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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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EUPHONIUM
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
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MANDOLINE
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PIANO & CLAVIERS
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1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
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Accompagnement Piano
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
53
Guitare notes et tablatures
12
Guitare
7
4 Guitares (Quatuor)
6
2 Guitares (duo)
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Ukulele
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Paroles et Accords
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VOIX
Voix seule
116
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62
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21
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7
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VENTS
Clarinette
21
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17
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16
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15
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14
Ensemble de saxophones
14
Clarinette et Piano
13
Quintette de Saxophone: 5 saxophones
9
Ensemble de Clarinettes
8
Cor anglais, Piano
8
Saxophone Baryton, Piano
8
Saxophone Alto
7
Flûte traversière
7
Ensemble de Flûtes
6
Saxophone Soprano et Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Flûte à bec Soprano
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone (partie séparée)
4
Saxophone Tenor
4
Clarinette Basse, Piano
4
Saxophone
3
Saxophone Soprano
3
Quatuor de Clarinettes: 4 clarinettes
3
Quatuor de Saxophones: 4 saxophones
3
Clarinette, Harpe (duo)
3
Hautbois (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Clarinette (duo)
2
Quatuor de Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
Hautbois
2
2 Flûte à bec (duo)
2
Flûte et Guitare
2
Flûte, Hautbois, Clarinette, Basson
1
Flûte à bec Alto
1
2 Saxophones (duo)
1
2 Flûtes traversières, Piano
1
Clarinette (partie séparée)
1
Saxophone et Orgue
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Harmonica, Piano
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Flute (partie séparée)
1
Piccolo, Piano
1
3 Saxophones (trio)
1
3 Clarinettes (trio)
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
Hautbois, Harpe
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Flûte à Bec
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette
12
Cor et Piano
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Cor anglais, Piano
8
Trombone et Piano
8
Euphonium, Piano (duo)
7
Trompette, Piano
6
Ensemble de Trombones
6
Trombone
4
Cor
4
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba
2
Ensemble de Trompettes
2
Tuba et Piano
2
Trompette (partie séparée)
2
Trompette, Harpe
1
Trompette, Cor (duo)
1
Trombone (partie séparée)
1
Cor et Harpe
1
Cor (partie séparée)
1
Ensemble de Cors
1
3 Trombones (trio)
1
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CORDES
Violon et Piano
42
Quatuor à cordes: 2 violons, alto, violoncelle
23
Harpe
21
Violon
19
Alto, Piano
17
Violoncelle, Piano
15
Alto seul
8
2 Violoncelles (duo)
7
Violoncelle (partie séparée)
6
Violon, Violoncelle (duo)
5
2 Altos (duo)
5
2 Violons (duo)
4
Violoncelle
4
Alto (partie séparée)
4
Contrebasse (partie séparée)
3
Ensemble de Violons
3
Ensemble d'Altos
3
Violon, Alto (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Contre Basse
3
Alto et Harpe
2
Violon (partie séparée)
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Violon, Guitare (duo)
1
Harpe (partie séparée)
1
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
26
Orchestre
14
Orchestre d'harmonie
7
Ensemble Jazz
5
Orchestre de chambre
5
Cloches
2
Ensemble de cuivres
2
Marimba
1
Percussion (partie séparée)
1
Timbales (partie séparée)
1
Fanfare
1
Jazz combo
1
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AUTRES
Vous avez sélectionné:
Erin M
Alto, Piano
Partitions à imprimer
17 partitions trouvées
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1
LORD, I'M COMING HOME (for Viola and Piano with Score/Part)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.617584 Composed by William J. Kirk…
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Piano,Viola - Level 3 - Digital Download SKU: A0.617584 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The Lanier Company #5790775. Published by The Lanier Company (A0.617584). LORD, I'M COMING HOME is an arrangement by Gary Lanier for Viola and Piano of one of our most cherished Hymns. The theme is one of resolve to return to the Lord. This emotionally packed arrangement is perfect for Church or any gathering where hymns of testimony are desired. The score, including cover and instrumental part is 13 pages long.
