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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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XYLOPHONE
John, W
Non classifié
318
Piano & claviers
Piano, Voix
584
Piano seul
531
Piano Facile
82
Piano, Voix et Guitare
30
Instruments en Do
24
1 Piano, 4 mains
18
Orgue
14
Accompagnement Piano
8
2 Pianos, 8 mains
4
Accordéon
3
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
2
Piano grosses notes
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
25
Guitare
25
Ukulele
11
Mandoline
8
2 Guitares (duo)
4
Ligne De Mélodie, (Paroles) et Accords
3
Guitare (partie séparée)
2
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
Paroles et Accords
1
Dulcimer
1
3 Guitares (trio)
1
+ 7 instrumentations
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Voix
Chorale SATB
301
Pack Instrumental pour Chorale
63
Chorale Unison
35
Chorale 2 parties
29
Chorale 3 parties
26
Chorale TTBB
24
Chorale SSAA
8
Voix duo, Piano
7
Chorale
5
Voix haute
5
Voix Baryton, Piano
2
Voix Alto, Piano
1
Voix Tenor
1
Voix duo
1
Voix Soprano, Piano
1
+ 10 instrumentations
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Vents
Saxophone (partie séparée)
41
Clarinette (partie séparée)
32
Flûte traversière et Piano
19
Saxophone Alto
15
Clarinette
15
Flute (partie séparée)
15
Saxophone Tenor
14
Flûte traversière
11
Hautbois (partie séparée)
10
Ocarina
10
Clarinette et Piano
9
Saxophone Alto et Piano
8
Harmonica
8
Saxophone Tenor et Piano
7
Quatuor de Saxophones: 4 saxophones
7
Hautbois, Piano (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone
6
Hautbois
6
Flûte à bec Soprano
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte à bec Alto
5
Flûte et Guitare
4
Quatuor de Flûtes : 4 flûtes
3
2 Saxophones (duo)
2
2 Clarinettes, Piano
2
Piccolo
2
2 Clarinettes (duo)
2
Saxophone Soprano
2
Cor anglais, Piano
2
2 Hautbois (duo)
2
Cor Anglais
2
Flûte, Hautbois, Basson
2
Clarinette Basse
2
Saxophone Baryton, Piano
1
Ensemble de saxophones
1
Hautbois, Guitare (duo)
1
Ensemble de Flûtes
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes traversières (duo)
1
Ensemble de Clarinettes
1
Flûte, Violon et Violoncelle
1
3 Clarinettes (trio)
1
Clarinette Basse, Piano
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Violoncelle, Guitare
1
Piccolo, Piano
1
Saxophone Soprano et Piano
1
+ 45 instrumentations
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Cuivres
Trombone (partie séparée)
52
Cor (partie séparée)
24
Trompette
22
Trompette (partie séparée)
19
Tuba (partie séparée)
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trombone et Piano
8
Tuba
7
Cor
6
Trombone
5
Cor et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de Cuivres
4
Euphonium, Piano (duo)
3
Trio de Cuivres
3
2 Trompettes (duo)
3
Cornet A Pistons
2
Euphonium
2
Ensemble de Trombones
2
Cor anglais, Piano
2
Trompette, Piano
2
2 Trombones (duo)
2
Cor Anglais
2
2 Cors (duo)
1
Trompette, Trombone (duo)
1
+ 20 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon
21
Violoncelle
13
Violon et Piano
13
Trio à Cordes: violon, alto, violoncelle
12
Alto seul
11
Violoncelle, Piano
8
Harpe
8
Violon (partie séparée)
8
Contrebasse (partie séparée)
5
Alto, Piano
4
Violoncelle (partie séparée)
4
2 Violons (duo)
3
Alto (partie séparée)
3
2 Altos (duo)
2
2 Violoncelles (duo)
2
Violon, Violoncelle (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contre Basse
2
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
69
Orchestre
40
Cloches
37
Percussion (partie séparée)
23
Ensemble Jazz
11
Timbales (partie séparée)
9
Percussion
6
Fanfare
4
Orchestre à Cordes
4
Ensemble de cuivres
3
Jazz combo
3
Quintette à Vent
2
Ensemble de Percussions
1
Orchestre de chambre
1
Batterie (partie séparée)
1
Timbales
1
+ 11 instrumentations
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HAUTBOIS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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XYLOPHONE
style (tous)
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Vous avez sélectionné:
John, W
Alto, Piano
Partitions à imprimer
4 partitions trouvées
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Happy Xmas (War Is Over)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Rock
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John & Yoko Ono W/harlem Comm
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Fishel Pustilnik
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Happy Xmas
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F & N Enterprise
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.632721 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by Fishel Pustilnik. Rock. Score and part...
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Piano,Viola - Level 4 - SKU: A0.632721 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by Fishel Pustilnik. Rock. Score and part. 7 pages. F & N Enterprise #3103813. Published by F & N Enterprise (A0.632721). An excellent arrangement of famous Happy Xmas for Viola and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Happy Xmas (war Is Over)
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Alto, Piano
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INTERMÉDIAIRE
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John & Yoko Ono W/harlem Comm
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Antti Hakkarainen
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Happy Xmas
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Antti Hakkarainen
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1125828 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by Antti Hakkarainen. Christmas,Pop. Sco...
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Piano,Viola - Level 3 - SKU: A0.1125828 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by Antti Hakkarainen. Christmas,Pop. Score and part. 8 pages. Antti Hakkarainen #726570. Published by Antti Hakkarainen (A0.1125828). Score and viola part included.
$9.99
Bach: Wachet auf for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Viola &am
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Sullivan: The Lost Chord for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for V
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
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John, W
