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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lost
Sheetmusicplus
Non classifié
558
Piano & claviers
Piano seul
576
Piano, Voix et Guitare
208
Piano, Voix
163
Piano Facile
142
Accompagnement Piano
31
Instruments en Do
30
Orgue
26
Piano grosses notes
23
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
3
Accordéon
2
2 Pianos, 4 mains
2
2 Accordéons
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
78
Ligne De Mélodie, (Paroles) et Accords
52
Basse electrique
40
Paroles et Accords
28
Guitare
20
Ukulele
18
Piano, Guitare (duo)
4
Mandoline
3
Dulcimer
2
2 Guitares (duo)
1
Guitare Pedal Steel
1
Mandoline, Guitare (duo)
1
Basse électrique (partie séparée)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Banjo
1
Orchestre à Plectres
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
254
Chorale 3 parties
61
Chorale TTBB
56
Pack Instrumental pour Chorale
32
Chorale 2 parties
31
Chorale SSAA
25
Chorale Unison
18
Voix duo
14
Voix duo, Piano
12
Voix Soprano, Piano
9
Voix seule
9
Voix haute
8
Chorale
6
Voix Baryton, Piano
4
Voix Alto, Piano
3
Chorale SSAATTBB
3
Voix Soprano
3
Voix Tenor, Piano
2
Voix Tenor
2
Voix basse
1
Chorale SSATTB
1
Male Voice
1
Voix moyenne, Piano
1
+ 18 instrumentations
Retracter
Vents
Flûte traversière et Piano
63
Saxophone (partie séparée)
61
Clarinette (partie séparée)
48
Clarinette et Piano
38
Hautbois, Piano (duo)
31
Saxophone Alto et Piano
30
Quatuor de Saxophones: 4 saxophones
28
Flûte traversière
28
Clarinette
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Saxophone Alto
21
Flûte, Hautbois, Clarinette, Basson
21
Hautbois (partie séparée)
21
Saxophone Tenor et Piano
20
Flute (partie séparée)
18
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Tenor
15
2 Saxophones (duo)
13
Saxophone Soprano et Piano
11
Cor anglais, Piano
9
2 Flûtes traversières (duo)
9
2 Clarinettes (duo)
8
Flûte à bec Alto
6
Saxophone Baryton, Piano
6
Quatuor de Flûtes : 4 flûtes
6
Ensemble de saxophones
5
Ensemble de Flûtes
5
Clarinette, Guitare (duo)
4
Flûte, Clarinette (duo)
4
Flûte et Guitare
4
Hautbois
4
Ensemble de Clarinettes
3
2 Clarinettes, Piano
3
Trio de Flûtes: 3 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Ocarina
2
Harmonica
2
Clarinette, Harpe (duo)
2
Flûte, Violon, Piano
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Flûte
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette Basse
2
3 Clarinettes (trio)
2
Clarinette, Violon (duo)
2
Clarinette Basse, Piano
2
Quintette de Saxophone: 5 saxophones
2
Hautbois, Basson (duo)
2
2 Flûtes traversières, Piano
2
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Soprano
1
Flûte, Hautbois, Basson
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Piccolo, Piano
1
Quatuor de Flûtes à bec
1
Flute, harpe et violon
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Saxophones (trio)
1
2 Hautbois (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
3 Flûtes à bec (trio)
1
Quintette de Flûte : 5 flûtes
1
+ 62 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
34
Trombone (partie séparée)
31
Trompette
28
Trombone et Piano
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trombone
22
Cor
21
Cor et Piano
20
Trompette, Piano
20
Cor (partie séparée)
17
Tuba (partie séparée)
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Tuba
10
Cor anglais, Piano
9
Tuba et Piano
8
Euphonium, Piano (duo)
6
2 Trompettes (duo)
4
Quatuor de cuivres: 4 trombones
4
2 Trombones (duo)
4
Euphonium
3
Tuba ou Euphonium ou Saxhorn
3
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Cors (duo)
2
4 Tubas
2
Quatuor de cuivres: 4 cors
2
Trompette, Trombone, Piano
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
73
Violon et Piano
65
Violon
36
Harpe
34
Violoncelle, Piano
34
Alto, Piano
32
Violoncelle
31
Alto seul
13
Violon (partie séparée)
12
2 Violons (duo)
10
Contrebasse (partie séparée)
8
2 Violoncelles (duo)
7
Violon, Guitare (duo)
6
Alto (partie séparée)
6
Contre Basse
5
Contrebasse, Piano (duo)
