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Orgue
123
Piano Trio: piano, violon, violoncelle
51
1 Piano, 4 mains
45
Accordéon
31
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Piano Quatuor: piano, 2 violons, violoncelle
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177
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161
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40
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31
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31
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19
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17
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Mandoline
16
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13
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10
Banjo
9
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8
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4
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1036
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359
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92
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76
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56
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52
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50
Voix Alto, Piano
37
Voix Baryton, Piano
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12
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7
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VENTS
Quatuor de Saxophones: 4 saxophones
326
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
322
Flûte, Hautbois, Clarinette, Basson
275
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200
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195
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151
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118
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96
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80
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3 Saxophones (trio)
74
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72
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64
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54
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Hautbois
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3 Clarinettes (trio)
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34
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33
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32
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26
Clarinette, Violoncelle (duo)
25
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19
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Saxophone Soprano
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Cor Anglais
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Saxophone Baryton
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2 Flûtes traversières, Piano
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12
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11
Flute (partie séparée)
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Harmonica
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2 Clarinettes, Piano
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8
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8
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8
Ocarina
8
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7
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Flûte à bec Alto, Piano
7
5 Flûtes à bec
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6
Clarinette, Basson, Piano (trio)
5
Hautbois, Clarinette et Piano (Trio)
5
Flûte, Violon et Violoncelle
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Clarinette Basse
5
Flûte, trombone et piano
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4
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3
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3
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3
Flûte irlandaise
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Flûte à bec Soprano, Piano
3
Clarinette, Tuba
3
Clarinette, Alto et Piano (trio)
3
Hautbois, Violon, Piano
3
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2
Flûte, Tuba (duo)
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4 Hautbois
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Ensemble à vent
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Hautbois, Guitare (duo)
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2 Cors Anglais Et Pianoforte
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Ensemble de Hautbois
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3 Hautbois
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Piccolo, Piano
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Flûte, Violoncelle, Guitare
1
Flûte et Trio à cordes
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Cor anglais, Guitare (duo)
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Flûte, Clarinette, Violon (trio)
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
394
Trompette
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154
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96
Cor
94
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81
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81
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76
Tuba
75
2 Trombones (duo)
70
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54
Ensemble de Trompettes
51
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49
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47
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43
