
Violon, Alto (duo)
75
Violoncelle , Guitare (duo)
68
Alto, Guitare (duo)
64
Violoncelle
61
Contrebasse, Piano (duo)
52
Quintette à cordes: 2 violons, 2 altos, violoncelle
47
4 Violoncelles
45
Trio à Cordes: 2 violons, violoncelle
40
Alto (partie séparée)
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
39
Violon (partie séparée)
38
Trio à cordes: 3 violins
33
Alto, Violoncelle (duo)
33
Harpe, Flûte (duo)
29
Contre Basse
28
Contrebasse (partie séparée)
22
2 Harpes (duo)
21
Trio à Cordes: 3 violoncelles
19
Harpe, Violon (duo)
18
Quatuor à cordes : 4 altos
15
Piano Trio: Violon, Alto, Piano
15
Violoncelle, Contrebasse (duo)
15
Trio à Cordes: 2 violons, alto
13
Quatuor à cordes: 4 violons
12
Harpe, Violoncelle (duo)
11
Ensemble de Violons
11
Trio à cordes: 3 altos
10
Ensemble d'Altos
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon, Basson (duo)
8
2 Contrebasses (duo)
7
Violoncelle, Orgue
7
Alto et Harpe
7
Ensemble de Violoncelles
4
Violon, Clarinette, Piano (trio)
4
Alto et Basson
4
Flûte, Contrebasse (duo)
4
3 Harpes
3
Harpe et Piano
3
Alto, Orgue
2
Harpe et mandoline
2
Violoncelle, Orchestre
2
Harpe, Violon, Violoncelle
2
Harpe et Orgue
2
4 Contrebasses
2
Violon, Basse continue
2
Harpe, Trombone (duo)
2
Violoncelle, Basse continue
2
4 Harpes
1
2 Violoncelles, Piano
1
Violon, Orgue
1
2 Violons, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1646
Orchestre
767
Orchestre à Cordes
650
Orchestre de chambre
343
Ensemble de cuivres
266
Cloches
199
Ensemble Jazz
170
Ensemble de Percussions
73
Jazz combo
66
Fanfare
29
Marimba
27
Batterie (partie séparée)
23
Percussion (partie séparée)
19
Batterie
16
Vibraphone
14
Piano et Orchestre
8
Xylophone, Piano
3
Xylophone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Orchestre, Violon
2
Ensemble d'École
1
2 Marimbas
1
Marimba et Orgue
1
Marimba, Piano (duo)
1
Vibraphone et Marimba
1
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AUTRES
Formation musicale - Solfège
7
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Alto, Piano
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Pachelbel: Canon for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.548460 Composed by Johann Pachelbe…
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Piano,Viola - Level 3 - Digital Download SKU: A0.548460 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3385399. Published by jmsgu3 (A0.548460). The famous Pachelbel Canon arranged for viola & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
30.83 €
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Alto, Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Viola & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.83 €
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Alto, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Viola & Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.549724 Composed by Gabriel Faure. …
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Piano,Viola - Level 4 - Digital Download SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531351. Published by jmsgu3 (A0.549724). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.83 €
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Alto, Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548704 Composed by Franz Schubert.…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548704 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411159. Published by jmsgu3 (A0.548704). A Viola Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Viola part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
28.02 €
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Alto, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Viola & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Go…
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Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888187. Published by jmsgu3 (A0.550913). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.83 €
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Alto, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 6 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.550518 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.550518 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4719615. Published by jmsgu3 (A0.550518). Sonata da Chiesa No. 6 in Bb Major for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.83 €
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Alto, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 1 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.550394 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.550394 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628261. Published by jmsgu3 (A0.550394). Sonata da Chiesa in Bb for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.83 €
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Alto, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 2 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.550416 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.550416 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pages. Jmsgu3 #4632175. Published by jmsgu3 (A0.550416). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.Â
$32.95
30.83 €
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Alto, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 5 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.550493 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.550493 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4715609. Published by jmsgu3 (A0.550493). Sonata da Chiesa No. 5 in E Minor for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.83 €
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Alto, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 4 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.550468 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.550468 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4640579. Published by jmsgu3 (A0.550468). Sonata da Chiesa No. 4 in Bb Major for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.83 €
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Alto, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Sonata No. 3 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.550442 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.550442 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4634577. Published by jmsgu3 (A0.550442). Sonata da Chiesa No. 3 in A Minor for Viola & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
30.83 €
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Alto, Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. …
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Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.34 €
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Alto, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Viola & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.34 €
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Alto, Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Viola & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549373 Composed by George Frideric…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3491405. Published by jmsgu3 (A0.549373). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.83 €