$6.99
6.54 €
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Alto, Piano
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William J
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Gary Lanier
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LORD, I'M COMING HOME
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The Lanier Company
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SheetMusicPlus
Qu'on m'apporte ma flûte (Bring Me My Flute)
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.1424340 Composed by Traditional Fr…
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Piano,Viola - Level 1 - Digital Download SKU: A0.1424340 Composed by Traditional French Song. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,Traditional. Score and part. 2 pages. Kaiserin Rebecca #1005530. Published by Kaiserin Rebecca (A0.1424340). For viola solo and piano accompaniment with chords.Key: G major. Duration: 0'33.
$4.99
4.67 €
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Alto, Piano
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Traditional French Song
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Kaiserin Rebecca
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Qu'on m'apporte ma flûte
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Kaiserin Rebecca
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SheetMusicPlus
Eine kleine Geige möcht' ich haben
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1367021 Composed by Traditional. A…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1367021 Composed by Traditional. Arranged by Kaiserin Rebecca. Children,Folk,Instructional,Traditional. Score and part. 2 pages. Kaiserin Rebecca #951363. Published by Kaiserin Rebecca (A0.1367021). For viola solo and piano accompaniment with chords.Key: D major. Duration: 0'27.
$4.99
4.67 €
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Alto, Piano
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Traditional
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Kaiserin Rebecca
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Eine kleine Geige möcht' ich haben
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Kaiserin Rebecca
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SheetMusicPlus
Fenesta che Lucivi e Mò non Luci
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.639591 Composed by Neapolitan Folk…
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Piano,Viola - Level 2 - Digital Download SKU: A0.639591 Composed by Neapolitan Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,Standards,World. Score and part. 3 pages. Kaiserin Rebecca #3482763. Published by Kaiserin Rebecca (A0.639591). For viola solo and piano accompaniment with chords.Key: A minorDuration: 1'07.
$4.99
4.67 €
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Alto, Piano
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Neapolitan Folk Song
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Kaiserin Rebecca
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Fenesta che Lucivi e Mò non Luci
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Kaiserin Rebecca
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SheetMusicPlus
Mädchens Wunsch
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.639844 Composed by Frederic Chopin…
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Piano,Viola - Level 2 - Digital Download SKU: A0.639844 Composed by Frederic Chopin. Arranged by Kaiserin Rebecca. Concert,Holiday,Love,Romantic Period,Standards,Wedding. Score and part. 3 pages. Kaiserin Rebecca #3538043. Published by Kaiserin Rebecca (A0.639844). For viola solo and piano accompaniment with chords.Key: B flat majorDuration: 0'57.
$4.99
4.67 €
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Alto, Piano
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Frederic Chopin
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Kaiserin Rebecca
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Mädchens Wunsch
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Kaiserin Rebecca
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SheetMusicPlus
Penitent Thief, The (for viola and piano)
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
23.38 €
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Alto, Piano
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Bach: Wachet auf for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.34 €
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Alto, Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Viola & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548704 Composed by Franz Schubert.…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548704 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411159. Published by jmsgu3 (A0.548704). A Viola Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Viola part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
28.02 €
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Alto, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Viola & Piano
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jmsgu3
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SheetMusicPlus
Kreisler, F. - Chanson Louis XIII et Pavane, for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1275420 Composed by Fritz Kreisler…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1275420 Composed by Fritz Kreisler. Arranged by Linda Scott. 20th Century,Classical,Instructional,Romantic Period. Score and part. 10 pages. Linda M Scott #867348. Published by Linda M Scott (A0.1275420). Kreisler wrote several pieces in the early 20th century, attributing them originally to other composers. In this case Kreisler wrote this piece in the style of Couperin, for violin and piano.