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41
Cor anglais, Piano
39
Trompette (partie séparée)
36
2 Tubas (duo)
24
Trompette, Cor (duo)
24
Ensemble de Trombones
22
Quatuor de cuivres: 4 trombones
19
Quatuor de cuivres: 4 trompettes
18
Quatuor de cuivres: 4 cors
17
Trio de Cuivres
16
Cor Anglais
14
Cor, Violoncelle (duo)
13
3 Trompettes (trio)
12
Cor (partie séparée)
11
Tuba (partie séparée)
11
Trompette, Violoncelle (duo)
10
3 Trombones (trio)
10
Ensemble de Cors
9
Euphonium
8
4 Tubas
7
Trompette, Violoncelle et Piano
6
Trombone, Cor (duo)
6
Trombone basse et Piano
5
Trompette, Basson (duo)
5
Trompette, Tuba (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Cor et Basson (duo)
5
2 Euphoniums et 2 Tubas
4
Tuba et Orgue
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Trompette, Trombone, Piano
4
Trombone, Tuba (duo)
3
3 Cors (trio)
3
Cor, Tuba (duo)
2
Trombone basse
2
2 Cors Anglais Et Pianoforte
2
3 Tubas (trio)
2
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors, Piano
1
2 Euphoniums (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, violon (duo)
1
Trombone, Violon (duo)
1
Cor et Harpe
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1
Ensemble de Tubas
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
659
Violon et Piano
317
Alto, Piano
217
Violoncelle, Piano
207
Violon
191
Violon, Violoncelle (duo)
173
Violoncelle
172
Quintette à cordes: 2 violons, alto, violoncelle, basse
164
Alto seul
117
Trio à Cordes: violon, alto, violoncelle
114
2 Violons (duo)
114
2 Violoncelles (duo)
97
Violon, Alto (duo)
83
Harpe
79
Trio à Cordes: 2 violons, violoncelle
72
2 Altos (duo)
71
Contrebasse, Piano (duo)
66
Contre Basse
64
Alto, Violoncelle (duo)
36
Violon (partie séparée)
30
Alto (partie séparée)
28
4 Violoncelles
23
Piano Trio: Violon, Alto, Piano
22
Trio à cordes: 3 violins
21
Contrebasse (partie séparée)
19
Trio à Cordes: 3 violoncelles
19
Violon, Basson (duo)
19
Quatuor à cordes : 4 altos
17
2 Contrebasses (duo)
16
Quatuor à cordes: 4 violons
13
Trio à cordes: 3 altos
11
Alto et Basson
11
Quintette à cordes : 2 violons, alto et 2 violoncelles
11
Trio à Cordes: 2 violons, alto
10
Ensemble de Violons
9
Ensemble d'Altos
9
Violon, Clarinette, Piano (trio)
9
Violon, Guitare (duo)
8
2 Harpes (duo)
6
Violoncelle (partie séparée)
6
Violoncelle, Contrebasse (duo)
5
Harpe, Flûte (duo)
4
Alto, Guitare (duo)
3
Harpe, Voix
3
2 Altos, Piano
2
4 Harpes
2
Harpe, Trombone (duo)
2
Flûte, Contrebasse (duo)
2
Harpe, Violon (duo)
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Violon, Tuba (duo)
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Alto et Harpe
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Harpe et mandoline
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Violon, Violoncelle, Clarinette
1
3 Harpes
1
Harpe, Violoncelle (duo)
1
2 Violons, Piano
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Violoncelle, Orchestre
1
2 Violoncelles, Piano
1
Ensemble de Violoncelles
1
4 Contrebasses
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
615
Orchestre à Cordes
242
Orchestre
219
Ensemble Jazz
147
Ensemble de cuivres
140
Fanfare
81
Cloches
80
Orchestre de chambre
78
Jazz combo
47
Batterie
37
Ensemble de Percussions
28
Marimba
22
Xylophone
18
Percussion (partie séparée)
13
Xylophone, Piano
11
Batterie (partie séparée)
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Vibraphone
4
Ensemble d'École
2
2 Xylophones
2
Quintette de Cuivres: autres combinaisons
2
Percussion
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Piano et Orchestre
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Orchestre, Violon
1
2 Marimbas
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Vous avez sélectionné:
End Of Time
Alto, Piano
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It's Been A Long, Long Time
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.592556 Composed by Jule Styne. Arr…
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Piano,Viola - Level 3 - Digital Download SKU: A0.592556 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366371. Published by David McKeown (A0.592556). It’s Been a Long Long Time is arranged as a solo for one Viola with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.49 €
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Alto, Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549570 Composed by Edvard Grieg. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549570 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508663. Published by jmsgu3 (A0.549570). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.86 €
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Alto, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
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jmsgu3
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SheetMusicPlus
The Lily of the Valley (Viola and Piano)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.523585 Composed by William S. Hays…
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Piano,Viola - Level 3 - Digital Download SKU: A0.523585 Composed by William S. Hays, Scott Joplin, Louis Chauvin. Arranged by John A. Dempsey. Christian,Praise & Worship,Ragtime,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #3561275. Published by John A. Dempsey (A0.523585). A unique arrangement brimming with the heady charm of ragtime - Scott Joplin's Heliotrope Bouquet - combined with the classic hymn of praise The Lily of the Valley, this duet for viola and piano is recommended for worship events, traditional church services, recitals and concerts. Â Suggested worship uses: a prelude, an offertory, special music or a postlude. Â Concert Key: C major. Â 9 pages of music (that includes a separate two-page viola part) Â .