5
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Violoncelle , Guitare (duo)
3
2 Altos (duo)
2
3 Harpes
2
Alto, Violoncelle (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
4 Violoncelles
2
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Alto (duo)
1
Flûte, Contrebasse (duo)
1
Alto et Harpe
1
Harpe, Flûte (duo)
1
Harpe, Voix
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
224
Orchestre à Cordes
81
Orchestre
48
Ensemble Jazz
40
Percussion (partie séparée)
34
Fanfare
32
Ensemble de cuivres
19
Batterie
13
Marimba
12
Orchestre de chambre
12
Percussion
10
Cloches
9
Timbales (partie séparée)
8
Jazz combo
5
Ensemble de Percussions
4
Vibraphone
2
Timbales
2
Quintette de Cuivres: autres combinaisons
1
Quatuor à Vent : 4 instruments à vents
1
Xylophone
1
Batterie (partie séparée)
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
Lost
SheetMusicPlus
Partitions à imprimer
32 partitions trouvées
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26
Sullivan: The Lost Chord for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for V
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Five Lost Highland Tales 3: Aria
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Alto, Piano
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INTERMÉDIAIRE
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Joanna Borrett
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Five Lost Highland Tales 3: Ar
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Joanna Borrett
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1515850 Composed by Joanna Borrett. Classical,Folk. Score and part. 3 pages. Joanna Borrett #1090148. Published by Joann...
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Piano,Viola - Level 3 - SKU: A0.1515850 Composed by Joanna Borrett. Classical,Folk. Score and part. 3 pages. Joanna Borrett #1090148. Published by Joanna Borrett (A0.1515850). Aria is the third movement of Five Lost Highland Tales - a prequel to Clan.This is the viola and piano arrangement.Imagine going back in time and watching an ancient Scottish clan sitting round an open fire one night telling stories about their lives. Aria is the third of these tales.Please note that the recording is of the cello and piano arrangement.
$5.99
Five Lost Highland Tales 1:Ballard
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Alto, Piano
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INTERMÉDIAIRE
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Joanna Borrett
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Five Lost Highland Tales 1:Bal
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Joanna Borrett
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1515838 Composed by Joanna Borrett. Classical,Folk. Score and part. 4 pages. Joanna Borrett #1090136. Published by Joann...
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Piano,Viola - Level 3 - SKU: A0.1515838 Composed by Joanna Borrett. Classical,Folk. Score and part. 4 pages. Joanna Borrett #1090136. Published by Joanna Borrett (A0.1515838). Ballard is the first piece in Five Lost Highland Tales - a prequel to Clan.This arrangement is for viola and piano.Imagine going back in time and watching an ancient Scottish clan telling stories about their lives round an open fire one evening. Ballad is the first of these tales.Please note: the recording is of cello and piano arrangement.
$5.99
Five Lost Highland Tales 2: Barcarolle
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Alto, Piano
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INTERMÉDIAIRE
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Joanna Borrett
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Five Lost Highland Tales 2: Ba
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Joanna Borrett
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1515846 Composed by Joanna Borrett. Classical,Folk. Score and part. 3 pages. Joanna Borrett #1090144. Published by Joann...
