Partitions Numériques de One Last Time pour Alto, Piano

10 partitions trouvées

Duo Concertante (2018) for viola and piano

Alto, Piano

Piano,Viola - Level 4 - Digital Download SKU: A0.869576 Composed by Thomas Oboe Lee…(+)

$9.99 9.2 € #Alto, Piano #Thomas Oboe Lee #Duo Concertante #Thomas Oboe Lee #SheetMusicPlus

Over The Rainbow

Alto, Piano

Piano,Viola - Level 2 - Digital Download SKU: A0.803439 By Judy Garland. By Harold …(+)

$5.00 4.6 € #Alto, Piano #Judy Garland #Robert Fisco #Over The Rainbow #Robert Fisco #SheetMusicPlus

Saint-Saens: The Swan for Viola and Piano

Alto, Piano

Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…(+)

$34.95 32.18 € #Alto, Piano #Camille Saint-Saens #James M #Saint-Saens: The Swan for Viola and Piano #jmsgu3 #SheetMusicPlus

Beethoven: Adagio from Sonata Pathetique for Viola & Piano

Alto, Piano

Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beet…(+)

$24.95 22.97 € #Alto, Piano #Ludwig van Beethoven #James M #piano concertos 1-5 #Beethoven: Adagio from Sonata Pathetique for Viola & Piano #jmsgu3 #SheetMusicPlus

Beautiful Dreamer (Viola Solo, Piano Accompaniment)

Alto, Piano

Piano,Viola - Level 3 - Digital Download SKU: A0.1046132 Composed by Stephen Foster…(+)

$4.99 4.59 € #Alto, Piano #Stephen Foster #Cathy Stamegna #Beautiful Dreamer #Cathy Stamegna #SheetMusicPlus

Go to Dark Gethsemane (with "Pachelbel’s Canon") (Viola, Violoncello Duet, Piano Accompaniment)

Alto, Piano

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - Digital Download (+)

$5.99 5.52 € #Alto, Piano #Johann Pachelbel and Richard Redhead #Cathy Stamegna #Set of Parts. #Go to Dark Gethsemane #Cathy Stamegna #SheetMusicPlus

Go to Dark Gethsemane (with "Pachelbel’s Canon") (Viola Duet, Piano Accompaniment)
Alto, Piano

Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU:…(+)

Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.781122 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794329. Published by Cathy Stamegna (A0.781122). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbelâ€™s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christâ€™s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.
$5.99 5.52 € #Alto, Piano #Johann Pachelbel and Richard Redhead #Cathy Stamegna #Set of Parts. #Go to Dark Gethsemane #Cathy Stamegna #SheetMusicPlus

The Water is Wide for Viola & Piano
Alto, Piano

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…(+)

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly) Duration: 5:24 Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time Solo part: 3 pg. Piano part: 4 pg. A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide," it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love." This is an original arrangement from the ground up. Programming: If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill. It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases. Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners. Keep in mind these performance ideas: 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses. 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated. 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow. Synopsis of the arrangement: verse 1: Simple quiet duet with the melody in the solo instrument. verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano. verse 3: Melody in the piano in 4-part harmony. verse 4: 3-part canon on the melody (with a free accompaniment voice). verse 5: 2-part canon with a free accompaniment in the solo part verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse. verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal piano clusters over bass chords that suggest submerged church bells. For better insight into the performance of this music: express the emotion indicated by the lyrics: The Water Is Wide: The water is wide, I cannot get over Neither have I wings to fly Give me a boat that can carry two And both shall row, my love and I A ship there is and she sails the sea She's loaded deep as deep can be But not so deep as the love I'm in I know not if I sink or swim I leaned my back against an oak Thinking it was a trusty tree But first it bent and then it broke So did my love prove false to me I reached my finger into some soft bush Thinking the fairest flower to find I pricked my finger to the bone And left the fairest flower behind Oh love be handsome and love be kind Gay as a jewel when first it is new But love grows old and waxes cold And fades away like the morning dew Must I go bound while you go free Must I love a man who doesn't love me Must I be born with so little art As to love a man who'll break my heart When cockle shells turn silver bells Then will my love come back to me When roses bloom in winter's gloom Then will my love return to me The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724). O Waly, waly (a lament – "woe is me") up the bank, And waly, waly doun the brae (hill), And waly, waly, yon burn-side (riverside), Where I and my love wont to gae. I lean'd my back into an aik (oak), I thocht it was a trusty tree; But first it bow'd, and syne (soon) it brak (broke), Sae my true love did lightly me. O waly, waly, but love be bonnie (beautiful), A little time while it is new, But when 'tis auld (old), it waxeth cauld (cold), And fades away like the morning dew. O wherefore should I busk my heid (adorn my head)? Or wherefore should I kame (comb) my hair? For my true love has me forsook, And says he'll never love me mair (more). Now Arthur Seat shall be my bed, The sheets shall ne'er be fyl'd by me, Saint Anton's well shall be my drink, Since my true love has forsaken me. Martinmas wind, when wilt thou blaw (blow), And shake the green leaves off the tree? O gentle death, when wilt thou come? For of my life I am weary. 'Tis not the frost, that freezes fell, Nor blawing snaws (snow) inclemency, 'Tis not sic cauld (such cold) that makes me cry, But my love's heart grown cauld to me. When we cam in by Glasgow town, We were a comely sight to see; My love was clad in the black velvet, And I my sell in cramasie (crimson). But had I wist (known), before I kiss'd, That love had been sae ill to win, I'd lock my heart in a case of gold, And pin'd it with a silver pin. Oh, oh! if my young babe were born, And set upon the nurse's knee, And I my sell were dead and gane, For a maid again I'll never be.[4] (Lyrics courtesy of Wikipedia) For more information, please feel free to contact me at: jmsgu3 "at" gmail.com James M. Guthrie, ASCAP jmsgu3 publications
$32.95 30.34 € #Alto, Piano #Traditional Scottish #James M #The Water is Wide for Viola & Piano #jmsgu3 #SheetMusicPlus

DOWNTON ABBEY FOR VIOLA AND PIANO
Alto, Piano

By John Lunn. Arranged by Helen Marple-Horvat. Set of Parts. 10 pages. Published by …(+)

By John Lunn. Arranged by Helen Marple-Horvat. Set of Parts. 10 pages. Published by Helen Marple-Horvat
Downton Abbey was a much loved TV series that ran for six seasons capturing the hearts of many across the world. The composer of the music, John Lunn, won two Primetime Emmys for the hauntingly beautiful score. I have arranged this wonderful piece for violin and piano, as well as for cello and piano, and string quartet/string orchestra. The 30 sec clip is done on Sibelius software as I have not yet been able to record this piece live, but if you search my Youtube Channel, Skinny Black Dogs, Capriccio Quartet, you can see and hear the live version. The harmony and structure is exactly the same. The piece is suitable for a young violist and could easily make use of open strings, though more experienced players will be able to play in different positions with longer bows and vibrato. At Bars 11-13 the soloist will need to change the bow discreetly when it runs out. At bar 16, and at other similar points, the last beat may be omitted as it is double by the pianist.This was great fun to arrange so I hope you enjoy playing it!
$20.00 18.42 € #Alto, Piano #John Lunn # Helen Marple-Horvat #DOWNTON ABBEY FOR VIOLA AND PIANO # Helen Marple-Horvat #SheetMusicPlus

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