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ACCORDEON
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PIANO & CLAVIERS
Piano seul
580
Piano, Voix
198
Piano Facile
156
Piano, Voix et Guitare
144
Accompagnement Piano
71
Instruments en Do
39
Orgue
34
1 Piano, 4 mains
28
Piano Quatuor: piano, violon, alto, violoncelle
10
2 Pianos, 4 mains
10
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
3
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3
Accordéon
2
2 Pianos, 8 mains
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Clavier
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Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Orgue, Trompette (duo)
1
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GUITARES
Guitare
68
Guitare notes et tablatures
50
Ligne De Mélodie, (Paroles) et Accords
31
Ukulele
16
Piano, Guitare (duo)
9
Basse electrique
9
2 Guitares (duo)
8
Paroles et Accords
7
Guitare (partie séparée)
4
Banjo
3
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
Dobro
1
Mandoline
1
Ensemble de guitares
1
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VOIX
Chorale SATB
219
Chorale 3 parties
61
Chorale 2 parties
42
Chorale TTBB
42
Chorale SSAA
33
Voix Tenor, Piano
18
Chorale Unison
18
Voix Alto, Piano
11
Voix Soprano, Piano
9
Voix Tenor
6
Voix duo, Piano
6
Voix moyenne, Piano
4
Voix seule
4
Chorale
3
Voix haute
3
Chorale SSATTB
1
Voix duo
1
Voix Soprano
1
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VENTS
Flûte traversière et Piano
104
Quatuor de Saxophones: 4 saxophones
90
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Saxophone (partie séparée)
80
Clarinette et Piano
62
Hautbois, Piano (duo)
61
2 Saxophones (duo)
58
Saxophone Tenor et Piano
58
Quatuor de Clarinettes: 4 clarinettes
56
Saxophone Alto et Piano
55
Quintette de Saxophone: 5 saxophones
45
Saxophone Soprano et Piano
39
Flûte, Hautbois, Clarinette, Basson
38
Saxophone Baryton, Piano
36
Clarinette
32
Flûte traversière
31
2 Clarinettes (duo)
30
Cor anglais, Piano
30
Ensemble de Clarinettes
26
Hautbois (partie séparée)
24
2 Flûtes traversières (duo)
24
Saxophone Alto
24
Ensemble de Flûtes
21
Quatuor de Flûtes : 4 flûtes
19
Clarinette Basse, Piano
18
Flûte, Clarinette (duo)
17
3 Saxophones (trio)
16
Ensemble de saxophones
16
Quintette de Flûte : 5 flûtes
14
3 Clarinettes (trio)
14
Quintette de Clarinettes: 5 clarinettes
13
Saxophone, Clarinette (duo)
12
Flûte à bec Soprano
10
Clarinette, Violon (duo)
9
2 Hautbois (duo)
9
Clarinette (partie séparée)
9
Clarinette, Trompette (duo)
7
Hautbois, Basson (duo)
7
Hautbois, Clarinette (duo)
7
Saxophone Tenor
6
Clarinette, Basson (duo)
6
Trio de Flûtes: 3 flûtes
6
Clarinette et Alto
6
2 Flûte à bec (duo)
6
Flûte, Violon
5
Flûte, Alto (duo)
5
Quatuor de Flûtes à bec
5
Flûte et Guitare
5
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5
Flûte à Bec
4
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4
Flûte, Trompette (duo)
4
Clarinette, Guitare (duo)
3
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3
Piccolo, Piano
3
Flûte à bec Soprano, Piano
3
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3
Flûte à bec Alto, Piano
3
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3
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3
Clarinette, Violoncelle (duo)
3
Flûte à bec Tenor
3
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2
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec Alto
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2
Flûte, Clarinette, Piano (trio)
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5 Flûtes à bec
2
2 Flûtes traversières, Piano
2
Flûte, Hautbois, Piano (trio)
2
Saxophone et Orgue
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Harmonica
1
Flûte, Basson et Piano
1
4 Hautbois
1
Flute, harpe et violon
1
Flûte, Hautbois (duo)
1
2 Flûtes à bec, Guitare
1
Cor anglais, Guitare (duo)
1
2 Clarinettes, Piano
1
Flûte et Trio à cordes
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Hautbois et alto (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble de Hautbois
1
2 Saxophones, Piano
1
Flûte, Violon, Piano
1
Flûte, Clarinette et Basson
1
Cor anglais et Harpe (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
106
Trombone et Piano
59
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Trompette
42
Cor et Piano
37
Euphonium, Piano (duo)
36
Trompette, Piano
34
Cor anglais, Piano
30
Trombone (partie séparée)
28
Trompette (partie séparée)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette, Trombone (duo)
17
Tuba et Piano
14
2 Trompettes (duo)
14
Trombone
13
2 Trombones (duo)
13
Cor
12
Ensemble de Trombones
11
2 Cors (duo)
10
Cor (partie séparée)
10
Trompette, Saxophone (duo)
10
Quatuor de Cuivres
9
Quatuor de cuivres: 4 trombones
9
Tuba
9
Ensemble de Trompettes
8
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 trompettes
4
Tuba (partie séparée)
4
3 Trombones (trio)
3
Trombone, Cor (duo)
