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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Him
Non classifié
3 366
Piano & claviers
Piano seul
2 074
Piano, Voix
1 126
Piano, Voix et Guitare
796
Piano Facile
398
Orgue
263
Accompagnement Piano
124
Instruments en Do
119
1 Piano, 4 mains
87
Piano Trio: piano, violon, violoncelle
50
2 Pianos, 4 mains
42
Piano grosses notes
33
Accordéon
19
Piano (partie séparée)
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavier
5
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavecin
3
Orgue, Piano (duo)
2
Instrument seul et Orgue
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Accordéons
2
Fake Book
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
248
Ligne De Mélodie, (Paroles) et Accords
201
Guitare
198
Paroles et Accords
53
Ukulele
50
Basse electrique
19
2 Guitares (duo)
15
4 Guitares (Quatuor)
13
Mandoline
9
Ukulele Baryton
5
Guitare (partie séparée)
5
3 Guitares (trio)
5
Piano, Guitare (duo)
4
Banjo
3
Mandoline, Guitare (duo)
3
Ensemble de guitares
1
Dobro
1
Orchestre à Plectres
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 168
Chorale 3 parties
294
Pack Instrumental pour Chorale
182
Chorale Unison
170
Chorale 2 parties
151
Chorale TTBB
120
Voix seule
65
Chorale SSAA
46
Voix duo, Piano
32
Voix duo
28
Voix Soprano, Piano
28
Chorale
23
Voix haute
21
Voix Baryton, Piano
9
Voix Tenor, Piano
9
Voix Alto, Piano
8
Voix basse, Piano
7
Chorale SSATB
6
Voix moyenne, Piano
6
Chorale SSAATTBB
6
Chorale SSATTB
4
Voix Tenor
3
Voix Mezzo-Soprano, Piano
2
Voix et basse continue
2
Chorale SATBB
2
Soli, choeur mixte et accompagnement
2
Chorale SSAB a cappella
1
Voix Soprano
1
Chorale SSAATB
1
Chorale, Orgue
1
Chorale SAATB A Cappella
1
Chorale SSAB, Piano
1
Voix, Guitare
1
Chorale SATTB
1
+ 29 instrumentations
Retracter
Vents
Flûte traversière et Piano
242
Flûte traversière
202
Clarinette et Piano
176
Clarinette
142
Hautbois, Piano (duo)
132
2 Saxophones (duo)
132
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
121
2 Flûtes traversières (duo)
118
Quatuor de Saxophones: 4 saxophones
112
Saxophone Alto et Piano
101
Saxophone (partie séparée)
97
2 Clarinettes (duo)
77
Saxophone Alto
76
Flûte, Hautbois, Clarinette, Basson
75
Saxophone Tenor et Piano
73
Quatuor de Clarinettes: 4 clarinettes
69
Saxophone Tenor
58
Saxophone Soprano et Piano
55
Clarinette (partie séparée)
53
Hautbois (partie séparée)
44
Quintette de Saxophone: 5 saxophones
39
Quatuor de Flûtes : 4 flûtes
37
Ensemble de Flûtes
34
Saxophone Baryton, Piano
34
Hautbois
34
2 Hautbois (duo)
33
Ensemble de Clarinettes
32
Saxophone, Clarinette (duo)
31
Flute (partie séparée)
29
Flûte, Clarinette (duo)
29
Ensemble de saxophones
29
Clarinette, Violon (duo)
28
Cor anglais, Piano
26
3 Clarinettes (trio)
25
Flûte et Guitare
22
Quintette de Clarinettes: 5 clarinettes
20
Hautbois, Basson (duo)
20
3 Flûtes à bec (trio)
20
Clarinette Basse, Piano
20
3 Saxophones (trio)
17
Clarinette, Trompette (duo)
16
Hautbois, Clarinette (duo)
16
Flûte à bec Soprano
15
Clarinette, Guitare (duo)
14
Quatuor de Flûtes à bec
14
Clarinette et Alto
14
Flûte, Saxophone (duo)
13
Saxophone
12
Flûte, Trompette (duo)
12
Flûte, Violon
12
Trio de Flûtes: 3 flûtes
12
Flûte à Bec
12
Flûte, Alto (duo)
11
Hautbois, Flûte
10
Quintette de Flûte : 5 flûtes
9
Clarinette, Violoncelle (duo)
8
Clarinette, Basson (duo)
8
Flûte, Clarinette, Piano (trio)
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Violoncelle
7
2 Flûte à bec (duo)
6
Flûte, Hautbois (duo)
6
Ocarina
5
Flûte, Violon et Violoncelle
5
2 Saxophones, Piano
5
Cor anglais, Guitare (duo)
4
