English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Life And Death
Non classifié
258
Piano & claviers
Piano, Voix
127
Piano seul
79
Piano, Voix et Guitare
33
Orgue
11
Piano Facile
9
Piano Trio: piano, violon, violoncelle
5
Instruments en Do
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
1 Piano, 4 mains
1
Clavecin
1
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
7
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
3
Dulcimer
1
Voix
Chorale SATB
144
Chorale 2 parties
24
Chorale 3 parties
15
Pack Instrumental pour Chorale
14
Voix duo, Piano
13
Chorale TTBB
13
Voix Alto, Piano
11
Chorale Unison
9
Voix seule
6
Voix Soprano, Piano
3
Voix haute
3
Chorale
2
Chorale SSAATTBB
2
Voix Tenor, Piano
1
Soli, choeur mixte et accompagnement
1
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale SSAA
1
Voix Tenor
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
36
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière et Piano
21
3 Saxophones (trio)
16
Saxophone Tenor et Piano
16
Clarinette et Piano
16
Saxophone Alto et Piano
14
Saxophone Soprano et Piano
14
Quintette de Saxophone: 5 saxophones
14
2 Clarinettes (duo)
12
Quatuor de Clarinettes: 4 clarinettes
10
Flûte, Hautbois, Clarinette, Basson
10
2 Flûtes traversières (duo)
10
2 Hautbois (duo)
9
2 Flûte à bec (duo)
8
Hautbois, Piano (duo)
8
Flûte, Clarinette (duo)
8
Saxophone Baryton, Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Clarinette, Violon (duo)
7
Quatuor de Flûtes : 4 flûtes
7
Cor anglais, Piano
6
Hautbois, Clarinette (duo)
6
Hautbois, Basson (duo)
6
Saxophone, Clarinette (duo)
6
Clarinette
6
Flûte, Hautbois, Piano (trio)
4
Flûte, Hautbois, Basson
4
Flûte traversière
4
Clarinette, Trompette (duo)
4
3 Clarinettes (trio)
4
Trio de Flûtes: 3 flûtes
4
Saxophone Alto
4
Flûte, Hautbois (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Ensemble de saxophones
4
Clarinette et Alto
3
Quatuor de Flûtes à bec
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Tenor
3
Flûte, Saxophone (duo)
3
Clarinette Basse, Piano
3
3 Flûtes à bec (trio)
2
Hautbois (partie séparée)
2
Saxophone (partie séparée)
2
5 Flûtes à bec
2
Ocarina
2
Flûte, Trompette (duo)
2
Flûte, Violoncelle
2
Flûte, Violon
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Soprano
1
Flûte à bec Tenor
1
Flûte, Alto (duo)
1
Ensemble de Clarinettes
1
Hautbois, Flûte
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette
10
Trombone et Piano
9
Cor anglais, Piano
6
Cor et Piano
5
Trompette, Saxophone (duo)
4
Trombone
4
Euphonium, Piano (duo)
4
Ensemble de Trompettes
3
Tuba et Piano
3
Ensemble de Trombones
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Trompettes (duo)
3
Trompette, Piano
3
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Ensemble de Cors
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette (partie séparée)
1
+ 14 instrumentations
Retracter
Cordes
Violon et Piano
25
Alto, Piano
17
Violoncelle, Piano
15
Quatuor à cordes: 2 violons, alto, violoncelle
14
2 Violons (duo)
12
Violoncelle
11
2 Altos (duo)
11
2 Violoncelles (duo)
11
Violon
10
Violon, Violoncelle (duo)
9
Trio à Cordes: violon, alto, violoncelle
8
Violon, Alto (duo)
6
Trio à Cordes: 3 violoncelles
5
Alto seul
5
Trio à cordes: 3 violins
4
Alto, Violoncelle (duo)
4
Quatuor à cordes : 4 altos
4
4 Violoncelles
4
Quatuor à cordes: 4 violons
4
Harpe
2
Trio à cordes: 3 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble d'Altos
1
Violon, Basson (duo)
1
Harpe, Voix
1
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
71
Orchestre
22
Cloches
11
Orchestre de chambre
10
Orchestre à Cordes
6
Ensemble de cuivres
3
Batterie
2
Ensemble Jazz
1
+ 3 instrumentations
Retracter
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Instruments
ACCORDEON
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AUTRES INST…
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BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Life And Death
Alto, Piano
Partitions à imprimer
17 partitions trouvées
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1
Grieg: Ase's Death from Peer Gynt Suite for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549528 Composed by Edvard Grieg. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549528 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505753. Published by jmsgu3 (A0.549528). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23 €
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Alto, Piano