3
Ensemble de Cors
3
Tuba et Orgue
3
Quatuor de cuivres: 4 cors
3
3 Tubas (trio)
3
4 Tubas
2
Trio de Cuivres
2
2 Tubas (duo)
2
3 Cors (trio)
2
3 Trompettes (trio)
1
Euphonium
1
Trombone, Tuba (duo)
1
Cor, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Euphonium (duo)
1
2 Euphoniums (duo)
1
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
Trompette, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
166
Violon et Piano
91
Alto, Piano
57
Violoncelle, Piano
51
Violon
42
Harpe
33
Violon, Violoncelle (duo)
32
Violoncelle (partie séparée)
28
2 Violons (duo)
24
Violon, Alto (duo)
20
Trio à Cordes: violon, alto, violoncelle
15
2 Violoncelles (duo)
14
Violoncelle
13
2 Altos (duo)
13
Alto seul
13
2 Harpes (duo)
10
Trio à Cordes: 2 violons, violoncelle
9
Violon, Guitare (duo)
9
Alto (partie séparée)
8
4 Violoncelles
8
Piano Trio: Violon, Alto, Piano
6
Violon (partie séparée)
5
Ensemble de Violons
5
Alto, Violoncelle (duo)
5
Contre Basse
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse, Piano (duo)
4
Quatuor à cordes: 4 violons
4
Contrebasse (partie séparée)
4
Trio à cordes: 3 violins
4
Ensemble d'Altos
4
Trio à Cordes: 3 violoncelles
4
Harpe, Voix
3
Quatuor à cordes : 4 altos
3
Harpe, Flûte (duo)
2
Trio à cordes: 3 altos
2
Violoncelle, Contrebasse (duo)
2
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Violon, Basson (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
238
Orchestre
91
Orchestre à Cordes
71
Ensemble de cuivres
38
Ensemble Jazz
31
Orchestre de chambre
27
Cloches
24
Ensemble de Percussions
11
Jazz combo
9
Fanfare
7
Percussion (partie séparée)
5
Piano et Orchestre
4
Batterie (partie séparée)
4
Batterie
3
Marimba
3
Vibraphone
2
Orchestre, Violon
1
Vibraphone (partie séparée)
1
Instrumentations suivantes
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AUTRES
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It's Late
Alto, Piano
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It's Been A Long, Long Time
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.592556 Composed by Jule Styne. Arr…
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Piano,Viola - Level 3 - Digital Download SKU: A0.592556 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366371. Published by David McKeown (A0.592556). It’s Been a Long Long Time is arranged as a solo for one Viola with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.49 €
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Alto, Piano
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Jesu, joy of man's desiring by Bach for Viola and Piano
Alto, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU:…
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.1121436 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 6 pages. Woods Only, Arrangements #722610. Published by Woods Only, Arrangements (A0.1121436). This easy arrangement for viola and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
1.82 €
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Alto, Piano
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by Bach for Viola and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549550 Composed by Edvard Grieg. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549550 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507495. Published by jmsgu3 (A0.549550). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.88 €
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Alto, Piano
#
Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549528 Composed by Edvard Grieg. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549528 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505753. Published by jmsgu3 (A0.549528). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.88 €
#
Alto, Piano
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer Gynt Suite for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.587914 Composed by G F Handel. Arr…
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Piano,Viola - Level 2 - Digital Download SKU: A0.587914 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 6 pages. David McKeown #5042589. Published by David McKeown (A0.587914). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Viola and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and two alternative solo parts. One viola part is high and at the sung pitch, the other is easier to play and an octave lower. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Alto, Piano
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo Viola and Piano
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David McKeown
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SheetMusicPlus
He Ain't Heavy, He's My Brother
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.791239 By Neil Diamond. By Bob Rus…