Clarinette, Harpe (duo)
4
Flûte, Hautbois, Basson
4
Flûte, Clarinette et Basson
4
Flûte, Basson et Piano
4
5 Flûtes à bec
4
Saxophone Soprano
4
2 Flûtes, Basse continue
3
Hautbois et alto (duo)
3
Flûte à bec Alto
3
Piccolo, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte traversière, Basse continue
3
2 Clarinettes, Piano
3
Hautbois, Guitare (duo)
3
Hautbois, Violoncelle
3
Flûte à bec Alto, Piano
3
Flûte, Alto et Piano
3
Hautbois, violon (duo)
2
Saxophone et Piano
2
Clarinette, Orchestre
2
2 Clarinettes, Basson
2
Cor Anglais
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Piano (trio)
2
Instruments en Mib
2
Ensemble De Flûte à bec
2
Flûte à bec Alto, Basse continue
2
Flûte traversière, Orgue (duo)
2
Clarinette Basse
2
2 Flûtes traversières, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Contrebasse (duo)
1
Harmonica
1
Saxophone et Harpe
1
Clarinette, Alto et Piano (trio)
1
Clarinette, trompette et piano
1
Flute, Cor (duo)
1
Flûte, Hautbois, Violon
1
Flûte traversière, Orchestre
1
Flûte à bec Soprano, Piano
1
Flûte, trombone et piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Tuba (duo)
1
Flûte, Trombone (duo)
1
Saxophone Baryton
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 107 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
193
Trombone et Piano
122
Trompette, Piano
105
Cor et Piano
105
Trompette
97
Trombone
92
Quatuor de Cuivres : 2 trompettes, trombone, tuba
82
Trombone (partie séparée)
69
Trompette (partie séparée)
62
Cor
61
Tuba
51
2 Trompettes (duo)
47
2 Trombones (duo)
45
Quatuor de cuivres: 4 trombones
36
Euphonium, Piano (duo)
32
Cor (partie séparée)
31
Tuba et Piano
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
28
Trompette, Trombone (duo)
28
Cor anglais, Piano
26
Trompette, Saxophone (duo)
25
Quatuor de Cuivres
23
2 Cors (duo)
22
Ensemble de Trombones
17
Tuba (partie séparée)
15
Quatuor de cuivres: 4 cors
11
Trio de Cuivres
9
2 Tubas (duo)
8
2 Euphoniums (duo)
7
Quatuor de cuivres: 4 trompettes
6
2 Euphoniums et 2 Tubas
6
Ensemble de Cors
5
Euphonium
5
Cor anglais, Guitare (duo)
4
Ensemble de Trompettes
4
Instruments en Sib
4
Bass Clef Instruments
3
4 Tubas
3
Cornet A Pistons
3
3 Trompettes (trio)
3
3 Trombones (trio)
3
Trompette, Cor (duo)
2
Trombone basse et Piano
2
Cor Anglais
2
Trompette, Trombone, Piano
2
Euphonium (partie séparée)
2
Trombone basse
2
Trompette et Guitare
2
Tuba et Orgue
2
Ensemble de Tubas
1
Trompette, Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
Instruments en Fa
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Orgue
1
Trompette, Tuba (duo)
1
Tuba ou Euphonium ou Saxhorn
1
2 Trombones, Piano
1
Trombone, Violon (duo)
1
Trompette, Violoncelle et Piano
1
Cor et Harpe
1
+ 56 instrumentations
Retracter
Cordes
Violon et Piano
403
Quatuor à cordes: 2 violons, alto, violoncelle
329
Violoncelle, Piano
197
Violon
128
Violoncelle
128
Alto, Piano
109
2 Violons (duo)
93
Violon, Violoncelle (duo)
83
Trio à Cordes: violon, alto, violoncelle
68
Alto seul
67
2 Violoncelles (duo)
65
Violon, Alto (duo)
47
Contre Basse
44
Harpe
42
Contrebasse, Piano (duo)
40
Violon (partie séparée)
39
2 Altos (duo)
39
Contrebasse (partie séparée)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Trio à Cordes: 2 violons, violoncelle
22
Alto (partie séparée)
22
Violoncelle (partie séparée)
16
4 Violoncelles
15
Violon, Guitare (duo)
13
2 Contrebasses (duo)
11
Alto, Violoncelle (duo)
9
2 Harpes (duo)
7
Quatuor à cordes: 4 violons
6
Ensemble de Violons
6
Violoncelle , Guitare (duo)
5
Trio à cordes: 3 violins
5
2 Violons, Piano
5
Trio à Cordes: 3 violoncelles
5
Harpe, Violoncelle (duo)
4