$6.99
6.4 €
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Alto, Piano
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William S
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John A
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The Lily of the Valley
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John A. Dempsey
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SheetMusicPlus
Christmas Time Is Here
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.1316123 Composed by Lee Mendelson …
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Piano,Viola - Level 1 - Digital Download SKU: A0.1316123 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Score and part. 3 pages. Rodrigo Faleiros #904787. Published by Rodrigo Faleiros (A0.1316123). Embrace the enchantment of the holiday season with our special viola solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for viola players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Piano accompaniment with chord symbols: The sheet music includes a piano accompaniment with chord symbols, allowing for harmonic creativity and festive musicality. Immerse yourself in the warmth and nostalgia of this classic melody with your viola. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.57 €
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Alto, Piano
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Lee Mendelson and Vince Guaraldi
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Christmas Time Is Here
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.1316252 Composed by Lee Mendelson …
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Piano,Viola - Level 1 - Digital Download SKU: A0.1316252 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Score and part. 3 pages. Rodrigo Faleiros #904989. Published by Rodrigo Faleiros (A0.1316252). Embrace the enchantment of the holiday season with our special viola solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for viola players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Piano accompaniment: The sheet music includes a piano accompaniment, allowing for harmonic creativity and festive musicality. Immerse yourself in the warmth and nostalgia of this classic melody with your viola. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.57 €
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Alto, Piano
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Lee Mendelson and Vince Guaraldi
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
A Time For Us (love Theme)
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1231084 By Nino Rota. By Eddie Sny…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1231084 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by André Alberto Santos. 20th Century,Film/TV,Pop,Wedding. Score and part. 3 pages. Soul - Musical Creations #826757. Published by Soul - Musical Creations (A0.1231084). Step into the world of romance and passion with A Time for Us by Nino Rota, from the Paramount Picture Romeo and Juliet. This iconic piece is a masterpiece of its time, and its haunting melody has the power to move anyone who hears it.With our PDF sheet music, you can easily learn and play this unforgettable piece in the comfort of your own home. The delicate interplay of melody and harmony in A Time for Us creates a truly emotional experience that will leave you breathless.As you play the notes and immerse yourself in the music, you'll feel as though you're transported to a different time and place, where love and heartbreak intertwine. This piece captures the essence of true love and its many complexities, and you'll find yourself lost in its beauty and intensity.Our carefully transcribed and edited PDF sheet music ensures that you're playing with accuracy and confidence, bringing to life the emotions that intended to convey. Whether you're an experienced musician or just starting out, this piece is accessible yet deeply rewarding to play.A Time for Us is a timeless classic that will never go out of style. So, whether you're looking to impress someone special or simply indulge in your love of music, download our PDF sheet music today and let the emotional journey begin.
$4.99
4.57 €
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Alto, Piano
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Nino Rota
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André Alberto Santos
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A Time For Us
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Soul - Musical Creations
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SheetMusicPlus
Luther: Out of the Depths for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. …
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Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.86 €
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Alto, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Viola & Piano
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jmsgu3
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SheetMusicPlus
Over The Rainbow (from The Wizard Of Oz)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.734807 By Judy Garland. By Harold …
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Piano,Viola - Level 3 - Digital Download SKU: A0.734807 By Judy Garland. By Harold Arlen. Arranged by Joseph Hasper. Film/TV. Score and part. 11 pages. Joseph Hasper #3541051. Published by Joseph Hasper (A0.734807). The perfect wedding song, and one of the best loved songs of the past 100 years! Scored for viola and piano, this is a uniquely modern classical piece that will satisfy audiences and performers alike. Key of F major, with viola range to F4 (octave and a fourth above middle C).Over the Rainbowwas written for the movie The Wizard of Oz and was sung by actress Judy Garland, in her starring role as Dorothy Gale. It won the Academy Award for Best Original Song and became Garland's signature song, as well as one of the most enduring standards of the 20th century. The song is number one on the Songs of the Century list compiled by the Recording Industry Association of America and the National Endowment for the Arts. The American Film Institute also ranked the song the greatest movie song of all time on the list of AFI's 100 Years...100 Songs.For more solos like this, please visit our publisher page on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Joseph-Hasper/1563
$9.98
9.14 €
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Alto, Piano
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Judy Garland
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Joseph Hasper
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Over The Rainbow
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Joseph Hasper
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SheetMusicPlus
I Surrender All (Viola solo and Piano)
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.628743 Composed by Winfield Scott …
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Piano,Viola - Level 2 - Digital Download SKU: A0.628743 Composed by Winfield Scott Weeden. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Score and part. 10 pages. Exultet Music #6212791. Published by Exultet Music (A0.628743). The tender Gospel hymn that has scripture references to Luke 14:33 Any of you who does not give up everything he has cannot be My disciple. has been freshly arranged for a Viola solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.57 €
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Alto, Piano
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Winfield Scott Weeden
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Stephen DeCesare
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I Surrender All
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Exultet Music
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SheetMusicPlus
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549814 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549814 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 47 pages. Jmsgu3 #3545591. Published by jmsgu3 (A0.549814). Duration: 6:12, Score: 29 pages, Solo part: 5 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.19 €
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Alto, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549792 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549792 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3538867. Published by jmsgu3 (A0.549792). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most memorable melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five indeed rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.19 €
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Alto, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Viola & Piano
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jmsgu3
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SheetMusicPlus
The Lily of the Valley (Trio for Violin, Viola and Piano)
Alto, Piano
Small Ensemble Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.523955 Compo…
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Small Ensemble Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.523955 Composed by William S. Hays, Scott Joplin, Louis Chauvin. Arranged by John A. Dempsey. Christian,Praise & Worship,Ragtime,Sacred,Traditional. Score and parts. 18 pages. John A. Dempsey #4363507. Published by John A. Dempsey (A0.523955). A trio for violin, viola and piano, this arrangement is graced with the sparkling charm of the ragtime classic Heliotrope Bouquet mixed with the timeless beauty of the hymn The Lily of the Valley. Â Recommended as a prelude, postlude, an offertory or special music for traditional church services and other worship events, this music also makes an enchanting selection for recitals and concerts. Â 14 pages of music (that includes separate two-page parts for violin and viola). Â Concert Key: G major.
