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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Conversation
Non classifié
297
Piano & claviers
Piano seul
133
Piano, Voix et Guitare
46
Piano, Voix
39
Piano Facile
21
Orgue
19
Instruments en Do
8
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano grosses notes
2
1 Piano, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
18
Paroles et Accords
5
Guitare
5
Ukulele
4
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
2
2 Guitares (duo)
1
Dulcimer
1
Basse electrique
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
66
Chorale 2 parties
13
Chorale 3 parties
11
Chorale SSAA
9
Chorale TTBB
7
Chorale Unison
6
Voix seule
5
Voix duo
4
Voix duo, Piano
4
Voix Soprano, Piano
3
Voix haute
2
Voix Baryton, Piano
2
Voix basse, Piano
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Alto et Piano
12
2 Flûtes traversières (duo)
12
Flûte traversière et Piano
11
Clarinette et Piano
9
Hautbois, Piano (duo)
9
Saxophone Tenor et Piano
7
Saxophone Soprano et Piano
7
Quatuor de Saxophones: 4 saxophones
6
Hautbois, Basson (duo)
6
Cor anglais, Piano
5
Flûte, Clarinette (duo)
5
2 Clarinettes (duo)
4
Ensemble de Flûtes
4
Flûte traversière
4
Clarinette
3
Flûte, Violoncelle
3
Ensemble de Clarinettes
3
Saxophone, Clarinette (duo)
3
Flûte à Bec
3
Hautbois (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Violon
3
3 Saxophones (trio)
3
Flûte et Guitare
3
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
2
Flûte, Saxophone (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Violon (duo)
2
2 Hautbois (duo)
2
3 Clarinettes (trio)
2
Saxophone Alto
2
Clarinette, Trompette (duo)
2
Flûte, Alto (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Hautbois (duo)
2
Clarinette et Alto
2
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone (partie séparée)
1
Clarinette, Guitare (duo)
1
Flûte, Trompette (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Basson
1
Flûte, Trombone (duo)
1
Saxophone
1
Hautbois
1
Quintette de Saxophone: 5 saxophones
1
Saxophone Tenor
1
Clarinette Basse
1
Clarinette, Violoncelle (duo)
1
Hautbois, Guitare (duo)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone et Piano
6
Trompette
6
Cor anglais, Piano
5
Trombone
5
Euphonium, Piano (duo)
4
Cor et Piano
4
2 Trompettes (duo)
3
Cor
3
Trompette, Piano
3
Tuba
3
Trompette, Saxophone (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Basson (duo)
2
Trompette, Trombone (duo)
2
Cor, Violoncelle (duo)
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 cors
1
Trombone basse et Piano
1
Ensemble de Trompettes
1
Trompette (partie séparée)
1
Tuba et Piano
1
Cor et Basson (duo)
1
2 Trombones (duo)
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Harpe
13
Alto, Piano
10
Violon, Violoncelle (duo)
10
Violoncelle, Piano
8
Violon et Piano
8
Violon
8
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle
6
2 Violons (duo)
3
Violon, Alto (duo)
3
Flûte, Contrebasse (duo)
3
Violon, Basson (duo)
2
Alto seul
2
Alto et Basson
2
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Contre Basse
2
2 Violoncelles (duo)
2
Contrebasse (partie séparée)
1
Harpe, Flûte (duo)
1
2 Violons, Piano
1
Violon (partie séparée)
1
Autoharp
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
27
Orchestre à Cordes
10
Orchestre de chambre
9
Orchestre
7
Jazz combo
7
Ensemble Jazz
5
Ensemble de Percussions
4
Ensemble de cuivres
4
Cloches
3
Percussion
2
Marimba
2
Xylophone, Piano
2
Batterie
1
Vibraphone et Marimba
1
Xylophone
1
Orchestre, Violon
1
2 Xylophones
1
+ 12 instrumentations
Retracter
Autres
Instruments
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AUTRES INST…
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Conversation
Alto, Piano
Partitions à imprimer
10 partitions trouvées
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1
Arirang (For Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Korean Traditional
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Han-Ki Kim
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Arirang
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Han-Ki Kim
#
SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.511794 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Sco...
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Piano,Viola - Level 4 - SKU: A0.511794 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and part. 13 pages. Han-Ki Kim #6245737. Published by Han-Ki Kim (A0.511794). Folksong can be said to be music that contains the life and soul of the country and ancestors, and “Arirang†has a very important meaning in that it is a folk song representing Korea.Following the fast introduction of 4 bars in 3/4 time, it is connected in the form of 5 variations in 6/8 time. The main melody of “Arirang†is exchanged with each other as if having a conversation with violin and Piano, And followed by a cadenza that boasts the splendid skills of the solo Violin, and after the wide and solemn finale, the same 3/4 time as the beginning. It ends with a short four-bar coda. Han-Ki Kim’s works give the value of artistic literature to children's songs and folk songs, which are familiar to everyone, so that the audience feels Musical sympathy, and because he is a performer, his works are characterized by a good harmony between theory and practice. This Music is dedicated to Professor Kim Nam-yoon, who left great achievements in the field of violin education in Korea. 1. This piece is composed based on Korean traditional Bird, Bird, Blue Bird.2. It’s very suitable for Concert and for Educational material.3. Shown Bowing sign and Fingering will be very helpful to player.4. Composer is, also as a Violinist, very experienced(with I Musici), and his works are loved world widely.5. Attached Music file is recorded with Violin and Piano, just for a reference.