Harpe (partie séparée)
4
Violoncelle, Contrebasse (duo)
4
Piano Trio: Violon, Alto, Piano
4
Violon, Basson (duo)
3
Trio à cordes
3
Harpe, Violon (duo)
3
Harpe, Voix
3
Quatuor à cordes : 4 altos
3
Harpe, Flûte (duo)
2
4 Contrebasses
2
Violoncelle, Orgue
2
Harpe et Orgue
2
Alto et Harpe
2
Ensemble d'Altos
2
2 Altos, Piano
2
Violon, Clarinette, Piano (trio)
2
Alto, Guitare (duo)
2
Violoncelle, Orchestre
2
2 Violoncelles, Piano
1
Alto et Basson
1
Flûte, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Trio à Cordes: 2 violons, alto
1
3 Contrebasses
1
Violon, Orgue
1
Ensemble de Violoncelles
1
Harpe, Violon, Violoncelle
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
877
Cloches
574
Orchestre
341
Orchestre à Cordes
136
Ensemble de cuivres
112
Orchestre de chambre
89
Fanfare
68
Ensemble Jazz
60
Batterie
55
Ensemble de Percussions
49
Percussion (partie séparée)
28
Marimba
18
Jazz combo
15
Percussion
13
Timbales
12
Xylophone
8
Timbales (partie séparée)
7
Vibraphone
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
3
Xylophone, Piano
3
3 Marimbas
2
Orchestre, Violon
2
2 Marimbas
2
Big band
1
2 Percussions
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Vous avez sélectionné:
Him
Alto, Piano
Partitions à imprimer
109 partitions trouvées
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101
ONLY TRUST HIM (Duet – Viola & Piano with Parts)
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Alto, Piano
#
INTERMÉDIAIRE
#
Musique Sacrée
#
John H
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Gary Lanier
#
ONLY TRUST HIM
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The Lanier Company
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.614782 Composed by John H. Stockton. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 9 pages. The Lani...
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Piano,Viola - Level 3 - SKU: A0.614782 Composed by John H. Stockton. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 9 pages. The Lanier Company #2075983. Published by The Lanier Company (A0.614782). ONLY TRUST HIM is a duet arrangement for Viola & Piano of one of our most cherished Christian Hymns. The score, including cover and Viola part is 9 pages long. This arrangement is perfect for any Church or gathering where Christian inspirational music is desired. It works great for times of commitment to Christ. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: ONLY TRUST HIM (Piano Accompaniment for Viola).
$6.99
Whimsy
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Alto, Piano
#
INTERMÉDIAIRE
#
Lawrence H Underwood
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Whimsy
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Lawrence H Underwood
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1374123 By Lawrence H Underwood. By Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score an...
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Piano,Viola - Level 3 - SKU: A0.1374123 By Lawrence H Underwood. By Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 10 pages. Lawrence H Underwood #958699. Published by Lawrence H Underwood (A0.1374123). This original composition by veteran performer and music educator, Lawrence Underwood, is the ninth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Whimsy begins as a playful, quirky romp in 12/8, transitioning into a (slightly) more serious and (slightly) slower middle section before letting loose with a return to the capricious opening theme again. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure will make an excellent addition to any program!