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Piano,Viola - Level 3 - Digital Download SKU: A0.791239 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5771827. Published by Kevin P Holdgate (A0.791239). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
$4.99
4.58 €
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Alto, Piano
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Neil Diamond
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Kevin P Holdgate
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He Ain't Heavy, He's My Brother
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Kevin P Holdgate
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SheetMusicPlus
Vitali's Chaconne in C Minor, for Viola & Accompaniment
Alto, Piano
Composed by Tomaso Antonio Vitali, Léopold Charlier. Arranged by Austin Harning…
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Composed by Tomaso Antonio Vitali, Léopold Charlier. Arranged by Austin Harning. Baroque, Concert, Instructional, Standards, World. Score and part. 21 pages. Austin Harning #5307723. Published by Austin Harning
Tomaso Antonio Vitali (1663 - 1745) was an Italian composer and violinist during the Baroque Era who is generally known for his Chaconne in G Minor for violin and basso continuo. <br> <br> Chaconnes are a type of musical composition that consists of variations on a repeating harmonic progression. Vitali's Chaconne in particular is interesting because of its unorthodox features. Although it opens with a step-wise bass line that introduces the primary harmonic progression, it features multiple modulations into the far-flung keys of Eb-minor and Bb-minor (Ab-minor and Eb-minor in my arrangement), among others. These modulations (or key-signature changes) and other romanticisms would not begenerally seen until the Romantic Era roughly a century later.This created musicological doubts as to whether the originalmanuscript belonged to Vitali, although there is some evidenceof its authenticity. <br> <br> This arrangement is based on Léopold Charlier's (1867 - 1936) arrangement of the piece, though I took inspirations from other composers and wrote some original voices. Enjoy!
$7.99
7.33 €
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Alto, Piano
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Tomaso Antonio Vitali, Léopold Charlier
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Austin Harning
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Vitali's Chaconne in C Minor, for Viola & Accompaniment
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Austin Harning
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SheetMusicPlus
You've Got A Friend
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.547825 By James Taylor. By Carole …
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Piano,Viola - Level 3 - Digital Download SKU: A0.547825 By James Taylor. By Carole King. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 13 pages. Jmsgu3 #3056335. Published by jmsgu3 (A0.547825). Carole King: You've Got A Friend arranged for Viola & Piano.Includes solo instrument part. Duration: 5″08″ Score: 7 pages. Part: 2 pages.This is the famous song that made Carole King the first woman to win the GrammyGrand Slam: Record of the Year (It’s Too Late), Album of the Year andBest Female Pop Vocal (Tapestry), and Song of the Year (You’ve Got A Friend).This arrangement is suitable for church, nightclub, or recital hall performances.
$67.95
62.3 €
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Alto, Piano
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James Taylor
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James M
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Piano
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You've Got A Friend
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jmsgu3
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SheetMusicPlus
Christmas Medley (What Child is This / Away in a Manger): Trio for Violin, Viola and Piano
Alto, Piano
Small Ensemble Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.523092 Compo…
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Small Ensemble Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.523092 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 23 pages. John A. Dempsey #3125151. Published by John A. Dempsey (A0.523092). This triumphant, stirring trio for violin, viola and piano - a medley of two Christmas carols - is shaded with quiet, prayerful moments and brightened by joyful bursts of praise. Â Embellishments occur, together with mood and tempo changes that add to the dramatic impact of the arrangement. Â It's a sweeping musical journey that celebrates the beauty and wonder of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â 19 pages of music (that includes separate two-page parts for violin and viola). Â Concert Key: E minor. Â Violin and Viola Level: Intermediate. Â Piano Level: Late Intermediate.