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer Gynt Suite for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Für Elise, for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587571 Composed by Ludwig van Beet…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587571 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361593. Published by David McKeown (A0.587571). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Viola with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
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Alto, Piano
#
Ludwig van Beethoven
#
David McKeown
#
Für Elise, for Viola and Piano
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David McKeown
#
SheetMusicPlus
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.587930 Composed by G F Handel. Arr…
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Piano,Viola - Level 2 - Digital Download SKU: A0.587930 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044847. Published by David McKeown (A0.587930). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Viola and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
#
Alto, Piano
#
G F Handel
#
David McKeown
#
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Viola and Piano
#
David McKeown
#
SheetMusicPlus
Amazing Grace, Concert Solo for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Ar…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611387. Published by David McKeown (A0.587645). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Viola with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
#
Alto, Piano
#
John Newton
#
David McKeown
#
Amazing Grace, Concert Solo for Viola and Piano
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David McKeown
#
SheetMusicPlus
Amazing Grace, Gospel Hymn for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.592657 Composed by John Newton. Ar…
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Piano,Viola - Level 2 - Digital Download SKU: A0.592657 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6411267. Published by David McKeown (A0.592657). Amazing Grace is a beautiful hymn arranged here for Solo Viola and Piano.Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.
$2.49
2.3 €
#
Alto, Piano
#
John Newton
#
David McKeown
#
Amazing Grace, Gospel Hymn for Viola and Piano
#
David McKeown
#
SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Viola & Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.551513 Composed by Edvard Grieg. A…
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Piano,Viola - Level 4 - Digital Download SKU: A0.551513 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306365. Published by jmsgu3 (A0.551513). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.27 €
#
Alto, Piano
#
Edvard Grieg
#
James Guthrie, ASCAP
#
Grieg: Peer Gynt Suite Complete for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.38 €
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Alto, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Danse Macabre by Camille Saint-Saëns
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1473784 Composed by Camille Saint-…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1473784 Composed by Camille Saint-Saens. Arranged by Rika K. 19th Century,Chamber,Halloween,Romantic Period,Thriller. Score and part. 4 pages. Rika K. #1051503. Published by Rika K. (A0.1473784). Step into the mysterious and captivating world of Camille Saint-Saëns' Danse Macabre with our exclusive sheet music arrangement, wrote for Viola and Piano.Originally composed in 1874, Danse Macabre vividly depicts the medieval legend of Death summoning the dead to dance at midnight on Halloween. Saint-Saëns' evocative score weaves haunting melodies with lively rhythms, creating a vivid musical narrative that entrances listeners with its eerie allure and supernatural charm.Whether for performances at themed events, educational settings exploring musical storytelling, or professional seeking to showcase the rich tapestry of classical repertoire, this adaptation ensures accessibility without compromising the intricate beauty and thematic depth of Danse Macabre.Embrace the allure of Saint-Saëns' masterwork, delve into its narrative richness, and experience the thrill of bringing its chilling melodies to life. Expand your musical repertoire and capture the imagination with our essential sheet music arrangement of Danse Macabre – available now to enrich your musical journey.Don’t miss your chance to summon the magic of this timeless composition – secure your copy today!
$3.99
3.68 €
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Alto, Piano
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Camille Saint-Saens
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Rika K
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Danse Macabre by Camille Saint-Saëns
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Rika K.