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Alto, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Viola & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.83 €
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Alto, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Viola & Piano
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jmsgu3
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SheetMusicPlus
La fille aux cheveux de lin / The girl with the flaxen hair for viola and piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.532481 Composed by Claude Debussy.…
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Piano,Viola - Level 4 - Digital Download SKU: A0.532481 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,20th Century,Classical. Score and part. 6 pages. Amadeus Music #6208459. Published by Amadeus Music (A0.532481). Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
$4.95
4.63 €
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Alto, Piano
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Claude Debussy
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Klas Krantz
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La fille aux cheveux de lin / The girl with the flaxen hair for viola and piano
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Amadeus Music
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SheetMusicPlus
The Little Shepherd for viola and piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.532483 Composed by Claude Debussy.…
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Piano,Viola - Level 4 - Digital Download SKU: A0.532483 Composed by Claude Debussy. Arranged by Klas Krantz. 20th Century,Concert. Score and part. 5 pages. Amadeus Music #6210203. Published by Amadeus Music (A0.532483). Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Two alternative viola parts (high/low).
$3.95
3.7 €
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Alto, Piano
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Claude Debussy
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Klas Krantz
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The Little Shepherd for viola and piano
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Amadeus Music
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SheetMusicPlus
Italian Polka for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.669246 Composed by Sergei Rachmani…
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Piano,Viola - Level 3 - Digital Download SKU: A0.669246 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278242. Published by Diego Marani (A0.669246). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for viola with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
7.48 €
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Alto, Piano
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Sergei Rachmaninoff
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Diego Marani
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Italian Polka for Viola & Piano
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Diego Marani
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SheetMusicPlus
The Swan (Le Cygne) by Saint-Saens - Viola and Piano (Full Score and Parts)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1179160 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1179160 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Children,Instructional,Romantic Period. Score and part. 11 pages. Sheet Music To Play Editions #779132. Published by Sheet Music To Play Editions (A0.1179160). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Viola and Piano. With Full Score and Individual Parts. Enjoy it!Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.48 €
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Alto, Piano
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
The Swan (Le Cygne) by Saint-Saens - Viola and Piano (Individual Parts)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1222963 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1222963 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 6 pages. Sheet Music To Play Editions #819165. Published by Sheet Music To Play Editions (A0.1222963). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Viola and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$4.99
4.67 €
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Alto, Piano
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Clair de Lune by Debussy - Viola and Piano (Individual Parts)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1231211 Composed by Claude Debussy…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1231211 Composed by Claude Debussy. Arranged by César Madeira. 19th Century,20th Century,Multicultural,Romantic Period,Wedding,World. Score and part. 7 pages. Sheet Music To Play Editions #826896. Published by Sheet Music To Play Editions (A0.1231211). Clair de Lune by Debussy from Suite Bergamasque. Arrangement for Viola and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Claude Debussy (1862 - 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
5.6 €
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Alto, Piano
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Claude Debussy
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César Madeira
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Clair de Lune by Debussy - Viola and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.7 €
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Alto, Piano
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
#
SheetMusicPlus
The Swan (Le Cygne) by Saint-Saens - Viola and Piano (Full Score)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1222970 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1222970 Composed by Camille Saint-Saens. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 6 pages. Sheet Music To Play Editions #819169. Published by Sheet Music To Play Editions (A0.1222970). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Viola and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$4.99
4.67 €
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Alto, Piano
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
#
SheetMusicPlus
Lascia Ch'io Pianga - Viola and Piano (Individual Parts)
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1223974 Composed by George Frideri…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1223974 Composed by George Frideric Handel. Arranged by César Madeira. Children,Early Music,Film/TV,Multicultural,Opera,World. Score and part. 2 pages. Sheet Music To Play Editions #820090. Published by Sheet Music To Play Editions (A0.1223974). Lascia Ch'Io Pianga by Handel for Viola and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Georg Friedrich Händel (1685 –1759) was a German-born Baroque composer becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
4.67 €
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Alto, Piano
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George Frideric Handel
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César Madeira
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Lascia Ch'io Pianga - Viola and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
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