$5.99
5.6 €
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Alto, Piano
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Fritz Kreisler
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Linda Scott
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Kreisler, F. - Chanson Louis XIII et Pavane, for Viola and Piano
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Linda M Scott
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SheetMusicPlus
Al Di La' (Drake's English Version)
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.1393515 Composed by Carlo Donida L…
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Piano,Viola - Level 1 - Digital Download SKU: A0.1393515 Composed by Carlo Donida Labati, Ervin M Drake, and Giulio Rapetti Mogol. Arranged by Kaiserin Rebecca. Film/TV,Instructional,Pop,Singer/Songwriter,Wedding. Score and part. 4 pages. Kaiserin Rebecca #976972. Published by Kaiserin Rebecca (A0.1393515). For viola solo and piano accompaniment with chords.Key: D major. Duration: 2'15.
$8.99
8.41 €
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Alto, Piano
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Carlo Donida Labati, Ervin M Drake, and Giulio Rapetti Mogol
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Kaiserin Rebecca
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Al Di La'
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Kaiserin Rebecca
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SheetMusicPlus
Ich sah ein Röschen am Wege stehn
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.639912 Composed by Music by C.M.v.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.639912 Composed by Music by C.M.v.Weber. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,World. Score and part. 2 pages. Kaiserin Rebecca #3572067. Published by Kaiserin Rebecca (A0.639912). For viola solo and piano accompaniment with chords.Key: F majorDuration: 1'00.
$4.99
4.67 €
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Alto, Piano
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Music by C
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Kaiserin Rebecca
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Ich sah ein Röschen am Wege stehn
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Kaiserin Rebecca
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SheetMusicPlus
La Partida (Venezuela Waltz)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.639193 Composed by F.M.Alvarez. Ar…
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Piano,Viola - Level 3 - Digital Download SKU: A0.639193 Composed by F.M.Alvarez. Arranged by Kaiserin Rebecca. Instructional,Standards,World. Score and part. 3 pages. Kaiserin Rebecca #3409827. Published by Kaiserin Rebecca (A0.639193). For viola solo and piano accompaniment with chords.Key: A minorDuration: 1'15.
$4.99
4.67 €
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Alto, Piano
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F
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Kaiserin Rebecca
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La Partida
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Kaiserin Rebecca
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SheetMusicPlus
Que Me Van A Hablar De Amor
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.642537 By El Gringo De La Bachata.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.642537 By El Gringo De La Bachata. By Rudy Amado Perez. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin Rebecca #6526715. Published by Kaiserin Rebecca (A0.642537). Que Me Van A Hablar De Amor (I'm Going to Talk About Love). For viola solo and piano accompaniment with chords.
$6.99
6.54 €
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Alto, Piano
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El Gringo De La Bachata
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Kaiserin Rebecca
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Que Me Van A Hablar De Amor
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Kaiserin Rebecca
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.83 €
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Alto, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. …
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Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.34 €
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Alto, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Viola & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Go…
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Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888187. Published by jmsgu3 (A0.550913). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.83 €
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Alto, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
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jmsgu3
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SheetMusicPlus
Dying with Jesus (For Viola and Piano)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.511616 Composed by M.W.Moody. Arra…
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Piano,Viola - Level 3 - Digital Download SKU: A0.511616 Composed by M.W.Moody. Arranged by Han-Ki Kim. Contemporary,Sacred,Standards. Score and part. 7 pages. Han-Ki Kim #3619351. Published by Han-Ki Kim (A0.511616). Dying with Jesus is an arrangement for Viola and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the Concert where inspirational music is desired. Arranger is very experienced(with I Musici), and his works are very loved world widely. And, especially, Shown Bowing sign and Fingering will be very helpful to player. P.S. Attached MP3 file is played with Violin and Piano
$5.90
5.52 €
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Alto, Piano
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M
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Han-Ki Kim
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Dying with Jesus
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Han-Ki Kim
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SheetMusicPlus
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