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Piano,Viola - Level 3 - SKU: A0.1515846 Composed by Joanna Borrett. Classical,Folk. Score and part. 3 pages. Joanna Borrett #1090144. Published by Joanna Borrett (A0.1515846). Barcarolle is the second movement of Five Lost Highland Tales - a prequel to Clan.This is the viola and piano arrangement.Imagine going back in time and watching an ancient Scottish clan sitting round an open fire one night telling stories about their lives. Barcarolle is the second of these stories.Please note that the recording is of the cello and piano arrangement.
$5.99
Five Lost Highland Tales for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
#
Joanna Borrett
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Five Lost Highland Tales for V
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Joanna Borrett
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1515941 Composed by Joanna Borrett. Classical,Folk. Score and part. 17 pages. Joanna Borrett #1090190. Published by Joan...
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Piano,Viola - Level 3 - SKU: A0.1515941 Composed by Joanna Borrett. Classical,Folk. Score and part. 17 pages. Joanna Borrett #1090190. Published by Joanna Borrett (A0.1515941). Five Lost Highland Tales is the prequel to Clan - a narrative work that tells the story of an ancient Scottish Highland clan. Imagine going back in time and watching a Scottish clan sitting round an open fire at night telling stories about their lives. As the last movement fades away you slowly return to the present.This is the viola and piano arrangement and piano score and viola parts are included.Please note that the recording is of the cello and piano arrangement.
$12.99
Five Lost Highland Tales 5: Passacaglia
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Alto, Piano
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INTERMÉDIAIRE
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Joanna Borrett
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Five Lost Highland Tales 5: Pa
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Joanna Borrett
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1515860 Composed by Joanna Borrett. Classical,Folk. Score and part. 4 pages. Joanna Borrett #1090159. Published by Joann...
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Piano,Viola - Level 3 - SKU: A0.1515860 Composed by Joanna Borrett. Classical,Folk. Score and part. 4 pages. Joanna Borrett #1090159. Published by Joanna Borrett (A0.1515860). Passacaglia is the fifth movement of Five Lost Highland Tales - a prequel to Clan.This is the viola and piano arrangement. Piano score and viola part included.Imagine going back in time and watching an ancient Scottish clan sitting round an open fire one night telling stories about their lives. Passacaglia is the last of these tales.Please note that the recording is of the cello and piano arrangement.
$5.99
Five Lost Highland Tales 4: Lullaby
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Alto, Piano
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INTERMÉDIAIRE
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Joanna Borrett
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Five Lost Highland Tales 4: Lu
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Joanna Borrett
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1515854 Composed by Joanna Borrett. Classical,Folk. Score and part. 3 pages. Joanna Borrett #1090153. Published by Joann...
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Piano,Viola - Level 3 - SKU: A0.1515854 Composed by Joanna Borrett. Classical,Folk. Score and part. 3 pages. Joanna Borrett #1090153. Published by Joanna Borrett (A0.1515854). Lullaby is the fourth movement of Five Lost Highland Tales - a prequel to Clan.This is the viola and piano arrangement. Piano score and individual viola part included.Imagine going back in time and watching an ancient Scottish clan sitting round an open fire one night telling stories about their lives. Lullaby is the fourth of these tales.Please note that the recording is of the cello and piano arrangement.
$5.99
"Lost Cause" for Viola and Piano (Full Score and Parts)
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Alto, Piano
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FACILE
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Pop musique
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Billie Eilish
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Lucas Rezende
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"Lost Cause" for Viola and Pia
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Lucas Rezende
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SheetMusicPlus
By Billie Eilish. Arranged by Lucas Rezende. Score, Set of Parts. 12 pages. Published by Lucas Rezende...
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By Billie Eilish. Arranged by Lucas Rezende. Score, Set of Parts. 12 pages. Published by Lucas Rezende
$4.99
"Lost Cause" for Viola and Piano (Individual Parts)
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Alto, Piano
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FACILE
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Pop musique
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Billie Eilish
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Lucas Rezende
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"Lost Cause" for Viola and Pia
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Lucas Rezende
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SheetMusicPlus
By Billie Eilish. Arranged by Lucas Rezende. Set of Parts. 6 pages. Published by Lucas Rezende...