$6.99
Praise The Lord! Ye Heavens, Adore Him (Viola solo and Piano)
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Alto, Piano
#
FACILE
#
Musique Sacrée
#
Stephen DeCesare
#
Stephen DeCesare
#
Praise The Lord! Ye Heavens, A
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Exultet Music
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1386349 By Stephen DeCesare. By Ludwig van Beethoven. Arranged by Stephen DeCesare. Christian,Classical,Easter,Praise & ...
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Piano,Viola - Level 2 - SKU: A0.1386349 By Stephen DeCesare. By Ludwig van Beethoven. Arranged by Stephen DeCesare. Christian,Classical,Easter,Praise & Worship,Sacred. Score and part. 10 pages. Exultet Music #970275. Published by Exultet Music (A0.1386349). The traditional hymn based on Psalm 148 that shows all of creation praising the Lord has been freshly arranged for a Viola solo with Piano accompaniment. Â Accessible and appropriate for any church setting. Â An accompaniment track is also available.
$4.99
I Need To See Him for Viola and Piano
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Alto, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
John Tweed
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I Need To See Him for Viola an
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John Tweed
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1006251 Composed by John Tweed. Contemporary. Score and part. 8 pages. John Tweed #6735895. Published by John Tweed (A0....
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Piano,Viola - Level 3 - SKU: A0.1006251 Composed by John Tweed. Contemporary. Score and part. 8 pages. John Tweed #6735895. Published by John Tweed (A0.1006251). A new Australian piece for viola and piano.
$4.99
Crown Him with Many Crowns (Viola Duet with Piano Accompaniment)
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Alto, Piano
#
FACILE
#
Musique Sacrée
#
George Job Elvey
#
B
#
Crown Him with Many Crowns
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Ben Dockery
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 2 - SKU: A0.1184787 Composed by George Job Elvey. Arranged by B. C. Dockery. Christian,Eas...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 2 - SKU: A0.1184787 Composed by George Job Elvey. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred,Traditional. 5 pages. Ben Dockery #784461. Published by Ben Dockery (A0.1184787). Arranged for two violas with optional piano accompaniment. Great for preludes, offertories, postludes, lessons, and recitals. Especially well-suited for Easter services. Includes score and parts.
$4.99
I Will Follow Him (i Will Follow You)
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Alto, Piano
#
FACILE
#
Little Peggy March
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Kaiserin Rebecca
#
I Will Follow Him
#
Kaiserin Rebecca
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1190544 By Little Peggy March. By Arthur Altman, Del Roma, J.W. Stole, Jacques Plante, and Norman Gimbel. Arranged by Ka...
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Piano,Viola - Level 2 - SKU: A0.1190544 By Little Peggy March. By Arthur Altman, Del Roma, J.W. Stole, Jacques Plante, and Norman Gimbel. Arranged by Kaiserin Rebecca. Comedy,Contemporary,Film/TV,Pop,Wedding. Score and part. 4 pages. Kaiserin Rebecca #790127. Published by Kaiserin Rebecca (A0.1190544). For viola solo and piano accompaniment with chords.Key: C major. Duration: 1'21.
$8.99
Crown Him with Many Crowns (Viola Solo with Piano Accompaniment)
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Alto, Piano
#
FACILE
#
Musique Sacrée
#
George Job Elvey
#
B
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Crown Him with Many Crowns
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Ben Dockery
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1184794 Composed by George Job Elvey. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred,Traditional. Score an...
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Piano,Viola - Level 2 - SKU: A0.1184794 Composed by George Job Elvey. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred,Traditional. Score and part. 4 pages. Ben Dockery #784469. Published by Ben Dockery (A0.1184794). Arranged for viola solo with piano accompaniment. Great for preludes, offertories, postludes, lessons, and recitals. Especially well-suited for Easter services. Includes score and parts.
