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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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PIANO & CLAVIERS
Piano seul
360
Piano, Voix
217
Piano Facile
76
Orgue
25
Piano, Voix et Guitare
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Accompagnement Piano
10
Instruments en Do
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Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
7
2 Pianos, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
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GUITARES
Guitare
38
Guitare notes et tablatures
19
2 Guitares (duo)
6
Ukulele
3
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
Basse electrique
1
4 Guitares (Quatuor)
1
Mandoline
1
Banjo
1
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1
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1
2 Dulcimers (duo)
1
Orchestre à Plectres
1
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VOIX
Chorale SATB
160
Chorale 3 parties
37
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31
Chorale Unison
25
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17
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11
Voix Soprano, Piano
7
Voix Alto, Piano
2
Chorale SSAATTBB
1
Chorale
1
Soli, choeur mixte et accompagnement
1
Voix haute
1
Voix duo, Piano
1
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VENTS
Flûte traversière et Piano
41
Saxophone Alto et Piano
29
2 Saxophones (duo)
25
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25
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24
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21
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21
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21
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20
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16
2 Clarinettes (duo)
15
2 Flûtes traversières (duo)
15
Saxophone, Clarinette (duo)
14
Flûte, Hautbois, Clarinette, Basson
13
Flûte, Clarinette (duo)
12
Clarinette, Violon (duo)
12
Ensemble de Clarinettes
11
Clarinette
11
Clarinette, Trompette (duo)
9
Flûte, Violon
9
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9
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8
Quintette de Clarinettes: 5 clarinettes
8
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7
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7
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7
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6
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6
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6
Quatuor de Flûtes : 4 flûtes
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5
Hautbois (partie séparée)
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4
Trio de Flûtes: 3 flûtes
4
Clarinette, Violoncelle (duo)
4
Flûte et Guitare
4
Flûte à bec Soprano
3
Flûte, Violoncelle
3
Saxophone Alto
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Saxophone et Guitare
2
3 Saxophones (trio)
2
Hautbois, Violoncelle
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Quintette de Flûte : 5 flûtes
2
Flûte à bec Alto, Piano
2
Flûte, Clarinette, Piano (trio)
1
Flute (partie séparée)
1
Flûte, Clarinette et Basson
1
Flûte à Bec
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon et Violoncelle
1
Hautbois, Guitare (duo)
1
Piccolo
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Cor Anglais
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Flûte à Bec, Piano
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Hautbois, violon (duo)
1
Hautbois et alto (duo)
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trombone et Piano
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Piano
13
Euphonium, Piano (duo)
11
Trompette, Saxophone (duo)
10
2 Trombones (duo)
10
Trompette
9
Cor anglais, Piano
8
Cor et Piano
8
Tuba
8
Cor
6
Ensemble de Trombones
6
2 Trompettes (duo)
6
Trombone (partie séparée)
6
Quatuor de Cuivres
5
Quatuor de cuivres: 4 trombones
5
Tuba et Piano
5
Trompette, Trombone (duo)
5
Trompette (partie séparée)
4
Cor (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba (partie séparée)
3
3 Trombones (trio)
3
2 Euphoniums et 2 Tubas
2
2 Cors (duo)
2
Ensemble de Tubas
1
Trombone, Orgue
1
Trio de Cuivres
1
Cor et Harpe
1
2 Tubas (duo)
1
Trombone
1
Cor Anglais
1
Trompette, Harpe
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
102
Violon et Piano
50
Harpe
34
Violoncelle, Piano
32
Alto, Piano
21
Trio à Cordes: violon, alto, violoncelle
18
Violon
16
2 Violons (duo)
15
2 Violoncelles (duo)
14
Violon (partie séparée)
14
Violon, Violoncelle (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Violon, Alto (duo)
9
2 Altos (duo)
9
2 Harpes (duo)
5
Violoncelle (partie séparée)
5
Violon, Guitare (duo)
4
Contre Basse
4
Contrebasse, Piano (duo)
4
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
3
Contrebasse (partie séparée)
3
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
Violoncelle
2
Harpe, Voix
2
Ensemble de Violons
1
Violon, Violoncelle, Clarinette
1
Ensemble d'Altos
1
Violoncelle, Orchestre
1
Alto et Basson
1
4 Contrebasses
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
4 Harpes
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Trombone (duo)
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
309
Orchestre à Cordes
105
Orchestre
50
Ensemble de cuivres
32
Orchestre de chambre
25
Cloches
15
Ensemble Jazz
10
Percussion (partie séparée)
7
Jazz combo
4
Ensemble de Percussions
3
2 Marimbas
1
Piano et Orchestre
1
Batterie (partie séparée)
1
Marimba
1
Orchestre, Violon
1
Xylophone
1
Marimba, Piano (duo)
1
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AUTRES
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In The First Light
Alto, Piano
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Sonata in a Simple Scale for Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Matter…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