$11.99
10.98 €
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Alto, Piano
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William S
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John A
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The Lily of the Valley
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John A. Dempsey
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SheetMusicPlus
Jesus, Lover of My Soul for Violin or Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1228636 Composed by Joseph P. Holb…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1228636 Composed by Joseph P. Holbrook. Arranged by Hyrum Kohler. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 8 pages. Hyrum Kohler #824692. Published by Hyrum Kohler (A0.1228636). I wanted to play a hymn in church without simply playing the same thing three times in a row. And, without words, I wanted to express the tension and pain that occasionally and inevitably accompanies trying one's best to live a good life. This arrangement is simultaneously fresh, familiar, and reasonably challenging for the performer. This is my go-to for playing in a church setting, but it can also fit right in to a pedagogical or classical recital scenario. The traditional tune wears different clothes throughout the piece, having variance in time signature, key signature, and mode (dipping into minor). This is a simplification and compression of my original arrangment for string quartet. I originally intended this to be for viola, but it just so happened to fit in the violin's range; I left the part in treble clef to accommodate both options. The piano part is somewhat easier to play than the violin/viola part (evidenced by how I can kind of play it), but it still serves a collaborative or duet role, sharing and passing the melody betwen parts.
$4.99
4.57 €
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Alto, Piano
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Joseph P
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Hyrum Kohler
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Jesus, Lover of My Soul for Violin or Viola and Piano
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Hyrum Kohler
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.19 €
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Alto, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
Endless Love
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.505919 By Diana Ross & Lionel Rich…
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Piano,Viola - Level 2 - Digital Download SKU: A0.505919 By Diana Ross & Lionel Richie, Lionel Richie Feat. Shania Twain, and Luther Vandross & Mariah Carey. By Lionel Richie. Arranged by Vitor Melo. 20th Century,Pop,Wedding. Score and part. 3 pages. Melo Music #117553. Published by Melo Music (A0.505919). Endless Love is a song written by Lionel Richie and originally recorded as a duet between Richie and fellow R&B singer Diana Ross. In this ballad, the singers declare their endless love for one another. Since its release in 1981, it has been covered by several artists. Billboard has named the original version as the greatest song duet of all-time. Key: Bb.
$5.99
5.49 €
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Alto, Piano
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Diana Ross & Lionel Richie, Lionel Richie Feat
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Vitor Melo
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Endless Love
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Melo Music
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SheetMusicPlus
The Pride of Occitania for Cello (or Viola) and Piano
Alto, Piano
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 4 - Digital Download
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 4 - Digital Download SKU: A0.853150 Composed by Hans-Andre Stamm. 20th Century,Celtic,Concert,World. Score and parts. 10 pages. Hans-Andre Stamm #3488685. Published by Hans-Andre Stamm (A0.853150). The piece is the 2nd mvmt of a 2 part Suite for violin and organ, the 1st mvmt being Romance (also available). The piece is the 2nd mvmt of a 2 part Suite for violin and organ, the 1st mvmt being Romance (also available). With its combination of chasing tremolos with melody lines it is inspired by visits of the Pays cathare in South West France, which in medieval times was part of Occitania, which still holds a rich spiritual heritage which tells from the Gnostic movement of the Cathars, from troubabours, minnesong and the long power struggle to defend the freedom ot this region, which was finally absorbed by the French king. An alternative viola part is included.Listen to the version with violin on Youtube: www.youtube.com/watch?v=Bi6j84xgGBU
$8.95
8.2 €
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Alto, Piano
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Hans-Andre Stamm
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The Pride of Occitania for Cello
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Hans-Andre Stamm
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SheetMusicPlus
Carol of the Birds - Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.721137 Composed by Traditional. Ar…
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Piano,Viola - Level 3 - Digital Download SKU: A0.721137 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score and part. 3 pages. Music-Scores.com #3885409. Published by Music-Scores.com (A0.721137). Carol of the Birds: traditional, beautiful Catalan carol, which was played by Pablo Casals before every concert to symbolise his yearning for Catalonia after he had been exiled.This is for Viola and Piano.Playing time up to 3 minutes, depending how slow, and whether repeats are taken.Arranged by Anne Christopherson at https://www.music-scores.com
$5.95
5.45 €
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Alto, Piano
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Traditional
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Carol of the Birds - Viola and Piano
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Music-Scores.com
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SheetMusicPlus
The Power Of The Cross (oh To See The Dawn)
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1103074 Composed by Keith Getty an…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1103074 Composed by Keith Getty and Stuart Townend. Arranged by Stephen DeCesare. Christian,Contemporary,Easter,Praise & Worship,Sacred. Score and part. 14 pages. Exultet Music #706403. Published by Exultet Music (A0.1103074). The beautiful Contemporary Christian / Praise and Worship hymn by Stuart Townend has now been freshly arranged for a Viola solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year but especially during the Easter season.