$3.99
Shimmering River, Starry Night (Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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John A
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Shimmering River, Starry Night
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John A. Dempsey
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.525042 Composed by John A. Dempsey. Classical,Holiday,New Age,Pop,Wedding. Score and part. 13 pages. John A. Dempsey #66...
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Piano,Viola - Level 4 - SKU: A0.525042 Composed by John A. Dempsey. Classical,Holiday,New Age,Pop,Wedding. Score and part. 13 pages. John A. Dempsey #6621499. Published by John A. Dempsey (A0.525042). Music mirroring the flowing beauty of rivers and nighttime canvas of stars found on a magical, midsummer evening, this romantic duet for viola and piano is recommended for concerts, recitals, banquets, holiday celebrations, weddings and as a prelude for other multiple events and venues. Â Suggested wedding uses: prelude, unity candle music, bridesmaid processional and wedding recessional. Â 9 pages of music (that includes a separate two-page viola part). Â Key: D major.
$7.99
Vom Himmel hoch
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Alto, Piano
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Uwe Korn
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Vom Himmel hoch
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Schott Music - Digital
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SheetMusicPlus
Viola and piano - SKU: S9.Q18751 Arranged by Uwe Korn. Downloadable. Schott Music - Digital #Q18751. Published by Schott Music - Digital (S9.Q18751).
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Viola and piano - SKU: S9.Q18751 Arranged by Uwe Korn. Downloadable. Schott Music - Digital #Q18751. Published by Schott Music - Digital (S9.Q18751). German.
$2.99
Joseph Joachim: Hebraische Melodie, Op. 9, No. 3 - viola & piano
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Alto, Piano
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AVANCÉ
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Classique
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Joseph Joachim
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Virtualsheetmusic
Instantly printable sheet music by Joseph Joachim for viola & piano of HIGH skill level. Contents: Concert Favourites, The Finest Concert and Encore Pieces / classical...
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Instantly printable sheet music by Joseph Joachim for viola & piano of HIGH skill level. Contents: Concert Favourites, The Finest Concert and Encore Pieces / classical
$6.99
Grieg: Morning Mood from Peer Gynt Suite for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549506 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Sc...
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Piano,Viola - Level 3 - SKU: A0.549506 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502223. Published by jmsgu3 (A0.549506). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Grieg: Peer Gynt Suite Complete for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.551513 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Stand...
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Piano,Viola - Level 4 - SKU: A0.551513 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306365. Published by jmsgu3 (A0.551513). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Anitra's Dance from Peer Gynt Suite for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549550 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wo...
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Piano,Viola - Level 3 - SKU: A0.549550 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507495. Published by jmsgu3 (A0.549550). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549570 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wo...
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Piano,Viola - Level 3 - SKU: A0.549570 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508663. Published by jmsgu3 (A0.549570). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549528 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standa...
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Piano,Viola - Level 3 - SKU: A0.549528 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505753. Published by jmsgu3 (A0.549528). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
La Coza for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Daniel Leo Simpson
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La Coza for Viola & Piano
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ScorePerfect
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Viola - Level 1 - SKU: A0.860351 Composed by Daniel Leo Simpson. Classical,Folk,Instructional,Standards,Weddin...
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Instrumental Duet Instrumental Duet,Piano,Viola - Level 1 - SKU: A0.860351 Composed by Daniel Leo Simpson. Classical,Folk,Instructional,Standards,Wedding. Score and parts. 10 pages. ScorePerfect #2026723. Published by ScorePerfect (A0.860351). La Coza for Viola & Piano is the very first composition of the San Francisco, award winning composer Daniel Leo Simpson. The 18 year old composer wrote this piece for himself to be played in his Theory & Composition class at the University of Arizona and was performed by him there on the viola with a classmate playing the piano part. It's a great Beginner/Early Intermediate piece staying in first position except for one quick 'flight' into third position. A wonderful performance piece suitable for weddings, church, recitals or simply as an educational instructional piece. The modest piano part is also player friendly making this piece a favorite with teachers and students alike.
$6.99
I Write The Songs
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Alto, Piano
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INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pa...