7.37 €
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Alto, Piano
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Daniell Mattern
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Sonata in a Simple Scale for Viola and Piano
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Daniell Mattern
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.34 €
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Alto, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.34 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
The First Noel
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1325851 Composed by Traditional. A…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1325851 Composed by Traditional. Arranged by André Nusa. Christmas,Traditional. Score and part. 2 pages. Andre_Nusa #914042. Published by Andre_Nusa (A0.1325851). Unleash the enchantment of The First Noel with this exquisite arrangement for viola and piano, crafted for both beginner and intermediate players. This sheet music offers a seamless blend of accessibility and artistic depth, making it an ideal choice for those in the early stages of their musical journey or seeking a delightful challenge. Dive into the magic of the holiday season as you explore the rich harmonies and expressive nuances of this timeless carol. Perfect for recitals, festive gatherings, or personal enjoyment, this arrangement ensures a memorable and rewarding musical experience.
$5.99
5.52 €
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Alto, Piano
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Traditional
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André Nusa
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The First Noel
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Andre_Nusa
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SheetMusicPlus
The Easy Winners, for Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1106224 Composed by Scott Joplin. …
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Piano,Viola - Level 4 - Digital Download SKU: A0.1106224 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709338. Published by David McKeown (A0.1106224). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Viola with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.67 €
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Alto, Piano
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Scott Joplin
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David McKeown
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The Easy Winners, for Viola and Piano
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David McKeown
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SheetMusicPlus
This Little Light of Mine, Gospel Song for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.593382 Composed by Traditional. Ar…
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Piano,Viola - Level 2 - Digital Download SKU: A0.593382 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418585. Published by David McKeown (A0.593382). This Little Light of Mine is a beautiful gospel song arranged here for Solo Viola and Piano.This Little Light of Mine has been a popular song since the beginning of the twentieth century though its origins remain unclear. First recorded in 1934, the song was popular in the folk revival and often is sung with altered lyrics to fit the occasion.
$2.49
2.29 €
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Alto, Piano
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Traditional
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David McKeown
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This Little Light of Mine, Gospel Song for Viola and Piano
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David McKeown
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scria…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.37 €
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Alto, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Five Ragtime Solos by Scott Joplin for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1118324 Composed by Scott Joplin. …
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Piano,Viola - Level 3 - Digital Download SKU: A0.1118324 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719842. Published by David McKeown (A0.1118324). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Viola with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.2 €
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Alto, Piano
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Joplin for Viola and Piano
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David McKeown
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SheetMusicPlus
Viola Sonata No.1
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.518943 Composed by Han-Ki Kim. 20t…
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Piano,Viola - Level 5 - Digital Download SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. Han-Ki Kim #129615. Published by Han-Ki Kim (A0.518943). Viola Sonata No.1 “KangKangSullae†For Viola and Piano Sonata No. 1 has the name “KangKangSullaeâ€, and the composer is like any other composer. “What does it mean to be Korean music?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the sonata as an element that forms the basic character of this movement. For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest. The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form. But, in this sonata, two contrasting themes, eastern and western, develop. The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, and expresses oriental excellence and emotion. The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time. The fourth movement quoted the theme of “KangKangSullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes solemnly, sometimes sobbing, calmly, etc.
