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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In the Rhythm of the Baroque
Non classifié
98
Piano & claviers
Piano seul
99
Piano Facile
28
Orgue
23
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Piano grosses notes
2
Clavecin
1
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano, Voix et Guitare
1
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare
11
Guitare notes et tablatures
6
Ukulele
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
3 Guitares (trio)
1
Mandoline
1
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
7
Chorale 3 parties
2
Voix Alto, Piano
1
Voix duo, Piano
1
Vents
2 Saxophones (duo)
17
2 Flûtes traversières (duo)
13
Quatuor de Clarinettes: 4 clarinettes
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Clarinette et Piano
8
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8
2 Clarinettes (duo)
8
Flûte traversière et Piano
6
Saxophone Alto et Piano
6
Hautbois, Piano (duo)
5
Saxophone, Clarinette (duo)
5
Saxophone Baryton, Piano
4
Quintette de Saxophone: 5 saxophones
4
Clarinette, Violon (duo)
4
3 Clarinettes (trio)
4
3 Saxophones (trio)
4
Saxophone Tenor et Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette
3
Cor anglais, Piano
3
Saxophone Soprano et Piano
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Trompette (duo)
3
Flûte, Violon
3
Quintette de Clarinettes: 5 clarinettes
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Hautbois, Basson (duo)
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Clarinette et Alto
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Flûte, Alto (duo)
2
Clarinette, Harpe (duo)
2
Quatuor de Flûtes à bec
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Hautbois (partie séparée)
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2 Hautbois (duo)
2
Flûte traversière
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Ensemble De Flûte à bec
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Saxophone Alto
2
Flûte à bec Alto
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Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Flûte, Saxophone (duo)
2
Ensemble de saxophones
2
Flûte, Hautbois, Basson
2
Hautbois, Clarinette (duo)
2
Ensemble de Clarinettes
1
Flûte, Clarinette (duo)
1
Clarinette Basse, Piano
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Harpe
1
2 Flûte à bec (duo)
1
Hautbois, Violoncelle
1
Flûte, Clarinette et Basson
1
Saxophone Tenor
1
Ensemble de Flûtes
1
Saxophone (partie séparée)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano
1
Quintette de Flûte : 5 flûtes
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette
5
2 Trompettes (duo)
4
Trompette, Saxophone (duo)
4
Euphonium, Piano (duo)
3
Ensemble de Trompettes
3
Cor anglais, Piano
3
Trompette, Trombone (duo)
3
2 Trombones (duo)
3
Trombone et Piano
3
Trompette, Piano
3
Cor et Piano
2
Tuba et Piano
2
Trombone, Cor (duo)
1
4 Tubas
1
Ensemble de Cors
1
Tuba
1
Quatuor de cuivres: 4 cors
1
Trombone
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
Cor
1
+ 20 instrumentations
Retracter
Cordes
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17
Trio à Cordes: violon, alto, violoncelle
15
Violon et Piano
9
Violon, Violoncelle (duo)
8
2 Altos (duo)
6
2 Violons (duo)
6
Violon, Alto (duo)
5
Violon
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violoncelles (duo)
4
Violoncelle
3
Alto, Piano
3
Violoncelle, Piano
3
Contrebasse, Piano (duo)
2
Harpe
2
Harpe, Flûte (duo)
2
Alto seul
2
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
+ 19 instrumentations
Retracter
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Orchestre à Cordes
20
Ensemble de cuivres
8
Orchestre
2
Orchestre d'harmonie
2
Orchestre de chambre
2
Ensemble Jazz
1
Xylophone
1
Xylophone, Piano
1
Cloches
1
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Retracter
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▽ INSTRUMENTS
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--INSTRUMENTS--
ACCORDEON
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In the Rhythm of the Baroque
Alto, Piano
Partitions à imprimer
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1
Bach: Wachet auf for Viola & Piano
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Alto, Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Viola &am
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Bist du bei mir BWV 508 for Viola & Piano
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Alto, Piano
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FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
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Piano,Viola - Level 2 - SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Minuet by Boccherini for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Viola
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1241492 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Traditional,Wedding. Score and part. 3 pages....
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Piano,Viola - Level 3 - SKU: A0.1241492 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Traditional,Wedding. Score and part. 3 pages. Woods Only, Arrangements #836862. Published by Woods Only, Arrangements (A0.1241492). This simple arrangement adapted for viola and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
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In the Rhythm of the Baroque