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Piano,Viola - Level 3 - SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486067. Published by jmsgu3 (A0.549328). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Love's Joy - Love's Sorrow
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Alto, Piano
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INTERMÉDIAIRE
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Fritz Kreisler
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Wolfgang Birtel
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Love's Joy - Love's Sorrow
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Schott Music - Digital
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SheetMusicPlus
Viola and piano - intermediate - SKU: S9.Q6397 From the Old Viennese dance tunes. Composed by Fritz Kreisler. Arranged by Wolfgang Birtel. This e...
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Viola and piano - intermediate - SKU: S9.Q6397 From the Old Viennese dance tunes. Composed by Fritz Kreisler. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q6397. Published by Schott Music - Digital (S9.Q6397). Apart from the collection of 'Classical Manuscripts' composed by Fritz Kreisler (1875-1962) and passed off by him as transcriptions of movements by old masters, the violonist published original works very early. Kreisler himself liked to play them as encore pieces, sweetening many a concert with such pieces of 'musical confectionary'. The most famous miniatures are undoubtedly 'Love's Joy' and 'Love's Sorrow', two 'old Viennese dance-tunes' in which Kreisler evoked the coffee-house atmosphere of his home town with wonderful melodies and beguiling harmonies. The miniatures are endearing, lively and catchy, yet with an elegiac air - but full of charm and elegance. These magnificent salon pieces are now available in an arrangement for viola and piano by Wolfgang Birtel.
$5.99
O Little Town of Bethlehem for Solo Viola and Piano
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Alto, Piano
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FACILE
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Noël
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Traditional
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Tim Curd
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O Little Town of Bethlehem for
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Tim Curd
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1128829 Composed by Traditional. Arranged by Tim Curd. Christmas. Score and part. 3 pages. Tim Curd #729358. Published b...
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Piano,Viola - Level 2 - SKU: A0.1128829 Composed by Traditional. Arranged by Tim Curd. Christmas. Score and part. 3 pages. Tim Curd #729358. Published by Tim Curd (A0.1128829). O Little Town of Bethlehem for Solo Viola and Piano The Chimes of Forest Green This version of O Little Town of Bethlehem is set the traditional English melody A Plough Boy's Dream/Forest Green. I have completely re-arranged the piano accompaniment to sound like a cascade of chiming Christmas bells and is completely different to the well known Vaughn Williams arrangement with just the traditional melody remaining. Solo and piano part included. A backing track is available here:.
$3.99
Penitent Thief, The (for viola and piano)
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Alto, Piano
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AVANCÉ
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #64...
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Piano,Viola - Level 5 - SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
Fauré: Élégie Op. 24 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standa...
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Piano,Viola - Level 4 - SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531351. Published by jmsgu3 (A0.549724). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Gary Lanier: 3 HYMNS of PRAISE (Duets for Viola & Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Chester G
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Gary Lanier
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Gary Lanier: 3 HYMNS of PRAISE
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The Lanier Company
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.614189 Composed by Chester G. Allen, Stralsund Gesangbuch, and Welsh Hymn Tune. Arra...
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Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.614189 Composed by Chester G. Allen, Stralsund Gesangbuch, and Welsh Hymn Tune. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 28 pages. The Lanier Company #433455. Published by The Lanier Company (A0.614189). 3 HYMNS of PRAISE arranged by Gary Lanier is for Viola and Piano. The hymn titles are (1) Immortal, Invisible, God Only Wise, (2) Praise Him! Praise Him!, & (3) Praise to the Lord, the Almighty. All for the price of 2. Ideal for offertories, special music for worship services, or for the joy of playing in any situation where music emphasizing praise of God is desired (28 pages). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available for Viola, listing each Hymn individually: (1) IMMORTAL, INVISIBLE (Piano Accompaniment for Viola), (2) PRAISE HIM! PRAISE HIM! (Piano Accompaniment for Viola), & (3) PRAISE TO THE LORD, THE ALMIGHTY (Piano Accompaniment for Viola).
$11.90
Bach: Wachet auf for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Viola &am
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Bist du bei mir BWV 508 for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
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Piano,Viola - Level 2 - SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
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