$14.99
13.8 €
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Alto, Piano
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Han-Ki Kim
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Viola Sonata No.1
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Han-Ki Kim
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SheetMusicPlus
Caprice for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.955749 Composed by Phil Thrift. Co…
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Piano,Viola - Level 2 - Digital Download SKU: A0.955749 Composed by Phil Thrift. Contemporary. Score and part. 11 pages. Phil Thrift #6683993. Published by Phil Thrift (A0.955749). Caprice started out as a totally different piece of music, as a song in fact. However, in this modified form in a different key, it works well as a short, easy solo for viola. This is a light piece without any technical difficulties, but the modest musical material will test your musicality. It’s mainly about melody, not technical abilities. Spirited, lyrical, reflective – those are the three moods the player needs to communicate, and always with a light touch. The first section, up to the key change, should be thought of as a song. That is followed by an instrumental interlude before the song returns at measure 72. At times there is a hint of Latin feeling in the piano accompaniment, which will require some sensitive playing to support that song-like concept. The repetition of the opening four notes in the solo part at the end should not be played loud – they should be regarded as an afterthought. Likewise, the last note in the piano part should not be a we’ve-reached-the-end thump, instead played lightly, like an understatement.
$3.99
3.67 €
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Alto, Piano
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Phil Thrift
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Caprice for Viola and Piano
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Phil Thrift
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SheetMusicPlus
I Love You Truly-viola/piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.844627 Composed by Phil Beaman. 20…
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Piano,Viola - Level 2 - Digital Download SKU: A0.844627 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413063. Published by Phil Beaman (A0.844627). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.52 €
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Alto, Piano
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Phil Beaman
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I Love You Truly-viola/piano
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Phil Beaman
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SheetMusicPlus
O Holy Night for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.548681 Composed by Adam. Arranged …
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Piano,Viola - Level 2 - Digital Download SKU: A0.548681 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410447. Published by jmsgu3 (A0.548681). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.97 €
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Alto, Piano
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Adam
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James M
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O Holy Night for Viola & Piano
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jmsgu3
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SheetMusicPlus
CHRISTMAS CAROL SUITE (Viola and Piano with Score & Parts)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.616421 Composed by Various. Arrang…
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Piano,Viola - Level 3 - Digital Download SKU: A0.616421 Composed by Various. Arranged by Gary Lanier. Christian,Christmas,Praise & Worship,Sacred. Score and part. 28 pages. The Lanier Company #3236551. Published by The Lanier Company (A0.616421). 2017 Holiday Contest Entry. CHRISTMAS CAROL SUITE is comprised of 3 arrangements by Gary Lanier for Viola & Piano of some of our most cherished Christmas Carols (3 for the price of 2). The first arrangement, Christmas Joy Medley, highlights (1) JOY TO THE WORLD, (2) O COME ALL YE FAITHFUL and (3) AWAY IN A MANGER. Our next arrangement is a joyous setting of GOOD CHRISTIAN MEN, REJOICE. The suite ends with another medley titled, ANGELS CHRISTMAS MEDLEY using the carols, Angels We Have Heard on High and The First Noel. The score, including cover & parts is 28 pages long. These arrangements are perfect for any Church or gathering where celebrating the reason for the season is desired.
$11.98
11.03 €
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Alto, Piano
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Various
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Gary Lanier
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CHRISTMAS CAROL SUITE
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The Lanier Company
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SheetMusicPlus
Applause
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.547661 By Lady Gaga. By Dino Zisis…
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Piano,Viola - Level 3 - Digital Download SKU: A0.547661 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefani Germanotta, Steve Guess, and William Grigahcine. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 10 pages. Jmsgu3 #3031059. Published by jmsgu3 (A0.547661). Lady Gaga: Applause Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Duration: 3'26In the United States, Nielsen SoundScan predicted Applause to sell upwards of 400,000 units in their first week.[37][56] By the end of the week, Nielsen SoundScan and Billboard had lowered the estimated amount of Applause's first week sales from 400,000 to 200,000–225,000.[57][58] Applause did not enter the Billboard's Hot 100 in its first week.[56] It also ranked below the top 75 threshold of the US Radio Songs chart, with 16 million audience impressions across 210 stations, with the track officially impacting radio stations on August 19, 2013. Applause reached number one on the Dance/Electronic Songs chart,[56] and entered the US Pop Songs Chartat number 20; the highest debut on that chart, by a solo female artist in 2013. The following week, Applause debuted at number six on the Billboard Hot 100. Following its radio and retail release the track charted on Digital Songs at number three, Streaming Songs at number nine and Radio Songs at number forty.