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By Billie Eilish. Arranged by Lucas Rezende. Set of Parts. 6 pages. Published by Lucas Rezende
$4.99
What Was I Made For?
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Alto, Piano
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FACILE
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Pop musique
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1273330 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwrit...
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Piano,Viola - Level 2 - SKU: A0.1273330 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865483. Published by Milanov (A0.1273330). What Was I Made For? From Barbie by Billie Eilish for viola and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
What Was I Made For?
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Alto, Piano
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FACILE
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Pop musique
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1273331 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwrit...
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Piano,Viola - Level 2 - SKU: A0.1273331 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865484. Published by Milanov (A0.1273331). What Was I Made For? From Barbie by Billie Eilish for viola and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
Suite in Sea
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Alto, Piano
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INTERMÉDIAIRE
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Kara Williams
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Kara Williams
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Suite in Sea
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Kara Williams
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1462840 Composed by Kara Williams. Arranged by Kara Williams. Chamber,Classical,Comedy,Contemporary,Contest,Festival. Sc...
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Piano,Viola - Level 3 - SKU: A0.1462840 Composed by Kara Williams. Arranged by Kara Williams. Chamber,Classical,Comedy,Contemporary,Contest,Festival. Score and part. 24 pages. Kara Williams #1041594. Published by Kara Williams (A0.1462840). Originally written for clarinet and piano, Suite in Sea is a fun and quirky work composed by Kara Williams (drawing on her own time at sea in the Navy) that has been re-orchestrated for Viola and Piano by the composer.A suite of four short programmatic movements, we first follow a young sailor as they stagger around the deck on their first voyage - finally succumbing to the corkscrew motion of the ocean in Sea Sick Shanty; then enjoying a moment of peace and beauty as the ship sails through an Archipelago teaming with marine life; in Brew Time March, the young sailor excitedly hears the bugle call to have a break from work (brew time), grab a coffee and sit on the bow to watch the waves and lost in thoughts, they unexpectedly hears the sound of work recommencing, and scurry back, making it just in the nick of time, waiting eagerly for next the next call for Brew Time - and the preparation, spectacle, pride, and excitement of Sailing into Harbour concludes this suite suitable for an intermediate to more advanced player looking for something entertaining and a little bit different.To hear a midi version of the complete suite please visit:karawilliamsmusic.com.
$20.00
Heaven Is A Place On Earth
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Alto, Piano
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INTERMÉDIAIRE
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Belinda Carlisle
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Kevin P Holdgate
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Heaven Is A Place On Earth
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Kevin P Holdgate
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1386963 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/...
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Piano,Viola - Level 3 - SKU: A0.1386963 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 7 pages. Kevin P Holdgate #970849. Published by Kevin P Holdgate (A0.1386963). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
$5.99
Romance in F for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Diego Marani
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Romance in F for Viola and Pia
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Diego Marani
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.528183 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Stand...
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Piano,Viola - Level 3 - SKU: A0.528183 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Diego Marani #5191247. Published by Diego Marani (A0.528183). Beethoven’s two romances for violin are the closest of siblings: No. 2 is in F Major, while No. 1 is in G Major. Both were dedicated to the same violin virtuoso, Ignaz Schuppanzigh. Musically, No. 2 shares the stately pace and singing quality of No. 1, as well as its rondo structure, which allows Beethoven to repeat the theme with additional material at each iteration. Some listeners hear the melancholy of lost love in this romance’s languorous melody, while others hear a more philosophical musing, poetic and contemplative.Originally composed for violin and orchestra, this arrangement is a faithful transcription for viola and piano.
$9.99
"Hellenic Suite" for viola and piano
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Alto, Piano
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AVANCÉ
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Panagiotis Theodossiou
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"Hellenic Suite" for
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Panagiotis Theodossiou
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.886696 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and part. 76 pages. Panagiotis Theodoss...