$4.99
4.57 €
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Alto, Piano
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Keith Getty and Stuart Townend
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Stephen DeCesare
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The Power Of The Cross
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Exultet Music
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SheetMusicPlus
Time To Say Goodbye
Alto, Piano
Small Ensemble Cello,Piano,Viola - Level 3 - Digital Download SKU: A0.524305 By And…
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Small Ensemble Cello,Piano,Viola - Level 3 - Digital Download SKU: A0.524305 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John A. Dempsey. Classical,Contemporary,Film/TV,Multicultural,Opera,World. Score and parts. 19 pages. John A. Dempsey #5287613. Published by John A. Dempsey (A0.524305). This sublime song, full of emotion coupled with a majestic melody that shines in both beauty and brilliance, is arranged here as a trio for viola, cello and piano.  The piano part (richer now, due to embellishments and a varied accompaniment for each chorus) compliments the soaring melody.  Also known as Con Te Partiró, this music will undoubtedly appeal to lovers of Puccini, Donizetti, Delibes and Verdi, but pop fans will also find much to love.  Recommended for concerts, recitals and other multiple venues.  15 pages of music (that includes separate two-page parts for viola and cello).  Key: D major.
$12.99
11.9 €
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Alto, Piano
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Andrea Bocelli & Sarah Brightman
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John A
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Time To Say Goodbye
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John A. Dempsey
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SheetMusicPlus
A Touch of Beethoven: It Is Well With My Soul (Viola and Piano)
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.847999 Composed by Horatio Spaffor…
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Piano,Viola - Level 4 - Digital Download SKU: A0.847999 Composed by Horatio Spafford, Philip P. Bliss and Ludwig van Beethoven. Arranged by John A. Dempsey. Christian,Classical,Easter,Praise & Worship,Sacred. Score and part. 14 pages. John A. Dempsey #454699. Published by John A. Dempsey (A0.847999). This timeless hymn, the very essence of tranquility and quiet beauty, is arranged here as a duet for viola and piano. Â Recommended for traditional church services and other worship events (including funerals), as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. 10 pages of music (that includes a separate two-page viola part). Key: G major.
$6.99
6.4 €
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Alto, Piano
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Horatio Spafford, Philip P
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John A
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A Touch of Beethoven: It Is Well With My Soul
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John A. Dempsey
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.19 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
Wexford Carol - Viola solo
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.823191 Composed by Traditional Iri…
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Piano,Viola - Level 4 - Digital Download SKU: A0.823191 Composed by Traditional Irish Carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 10 pages. Budaful music #6717011. Published by budaful music (A0.823191). The haunting, melodic beauty in this arrangement of Wexford Carol is full of lush harmonies and imitative countermelodies making it a great piece to perform in Christmas concerts and in church services. There are two performance options in this arrangement. One option is to, obviously, perform the piece as written all the way through. (approx. 3:50) The other (less recommended) option would be to omit one of the 3 verses which cuts over a minute of performance time. (approx. 2:40)Viola part is included at the end of the PDF.The words of the final verse is only part of what makes this carol so powerful:With thankful heart and joyful mind,The shepherds went the babe to find,And as God’s angel has foretold,They did our Savior Christ behold.Within a manger He was laid,And by His side the virgin maidAttending to the Lord of Life,Who came on earth to end all strife.
$4.99
4.57 €
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Alto, Piano
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Traditional Irish Carol
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Brian Buda
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Wexford Carol - Viola solo
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budaful music
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549550 Composed by Edvard Grieg. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549550 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507495. Published by jmsgu3 (A0.549550). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.86 €
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Alto, Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Viola & Piano
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jmsgu3
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SheetMusicPlus
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