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Night Visions No. 3 - Shadows
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Vous avez sélectionné:
Night Visions No. 3 - Shadows
Alto, Piano
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Night Visions No. 6 - Velvet Sky - Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Night Visions No. 6 - Velvet S
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.518306 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Ins...
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Piano,Viola - Level 3 - SKU: A0.518306 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Instructional,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #129001. Published by James M Stevens Music ASCAP (A0.518306). This is an original viola & piano composition in a romantic style in the key of D major. There is a separate viola part in the score and the piano part as seen can serve as an independent solo. The piano accompaniment as heard is available under Night Visions No. 6 - Velvet Sky Piano Track at Sheet Music Plus. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
O Holy Night for Viola & Piano
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Alto, Piano
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Viola & P
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.548681 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #341...
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Piano,Viola - Level 2 - SKU: A0.548681 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410447. Published by jmsgu3 (A0.548681). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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Night Visions No. 3 - Shadows