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Piano,Viola - Level 5 - SKU: A0.886696 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and part. 76 pages. Panagiotis Theodossiou #3575307. Published by Panagiotis Theodossiou (A0.886696). Hellenic Suite, for viola and piano (2010) I.Seashore Procession, Thalassaki (traditional tune from Dodekanisos) II.Dance of the Youngsters, Pentozalis (traditional tune from Crete) III.Litany in Spring, Egomia (from the Evening Service of Holly Epitaph) IV.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris) V.Ancient Ritual, Orestes Stasimon (from Orestes Tragedy by Euripides) VI.Dance of the Past, Dance (traditional tune from Heipiros) VII.Homelands Lost, Mia Smyrnia stoPapathyri (traditional tune from Asia Minor) VIII.Dance of the Future, Pyrihios (traditonal dances from Sera and Shereanit'sa from Pontos) Four laments, four dances. Eight scenes depicting Hellenic History from 6th century B.C., or even earlier, up to our days, based on fragments of ancient Greek music, folk and byzantine tradition and rebetiko song tunes as well. From Greece of the distand past, to Greece of the present and, maybe, to Greece of the years to come, Hellas of the Future. The work is dedicated to the Greek Composer Giannis Konstantinidis. It has been performed by Andrea Hemmenway and Konstantinos Papadakis in Fall Arts Concert organised by Hellenic University Club of Philadelphia in The Ethical Society Hall of Philadelphia in 2010. The same artists perfomed the work at Kendal Concert Hall in Kendal, Pennsylvania in 2011. Version for violin and piano available. Excerpts of this version has been performed by Tania Sikelianou and Timos Gennatos at : Ellinikon Eidyllion, Selianitika, Aigion in 2011. https://www.youtube.com/watch?v=p85FLAegsfo&t=4s
$28.00
Bach: Bist du bei mir BWV 508 for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
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Piano,Viola - Level 2 - SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Silent Night for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Viola & P
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548494 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387259. Pub...
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Piano,Viola - Level 1 - SKU: A0.548494 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387259. Published by jmsgu3 (A0.548494). Silent Night arranged for Viola & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies.Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
Wade In The Water (Viola solo and Piano)
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Alto, Piano
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FACILE
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Spiritual
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Stephen DeCesare
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Wade In The Water
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Exultet Music
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.628428 Composed by Spiritual. Arranged by Stephen DeCesare. Folk,Sacred,Spiritual. Score and part. 10 pages. Exultet Mus...
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Piano,Viola - Level 2 - SKU: A0.628428 Composed by Spiritual. Arranged by Stephen DeCesare. Folk,Sacred,Spiritual. Score and part. 10 pages. Exultet Music #6134805. Published by Exultet Music (A0.628428). The well-known traditional Spiritual that Harriet Tubman used to tell escaping slaves to get off the trail and into the water to make sure that the dogs employed by slavers lost their trail has been freshly arranged as an easy jazz anthem for a Viola solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Penitent Thief, The (for viola and piano)
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Alto, Piano
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AVANCÉ
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #64...
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Piano,Viola - Level 5 - SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
Bayly - Long, Long Ago in D Major - Easy
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Alto, Piano
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DÉBUTANT
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Thomas Haynes Bayly
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Piacere Music Sheets
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Bayly - Long, Long Ago in D Ma
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Piacere Music Sheets
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1110546 Composed by Thomas Haynes Bayly. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,Romantic Peri...
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Piano,Viola - Level 1 - SKU: A0.1110546 Composed by Thomas Haynes Bayly. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 7 pages. Piacere Music Sheets #712847. Published by Piacere Music Sheets (A0.1110546). Key/Tone: D Major Movements/Sections: Andante Year/Date of Composition: c. 1835 Difficulty: Grade 1/12 (Easy) Obs.: This piece is an English song about lost love and nostalgia. Originally entitled The Long Ago, its name was apparently changed by the editor Rufus Wilmot Griswold upon its first publication in 1843, posthumously, in a Philadelphia magazine, along with a collection of other songs and poems by Bayly. The song was well received and became one of the most popular songs in the United States in 1844. Included: Full score and separated parts for each instrument.