$4.50
Viola Sonata No.2
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Alto, Piano
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AVANCÉ
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Han-Ki Kim
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Viola Sonata No.2
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.518944 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 34 pages. ...
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Piano,Viola - Level 5 - SKU: A0.518944 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 34 pages. Han-Ki Kim #129616. Published by Han-Ki Kim (A0.518944). Viola Sonata Sonata No.2 “Ong Hye Ya†The first movement is in 3/4 time, and in normal sonata form, there are two contrasting themes. In this movement, there is a contrast between the oriental and western characteristics. The first theme is oriental and the second theme is characterized by a Western character. The second movement is in 4/4 time, and it is composed in ABA format in which the theme of a slow nature is exchanged between instruments. The third movement is in 3/8 time, and the lively and humorous theme A and the slow B theme are written in ABA format. The 4th movement is in the form of a variation in which the theme of “Ong Heaâ€, the nickname of the sonata seen in 4/4/time, is cited. An exciting conversation continues. The colorful arpeggio and colorful bariolage are used to heighten the musical atmosphere. This theme originated in Kungsangdo province, south Korea. The meanning of “Ong Hye Ya†is the sound of peoples harvesting barleys. Excited reaction word of on old Korean mostly used in traditional folk songs to uplift the hard work of harvesting. Attached music file is recorded by Violin, it's just for a reference.
$14.99
Lullaby Variation (For Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Jun-Hee Lim
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Han-Ki Kim
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Lullaby Variation
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Han-Ki Kim
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SheetMusicPlus
Instrumental Solo,Piano,Viola da gamba - Level 4 - SKU: A0.1129054 Composed by Jun-Hee Lim. Arranged by Han-Ki Kim. Children,Classical,Contemporary,Inst...
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Instrumental Solo,Piano,Viola da gamba - Level 4 - SKU: A0.1129054 Composed by Jun-Hee Lim. Arranged by Han-Ki Kim. Children,Classical,Contemporary,Instructional,Romantic Period. Score and individual part. 12 pages. Han-Ki Kim #729579. Published by Han-Ki Kim (A0.1129054). Adapted melodie for this music is the theme of the art song Star Keeper(Poem by “Gye-seok Takâ€) composed by “Junhee Limâ€. So far, melodic line is concerned, mostly the Korean pentatonic scale “Do re mi so la†is used. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft up to the second variation, and in the third variation, a relaxed atmosphere, and then a cadenza singing a conversation between a mother who sings a lullaby and a baby who is enjoying her dream comes out. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi Re Do Re Mi.†It then ends with a brilliant finale and a short conclusion. Attached Music file and Shown YouTube Link(Fast-forward to 25:55) is played by Vn and Piano, it's just jor a reference.
$5.20
Gian Paolo Chiti: Serenade for Flute, bass clarinet, viola, violoncello and piano
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Alto, Piano
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AVANCÉ
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Contemporain
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Gian Paolo Chiti
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Gian Paolo Chiti: Serenade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Viola - Level 5 - SKU: A0.533202 Composed by Gian Paolo Chiti. 20th Century,Contemporary. Score and parts. 53 ...
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Small Ensemble Cello,Clarinet,Flute,Piano,Viola - Level 5 - SKU: A0.533202 Composed by Gian Paolo Chiti. 20th Century,Contemporary. Score and parts. 53 pages. Musik Fabrik Music Publishing #1921241. Published by Musik Fabrik Music Publishing (A0.533202). A piece for a variation on Pierrot ensemble instrumentation, in two contrasting movements: 1. Lento - The Conversation of Prayer and 2. Mosso - Fern Hill.
$25.95
Handel: Largo from Xerxes for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score ...
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Piano,Viola - Level 3 - SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3491405. Published by jmsgu3 (A0.549373). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Just As I Am, Gospel Hymn for Viola and Piano
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Alto, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Charlotte Elliott
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David McKeown
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Just As I Am, Gospel Hymn for
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David McKeown
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.592932 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Sco...
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Piano,Viola - Level 2 - SKU: A0.592932 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413449. Published by David McKeown (A0.592932). Just as I Am is a beautiful hymn arranged here for Solo Viola and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
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