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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
New Method
Non classifié
94
Piano & claviers
Piano seul
56
Piano Facile
39
Orgue
8
Piano, Voix
8
2 Pianos, 4 mains
6
1 Piano, 4 mains
5
Instruments en Do
3
Accordéon
2
Piano, Voix et Guitare
2
Piano Trio: piano, violon, violoncelle
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare
22
Guitare notes et tablatures
8
Mandoline
3
Banjo
3
Basse electrique
2
Ukulele
2
Dulcimer
1
Piano, Guitare (duo)
1
+ 3 instrumentations
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Voix
Chorale SATB
10
Chorale 2 parties
5
Voix duo
3
Chorale 3 parties
2
Chorale Unison
2
Chorale TTBB
1
Voix Tenor, Piano
1
+ 2 instrumentations
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Vents
Saxophone Tenor et Piano
7
Flûte à bec Soprano
5
Saxophone Soprano et Piano
5
Clarinette
5
Flûte irlandaise
5
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5
Flûte traversière
3
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2
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2
Clarinette et Piano
2
Quatuor de Saxophones: 4 saxophones
2
2 Saxophones (duo)
1
2 Flûtes traversières (duo)
1
Saxophone
1
Flûte à bec Alto
1
Flûte traversière, Basse continue
1
Hautbois, Piano (duo)
1
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1
Saxophone Alto
1
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1
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1
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1
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1
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1
+ 20 instrumentations
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2 Cors (duo)
15
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8
Trombone
7
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3
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3
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2
Quatuor de Cuivres
2
Trombone basse
1
Ensemble de Trombones
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Bass Clef Instruments
1
Trompette, Cor (duo)
1
Trombone et Piano
1
Cor et Piano
1
Cor
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 11 instrumentations
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Cordes
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17
Violoncelle
12
Violon et Piano
11
Violon
10
Harpe
8
2 Violons (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Alto, Piano
5
Harpe et Piano
4
Violon, Alto (duo)
4
Violon, Violoncelle (duo)
3
Violon, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
3
Contre Basse
3
Violoncelle, Piano
3
Violon (partie séparée)
2
2 Violoncelles (duo)
2
Alto seul
2
Autoharp
1
Violoncelle (partie séparée)
1
+ 15 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
13
Batterie
9
Orchestre de chambre
5
Cloches
4
Orchestre
3
Orchestre d'harmonie
3
Vibraphone
2
Ensemble d'École
2
Ensemble Jazz
2
Piano et Orchestre
1
Jazz combo
1
+ 6 instrumentations
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Autres
Théorie de la musique
4
Instruments
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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New Method
Alto, Piano
Partitions à imprimer
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Viola Friends Viola Method Book 1
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Alto, Piano
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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Viola Friends Viola Method Boo
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Suomi Music
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1318065 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. Edu...
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Piano,Viola - Level 1 - SKU: A0.1318065 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. Educational Method. 56 pages. Suomi Music #906748. Published by Suomi Music (A0.1318065). VIOLA METHOD BOOK 1Viola Friends Method Book Volume 1 is a fun and colorful collection of great music for the beginner viola player, presenting music from Mozart, Handel, Purcell, Beethoven, Komarovsky, and Bach, as well as popular European and American children's songs.The Method Book 1 starts with warming-up exercises and aims at creating playful inspiration for the student and teacher. The music follows in a pedagogically progressive order after each new scale. Ideas concerning natural movements to help build up an effortless playing technique are presented as warming-up exercises with corresponding YouTube videos.Viola Friends method book volume 1 contains: Warming-up exercises. Fifty-six small pieces for the concert. 25 duos. Two major scales. Six technical exercises. Three note reading exercises. All Violin Friends music is easily learnable with the help of simplified piano parts, Youtube play-along videos on the Violin Friends Youtube channel, and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.90
Piano Part for Violin Friends Violin Method Book 1.
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Alto, Piano
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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Piano Part for Violin Friends
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Suomi Music
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1318256 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. Sco...
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Piano,Viola - Level 1 - SKU: A0.1318256 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. Score and part. 60 pages. Suomi Music #906928. Published by Suomi Music (A0.1318256). Piano Part for Violin Friends Violin Method Book 1.41 Simplified Piano PartsViolin Friends Method Book Volume1 is a fun and colorful collection of great music for the beginner violin player, presenting music from W.A.Mozart, G.F.Handel, H.Purcell, L.van Beethoven, I. Komarovsky, and J.S.Bach, as well as popular European and American children's songs.The Method Book 1 starts with warming-up exercises and aims at creating playful inspiration for the student and teacher. The music follows in a pedagogically progressive order after each new scale. Ideas concerning natural movements to help build up an effortless playing technique are presented as warming-up exercises with corresponding YouTube videos.All Violin Friends music is easily learnable with the help of simplified piano parts, Youtube play- along videos on the Violin Friends Youtube channel, and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.Read less.
$19.90
Come, Let Us Use The Grace Divine (Viola solo and Piano)
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Alto, Piano
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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Come, Let Us Use The Grace Div
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Exultet Music
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.629607 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and part. 11 page...
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Piano,Viola - Level 2 - SKU: A0.629607 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and part. 11 pages. Exultet Music #6356191. Published by Exultet Music (A0.629607). One of the staple hymns in the Methodist hymnal has now been freshly arranged for a Viola solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used anytime throughout the liturgical year but especially in times of renewal. An accompaniment track is also available.
$4.99
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
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