$11.99
10.99 €
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Alto, Piano
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
Cloud Nine (for viola and piano)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1233582 Composed by Colin Kirkpatr…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1233582 Composed by Colin Kirkpatrick. Easter,Holiday,Instructional,Wedding. Score and part. 5 pages. Colin Kirkpatrick Publications #829165. Published by Colin Kirkpatrick Publications (A0.1233582). Cloud Nine is a stand-alone reflective piece for viola and piano. It's written in D minor/F major which modulates to D major. The top note for the viola is the A above the staff (A5) but this occurs only once. The piece is for intermediate viola players who are comfortable in the upper range of the instrument. The treble clef is used for the middle section of the piece and the piano part is quite accessible. It's a slow, dreamy piece which is ideal for the intermediate viola player. It would make a good recital piece or could be effective as a relaxing encore.
$7.99
7.33 €
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Alto, Piano
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Colin Kirkpatrick
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Cloud Nine
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Colin Kirkpatrick Publications
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SheetMusicPlus
Nocturne. Original For Clarinet, Viola and Piano.
Alto, Piano
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - Digital Downloa…
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.1255345 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Film/TV,Romantic Period,Wedding. 19 pages. Grant Horsley #848860. Published by Grant Horsley (A0.1255345). The name Nocturne (meaning of the night) was originally an ensemble piece in the 18th century in several movements used for for evening parties. Later In the 19thc it's one movement form, it was adopted by John Field and later popularised by Chopin. It generally has a tranquil lyrical melody and is very romantic and expressive. I have tried to keep these elements in this Nocturne. Written here for Clarinet in B flat, Viola and Piano, the parts are equally divided. Highest note top D flat ( clarinet once). Bowing for the viola has been left to the performer. It is written in the key of concert B flat minor it has a very gentle opening with harmonies evolving around a cycle of 5th's in places. The piece has three definite sections- the lyrical melody to begin with, a middle section building to a climax before a return to the 1st section. This is followed by a transitional contrasting section (poco piu mosso) wandering through a few keys to settle on an inner pedal tonic note chime. Gentle chords restore the opening once more- this opening theme climaxes towards the end and a gentle reflection of the opening bars concludes the piece. It is 4 mins 20 in length. Price is for the full score and parts.Set to intermediate level, but the whole score is on the youtube link for you to assess suitability. Versions for Flute Duet, Flute and Clarinet Duet and Solo Piano are also available, as is Flute, Bassoon and Piano ensemble.
$7.25
6.65 €
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Alto, Piano
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Grant Horsley
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Grant Horsley
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Nocturne. Original For Clarinet, Viola and Piano.
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Grant Horsley
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SheetMusicPlus
Ode to Joy by Beethoven for Viola and Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.1241139 Composed by Ludwig van Bee…
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Piano,Viola - Level 1 - Digital Download SKU: A0.1241139 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #836535. Published by Woods Only, Arrangements (A0.1241139). This arrangement adapted for viola and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
$1.99
1.82 €
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Alto, Piano
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Viola and Piano
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Woods Only, Arrangements
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SheetMusicPlus
MARCH & ROMANCE for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1036863 Composed by Hortense Beauh…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1036863 Composed by Hortense Beauharnais (1783 - 1837). Arranged by Pat Spence. Classical,Contest,Festival,Instructional,Patriotic. Score and part. 8 pages. Piper Publications #641887. Published by Piper Publications (A0.1036863). The two pieces, Partante pour La Syrie and Hirondelle are arrangements for viola and piano of composed by Hortense de Beauharnais who was Emperor Napoléon's step daughter.She married the Emperor's brother, Louis Napoléon. Their son was Napoléon III who, when he was made emperor made Partante pour La Syrie, France's national hymn before it was later replaced by the Marseillaise. The Partante pour La Syrie, Hortense's most popular work, was quoted by Camille Saint-Saens in 'Fossils' in his Carnival of the Animals. Hirondelle (Romance) is a beautiful slow sustained piece. Both pieces are suitable for players of early intermediate standard.
