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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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CLOCHES
COR
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DEEJAY
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DULCIMER
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FLUTE TRAVERSI…
FORMATION MUSI…
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HARMONICA
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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TROMPETTE
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VIBRAPHONE
VIOLON
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Last Nite
Non classifié
31
Piano & claviers
Piano seul
22
Piano, Voix
5
Piano Facile
4
Piano, Voix et Guitare
2
Orgue
2
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
+ 2 instrumentations
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Guitares
Guitare notes et tablatures
7
Ligne De Mélodie, (Paroles) et Accords
3
Ukulele
2
Mandoline
2
Guitare
1
Piano, Guitare (duo)
1
Paroles et Accords
1
Basse electrique
1
+ 3 instrumentations
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Voix
Chorale SATB
4
Chorale Unison
1
Chorale 2 parties
1
Voix duo, Piano
1
Chorale TTBB
1
Vents
Flûte traversière et Piano
5
Clarinette
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte traversière
3
Saxophone (partie séparée)
3
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2
Saxophone Tenor
2
Saxophone Alto et Piano
2
Hautbois, Piano (duo)
2
Saxophone Alto
1
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1
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1
Saxophone Soprano et Piano
1
Clarinette et Piano
1
Cor Anglais
1
Saxophone Tenor et Piano
1
Flûte, Violon, Piano
1
+ 12 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trompette
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone et Piano
1
Cor et Piano
1
Trompette, Piano
1
Cor Anglais
1
Tuba et Piano
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
+ 5 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon
8
Violon et Piano
6
Violon, Violoncelle (duo)
6
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle, Piano
4
Contre Basse
4
Violoncelle
3
Alto, Piano
2
Alto seul
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Alto (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Contrebasse, Piano (duo)
1
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27
Ensemble de cuivres
4
Orchestre à Cordes
3
Fanfare
3
Orchestre
2
Batterie
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Last Nite
Alto, Piano
Partitions à imprimer
2 partitions trouvées
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Sorry Seems To Be The Hardest Word
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Alto, Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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Keith Terrett
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Sorry Seems To Be The Hardest
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Keith Terrett
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.747039 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Kei...
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Piano,Viola - Level 3 - SKU: A0.747039 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5946197. Published by Keith Terrett (A0.747039). Arranged for Viola & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99
Pomp and Circumstance March No. 1 for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No
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Diego Marani
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1036227 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards....
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Piano,Viola - Level 3 - SKU: A0.1036227 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #641333. Published by Diego Marani (A0.1036227). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for viola with piano is suitable for classroom, repertoire and recital.
$9.99
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Last Nite