[59]On its second week on the Hot 100, the song climbed to number four while reaching number three on Streaming Songs (due the release of the music video), and number thirty-five on Radio Songs, and falling to number five on Digital Songs with sales of 163,000.[60] In its sixth week, the song sold 160,000 copies and reached sales of 1 million copies, becoming her eleventh song to do so.[61] In the same week, it rose to number nine on the Radio Songs chart, becoming her tenth single to reach the top-ten there.[62] It managed to stay in the top-ten of the Billboard Hot 100 for 14 consecutive weeks. As of April 2016, the song had sold 2,640,000 copies in the United States,[63] and has been certified triple platinum by the Recording Industry Association of America (RIAA).[64]According to the Official Charts Company, Applause sold over 10,000 copies within a few hours in the UK.[32] It debuted and peaked at number five on the UK Singles Chart, making it her highest charting single since Born This Way (2011). Applause sold 38,042 copies by the end of the first week, and dropped to number nine on its second week.[65] It was present for a total of 20 weeks within the top-100 of the chart.[66] The British Phonographic Industry (BPI) certified it Gold,[67] and it has sold slightly under 300,000 copies as of September 2016.[68] Applause was also certified Gold in other international markets including Italy, New Zealand, and Sweden.[69][70][71] Wikipedia
$29.95
27.58 €
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Alto, Piano
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Lady Gaga
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James M
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Applause
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jmsgu3
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1036227 Composed by Edward Elgar. …
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Piano,Viola - Level 3 - Digital Download SKU: A0.1036227 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #641333. Published by Diego Marani (A0.1036227). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for viola with piano is suitable for classroom, repertoire and recital.
$9.99
9.2 €
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Alto, Piano
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No. 1 for Viola and Piano
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Diego Marani
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SheetMusicPlus
Après un rêve (Fauré) for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1303425 Composed by Gabriel Faure.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1303425 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #893000. Published by SCORE EDITIONS (A0.1303425). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Viola and Piano by Harry Walker.
$5.99
5.52 €
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Alto, Piano
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.587790 Composed by Scott Joplin. A…
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Piano,Viola - Level 4 - Digital Download SKU: A0.587790 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967677. Published by David McKeown (A0.587790). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Viola and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203?aff_id=673683
$4.60
4.24 €
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Alto, Piano
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Joplin, for Viola and Piano
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David McKeown
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SheetMusicPlus
Saving All My Love For You
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1313119 By Whitney Houston. By Ger…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1313119 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and part. 6 pages. Kevin P Holdgate #901951. Published by Kevin P Holdgate (A0.1313119). Saving All My Love for You is a song written by Michael Masser and Gerry Goffin. American singer Whitney Houston recorded it for her self-titled debut studio album (1985). It was released on August 13, 1985, by Arista Records, as the second single from the album in the United States, and third worldwide. Whitney Houston's version of Saving All My Love for You garnered positive critical response, with reviewers praising its melodious production and her vocal performance, and picked it as one of the album's highlights. The song became a global success and represented a commercial breakthrough for her, topping the charts in four countries and reaching the top 10 in various other regions. It became her first song to top the US Billboard Hot 100, and was certified Platinum by the RIAA for sales of over 1 million copies. At the 28th Annual Grammy Awards, it won for Best Female Pop Vocal Performance.
$5.99
5.52 €
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Alto, Piano
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Whitney Houston
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Kevin P Holdgate
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Saving All My Love For You
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Kevin P Holdgate
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SheetMusicPlus
La Coza for Viola & Piano
Alto, Piano
Instrumental Duet Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.86…
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Instrumental Duet Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.860351 Composed by Daniel Leo Simpson. Classical,Folk,Instructional,Standards,Wedding. Score and parts. 10 pages. ScorePerfect #2026723. Published by ScorePerfect (A0.860351). La Coza for Viola & Piano is the very first composition of the San Francisco, award winning composer Daniel Leo Simpson. The 18 year old composer wrote this piece for himself to be played in his Theory & Composition class at the University of Arizona and was performed by him there on the viola with a classmate playing the piano part. It's a great Beginner/Early Intermediate piece staying in first position except for one quick 'flight' into third position. A wonderful performance piece suitable for weddings, church, recitals or simply as an educational instructional piece. The modest piano part is also player friendly making this piece a favorite with teachers and students alike.
$6.99
6.44 €
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Alto, Piano
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Daniel Leo Simpson
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La Coza for Viola & Piano
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ScorePerfect
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SheetMusicPlus
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