$8.00
7.33 €
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Alto, Piano
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Hortense Beauharnais
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Pat Spence
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MARCH & ROMANCE for Viola & Piano
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Piper Publications
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SheetMusicPlus
BEAUHARNAIS; PARTANTE POUR LA SYRIE
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1036925 Composed by Hortense de Be…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1036925 Composed by Hortense de Beauharnais (1783 - 1837). Arranged by Pat Spence. Instructional,Romantic Period. Score and part. 8 pages. Piper Publications #641918. Published by Piper Publications (A0.1036925). The two pieces, Partante pour La Syrie and Hirondelle are arrangements for viola and piano originally composed for violin by Hortense de Beauharnais who was Emperor Napoléon's step daughter.She married the Emperor's brother, Louis Napoléon. Their son was Napoléon III who, when he was made emperor made Partante pour La Syrie, France's national hymn before it was later replaced by the Marseillaise. The Partante pour La Syrie, Hortense's most popular work, was quoted by Camille Saint-Saens in 'Fossils' in his Carnival of the Animals. Hirondelle (Romance) is a beautiful slow sustained piece. Both pieces are suitable for players of early intermediate standard.
$10.00
9.17 €
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Alto, Piano
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Hortense de Beauharnais
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Pat Spence
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BEAUHARNAIS; PARTANTE POUR LA SYRIE
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Piper Publications
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SheetMusicPlus
Largo from 'Xerxes' (Handel) - viola and piano with FREE BACKING TRACK
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1169192 Composed by George Frideri…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1169192 Composed by George Frideric Handel. Arranged by Austin Ralphson. Baroque,Classical,Wedding. Score and part. 5 pages. Austin Ralphson #769541. Published by Austin Ralphson (A0.1169192). Handel wrote this aria as the opening to the 1738 opera 'Serse'. Initially, the opera was a commercial failure, before it was later rediscovered and going on to become one of Handel's best-loved works. It is presented here as an intermediate-level solo with piano.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/Mlvn0P1oD9M and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/7e06f
$3.99
3.66 €
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Alto, Piano
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George Frideric Handel
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Austin Ralphson
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Largo from 'Xerxes'
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Austin Ralphson
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SheetMusicPlus
Après un rêve (Fauré) for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1303425 Composed by Gabriel Faure.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1303425 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #893000. Published by SCORE EDITIONS (A0.1303425). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Viola and Piano by Harry Walker.
$5.99
5.49 €
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Alto, Piano
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scria…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.29 €
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Alto, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548704 Composed by Franz Schubert.…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548704 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411159. Published by jmsgu3 (A0.548704). A Viola Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Viola part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.46 €
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Alto, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Viola & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549418 Composed by Antonin Dvorak.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493991. Published by jmsgu3 (A0.549418). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.21 €
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Alto, Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. …
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Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.88 €
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Alto, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Viola & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beet…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.88 €
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Alto, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549373 Composed by George Frideric…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3491405. Published by jmsgu3 (A0.549373). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.21 €
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Alto, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Viola & Piano
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jmsgu3
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SheetMusicPlus
Jingle Bells for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.88 €
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Alto, Piano
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James Pierpont
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James M
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Jingle Bells for Viola & Piano
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jmsgu3
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SheetMusicPlus
The First Noel for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Ar…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387407. Published by jmsgu3 (A0.548507). The First Noel arranged for Viola & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Viola Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.88 €
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Alto, Piano
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Traditional
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James M
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The First Noel for Viola & Piano
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jmsgu3
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SheetMusicPlus
Wichita Lineman
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1077826 By Glen Campbell. By Jimmy…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1077826 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682011. Published by jmsgu3 (A0.1077826). Wichita Lineman for Viola and Piano. SCore: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics, and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows, and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song is evocative of the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
137.48 €
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Alto, Piano
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
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