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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
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FORMATION MUSI…
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120
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106
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22
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21
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16
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14
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5
Piano grosses notes
2
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 4 mains
1
+ 5 instrumentations
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Guitare notes et tablatures
36
Guitare
7
Basse electrique
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
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27
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15
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9
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8
Chorale TTBB
7
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5
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5
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4
+ 3 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
17
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17
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14
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13
2 Saxophones (duo)
12
Saxophone (partie séparée)
11
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6
Saxophone Alto
6
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6
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5
Clarinette et Piano
5
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4
Saxophone Tenor
4
Flûte traversière et Piano
4
Flûte, Clarinette (duo)
4
Hautbois, Piano (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Hautbois (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
2
Saxophone Soprano
2
Flûte traversière
2
Quintette de Saxophone: 5 saxophones
2
Clarinette
2
Cor Anglais
1
2 Clarinettes (duo)
1
Flûte irlandaise
1
Flûte à bec Soprano
1
Flute (partie séparée)
1
2 Saxophones, Piano
1
Ensemble de Clarinettes
1
2 Flûtes traversières (duo)
1
Ensemble de saxophones
1
+ 27 instrumentations
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Cuivres
Trombone et Piano
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone (partie séparée)
8
Trompette
6
2 Trombones (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trombone
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Piano
5
Cor et Piano
4
Cor
3
Trompette, Cor (duo)
3
Trompette (partie séparée)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Trombone (duo)
1
Cor Anglais
1
2 Tubas (duo)
1
Tuba
1
Tuba et Piano
1
2 Cors (duo)
1
Trompette, Euphonium (duo)
1
+ 16 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon
9
Violon et Piano
7
Violoncelle
6
Harpe
6
Alto, Piano
5
Violoncelle, Piano
5
Violon, Violoncelle (duo)
3
Piano Trio: Violon, Alto, Piano
3
2 Harpes (duo)
2
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
1
2 Violons (duo)
1
Alto, Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto (partie séparée)
1
Trio à Cordes: violon, alto, violoncelle
1
Autoharp
1
Contre Basse
1
Alto seul
1
4 Violoncelles
1
+ 16 instrumentations
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Orchestre d'harmonie
21
Fanfare
9
Orchestre
9
Ensemble Jazz
9
Ensemble de cuivres
8
Orchestre à Cordes
3
Ensemble de Percussions
3
Marimba
2
Xylophone
2
Jazz combo
2
Piano et Orchestre
1
Cloches
1
Xylophone, Piano
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Alto, Piano
Partitions à imprimer
5 partitions trouvées
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Jolly Old Saint Nicholas (with "Up On The Housetop") (Viola solo and Piano)
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Alto, Piano
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INTERMÉDIAIRE
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Benjamin Hanby, James Lord Pie
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Stephen DeCesare
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Jolly Old Saint Nicholas
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Exultet Music
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.629656 Composed by Benjamin Hanby, James Lord Pierpont. Arranged by Stephen DeCesare. Children,Christmas,Film/TV,Standar...
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Piano,Viola - Level 3 - SKU: A0.629656 Composed by Benjamin Hanby, James Lord Pierpont. Arranged by Stephen DeCesare. Children,Christmas,Film/TV,Standards. Score and part. 12 pages. Exultet Music #6360571. Published by Exultet Music (A0.629656). Two popular Christmas songs have now been freshly arranged as one piece and scored for a Viola solo with Piano accompaniment. Accessible and appropriate for any school or concert program. An accompaniment track is also available.
$4.99
A Night In Tunisia
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Alto, Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...
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Piano,Viola - Level 3 - SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Being Alive
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Alto, Piano
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FACILE
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Stephen Sondheim
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Rodrigo Ramos
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Being Alive
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Rodrigo Ramos
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1367009 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Musical/Show,Sing...
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Piano,Viola - Level 2 - SKU: A0.1367009 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Musical/Show,Singer/Songwriter,World. Score and part. 14 pages. Rodrigo Ramos #951351. Published by Rodrigo Ramos (A0.1367009). Being Alive is a song from the musical Company with music and lyrics by Stephen Sondheim. The song appears at the end of the second act and is sung by Robert, a 35-year-old bachelor at the center of the show, who ...realizes that being a lone wolf isn't all it's cracked up to be. He declares that he wants to take risks, to have fear, being heartbroken - or whatever happens when you decide to love and be loved. This arrangement is a sung version of the theme adapted for Viola and piano.
$5.99
And The Angels Sang (Viola solo and Piano)
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Alto, Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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And The Angels Sang
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Exultet Music
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1132865 By Stephen DeCesare. By Traditional, Richard S. Willis, Felix Mendelssohn. Arranged by Stephen DeCesare. Christi...
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Piano,Viola - Level 2 - SKU: A0.1132865 By Stephen DeCesare. By Traditional, Richard S. Willis, Felix Mendelssohn. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred,Standards. Score and part. 12 pages. Exultet Music #733065. Published by Exultet Music (A0.1132865). A wonderful composite of three beloved hymns for Christmas wrapped up into one medley (Hark! The Herald Angels Sing, It Came Upon The Midnight Clear and Angels We Have Heard On High) Scored for a Viola solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
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