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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
May H
Non classifié
289
Piano & claviers
Piano seul
468
Piano, Voix
325
Piano, Voix et Guitare
42
1 Piano, 4 mains
6
Accompagnement Piano
6
Piano Facile
5
Orgue
4
Instruments en Do
4
Piano Trio: piano, violon, violoncelle
3
Piano (partie séparée)
1
Clavecin
1
+ 6 instrumentations
Retracter
Guitares
Guitare
5
Ligne De Mélodie, (Paroles) et Accords
2
Guitare notes et tablatures
1
Basse electrique
1
Mandoline, Guitare (duo)
1
Ukulele
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
148
Chorale 2 parties
10
Chorale Unison
8
Chorale 3 parties
7
Chorale TTBB
3
Voix duo, Piano
3
Pack Instrumental pour Chorale
1
Voix Tenor, Piano
1
Chorale SSAA
1
Voix basse
1
Chorale SSATTB
1
Chorale SSATB
1
Voix Baryton, Piano
1
Voix duo
1
Voix moyenne, Piano
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
46
2 Clarinettes (duo)
35
Quatuor de Clarinettes: 4 clarinettes
19
Quatuor de Saxophones: 4 saxophones
17
2 Hautbois (duo)
15
2 Flûtes traversières (duo)
14
3 Clarinettes (trio)
13
3 Saxophones (trio)
12
Trio de Flûtes: 3 flûtes
9
Quatuor de Flûtes : 4 flûtes
8
Clarinette
8
4 Hautbois
7
3 Hautbois
7
Hautbois (partie séparée)
6
Flûte, Hautbois, Clarinette, Basson
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Ensemble de Flûtes
5
Flûte traversière
5
Saxophone Alto
4
Saxophone Tenor
4
Saxophone (partie séparée)
4
Flûte traversière et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Quintette de Saxophone: 5 saxophones
3
Clarinette et Piano
3
Flute (partie séparée)
2
Saxophone Tenor et Piano
2
Flûte, Violon
2
Clarinette (partie séparée)
2
Hautbois, Piano (duo)
2
Clarinette, Violon (duo)
2
Flute, harpe et violon
2
Saxophone Alto et Piano
2
Cor anglais, Piano
2
Ensemble de Clarinettes
1
Saxophone Baryton, Piano
1
Saxophone Soprano et Piano
1
Piccolo, Piano
1
Flûte, Violoncelle
1
Clarinette Basse, Piano
1
Flûte, Clarinette (duo)
1
Quintette de Flûte : 5 flûtes
1
Ensemble de saxophones
1
2 Flûte à bec (duo)
1
+ 39 instrumentations
Retracter
Cuivres
2 Trompettes (duo)
17
2 Trombones (duo)
16
2 Cors (duo)
16
2 Tubas (duo)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette
7
Euphonium
4
Trombone
4
Cor
4
Tuba
3
Euphonium, Piano (duo)
3
Trompette (partie séparée)
3
Cor et Piano
3
Trombone (partie séparée)
3
Trombone et Piano
3
Cor (partie séparée)
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Tuba (partie séparée)
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
37
2 Violons (duo)
20
2 Altos (duo)
20
2 Violoncelles (duo)
19
2 Contrebasses (duo)
16
Violon
8
Trio à cordes: 3 altos
6
Violoncelle
6
Trio à cordes: 3 violins
6
Violon et Piano
6
Violon (partie séparée)
5
Trio à Cordes: 3 violoncelles
5
Contre Basse
4
Violon, Violoncelle (duo)
4
Alto (partie séparée)
3
Trio à Cordes: violon, alto, violoncelle
3
Alto seul
3
Harpe
3
Alto, Piano
3
Violoncelle, Piano
2
Violoncelle (partie séparée)
2
Contrebasse (partie séparée)
2
Alto, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Violon, Alto (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Cloches
20
Ensemble de Percussions
17
Orchestre
15
Orchestre à Cordes
6
Orchestre d'harmonie
6
Ensemble de cuivres
3
Orchestre de chambre
3
Timbales (partie séparée)
1
Percussion (partie séparée)
1
Batterie
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
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FLUTE A DIX…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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Crtitères actifs :
May H
Alto, Piano
Partitions à imprimer
3 partitions trouvées
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Abide with Me! For Oboe, Viola and Piano
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Alto, Piano
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FACILE
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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Abide with Me! For Oboe, Viola
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Daniel Carter
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Viola - Level 2 - SKU: A0.1044028 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Praise & Worsh...
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Instrumental Duet Instrumental Duet,Oboe,Viola - Level 2 - SKU: A0.1044028 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Praise & Worship,Sacred,Traditional. Score and parts. 8 pages. Daniel Carter #648744. Published by Daniel Carter (A0.1044028). The traditional hymn with text penned by Henry F. Lyte and hymn tune by William H. Monk (tune name EVENTIDE) arranged for instrumental ensemble of Oboe (or C Instrument), Viola, and Piano by Daniel Carter. A gentle, reflective setting suited for worship and many other gatherings. Oboe (C Instrument) and Viola parts included on the last two pages of the score so that they may be printed out for the instrumentalists.
$6.99
Bach: Wachet auf for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Viola &am
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Sullivan: The Lost Chord for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for V
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Piano,Viola - Level 3 - SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
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May H