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SheetMusicPlus
Danse Macabre by Camille Saint-Saëns
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1473777 Composed by Camille Saint-…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1473777 Composed by Camille Saint-Saens. Arranged by Rika K. 19th Century,Chamber,Halloween,Romantic Period,Thriller. Score and part. 4 pages. Rika K. #1051496. Published by Rika K. (A0.1473777). Step into the mysterious and captivating world of Camille Saint-Saëns' Danse Macabre with our exclusive sheet music arrangement, wrote for Viola and Piano.Originally composed in 1874, Danse Macabre vividly depicts the medieval legend of Death summoning the dead to dance at midnight on Halloween. Saint-Saëns' evocative score weaves haunting melodies with lively rhythms, creating a vivid musical narrative that entrances listeners with its eerie allure and supernatural charm.Whether for performances at themed events, educational settings exploring musical storytelling, or professional seeking to showcase the rich tapestry of classical repertoire, this adaptation ensures accessibility without compromising the intricate beauty and thematic depth of Danse Macabre.Embrace the allure of Saint-Saëns' masterwork, delve into its narrative richness, and experience the thrill of bringing its chilling melodies to life. Expand your musical repertoire and capture the imagination with our essential sheet music arrangement of Danse Macabre – available now to enrich your musical journey.Don’t miss your chance to summon the magic of this timeless composition – secure your copy today!
$3.99
3.68 €
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Alto, Piano
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Camille Saint-Saens
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Rika K
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Danse Macabre by Camille Saint-Saëns
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Rika K.
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SheetMusicPlus
Fauré: Élégie Op. 24 for Viola & Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.549724 Composed by Gabriel Faure. …
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Piano,Viola - Level 4 - Digital Download SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531351. Published by jmsgu3 (A0.549724). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.38 €
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Alto, Piano
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Sonata
Alto, Piano
Viola and piano - difficult - Digital Download SKU: S9.Q11682 For viola and pian…
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Viola and piano - difficult - Digital Download SKU: S9.Q11682 For viola and piano. Composed by Emile Naoumoff. This edition: Sheet music. Viola Library. Downloadable. Duration 20 minutes. Schott Music - Digital #Q11682. Published by Schott Music - Digital (S9.Q11682). The one-movement, yet multiple time structured, sonata uses a gently modern tonal language and has been influenced by the French tradition. Emile Naoumoff likes to give his movements unusual headings that perfectly describe the character of the respective section. The piece for the combination of viola and piano, which is quite rare in concert life, is a valuable and fascinating addition to the repertoire in which both instruments conduct a dialogue on an equal basis. Naoumoff was born in Sofia in 1962. At the age of 8, he began his career as a pianist and composer; for ten years, he was a pupil of Nadia Boulanger until her death. At the age of 10, Naoumoff composed and performed his own piano concerto under the direction of Yehudi Menuhin. Many prizes, awards and appearances as a celebrated pianist followed. Today Naoumoff lives and works as an associate professor at the School of Music of the Indiana University in Bloomington. He holds master classes in the USA, Europe and Japan and is director of a music academy.
$22.99
21.19 €
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Alto, Piano
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Emile Naoumoff
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Sonata
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Schott Music - Digital
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SheetMusicPlus
Impromptu
Alto, Piano
Viola and piano - intermediate - Digital Download SKU: S9.Q6907 Composed by Hans Ga…
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Viola and piano - intermediate - Digital Download SKU: S9.Q6907 Composed by Hans Gal. Arranged by Julia Mueller-Runte. This edition: Sheet music. Viola Library. Downloadable. Duration 3 minutes. Schott Music - Digital #Q6907. Published by Schott Music - Digital (S9.Q6907). Key: C major.Hans Gál wrote 'Impromptu' in Edinburgh in August 1940 for his then 15-year-old son Peter. His son had already taken several violin lessons and now wanted to try to play the viola in order to join a youth orchestra. As a consequence, 'Impromptu' is easy to play, and its Romantic harmonies in the equally easy piano accompaniment make the piece a well sounding duo that can even be performed by beginners. The Austrian composer and musicologist Hans Gál (1890-1987) composed operas, orchestral works, concertos, vocal music and, especially in the last decades of his life, numerous chamber music works. In addition, he published books (Brahms, Schubert, Verdi) and essays. When Gál was forced to leave Germany in 1933, he first moved to Vienna and finally settled in Edinburgh where he composed and taught at the university until his death.
$11.99
11.05 €
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Alto, Piano
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Hans Gal
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Julia Mueller-Runte
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Impromptu
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Schott Music - Digital
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SheetMusicPlus
O Holy Night for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.548681 Composed by Adam. Arranged …
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Piano,Viola - Level 2 - Digital Download SKU: A0.548681 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410447. Published by jmsgu3 (A0.548681). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23 €
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Alto, Piano
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Adam
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James M
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O Holy Night for Viola & Piano
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jmsgu3
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publicationsThe Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.38 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
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