$4.95
Faded
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Alto, Piano
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INTERMÉDIAIRE
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Alan Walker
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Benzaiten Editions
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Faded
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Benzaiten Editions
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1263562 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 2...
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Piano,Viola - Level 3 - SKU: A0.1263562 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Score and part. 4 pages. Benzaiten Editions #856525. Published by Benzaiten Editions (A0.1263562). Hey! Are you a viola player who wants to learn how to play Faded by Alan Walker? You're in the right place!Faded by Alan Walker - Intermediate Viola Sheet Music with Piano Accompaniment with chords The Benzaiten Editions Arrangement Get ready to immerse yourself in the captivating world of Faded by Alan Walker! This hauntingly beautiful song has captured the hearts of millions with its mesmerizing melody and evocative lyrics. I have created an intermediate viola arrangement of Faded that allows you to play this iconic piece with depth and emotion. Whether you're a fan of the original track or simply love the melancholic atmosphere it creates, this arrangement will enable you to bring its magic to life through your viola. With this arrangement, you'll be able to replicate the captivating melody and harmonies of Faded while adding your own expressive touches. The arrangement strikes a balance between accessibility and musicality, making it perfect for intermediate musicians who want to master this popular song. Whether you're looking to expand your repertoire or simply enjoy playing beautiful music, our arrangement of Faded will undoubtedly inspire and captivate you. About the song Alan Walker's hit single Faded started as an instrumental track called Fade and gained attention on YouTube in 2014. With its captivating vocals by Iselin Solheim, the song topped charts worldwide and amassed billions of views. The distinctive melody, combined with Walker's signature production style, creates a captivating fusion of EDM and pop. Faded has become a universal anthem about feeling lost and finding solace in music, leaving a lasting impact on listeners worldwide.
$5.99
Clouds of Gossamer (Viola solo)
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Alto, Piano
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INTERMÉDIAIRE
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New Age
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Contemporain
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P
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P
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Clouds of Gossamer
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P. R. Frederick
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1193492 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary,New Age. Score and part. 4 pages. P. R. F...
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Piano,Viola - Level 3 - SKU: A0.1193492 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary,New Age. Score and part. 4 pages. P. R. Frederick #792958. Published by P. R. Frederick (A0.1193492). Get lost in a dreamy, ethereal soundscape with Clouds of Gossamer for solo viola and piano. This hauntingly beautiful piece of music is perfect for any setting, from a romantic evening to a peaceful morning. Easy to learn and flowing in its melody, Clouds of Gossamer will surely become one of your favorite pieces of music. Enjoy playing it today!
$8.00
Down By the Sally Gardens (Trio for Flute, Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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the Sally Gardens
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Traditional Irish Melody
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John A
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Down By the Sally Gardens
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John A. Dempsey
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SheetMusicPlus
Flute,Piano,Viola - Level 3 - SKU: A0.524666 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Folk,Irish,Multicultural,Pop,Roma...
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Flute,Piano,Viola - Level 3 - SKU: A0.524666 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Folk,Irish,Multicultural,Pop,Romantic Period,World. 16 pages. John A. Dempsey #6167813. Published by John A. Dempsey (A0.524666). A poignant Celtic tune that evokes the windswept willow groves, river banks and vibrant gardens of Ireland as well as the gentle melancholy of a lost love, Down By the Sally Gardens (also spelled Salley) is arranged here as a trio for flute, viola and piano. Â This arrangement begins quietly but soon gathers in intensity, thanks to ornamentation, dynamic shading and a touch of variation in both tempo and melody. Â 12 pages of music (that includes separate two-page parts for flute and viola). Â Key: C major. Â Flute/Viola Level: Intermediate. Â Piano Level: Late Intermediate
$11.99
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